This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.
This site is a busybee project and is supported by the generosity of viewers like you.
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
Kathleen McEnery Cunningham American 1885-1971
Self-Portrait, ca, 1914
Rochester artist Kathleen McEnery Cunningham was involved in the city's vibrant society of artists, writers, and musicians, and was deeply influential at MAG where she served on the Board of Managers and the Art Committee. Before she moved to Rochester in 1914 and married Francis Cunningham of Cunningham Car Company, she devoted her career to painting. She studied under the tutelage of one of the leading American artists Robert Henri and exhibited in New York City and abroad. Two of her paintings were included in the pivotal and controversial 1913 Armory Show in New York City.
Likely painted after moving to Rochester and starting her family, this powerful self-portrait shows Cunningham with one hand on her hip and the other holding a paintbrush. Her strong, confrontational gaze asserts her self-image as an empowered and established artist.
From the Placard: Memorial Art Gallery, Rochester, New York
mag.rochester.edu/
kathleenmcenery.com/
magart.rochester.edu/artist-maker/info/258?sort=3
americanart.si.edu/artist/kathleen-mcenery-cunningham-1073
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
Kathleen McEnery Cunningham American 1885-1971
Self-Portrait, ca, 1914
Rochester artist Kathleen McEnery Cunningham was involved in the city's vibrant society of artists, writers, and musicians, and was deeply influential at MAG where she served on the Board of Managers and the Art Committee. Before she moved to Rochester in 1914 and married Francis Cunningham of Cunningham Car Company, she devoted her career to painting. She studied under the tutelage of one of the leading American artists Robert Henri and exhibited in New York City and abroad. Two of her paintings were included in the pivotal and controversial 1913 Armory Show in New York City.
Likely painted after moving to Rochester and starting her family, this powerful self-portrait shows Cunningham with one hand on her hip and the other holding a paintbrush. Her strong, confrontational gaze asserts her self-image as an empowered and established artist.
From the Placard: Memorial Art Gallery, Rochester, New York
mag.rochester.edu/
kathleenmcenery.com/
magart.rochester.edu/artist-maker/info/258?sort=3
americanart.si.edu/artist/kathleen-mcenery-cunningham-1073
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
Kathleen McEnery Cunningham American 1885-1971
Self-Portrait, ca, 1914
Rochester artist Kathleen McEnery Cunningham was involved in the city's vibrant society of artists, writers, and musicians, and was deeply influential at MAG where she served on the Board of Managers and the Art Committee. Before she moved to Rochester in 1914 and married Francis Cunningham of Cunningham Car Company, she devoted her career to painting. She studied under the tutelage of one of the leading American artists Robert Henri and exhibited in New York City and abroad. Two of her paintings were included in the pivotal and controversial 1913 Armory Show in New York City.
Likely painted after moving to Rochester and starting her family, this powerful self-portrait shows Cunningham with one hand on her hip and the other holding a paintbrush. Her strong, confrontational gaze asserts her self-image as an empowered and established artist.
From the Placard: Memorial Art Gallery, Rochester, New York
mag.rochester.edu/
kathleenmcenery.com/
magart.rochester.edu/artist-maker/info/258?sort=3
americanart.si.edu/artist/kathleen-mcenery-cunningham-1073
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
Kathleen McEnery Cunningham American 1885-1971
Self-Portrait, ca, 1914
Rochester artist Kathleen McEnery Cunningham was involved in the city's vibrant society of artists, writers, and musicians, and was deeply influential at MAG where she served on the Board of Managers and the Art Committee. Before she moved to Rochester in 1914 and married Francis Cunningham of Cunningham Car Company, she devoted her career to painting. She studied under the tutelage of one of the leading American artists Robert Henri and exhibited in New York City and abroad. Two of her paintings were included in the pivotal and controversial 1913 Armory Show in New York City.
Likely painted after moving to Rochester and starting her family, this powerful self-portrait shows Cunningham with one hand on her hip and the other holding a paintbrush. Her strong, confrontational gaze asserts her self-image as an empowered and established artist.
From the Placard: Memorial Art Gallery, Rochester, New York
mag.rochester.edu/
kathleenmcenery.com/
magart.rochester.edu/artist-maker/info/258?sort=3
americanart.si.edu/artist/kathleen-mcenery-cunningham-1073
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
Kathleen McEnery Cunningham American 1885-1971
Self-Portrait, ca, 1914
Rochester artist Kathleen McEnery Cunningham was involved in the city's vibrant society of artists, writers, and musicians, and was deeply influential at MAG where she served on the Board of Managers and the Art Committee. Before she moved to Rochester in 1914 and married Francis Cunningham of Cunningham Car Company, she devoted her career to painting. She studied under the tutelage of one of the leading American artists Robert Henri and exhibited in New York City and abroad. Two of her paintings were included in the pivotal and controversial 1913 Armory Show in New York City.
Likely painted after moving to Rochester and starting her family, this powerful self-portrait shows Cunningham with one hand on her hip and the other holding a paintbrush. Her strong, confrontational gaze asserts her self-image as an empowered and established artist.
