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Zolar, Desi Nürnberg, 2017, graffiti and streetart paintings, www.zolart.de
Zolar Graffiti Street Artist, www.zolart.de
Street Art Painting by Zolar, Fabian Zolar, www.zolart.de
New Mural Streetart by Zolar, www.zolart.de
Graffiti Street Art Painting by Fabian Zolar, 2017 in Reichelsdorf, Nürnberg
Streetart Zolar Graffiti Mural painting 2017, www.zolart.de
New big Mural Streetart by Zolar, www.zolart.de
Graffiti Art Painting by Zolar, www.zolart.de , graffiti kunst malerei art mural painting graffitiart graffiti art contemporaryy nuernberg zolar
Just realized I'm going in to my tenth year of free public art projects. Since 2005 I've been leaving FREE works of art in public places throughout southwest Michigan. These works of art are typically drawings and paintings done on cardboard or scrap paper. Anyone who finds the art is encouraged to take it home and enjoy.
Over time, I've received emails from individuals all over the world offering to place my art in their neighborhoods. Thanks to the generosity of these individuals my art has been seen on the streets of Israel, Iran, Austria, Brazil, Spain, Australia, New Zealand, Northern Ireland and England. Below are photos of some of the recipients.
Special thanks to various photographers for taking photos of the recipients: Dogtired, My Dog Sighs, Korp, Rex Dingler, Bonus Saves, Herbert Gundran.. apologies to anyone I forgot.
Not unlike most trendsetting Brisbane artists, Keiron McMaster came of age in and around dank garages, surrounded by society’s misfits. Sketching away the dirty smoke-filled nights.
An artist in some form or another his entire life, Keiron’s artistic ambition grew from tattoo design and cover art for local band albums, to transition – more than two year ago – into moonlight liaisons in ridiculously huge houses that fostered his professional career.
As a Street Pop artist Keiron takes inspiration from his hazy teenage days, old friends and consumer society, so that his works resemble kaleidoscopes of modern iconography.
Keiron explains that “Commercialism was eating me”, so he began to mash-up modern icons of consumer society, such as Disney characters and hipster trends, into unique, fresh and at times dirty paintings.
“Just like artists of the Renaissance painted Jesus and god-like figures, I’ve chosen to paint today’s – Generation Y’s – popular culture icons like Mickey Mouse, 3D glasses and hamburgers; which funnily enough stand as admired modern-day ‘gods’,” Keiron says.
Similar to Pop Art pioneers Andy Warhol and Ron English, Keiron McMaster takes contemporary advertising and commercialism and transforms them into thought-provoking and totally fun works of art.
Making waves in Australia’s Low Brow art movement, Keiron McMaster is set to be a future luminary of the Gen-Y Street Pop scene.
Not unlike most trendsetting Brisbane artists, Keiron McMaster came of age in and around dank garages, surrounded by society’s misfits. Sketching away the dirty smoke-filled nights.
An artist in some form or another his entire life, Keiron’s artistic ambition grew from tattoo design and cover art for local band albums, to transition – more than two year ago – into moonlight liaisons in ridiculously huge houses that fostered his professional career.
As a Street Pop artist Keiron takes inspiration from his hazy teenage days, old friends and consumer society, so that his works resemble kaleidoscopes of modern iconography.
Keiron explains that “Commercialism was eating me”, so he began to mash-up modern icons of consumer society, such as Disney characters and hipster trends, into unique, fresh and at times dirty paintings.
“Just like artists of the Renaissance painted Jesus and god-like figures, I’ve chosen to paint today’s – Generation Y’s – popular culture icons like Mickey Mouse, 3D glasses and hamburgers; which funnily enough stand as admired modern-day ‘gods’,” Keiron says.
on English, Keiron McMaster takes contemporary advertising and commercialism and transforms them into thought-provoking and totally fun works of art.
Making waves in Australia’s Low Brow art movement, Keiron McMaster is set to be a future luminary of the Gen-Y Street Pop scene.
Not unlike most trendsetting Brisbane artists, Keiron McMaster came of age in and around dank garages, surrounded by society’s misfits. Sketching away the dirty smoke-filled nights.
An artist in some form or another his entire life, Keiron’s artistic ambition grew from tattoo design and cover art for local band albums, to transition – more than two year ago – into moonlight liaisons in ridiculously huge houses that fostered his professional career.
As a Street Pop artist Keiron takes inspiration from his hazy teenage days, old friends and consumer society, so that his works resemble kaleidoscopes of modern iconography.
Keiron explains that “Commercialism was eating me”, so he began to mash-up modern icons of consumer society, such as Disney characters and hipster trends, into unique, fresh and at times dirty paintings.
“Just like artists of the Renaissance painted Jesus and god-like figures, I’ve chosen to paint today’s – Generation Y’s – popular culture icons like Mickey Mouse, 3D glasses and hamburgers; which funnily enough stand as admired modern-day ‘gods’,” Keiron says.
Similar to Pop Art pioneers Andy Warhol and Ron English, Keiron McMaster takes contemporary advertising and commercialism and transforms them into thought-provoking and totally fun works of art.
