A Southern Rata Tree in flower. Shot on 70mm Agfa Aviphot Pan 200 (Expired 2012) with an R72 Infared filter. Devaloped in Xtol stock 9min at 20°C. Metered for iso 3 to compensate for the filter.
This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.
This site is a busybee project and is supported by the generosity of viewers like you.
A Southern Rata Tree in flower. Shot on 70mm Agfa Aviphot Pan 200 (Expired 2012) with an R72 Infared filter. Devaloped in Xtol stock 9min at 20°C. Metered for iso 3 to compensate for the filter.
Shot on 70mm Agfa Aviphot Pan 200 (Expired 2012) with an R72 Infared filter. Devaloped in Xtol stock 8.5min at 20°C. Metered for iso 3 to compensate for the filter.
Some star trails shot on Agfa Aviphot Pan 200 (expired 2006), cut down from 70mm aerial roll film and shot at Iso 100. Developed in ID11 Stock for 8:30.
Brownie no. 3a (c. 1911-17), 70mm Agfa Aviphot 200 on 124 reels, ~5s exposure at 22.
It’s a pleasure to shoot this camera with almost the right roll film!
#ShittyCameraChallenge #BelieveInFilm #LongExposure
Brownie no. 3a (c. 1911-17), 70mm Agfa Aviphot 200 (expired) hand rolled onto 3d printed reel)
#BelieveInFilm #ShittyCameraChallenge
From a set of negatives I picked up at a yard sale. Photographer and subject unknown.
Testing the settings on Rollei IR 400 too. 70mm film.
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
Classic manual cameras, still life indoors, with studio LED lights. The main purpose was to test two new to me things:
1) Agfa Aviphot Aero 200 film, which is a 70mm aerial photography film that is unperforated and comes in 150 feet rolls. I shot the film at ISO 100, but forgot to factor in the bellows extension due to macro distance. So overall I could use 1 stop more of exposure. But otherwise, the negatives looks quite healthy with nice contrast.
2) Graflex GH-50 roll film back for 70mm film. I got the later version which has two soft foam rollers that can work with unperforated 70mm film. It worked quite well: kept the film flat, and produced even spacing. The spacing is a bit bigger than Pentax 6x7, so I cut the film into 2 frames per strip. This works fine with scanner carrier and film storage sleeves.
Technical info:
- Camera: Linhof Tech V
- Lens: Schneider Xenar 150mm f/4.5
- Film back: Graflex GH-50
- Film: Agfa Aviphot Aero 200
- Development: Clayton F76+, 1+9, 7min@68F
- Scanning: Epson V700 with Epson Scan
- PostPro: Adobe Lightroom
The 116 version, fixed the shutter with a tiny amount of lighter fluid, this is an early model, so despite being a Model 2A this is a 120 one in Red bellows, an early 120 one
My solution, hopefully for 116 70mm and 65mm film a tip from Michael Raso
116 Film from Kodak Autographic 2A
I knew my 70mm HP5 would be useful
116 Spool and backing paper loaded with Ilford HP5 70mm
Kodak 70mm 116 film Ilford HP5
