mit HDR erstellt
This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.
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seems a cliche listing this on the day the pope was buried but loved the deep low light in a local church..
St. Ludwig Church, Darmstadt (D)
central P.O.V.:
flic.kr/p/2oTZaZv
Interior view of the Saint Pierre et Saint Paul Cathedral in Nantes, France, showcasing its Gothic architecture and grand chandeliers.
The congregation was established in 1723, and the existing church building was consecrated in 1816. For many years, it was known as the First Congregational Church of Providence. The present church structure was designed by the esteemed Providence architect, John Holden Greene, who was responsible for numerous buildings in the city. The bell in the church's bell tower is the largest cast by the Paul Revere foundry in Canton, Massachusetts.
The following is excerpts from the Magnolia website about The History of The Old Church:
"The Silos is our home base here in Waco, Texas. The pair of old silos that have come to define our grounds are also symbolic of our city and its rich history, and we’ve always loved having that tie to Waco’s past. So we knew we wanted the expansion to include more of our city’s history, including something that could anchor the entire property. We found that in The Old Church, one of the oldest structures in Waco.
The building’s historical charm isn’t the only thing we’re drawn to. The Old Church holds a unique story of something old being made new—a story that resonates with us time and again. We learned about the abandoned church a few years ago when Jo took a drive downtown to clear her head. It can be endearing how, even when we’re not actively looking, there is always beauty somewhere, ready to be discovered. This particular time, it happened to be an old church’s steeple peeking above the trees that caught Jo’s attention. As she got closer, she was immediately drawn to the building with its white clapboard exterior, scalloped shingles, and cathedral ceilings. Built in 1894, the original church served as a house of worship for almost a century, but eventually closed and remained boarded-up and vacant for over 30 years. Despite its shattered windows and peeling paint, in that moment Jo saw unwavering potential in this place.
Chip & Jo agreed that the historic building couldn’t be left to fall apart, so they decided to purchase it. They’ve held onto it for years, patient and expectant for its new purpose to become clear. Once we decided that we wanted The Old Church to make its new home on the Silos grounds, Chip & Jo learned that the existing foundation and rotted framing were not structurally sound enough to make the move. So while a brand new frame and foundation were built at the Silos, the historical elements that could be preserved were relocated piece by piece and incorporated back into the design, including the interior flooring, wainscoting, corbels, beams, trimwork, pews, and a good portion of the exterior siding and lattice work. Because the old windows were disintegrating, new replicas were made that honored their original beauty. We can’t wait for you to step inside and take in all the beauty this place has to offer."
magnolia.com/blog/article/427532/new-at-the-silos-the-old...
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
This photo captures the interior of the Cathedral of Saint Denis in Paris, showcasing its stunning architecture, with ornate gold candle holders and beautiful stained glass windows. The perspective highlights the grandeur of the space, including the altar and rows of wooden pews that contribute to the sacred atmosphere.
Silverton, Oregon
OM System OM-5
Olympus 12-50mm
One of the few well maintained and attractive buildings in Centro - Basílica Menor Católica Nuestra Madre de Monserrate - Santuario (Minor Catholic Basilica of Our Mother of Montserrat - Sanctuary).
2 of 3.
The church has European style design, with Baroque and Gothic influences.
It was built by Yugoslav priest Emil Palcic, between 1959 to 1962.
The interior is basic with clean lines.
Catedral de Puerto Montt (Our Lady of Mount Carmel Cathedral).
2 of 2.
When Vicente Pérez Rosales played out the city he reserved a plot of land in front of the main square to build a church,.
The building was blessed as a parish in 1892. With the creation of the Diocese of Puerto Montt in 1939 By Pope Pius XII the parish was elevated to cathedral.
The building was repaired in 1941 and then in the 1960s due to damage caused by the 1960 earthquake.
In 1975 the interior was restored, and its last update was in 2002.
