The Flickr Americanstories Image Generatr

About

This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Homemade Cuban Raft – Immigration Artifact at the Smithsonian National Museum of American History by dalecruse

Available under a Creative Commons by license

Homemade Cuban Raft – Immigration Artifact at the Smithsonian National Museum of American History

On display at the Smithsonian National Museum of American History in Washington, D.C., this weathered, handmade raft stands as a haunting, deeply moving symbol of human determination and the desperate quest for freedom. Crafted from foam, wood, and salvaged materials, the small boat was used by Cuban migrants attempting to reach the United States by sea—a dangerous and often deadly journey.

Set against a projection of gently undulating ocean waves, the raft is part of the museum’s American Stories exhibition, which showcases artifacts representing key turning points and narratives in the nation’s social and cultural fabric. This particular artifact tells the story of Cuban balseros—rafters who fled the island during waves of political unrest, particularly in the early 1990s following the collapse of the Soviet Union and Cuba’s resulting economic crisis.

The raft's construction is stark and sobering: styrofoam hull, layers of cracked paint, salvaged lumber, and hand-lashed oars. There are no navigation instruments, no safety features—just hope and the will to survive. It was built for one purpose: to float long enough to escape. It tells a raw truth about immigration: that it is often an act of courage, desperation, and hope all at once.

Displayed under glass, the raft invites quiet reflection. Visitors circle the artifact slowly, confronted with both its fragility and the enormity of what it represents. The surrounding exhibit panels detail personal accounts of balseros, U.S. Coast Guard encounters, and the political policies that shaped their fate—including the now-defunct “wet foot, dry foot” policy that once allowed Cuban migrants who reached U.S. soil to seek asylum.

This image captures not just a physical object, but a story of risk, loss, and the pursuit of freedom. The vivid blue ocean background reinforces the peril of the voyage and the vastness of the journey these individuals undertook. It also serves as a reminder that immigration stories are woven into the heart of American identity, and that freedom has never come easily for those seeking it.

Whether viewed as a piece of political history, a human rights symbol, or a meditation on resilience, this raft is one of the museum’s most emotionally resonant artifacts. It speaks not only to Cuban-American history, but also to global struggles for liberty and survival.

This photo stands as a poignant visual reminder that every object in a museum once had a human hand behind it—and a human heart within it, hoping for something better on the other shore.

Smithsonian’s National Museum of American History by dalecruse

Available under a Creative Commons by license

Smithsonian’s National Museum of American History

The clean, modernist lines of the Smithsonian’s National Museum of American History stand in quiet contrast to the lively stories housed within. Located on the National Mall in Washington, D.C., this museum preserves and presents the rich tapestry of American life—from the original Star-Spangled Banner to Dorothy’s ruby slippers, from presidential artifacts to pop culture icons.

This photo captures the museum’s north-facing facade, featuring polished marble panels and a recessed portico that stretches across its monumental elevation. Vertical banners flank the entrance, highlighting the museum’s vibrant rotating exhibitions. The tiered steps and dry fountain in the foreground are part of the museum’s adjacent plaza and amphitheater area, offering a place of reflection in the heart of the capital.

Designed by McKim, Mead & White associate Walker Cain and completed in 1964, the building originally opened as the Museum of History and Technology. Its stripped Classical style aligns with the postwar architectural sensibility seen in several Smithsonian institutions, emphasizing form and function while maintaining a dignified presence on the Mall. In 1980, it was renamed the National Museum of American History to better reflect its evolving mission.

Despite its austere exterior, the museum inside pulses with stories of innovation, struggle, creativity, and identity—making it one of the most visited museums in the United States. The inscription on the facade proudly reads: Kenneth E. Behring Center, recognizing a major donor whose contributions helped fund critical renovations in the early 2000s.

HABS Architectural Survey Standard:
Documented according to standards of the Historic American Buildings Survey (HABS):

Structure Name: National Museum of American History, Kenneth E. Behring Center

Location: 14th Street and Constitution Avenue NW, Washington, D.C.

Style: Stripped Classical / Modernist

Date of Construction: 1958–1964

Architect: Walker Cain (McKim, Mead & White successor firm)

HABS Reference Number: DC-857

Allgemeiner Roman-Preiskatalog 2007 / Covers 127 by micky the pixel

© micky the pixel, all rights reserved.

Allgemeiner Roman-Preiskatalog 2007 / Covers 127

Allgemeiner Roman-Preiskatalog 2007
Preisführer für deuschsprachige Romanhefte, Bücher von Karl May und Leihbücher
> Cover-Gallery: American Stories #1 / Ben Richards: Reiter ohne Ziel
Verlag: Comicladen-Kollektiv
(Hamburg / Deutschland; 2008)
ex libris MTP

Witness by scroy65

Witness

“Every photo is a moment witnessed, a story preserved. 🇺🇸 Today, I’m reminded of the responsibility we bear as photographers—to see, to document, and to share. Let’s continue to observe, to remember, to witness, and to tell the stories that need telling.”

Presidents Postcard - Bijou Planks 50/366 by MayorPaprika

© MayorPaprika, all rights reserved.

Presidents Postcard - Bijou Planks 50/366

Happy President's Day from Paprihaven!

Be sure to visit Boop's Scoops for ice cream, chili dogs, burgers with all the fixins, Betty's famous country platters, and fresh made pies!

Or even see if you can finish the Big Yank!