From the Placard: Memorial Art Gallery, Rochester, New York
mag.rochester.edu/
kathleenmcenery.com/
magart.rochester.edu/artist-maker/info/258?sort=3
americanart.si.edu/artist/kathleen-mcenery-cunningham-1073
Identify the Artist XX
Week 10 Portraits of Artists (6) (1446 – 1450) 3/30 – 4/4/2025
ID 1446
[This photograph is Identify the artist (1446)]
This artist is already found in SETs: I, III, IV, V, XVI
This artist is American
This artist is Male
Date: 1914
This painting is found in The Denver Art Museum
www.denverartmuseum.org/en
Identify the Artist XX
Status after Week 8
Abstract (1436 – 1440) 3/16 – 3/21/2025
232 Trish Mayo
202 Madeleine
156 Eliska Koliosova
48 Noel Treacy
39 Mark Sobers
13 MisterMeta
12 René
10 jean louis mazieres
9 madalina potinc
8 Arkadii Frolov
6 Sultan Sultani
5 mitsunori a
5 Olga Johanna Christina
5 FulAnd
5 ktmqi
4 christian thibault
4 Donnacha Clifford
3 Wudu-wasa
3 Sarah Zambiasi
3 Melinda Young Stuart
3 Ruthie St. Steven
2 alaric seven
2 All this wonder
2 SILV DAMIC
2 de cultuurconsument
2 Valerio Rosellini
2 Robert Wiering
2 Anton
2 Bernard Blanc
1 茱蒂2號 飛
1 Cornelis Verwaal
1 Keith Michael
1 smrovielo
1 Brian Blair
1 Quentin Verwaerde
1 JEAN TOUSSAINT TOSI "The Dreamer"
1 Kevin Farley
1 Laura Sorrells
1 dee vee
1 Domingo Gómez
1 Adrián Rojas Yáñez
1 Michael Delmar Images
1 Nicolas Bouton
1 JR P
1 Rolf Schotsch
1 Robert Sparkman
1 FulAnd
1 the half-blood prince
1 dustin cecil
ABOVE:
Barnett Newman American 1905 - 1970
Vir Heroicus Sublimis, 1951
From the Placard: MoMA Museum of Modern Art, New York, NY
www.moma.org/
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1440
Norman Wilfred Lewis American 1909 - 1979
Untitled , 1978
Oil on canvas
An Abstract Expressionist, Lewis developed a unique approach to abstract painting. His paintings, such as this example, are composed of individual strokes reminiscent of glyphs, calligraphic script, and miniaturized figures, set within fields of color. These individual elements seem to respond to one another's position, their movements carefully choreographed by the artist. Because Lewis's strokes mass and swarm in the manner of large groups of bodies, they often call to mind dances, marches, and processions, including those associated with the civil rights movement. The blue field here evokes the maritime landscapes around New York and those of Greece, where Lewis travelled in 1973 to visit jack Whitten, whose work is seen nearby.
Purchase, George A. Hearn Fund , by exchange, and The Eugene and Estelle Ferkauf Foundation Gift, 1991 (1991.47)
From the Placard: The Metropolitan Museum of Art, New York, NY
www.metmuseum.org/
en.wikipedia.org/wiki/Norman_Lewis_(artist)
americanart.si.edu/artist/norman-lewis-2921
Norman Lewis YouTube:
www.youtube.com/watch?v=88KGbHzHMAg
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1440
Norman Wilfred Lewis American 1909 - 1979
Untitled , 1978
Oil on canvas
An Abstract Expressionist, Lewis developed a unique approach to abstract painting. His paintings, such as this example, are composed of individual strokes reminiscent of glyphs, calligraphic script, and miniaturized figures, set within fields of color. These individual elements seem to respond to one another's position, their movements carefully choreographed by the artist. Because Lewis's strokes mass and swarm in the manner of large groups of bodies, they often call to mind dances, marches, and processions, including those associated with the civil rights movement. The blue field here evokes the maritime landscapes around New York and those of Greece, where Lewis travelled in 1973 to visit jack Whitten, whose work is seen nearby.
Purchase, George A. Hearn Fund , by exchange, and The Eugene and Estelle Ferkauf Foundation Gift, 1991 (1991.47)
From the Placard: The Metropolitan Museum of Art, New York, NY
www.metmuseum.org/
en.wikipedia.org/wiki/Norman_Lewis_(artist)
americanart.si.edu/artist/norman-lewis-2921
Norman Lewis YouTube:
www.youtube.com/watch?v=88KGbHzHMAg
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1440
[This photograph is Identify the artist (1440)]
This artist is not found in any Prior SET
This artist is American
This artist is Male
Date: 1978
This painting is found in The Metropolitan Museum of Art, New York, NY
www.metmuseum.org/
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1439
Lynne Mapp Drexler American 1928 - 1999
Cismont, 1962
Oil on canvas
Gift from the estate of the artist, 2002.15.1
From the Placard: The Farnworth Art Museum
www.farnsworthmuseum.org/
en.wikipedia.org/wiki/Lynne_Mapp_Drexler
www.nytimes.com/2022/10/22/arts/design/lynne-drexler-auct...
On This Spot - Lynne Drexler
YouTube- On This Spot NYC - Feb 22, 2024
www.youtube.com/watch?v=UCP-lMD1B9w
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1439
Lynne Mapp Drexler American 1928 - 1999
Cismont, 1962
Oil on canvas
Gift from the estate of the artist, 2002.15.1
From the Placard: The Farnworth Art Museum
www.farnsworthmuseum.org/
en.wikipedia.org/wiki/Lynne_Mapp_Drexler
www.nytimes.com/2022/10/22/arts/design/lynne-drexler-auct...
On This Spot - Lynne Drexler
YouTube- On This Spot NYC - Feb 22, 2024
www.youtube.com/watch?v=UCP-lMD1B9w
Week 8 Abstract (1436 – 1440) 3/16 – 3/21/2025
ID 1439
[This photograph is Identify the artist (1439)]
This artist is not found in any Prior SET
This artist is American
This artist is Female
Date: 1962
This painting is found in The Farnsworth
www.farnsworthmuseum.org/
