The Flickr Artandhealing Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Disease Thrower by dalecruse

Available under a Creative Commons by license

Disease Thrower

Explore What Matters: A Proposition at SFMOMA, where contemporary works converge to question life, meaning, and art. The exhibition presents an evolving narrative in eight rooms, each inviting visitors to engage deeply with materials and concepts that bridge the personal and the universal. In this second episode, the exhibit showcases newly acquired works from artists such as Patty Chang, Abraham Cruzvillegas, Sky Hopinka, and Guadalupe Maravilla, among others.

A standout is Maravilla’s Fortuna and the Immortality Garden (Machine). This imposing structure blends organic and industrial elements, weaving together ritual, survival, and regeneration. The piece reflects Maravilla’s own migration journey from El Salvador to the U.S., using materials gathered along the path. The sculpture, part of a series known as “Disease Throwers,” incorporates objects such as gongs, loofahs, and wooden elements, all designed to be activated through ritual sound baths. These immersive performances imbue the piece with healing energy, resonating with both historical and spiritual significance.

Architecturally, the minimalist gallery space complements the dynamic forms of the sculpture, allowing visitors to focus on the intricate interplay of textures and materials. The circular chalk outline on the floor, visible in the installation, emphasizes the piece’s ritualistic qualities, creating a space where art and healing intersect.

This exhibition encourages visitors to reflect on resilience, transformation, and the cyclical nature of existence, with works that evoke both quiet introspection and collective healing.

Rubber Bond: A Powerful Reflection from My Master’s Thesis Project Altering the Value of Wasteland | Utrecht Botanical Gardens, Utrecht, Netherlands by Ingrid Sanghee Edwards

© Ingrid Sanghee Edwards, all rights reserved.

Rubber Bond: A Powerful Reflection from My Master’s Thesis Project Altering the Value of Wasteland | Utrecht Botanical Gardens, Utrecht, Netherlands

Captured in the heart of Utrecht, this striking image explores the delicate tension between freedom and constraint, as well as the intricate relationships we form with ourselves and the world around us. The figures, bound by the weight of a heavy chain and yarn ball, poignantly symbolize the internal struggle of self-imposed limitations versus the desire for liberation. Set against the natural backdrop of the Utrecht Botanical Gardens, the scene contrasts the beauty of nature with the raw vulnerability and resilience embodied by the subjects.

This photograph is part of my final-year thesis project, Altering the Value of Wasteland, undertaken during my MAHKU (Master of Art, Fine Arts) at Utrecht University of the Arts. The project explores the transformative power of art to process trauma, and how the act of breaking down and rebuilding one's perception can lead to personal growth. As artists, we often take the pain, darkness, and complexity of the world and transform it into meaningful art, reflecting our own healing in the process.

The fashion worn in this image, designed by Laura Mulder and made from repurposed rubber bands, serves as a critique of luxury consumerism and the overproduction that drives the fashion industry. Fashion advertisements often reflect luxury, yet they mask the hidden realities of exploitation and labor behind many high-end brands, especially the labor market in global production. This image seeks to highlight the environmental impact of overconsumption, waste, and disposability, while transforming discarded materials into art that speaks to these themes.

The image features a collaborative effort with model Jennifer Hanna, model Joost Van Duppen, and fashion designer Laura Mulder. It embodies my concept brand AL+ER, which stands for Art, Life, Trash, Environment, and Reality. AL+ER is more than just a brand; it is a movement, a manifesto for a silent revolution that urges artists to create consciously and to better understand the impact our art and actions have on the world.

This project reflects a profound shift in my own creative process, one where I not only examine the bonds and relationships in my personal life, but also reflect on the bonds we form with objects and the world around us. Rubber Bond symbolizes the strength and tension of these relationships, urging us to break the chains that hold us back and to rebuild for true healing and catharsis.

Ball & Chain: A Powerful Reflection from My Master’s Thesis Project Altering the Value of Wasteland | Abandoned Paper Factory, Between Amsterdam and Utrecht, Netherlands by Ingrid Sanghee Edwards

© Ingrid Sanghee Edwards, all rights reserved.

Ball & Chain: A Powerful Reflection from My Master’s Thesis Project Altering the Value of Wasteland | Abandoned Paper Factory, Between Amsterdam and Utrecht, Netherlands

Captured in an abandoned paper factory between Amsterdam and Utrecht, this image is what I call "Taggerz Paradise." It delves into the profound tension between freedom and restraint. The figure, burdened by a yarn ball and heavy chain, symbolizes the internal struggle between self-imposed limitations and the yearning for liberation. The backdrop of urban street art amplifies the figure's defiance, accentuating the complexities of modern identity. Fashion, crafted from repurposed materials, critiques the luxury fashion industry's obsession with consumerism and the hidden exploitation within the global fashion market. This photograph shines a light on the often-ignored environmental costs of fashion, questioning disposability, recycling, and the commodification of beauty.