July 7, 2023 - Monastery of Arouca "Everyone who tries to reach the heart of Arouca doesn’t arrive at the destination without crossing the greatest granite building of its nature, in Portugal. People say that Arouca was born and raised in the shadow of these walls. Not these walls, actually, since the early convent was built in another place, in the 10th century. Like any other land with a monastery, Arouca saw its economy, agriculture, gastronomy, culture, and of course, its religiosity influenced by the meaning of this building.
Benedictine till the 12th century, it began to receive the Cistercian Order until the end of the 19th century. Product of several interventions, the present building dates back to the 17th and 18th centuries, and has beautiful spaces to offer, such as the Cloister, the Choir and the Kitchen. Now, we open the door with the sound of the old key, to increase awareness about one of the richest museums of Sacred Art of the Iberian Peninsula. Come in. You are our guest.
The silence is only broken by the sound of the water in the fountain, at the center of the cloister. In the past, the busy nuns used to go around here. They stopped here many times to reflect, read or pray. Today, their remains lie under numbered rocks, in the same place where they used to go around, reflect and read. In this place, they found the silence that is only broken by the sound of the water in the fountain.
The quiet of the cloister becomes austere in the Chapter House. Over the remains of the abbesses, in the tile frame, flanked by two big windows, the abbess used to chair the most solemn meetings of the Monastery. The trials happened here. The future was decided here. The guidelines for the daily life were discussed here. Today, the only thing that remains is the austere silence. Over the remains of the abbesses.
At the shadow of the monumental organ, with the walls pierced by the carving and the painting, the Queen continues to chair, at the back, the fate of the Monastery, immortalized in the sculpture of Jacinto Vieira. Next to Santa Mafalda, we can see nuns carved by the same author.
The space is flooded with music that spreads over the jacaranda chairs, each one with a carved frown, one of them wearing glasses, waiting to be discovered. Separated from people by wooden frames, the nuns used to attend mass here, putting the worship books in these stands, seated or in mercy. In 1743, the organ gained voice, a voice that has been restored in order to fill the space with music.
The golden carving gains life through the whole temple, making room for the remains of Santa Mafalda. Daughter of D. Sancho I, the second King of Portugal, she rests in one of the wards of the Church. Majestic, yet discrete, she lies behind the glass of the ebony tomb, in her black garment.
Impressive and sober, the Church is opened to the outside lighting, illuminating the space and giving shape and color to the paintings, sculptures and the big golden carving. Although this is a place for meditation and praying, it is also a place of contemplation. Here, we cannot only contemplate the divine mystery, but also the wonderful and handmade creations." Previous description: aroucageopark.pt/en/explore/what-visit/monuments/monaster...
July 7, 2023 - Monastery of Arouca "Everyone who tries to reach the heart of Arouca doesn’t arrive at the destination without crossing the greatest granite building of its nature, in Portugal. People say that Arouca was born and raised in the shadow of these walls. Not these walls, actually, since the early convent was built in another place, in the 10th century. Like any other land with a monastery, Arouca saw its economy, agriculture, gastronomy, culture, and of course, its religiosity influenced by the meaning of this building.
Benedictine till the 12th century, it began to receive the Cistercian Order until the end of the 19th century. Product of several interventions, the present building dates back to the 17th and 18th centuries, and has beautiful spaces to offer, such as the Cloister, the Choir and the Kitchen. Now, we open the door with the sound of the old key, to increase awareness about one of the richest museums of Sacred Art of the Iberian Peninsula. Come in. You are our guest.
The silence is only broken by the sound of the water in the fountain, at the center of the cloister. In the past, the busy nuns used to go around here. They stopped here many times to reflect, read or pray. Today, their remains lie under numbered rocks, in the same place where they used to go around, reflect and read. In this place, they found the silence that is only broken by the sound of the water in the fountain.
The quiet of the cloister becomes austere in the Chapter House. Over the remains of the abbesses, in the tile frame, flanked by two big windows, the abbess used to chair the most solemn meetings of the Monastery. The trials happened here. The future was decided here. The guidelines for the daily life were discussed here. Today, the only thing that remains is the austere silence. Over the remains of the abbesses.
