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Schagen … Nederland

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De speerdistel (Cirsium vulgare, synoniem: Cirsium lanceolatum) is een plant uit het geslacht vederdistel.

De plant wordt 60 tot 120 cm hoog. De onderzijde van het blad is kort tot spinnenwebachtig behaard. De bladeren lopen uit in lange gele stekels en hebben een iets omgerolde rand. De plant bloeit met 3–5 cm lange hoofdjes, die onder de paarse bloempjes zijn ingesnoerd. De bloei duurt van juni tot eind september.

De speerdistel heeft van de distels de scherpste en grootste stekels. De bloemen zijn omgeven door puntige omwindselblaadjes. Het omwindsel is spinnenwebachtig behaard. De vruchtjes zijn aan de top voorzien van geveerd vruchtpluis (distelpluis). Het is een tweejarige plant, in het eerste jaar vormen zich de wortel en het bladrozet en in het tweede jaar ontwikkelen zich de bloemen en vruchten.

Met dank aan Wikipedia …

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10.02.2025r., Krzyż.

Copyright and personal information:
My name: Cornelis van Zuilen
My website: www.CVZastro.com
Heiloo, The Netherlands

Equipment used:
Telescope: Askar 103APO
Main camera: ZWO ASI2600MC AIR
Filters: Optolong L-Pro
Mount: Skywatcher EQ6-R Pro

Exposures:
9hr 24min
188x 180sec

Calibration frames
20 Darks
20 Flats
20 Dark flats

Processed in Pixinsight

Im Frühling dieses Jahr gelangen mir einige Aufnahmen von Buschwindröschen am Bach, die ich im Gegenlicht fotografiert habe, als die Sonnenstrahlen auf die Wasseroberfläche schienen.

Cas Oorthuys, Children remove tram blocks from the tram tracks to use as fuel.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Charles Breijer, The Kuijt brothers listen to the BBC and Radio Oranje in their hiding place at Oranje Nassaulaan 15, May 1945

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Charles Breijer, On October 9, 1944, the supply of electricity to private individuals has stopped. In order to be able to read, electricity is generated with a bicycle generator.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Cas Oorthuys, Forging identity cards in the Willet-Holthuysen House.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Cas Oorthuys, People leave the city and visit farms to find food.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Augusta Curiel, Covered Market, Paramaribo, ca. 1915.

Exhibition 'Augusta Curiel Yere Mi Sten' about the sisters Augusta Curiel (1873-1937) (one of Suriname’s first women photographers) and Anna Curiel (1875-1958). See also: www.foam.org/events/augusta-curiel

Emmy Andriesse, Boy with a pan during the Hunger Winter.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Charles Breijer, Resistance fighter Ben Steenkamp hides an American anti-tank weapon in the pram of their baby Bernardus Junior, born on November 24, 1943. The innocent-looking stroller was an ideal cover for the transport of weapons.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Wiel van der Randen, Everyone seeks cover, except a little girl.
On the 7th of May, 1945, the Canadians (the liberators) were coming and an expectant crowd awaited them on Dam Square. But then happened a tragedy: armed Germans were still present in various locations and fired shots into the crowd.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Rolleiflex of Emmy Andriesse.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Charles Breijer, A resistance fighter transports a pan with a plastic bomb on his bicycle.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Charles Breijer, After the war, Cas Oorthuys demonstrates how he photographed with a Rolleiflex hidden under his coat, end of May 1945.

See also: www.foam.org/press/the-underground-camera Last week, I visited the exhibition 'De Ondergedoken Camera', in the photography museum FOAM Amsterdam (2 May until 2 October 2025). I was quite impressed about the similarities I saw between the occupation in Amsterdam during the years 1944-45 and the current wars in Ukraine en Gaza: people making small bombs at home, people hiding weapons in unexpected places, desperate people trying to take shelter (even behind street lights and other people), children trying to survive and brave people joining the resistence. The photographers who joined this group (The Underground Camera) each had a special focus and they hid their rolleiflexes in clever ways in their jackets or handbags.

Auf der Hamburger Reiherstiegwerft im Jahre 1876 für die Alsterreederei von H. E. Justus als „Falke“ gebaut, ist der Dampfer „St. Georg“ heute das älteste betriebsfähig erhaltene Fahrzeug des Hamburger Nahverkehrs und zugleich das älteste Dampfschiff Deutschlands.

Kein Schritt mehr zu Fuß im Westfield.

Caldea spa & Sola d'Engordany, E-E, the center, Andorra, Pyrenees - (c) Lutz Meyer

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