This image is a critical piece of my final-year thesis project, Altering the Value of Wasteland, which is a personal exploration of catharsis, healing, and artistic evolution. The project examines the transformative power of art to process trauma, using it as a tool to rebuild and derive meaning from dark experiences. This work not only challenges personal perceptions of identity but also critiques the cultural and societal forces shaping us, particularly within the luxury fashion industry.

The AL+ER concept brand I created during this project stands for Art, Life, Trash, Environment, and Reality. AL+ER is more than just a brand; it is a movement—a manifesto for artists to create with conscious intent and to challenge conventional views of disposability, value, and how we relate to the objects and ideas in our lives. AL+ER is about dismantling what we avoid, reframing it, and turning it into something meaningful and beautiful. This exploration delves deeply into issues of consciousness, purpose, disposability, bonding, branding, adaptation, and identity, while celebrating nature and beauty.

The chain in this image represents the bonds we form—both toxic and necessary—and how these relationships shape our identities. The Objects of Affliction series within Altering the Value of Wasteland portrays how certain accessories symbolize toxic relationships normalized by society. This work calls for reflection on how to break free from these destructive cycles and embrace true healing and catharsis, while reimagining our connections with the world and each other.

Model: Natalia Sanchez
Fashion Designer: Mariana Isabel Fernandez
Photographer/Concept/Creative & Art Director: Ingrid Sanghee Edwards

Colorful Paths Through Adversity by Duncan Rawlinson - Duncan.co

Available under a Creative Commons by-nc license

Colorful Paths Through Adversity

Each wave of color represents the vibrant yet challenging paths one faces on the road to healing.

Duncan.co/journeys-of-resilience-landscapes-and-health

revealing a wing by laura_rivera

© laura_rivera, all rights reserved.

revealing a wing

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss" by The Center for Photography at Woodstock

© The Center for Photography at Woodstock, all rights reserved.

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss"

Panelists at the "Art and Healing" panel included (from left to right), Moderator Lindsay Stern (CPW Education Coordinator), Adrianne Finelli (filmmaker), Alex Marvar (founding artist, O+ Festival), Charise Isis (artist), and Carla Shapiro (artist).

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss" by The Center for Photography at Woodstock

© The Center for Photography at Woodstock, all rights reserved.

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss"

Young guests at the "Art and Healing" panel.

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss" by The Center for Photography at Woodstock

© The Center for Photography at Woodstock, all rights reserved.

"Art and Healing", a panel discussion in conjunction with the exhibition "Rewriting Loss"

Panelists at the "Art and Healing" panel included (from left to right), Alex Marvar (founding artist, O+ Festival), Carla Shapiro (artist), Adrianne Finelli (filmmaker), Moderator Lindsay Stern (CPW Education Coordinator), and Charise Isis (artist).

journal page 22 October 2011 by laura_rivera

© laura_rivera, all rights reserved.

journal page 21 October 2011 by laura_rivera

© laura_rivera, all rights reserved.

journal for drawing exercises (4) by laura_rivera

© laura_rivera, all rights reserved.

Heart collage by laura_rivera

© laura_rivera, all rights reserved.

Heart collage

This image included in my guest blog at Creative (Un)block, the blog by talented journalist and crafter Roberta Wax:
creativeunblock.wordpress.com/2011/10/07/art-heals-nuf-said/

owl journal page by laura_rivera

© laura_rivera, all rights reserved.

owl journal page

This image included in my guest blog at Creative (Un)block, the blog by talented journalist and crafter Roberta Wax:
creativeunblock.wordpress.com/2011/10/07/art-heals-nuf-said/

journal page oct 6 2011 by laura_rivera

© laura_rivera, all rights reserved.

Poetry appears in the paint by juliejordanscott

Available under a Creative Commons by license

Poetry appears in the paint

Looking for poetry by juliejordanscott

Available under a Creative Commons by license

Looking for poetry

9 16 2010 005 by juliejordanscott

Available under a Creative Commons by license

9 16 2010 005

drips by juliejordanscott

Available under a Creative Commons by license

drips

Blue lined emptiness by juliejordanscott

Available under a Creative Commons by license

Blue lined emptiness

Criss by juliejordanscott

Available under a Creative Commons by license

Criss