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Nothing else to say
Part Tow of Triology
Nothing else to say
Part one of triology
Walls of two buildings (a grey and white one on the left, a blue glass one on the right) appear to be meeting, and perhaps even be butted together at right angles, near the middle of the frame. This is of course a visual illusion aided by the spatial compression of a long lens.
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Look trough the window, The ceramic rods on the Museum Brandhorst façade create a steady rhythm that’s suddenly broken by narrow windows. Their reflections catch bits of the world outside, adding depth to the surface. On the left, a washed-out sky pushes into the frame, giving the whole scene a stark, almost graphic feel. In black and white, the building’s colors fade, leaving just shape, contrast, and texture to tell the story.
A little more autumn goodness from Heritage Park Gardens at Kimbolton.
© Dominic Scott 2025
If only there had been more sunshine…
Street photography during an architecture course in black & white, shot in Munich. This is the café at Museum Brandhorst—still mostly in the shadows, so people preferred sitting inside. Not really visible here, thanks to the reflections in the window.
What caught my eye: the contrast between the empty chairs, someone dressed up, and someone in hot pants—each heading in their own direction.
More to come from these photo sessions: spanning Museum Brandhorst, Pinakothek der Moderne, the Film School, and soon BMW World and the BMW Museum.
Some shots will be minimalistic, others more street, others more graphic.
Stay curious. Expect surprises, explore new view points.
Of course, nothing like this, just a couple of small keys on slate, light by a torch passed through the holes of a food cutter or food chopper. Simple as that.
In total five variants, 2 x as cut XPan with 65 x 24 as format, 2 x aperture 2.8 for a small depth of field , 1 x aperture 11 for a more clear picture.
And since this is photography job, two lenses as mechanical stop, to tilt the inlet of the food chopper, torch in magic arm mounted on a lamp stand. Camera on tripod with a ball had and on top a Leo photo G2 geared panning clamp. Why two heads instead one geared head. Try to adjust for more then 15 to 30 degree in any direction, and then change, this is your answer.
Of course, nothing like this, just a couple of small keys on slate, light by a torch passed through the holes of a food cutter or food chopper. Simple as that.
In total five variants, 2 x as cut XPan with 65 x 24 as format, 2 x aperture 2.8 for a small depth of field , 1 x aperture 11 for a more clear picture.
And since this is photography job, two lenses as mechanical stop, to tilt the inlet of the food chopper, torch in magic arm mounted on a lamp stand. Camera on tripod with a ball had and on top a Leo photo G2 geared panning clamp. Why two heads instead one geared head. Try to adjust for more then 15 to 30 degree in any direction, and then change, this is your answer.
A little photo challenge today was a walk in a local park with the camera in 65:24 crop mode and see what compositions I could find.
All the colours of autumn .... and fall!
© Dominic Scott 2025
A little photo challenge today was a walk in a local park with the camera in 65:24 crop mode and see what compositions I could find.
Some autumn fungi basking in the sun....
© Dominic Scott 2025
A little photo challenge today was a walk in a local park with the camera in 65:24 crop mode and see what compositions I could find.
The ground underneath a crab apple tree - full of autumnal goodness, I thought!
© Dominic Scott 2025