At the shadow of the monumental organ, with the walls pierced by the carving and the painting, the Queen continues to chair, at the back, the fate of the Monastery, immortalized in the sculpture of Jacinto Vieira. Next to Santa Mafalda, we can see nuns carved by the same author.
The space is flooded with music that spreads over the jacaranda chairs, each one with a carved frown, one of them wearing glasses, waiting to be discovered. Separated from people by wooden frames, the nuns used to attend mass here, putting the worship books in these stands, seated or in mercy. In 1743, the organ gained voice, a voice that has been restored in order to fill the space with music.
The golden carving gains life through the whole temple, making room for the remains of Santa Mafalda. Daughter of D. Sancho I, the second King of Portugal, she rests in one of the wards of the Church. Majestic, yet discrete, she lies behind the glass of the ebony tomb, in her black garment.
Impressive and sober, the Church is opened to the outside lighting, illuminating the space and giving shape and color to the paintings, sculptures and the big golden carving. Although this is a place for meditation and praying, it is also a place of contemplation. Here, we cannot only contemplate the divine mystery, but also the wonderful and handmade creations." Previous description: aroucageopark.pt/en/explore/what-visit/monuments/monaster...
July 7, 2023 - Monastery of Arouca "Everyone who tries to reach the heart of Arouca doesn’t arrive at the destination without crossing the greatest granite building of its nature, in Portugal. People say that Arouca was born and raised in the shadow of these walls. Not these walls, actually, since the early convent was built in another place, in the 10th century. Like any other land with a monastery, Arouca saw its economy, agriculture, gastronomy, culture, and of course, its religiosity influenced by the meaning of this building.
Benedictine till the 12th century, it began to receive the Cistercian Order until the end of the 19th century. Product of several interventions, the present building dates back to the 17th and 18th centuries, and has beautiful spaces to offer, such as the Cloister, the Choir and the Kitchen. Now, we open the door with the sound of the old key, to increase awareness about one of the richest museums of Sacred Art of the Iberian Peninsula. Come in. You are our guest.
The silence is only broken by the sound of the water in the fountain, at the center of the cloister. In the past, the busy nuns used to go around here. They stopped here many times to reflect, read or pray. Today, their remains lie under numbered rocks, in the same place where they used to go around, reflect and read. In this place, they found the silence that is only broken by the sound of the water in the fountain.
The quiet of the cloister becomes austere in the Chapter House. Over the remains of the abbesses, in the tile frame, flanked by two big windows, the abbess used to chair the most solemn meetings of the Monastery. The trials happened here. The future was decided here. The guidelines for the daily life were discussed here. Today, the only thing that remains is the austere silence. Over the remains of the abbesses.
At the shadow of the monumental organ, with the walls pierced by the carving and the painting, the Queen continues to chair, at the back, the fate of the Monastery, immortalized in the sculpture of Jacinto Vieira. Next to Santa Mafalda, we can see nuns carved by the same author.
The space is flooded with music that spreads over the jacaranda chairs, each one with a carved frown, one of them wearing glasses, waiting to be discovered. Separated from people by wooden frames, the nuns used to attend mass here, putting the worship books in these stands, seated or in mercy. In 1743, the organ gained voice, a voice that has been restored in order to fill the space with music.
The golden carving gains life through the whole temple, making room for the remains of Santa Mafalda. Daughter of D. Sancho I, the second King of Portugal, she rests in one of the wards of the Church. Majestic, yet discrete, she lies behind the glass of the ebony tomb, in her black garment.
Impressive and sober, the Church is opened to the outside lighting, illuminating the space and giving shape and color to the paintings, sculptures and the big golden carving. Although this is a place for meditation and praying, it is also a place of contemplation. Here, we cannot only contemplate the divine mystery, but also the wonderful and handmade creations." Previous description: aroucageopark.pt/en/explore/what-visit/monuments/monaster...
