This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.
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Beaumont Newhall’s 1980 gelatin silver print “Ansel Adams, Ranchos de Taos, New Mexico.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Images from a 2021 artist project “Rose B. Simpson: Seminar” accessible on the UNMAM.ART digital platform
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Detail of Robert Mapplethorpe’s 1987 platinum print on linen, “Lily” in his handmade frame
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Images from a 2021 artist project “Rose B. Simpson: Seminar” accessible on the UNMAM.ART digital platform
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Dyani Whitehawk’s (Sicangu Lakota) 2013 four-color lithograph “Trust and Loss.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Robert Gribbroek’s 1953 oil “Epiphyllum.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Julia Margaret Cameron’s 1867 albumen print “Rosalba (Cylline Wilson).”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Ed Ruscha’s 1991 four-color lithograph, “Angel” produced at Tamarind Institute.
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Roy de Forest’s 1976 acrylic “Return to Bovine Park.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
UNM alumni Jaune Quick-to-See Smith’s (Confederated Salish, Kootenai) 2002 five-color lithograph produced at Tamarind Institute, “A Map to Heaven”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Georgia O’Keeffe’s 1916 watercolor “Tent Door at Night,” an early near-abstraction inspired by camping in the Great Smokies
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Agnes Martin’s 1955 untiled abstract oil on board, painted while she taught at UNM
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Julius Rolshoven’s 1916-1921 oil, “Peyote Chief”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Robert Mapplethorpe’s 1987 platinum print on linen, “Lily” in his handmade frame
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Ansel Adams’s 1944 gelatin silver print “Mount Williamson, Sierra Nevada, from Manzanar.” (printed in 1979)
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Agnes Pelton’s 1930 oil “White Fire.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Images from 2021 “Rose’s Welcome” video by Dylan McLaughlin; created for Rose B. Simpson’s UNM online seminar
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Fred Hammersley’s 1969 computer drawing “Thought Holders,” made with IBM mainframe punch cards
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025
Rose B. Simpson’s (Santa Clara Pueblo) 1983 ceramic and mixed-media sculpture “Compass.”
Installation view of “High Five Hall of Fame: Highlights from the UNMAM Collection”
University of New Mexico Art Museum
Albuquerque, New Mexico
January 31– May 17, 2025