Between the rows of president heads, I was ankle-deep in mud.
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Between the rows of president heads, I was ankle-deep in mud.
♥ Luna Chelsea L-VIBE HANDBAG ♥
♥ Luna Chelsea ODELLA DRESS ♥
♥ Luna Chelsea OPYLUXE HEELS ♥
maps.secondlife.com/secondlife/Chelsea%20Station/125/94/0
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♥ Stealthic - Precious Hair ♥
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Nikon F3
Nikkor 50mm 1.8
Kodak Gold 200
*DSLR Scan*
Alone Together Pripyat Central 029
Pripyat Central
I explored the world generated from the actual Chernobyl landscape depicted in Chernobylite, and took photos of the beautifully and intricately rendered scenery and man-made structures in photo mode to express it as virtual photography.
In the forest where all the activities of the people who used to live there have disappeared, the trees continue to grow thickly. The mist gently drifts by. The sunlight filters through the trees from between the branches. Amidst this, the numerous buildings created by humans are decaying.
The things that humans create may seem robust, but when they lose their connection with people, they rapidly lose their raison d'être and gradually head towards collapse. However, plants and forests continue to grow in number and flourish, even in such circumstances, and in the places where humans have disappeared, they quietly increase their numbers and flourish.
No matter what happens, the ‘nature’ that continues to exist there will always remain unchanged. Considering its overwhelming presence, the things that humans create are only given a momentary life.
Black&white
Photomode photo retouching only
Unofficial fanmade photos of the game "Chernobylite". Not approved by
The Farm 51.
Colonia Suiza, Río Negro: A sun-bleached, rusted relic of automotive history sits anchored to the earth, contrasting its weathered crimson paint against the vibrant greens of the Patagonian forest. The composition plays with the juxtaposition of eras, capturing the frame of a vintage machine that has long surrendered its mechanical purpose to the encroaching grass and golden afternoon light. In the background, a modern sedan offers a sharp visual dialogue, representing the passage of time and the blend of past and present that defines this mountain settlement. The soft focus on the surrounding foliage emphasizes the texture of flaking metal and the structural fatigue of the vintage grill. By preserving remnants like this abandoned vehicle, the village honors its unique fusion of Swiss-inspired pioneer heritage and South American frontier evolution. The image captures the serene, timeless atmosphere of a destination where early immigrant traditions continue to shape the local landscape. Travelers are drawn to this site for its authentic preservation of historic architecture and the quiet, storytelling nature of its outdoor scenery. This scene serves as a poignant testament to the enduring character of alpine life in Argentina, grounding the viewer in the narrative of a mountain enclave. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Colonia Suiza, Río Negro: Una reliquia automotriz oxidada y desgastada por el sol se encuentra anclada a la tierra, contrastando su pintura carmesí descascarada con los verdes vibrantes del bosque patagónico. La composición juega con la yuxtaposición de épocas, capturando el chasis de una máquina antigua que hace mucho tiempo entregó su propósito mecánico a la hierba invasora y a la luz dorada de la tarde. En el fondo, un sedán moderno ofrece un diálogo visual marcado, representando el paso del tiempo y la mezcla entre pasado y presente que define a este asentamiento de montaña. El enfoque suave en el follaje circundante enfatiza la textura del metal descascarado y la fatiga estructural de la parrilla vintage. Al preservar restos como este vehículo abandonado, el pueblo honra su fusión única entre la herencia pionera inspirada en Suiza y la evolución fronteriza de Sudamérica. La imagen captura la atmósfera serena y atemporal de un destino donde las tradiciones de los primeros inmigrantes siguen moldeando el paisaje local. Los viajeros se sienten atraídos por este sitio debido a su auténtica preservación de la arquitectura histórica y la naturaleza narrativa y tranquila de su paisaje al aire libre. Esta escena sirve como un testimonio conmovedor del carácter duradero de la vida alpina en Argentina, situando al espectador en la narrativa de un enclave montañoso. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
📊 Project 23 Master Database
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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'A Cold and Lonely' backstreet alleyway
≈ "Construction workers missing"
(After weeks of standstill)