Plus Boop's is known for being frequented by all sorts of famous types from all over and every time!

C'mon in! Sit a spell! Or put a coin in the juke box, get on the floor, and dance!

⋆⋅☆⋅⋆──── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ───── ⋆⋅☆⋅⋆ ────⋆⋅☆⋅⋆
A year of the shows and performers of the Bijou Planks Theater.

GI Joe
Classic Collection
General George Washington
1998 Hasbro

Barbie
American Stories
Patriot Barbie
FAO Schwartz
1996, Mattel

* George and Martha have indeed been spotted in Boop's, such as in Paprihaven episode 542!
www.flickr.com/photos/paprihaven/19061889640/

Langston Hughes and American Stories by Garry Corbett

© Garry Corbett, all rights reserved.

Langston Hughes and American Stories

2014-07-19 -110_map by whimcollective2

© whimcollective2, all rights reserved.

2014-07-19 -110_map

American Stories, NMAH (4) - 7/19/14 by kellyinbrooklyn

© kellyinbrooklyn, all rights reserved.

American Stories, NMAH (4) - 7/19/14

American Stories, NMAH (2) - 7/19/14 by kellyinbrooklyn

© kellyinbrooklyn, all rights reserved.

American Stories, NMAH (2) - 7/19/14

John Coltrane's saxophone.

American Stories, NMAH (5) - 7/19/14 by kellyinbrooklyn

© kellyinbrooklyn, all rights reserved.

American Stories, NMAH (5) - 7/19/14

American Stories, NMAH (3) - 7/19/14 by kellyinbrooklyn

© kellyinbrooklyn, all rights reserved.

American Stories, NMAH (3) - 7/19/14

A baseball signed by Babe Ruth.

American Stories, NMAH (1) - 7/19/14 by kellyinbrooklyn

© kellyinbrooklyn, all rights reserved.

American Stories, NMAH (1) - 7/19/14

Uniform from "Alice."

American Stories by BarbieLane

© BarbieLane, all rights reserved.

American Stories

Colonial Barbie by BarbieLane

© BarbieLane, all rights reserved.

Colonial Barbie

Patriot Barbie by BarbieLane

© BarbieLane, all rights reserved.

Patriot Barbie

Installing a new rotation of artifacts in "American Stories" by national museum of american history

Available under a Creative Commons by-nc license

Installing a new rotation of artifacts in "American Stories"

Disagreements over decisions made in Washington are not new. President Thomas Jefferson imposed a series of laws to restrict the sale of both raw materials and products to Britain and France in the hope that “peaceful coercion” would force the two nations, engaged in the Napoleonic Wars, to respect U.S. neutrality. Instead, the embargo deeply divided the United States in the years leading to the War of 1812. The sentiments expressed on this teakettle seem to encourage Americans to work hard and keep faith in Jefferson’s policies.

Yesterday, we added a few new artifacts to the American Stories exhibition. The new rotation includes jeans designed and patented by merchant Levi Strauss and tailor Jacob Davis. Another highlight is a wedding dress from 1945 made of the parachute that saved the life of U.S. Army radio operator Temple Leslie Bourland when he bailed out of a plane over Germany during World War II. His bride's resourceful aunt recycled the parachute into a wedding dress, simply cutting around the bullet holes. A bright red addition to the exhibition is Madeleine Albright's red suit, which she wore when she was nominated to be the first female secretary of state, becoming the highest ranking woman in the history of the U.S. government at the time. A miniature teakettle from around 1807 is also on display, which carries a message to encourage Americans to work hard and keep faith in President Thomas Jefferson's policies. A pitcher decorated with scenes from Uncle Tom's Cabin dates from around 1853.

Grand Central by GreggChadwick

© GreggChadwick, all rights reserved.

Grand Central

Gregg Chadwick
36"x48" oil on linen 2012
Private Collection - San Francisco, California
Courtesy Sandra Lee Gallery

It's not easy being green by -Jeffrey-

Available under a Creative Commons by-nd license

It's not easy being green

Washington, DC set

Kermit is on permanent display at the National Museum of American History in the American Stories exhibit in DC. I edited this to make it appear like he's sitting down for a photoshoot or something. He's a bit grainy, but it was a low light, behind a glass case situation.

Thomas Le Clear: American, 1818–1882 by John McNab

Thomas Le Clear: American, 1818–1882

Interior with Portraits, 1865.

If you this one in the large size, it's like making a visit to the room.


From the catalog of the Metropolitan Museum of Art exhbition "American Stories":

"By about 1865 American artists were beginning to understand the implications of photography for the art of painting. This canvas reportedly was commissioned by the elder brother of the two children—James and Parnell Sidway—posing in the skylit studio. The paraphernalia of painting are upstaged by the photographer and his gear and the landscape is a mere prop, not an awe-inspiring view. Yet Le Clear does not simply tell a story of photography's triumph over painting. At the time the painting was made, James Sidway, a volunteer firefighter in his mid-twenties, had recently died in a hotel fire; his older sister, Parnell, had died in adolescence, more than fifteen years earlier. Thus, Le Clear may be lauding painters who, unlike photographers, could capture more than the moment at hand, invent narrative, and even restore life to individuals who had passed."

American Stories by Le Xuan-Cung

© Le Xuan-Cung, all rights reserved.

American Stories

MET, New York City

© Xuan-Cung Le
All rights reserved

seen in :
New York (part V)
recent
contacts images