The Flickr Churchruins Image Generatr

Abandoned Church, Italy

Jonnie Lynn Lace ©

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🇭🇷 Hrvatski:
Tamo gdje se visoka trava njiše na vjetru, a sunce posljednjim zrakama miluje kamen, stoji tiha ruševina crkvice Sveti Marak. Napuštena, ali ne i bez duše. Vrijeme je prošlo, ali zidovi još pamte. Možda će ova fotografija podsjetiti nekoga da zaviri u tu tihu povijest. Da ne zaboravi.
Canon R7 + RF 16mm
️ Predvečerje, kraj svibnja
📍Risika, otok Krk
🇬🇧 English:
Where wild grass dances in the wind and the sun softly kisses old stones, stands the quiet ruin of St. Marak church. Abandoned, yet not without soul. Time has passed, but the walls still whisper stories. Perhaps this photo will remind someone to look closer. To not forget.
Canon R7 + RF 16mm
️ Late May evening
📍Risika, Krk Island
🇩🇪 Deutsch:
Wo hohes Gras im Wind tanzt und die Sonne ihre letzten Strahlen auf alten Stein legt, steht die stille Ruine der Kirche Sveti Marak. Verlassen, aber nicht seelenlos. Die Zeit ist vergangen, doch die Mauern erinnern sich noch. Vielleicht erinnert dieses Bild jemanden daran, hinzusehen. Nicht zu vergessen.
Canon R7 + RF 16mm
️ Später Mai, Abendstunde
📍Risika, Insel Krk
🇫🇷 Français:
Là où l’herbe haute ondule sous le vent et où le soleil caresse les pierres anciennes, se dresse en silence la ruine de l’église Saint Marak. Abandonnée, mais pleine d’âme. Le temps est passé, mais les murs se souviennent. Peut-être que cette photo rappellera à quelqu’un d’écouter. De ne pas oublier.
Canon R7 + RF 16mm
️ Soirée de fin mai
📍Risika, île de Krk
🇮🇹 Italiano:
Là dove l’erba alta danza nel vento e il sole accarezza dolcemente la pietra, si trova in silenzio la rovina della chiesetta di San Marak. Abbandonata, ma non senza anima. Il tempo è passato, ma i muri ricordano ancora. Forse questa foto ricorderà a qualcuno di fermarsi. Di non dimenticare.
Canon R7 + RF 16mm
️ Tardo pomeriggio di fine maggio
📍Risika, isola di Krk
🇪🇸 Español:
Allí donde la hierba alta baila con el viento y el sol acaricia suavemente la piedra antigua, se alza en silencio la ruina de la iglesia de San Marak. Abandonada, pero no sin alma. El tiempo ha pasado, pero los muros aún susurran historias. Quizá esta foto le recuerde a alguien mirar más de cerca. No olvidar.
Canon R7 + RF 16mm
️ Atardecer de finales de mayo
📍Risika, isla de Krk

Ballymore, Co. Westmeath

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.

A springtime wander through central London — all on foot, no Tube, just sun-soaked streets and a camera in hand.

This set captures a spontaneous Sunday adventure from the Royal Courts of Justice to St Paul’s Cathedral, across the Millennium Bridge to the Tate Modern, with a final stop at the hauntingly beautiful ruins of St Dunstan-in-the-East. Along the way, I experimented with long exposures, began to embrace more candid street photography, and was lucky enough to stumble upon a stunning cultural photoshoot featuring Vietnamese áo dài.

From moody architecture to a posing squirrel with main-character energy, these frames reflect a growing confidence in capturing life as it happens — messy, beautiful, fleeting.

Shot on a Nikon Z6 II. No tripod, no plan — just instinct, light, and a love for the city.