Nothing else to say
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Nothing else to say
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Pinhole photo taken with a homemade 4x5" wooden pinhole camera.
Ilford FP4+ developed in Rodinal 1:50.
Please do not invite my photos to groups that I am not a member of. If you want to do so, invite me to become a member of the group first. Otherwise I'll decline the invitations. Although I appreciate likes, if you have no photos of your own, and you have lots of pornographic or "voyeuristic" stuff in your faves, I will block you without any questions. If your photostream mostly contains your dick pics you will be blocked immediately.
Pinhole photo taken with a homemade 8x10" wooden pinhole camera.
Expired Ilford FP4+ developed in Rodinal 1:50.
Please do not invite my photos to groups that I am not a member of. If you want to do so, invite me to become a member of the group first. Otherwise I'll decline the invitations. Although I appreciate likes, if you have no photos of your own, and you have lots of pornographic or "voyeuristic" stuff in your faves, I will block you without any questions. If your photostream mostly contains your dick pics you will be blocked immediately.
Pinhole photo taken with a homemade 4x5" wooden pinhole camera.
Ilford FP4+ developed in Rodinal 1:50.
Please do not invite my photos to groups that I am not a member of. If you want to do so, invite me to become a member of the group first. Otherwise I'll decline the invitations. Although I appreciate likes, if you have no photos of your own, and you have lots of pornographic or "voyeuristic" stuff in your faves, I will block you without any questions. If your photostream mostly contains your dick pics you will be blocked immediately.
The photo was taken in the waiting room of a medical practice.
In Explore! On June 3, 2025
Captured inside the Hirshhorn Museum and Sculpture Garden in Washington, DC, this photo features a kinetic sculpture by Brazilian twin artists OSGEMEOS, known for their vividly surreal and deeply narrative visual language. The piece is part of their immersive installation, where motion, music, and light bring a sculptural tableau to life in a hypnotic loop of storytelling. Stylized yellow figures with bowl-cut hair dance, tumble, and gesticulate around a central axis, surrounding what appears to be a cake topped with candles — an eerie, dreamlike birthday ritual charged with both joy and distortion.
OSGEMEOS (Otávio and Gustavo Pandolfo) are internationally celebrated for their unique fusion of street art, folklore, and animation, often drawing from Brazilian cultural memory, hip-hop, and their own subconscious. Here, they breathe life into sculpture using a rotating zoetrope-like mechanism. As the lights strobe, the static figures blur into animation, evoking childlike wonder while also unsettling the viewer with uncanny repetition and surreal expression.
This work blends old-world mechanical illusion with contemporary street aesthetics, offering a layered commentary on celebration, identity, and the passage of time. It’s a highlight of the Hirshhorn’s exploration of motion and memory in modern art and a powerful example of how OSGEMEOS bridge high art and street sensibilities.
Visitors to this exhibit are often seen lingering, mesmerized by the transformation of still forms into narrative spectacle — a hallmark of the duo’s ability to enchant and provoke simultaneously. Whether encountered in a museum or on a São Paulo wall, OSGEMEOS’s figures invite viewers to step into a fantastical realm where movement, rhythm, and symbolism take center stage.
