The Flickr Kauffmann Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

P5017951 by simonrwilkinson

© simonrwilkinson, all rights reserved.

P5017951

Nostell Priory, National Trust, West Yorkshire

Self Portrait of the Artist Hesitating between the Arts of Music and Painting
by Angelica Kauffmann who was Swiss, married Antonio Zucchi, founder of the Royal Academy and friend of Joshua Reynolds
Painted: 1794
Oil on canvas, 147 x 215 cm

Stolpersteine, Rooseveltlaan, Amsterdam by Mrs Butterbur

© Mrs Butterbur, all rights reserved.

Stolpersteine, Rooseveltlaan, Amsterdam

Stolpersteine, Amsterdam by Mrs Butterbur

© Mrs Butterbur, all rights reserved.

Stolpersteine, Amsterdam

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)
Learn More on Smarthistory

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures by profzucker

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures

Angelica Kauffmann, Cornelia, Mother of the Gracchi, Pointing to her Children as Her Treasures, c. 1785, oil on canvas, 101.6 × 127 cm (Virginia Museum of Fine Arts, Richmond)
Learn More on Smarthistory

En bottes Argyll Safety by pascal en bottes

© pascal en bottes, all rights reserved.

En bottes Argyll Safety

Wearing Argyll Safety rubber boots, rubber cap & Black Diamond rubber raincoat.

Cow-boy à la banane by pascal en bottes

© pascal en bottes, all rights reserved.

Cow-boy à la banane

Cow-boy with a banana.

En bottes Argyll Safety by pascal en bottes

© pascal en bottes, all rights reserved.

En bottes Argyll Safety

Wearing Argyll Safety rubber boots, rubber cap & Black Diamond rubber raincoat.

Laister-Kauffmann TG-4A by George Neat Road Trip Photography

© George Neat Road Trip Photography, all rights reserved.

Laister-Kauffmann TG-4A

0309-507-24

Laister-Kauffmann TG-4A

Laister-Kauffmann built the TG-4A in response to an urgent U.S. Army Air Forces requirement for a glider to train assault glider pilots. The TG-4A was a military version of the Laister-Kauffmann Model LK-10 Yankee Doodle two-seat soaring glider. Laister-Kauffmann delivered the first prototype XTG-4 in late December 1941; the company delivered the first production aircraft in July 1942 and completed the last of 150 TG-4As in June 1943.

The fuselage of the TG-4A is made of fabric-covered welded steel tubing while the tail is made of fabric-covered wood. The internal wing structure is wood with the forward one-third of the leading edge covered by plywood and the remainder covered with fabric. The TG-4A, like other early USAAF training gliders, was not an ideal trainer because its flying qualities were very different from cargo gliders. While the TG-4A could soar (and even gain altitude under the right conditions), cargo gliders could only descend with a small margin for error, especially when fully loaded. Student glider pilots normally received about six hours dual instruction in a soaring trainer before flying the larger and heavier CG-4A cargo glider.

The TG-4A suspended from the ceiling of the World War II Gallery was donated to the museum in 1980 by Frederick A. Tietzel and placed on display in 2003.

TECHNICAL NOTES:
Crew: Two (instructor pilot and student)
Weight: 875 lbs. loaded
Glide ratio: 22 to 1

7694 by bluefootedbooby

Available under a Creative Commons by-sa license

7694

Angelika Kauffmann, Il ritratto della poetessa Teresa Bandettini, 1794

Pottsgrove Awards 2012 and Last Day of School June 2012 by mrlyosea

© mrlyosea, all rights reserved.

Pottsgrove Awards 2012 and Last Day of School June 2012

Eisenach: Villa Pflugensberg by SebastianBerlin

© SebastianBerlin, all rights reserved.

Eisenach: Villa Pflugensberg

Schaut man sich in Eisenach um, stößt man schnell auf die Industriellenfamilie von Eichel-Streiber - so auch hier. 1889-1892 ließ Friedrich Eduard von Eichel-Streiber diese Villa auf dem Pflugensberg errichten. Die Pläne arbeiteten die Architekten Ludwig Neher und Aage von Kauffmann aus, die Bauausführung lag bei dem Eisenacher Architekten Hermann Hahn, zu dessen Werken zudem die Neue Synagoge und der Turm der Georgenkirche in Eisenach zählen. - Die Villa verfügt über eine Wohnfläche von ca. 3000 m2, verteilt auf ungefähr 90 Zimmer.

Die Villa samt großem Park wurde 1921 von der Stadt Eisenach, später von der evangelischen Kirche gekauft. Seit 2017 befindet sie sich im Besitz einer ominösen Stiftung unter dem Namen "Kultur und Denkmal Stiftung Brenner" (sic!) und schlummert kaum genutzt vor sich hin. Die Brenners haben rund um die Villa Schilder mit der Aufschrift: "Unbefugten ist das Betreten verboten! Zuwiderhandlungen werden strafrechtlich verfolgt!" aufgestellt.

IMG_2861 by normafincher

© normafincher, all rights reserved.

IMG_2861

Angelika Kauffmann 1741-1807
Self-Portrait, 1784

“Ski Boarding Couple” by R.C. Kauffmann on the cover of “The Saturday Evening Post,” June 27, 1936. by lhboudreau

© lhboudreau, all rights reserved.

“Ski Boarding Couple” by R.C. Kauffmann on the cover of “The Saturday Evening Post,” June 27, 1936.

Robert C. Kauffmann (1900-1999) was born in Chicago, Illinois. Not much is known of his early life, but Kauffmann excelled at commercial illustration. He had several notable advertising campaigns in the 1920s and 30s, including for The Red Cross and Mallory Hats, which caught the eye of “The Saturday Evening Post.” He painted five covers for the Post between 1925 and 1938. Eventually, he began teaching commercial illustration at the Murray Art School in New York City.

“Woman Takes the Wheel” by R. C. Kauffmann on the cover of “The Saturday Evening Post,” October 14, 1933. by lhboudreau

© lhboudreau, all rights reserved.

“Woman Takes the Wheel” by R. C. Kauffmann on the cover of “The Saturday Evening Post,” October 14, 1933.

Robert C. Kauffmann (1900-1999) was born in Chicago, Illinois. Not much is known of his early life, but Kauffmann excelled at commercial illustration. He had several notable advertising campaigns in the 1920s and 30s, including for The Red Cross and Mallory Hats, which caught the eye of “The Saturday Evening Post.” He painted five covers for the Post between 1925 and 1938. Eventually, he began teaching commercial illustration at the Murray Art School in New York City.