IL LINGUAGGIO DEL CORPO
CANON EOS 6D Mark II con ob. CANON EF 50 mm f./1,4 USM
SARA by FRANCO600D
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IL LINGUAGGIO DEL CORPO
CANON EOS 6D Mark II con ob. CANON EF 50 mm f./1,4 USM
Vintage French postcard, 1900s. S.I.P, No. 1461. See also our card www.flickr.com/photos/truusbobjantoo/54464644864/in/photo...
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Vintage French postcard, 1900s. Photo by Reutlinger, Paris. Ed. S.I.P., No. 1309. NB other examples of this card carry the number 1980.
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Vintage French postcard, 1900s. Photo by Verus. Number illegible.
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Vintage French-German postcard, 1900s. S.I.P, No. 1506. This postcard has almost the same illustration as the French edition of it, but it has a different serial number, and on the back is an indication the Neue Photographische Gesellschaft had this card put before the censor in 1906. During the 1900s, Eds. SIP made a whole series with actresses and dancers before the same palette, including e.g. La Toledo and Miéris. See e.g. www.flickr.com/photos/truusbobjantoo/54252880483/in/photo...
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Vintage French postcard, 1900s. Photo by H. Manuel. Edit. M.G.
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Vintage French postcard, 1900s. Photo by reutlinger, Paris. Ed. S.I.P., No. 1309. It is strange that this card and our other card www.flickr.com/photos/truusbobjantoo/54464450826/in/datep... have the same serial number.
Natalia/ Natasha Trouhanova, officially Natalia Vladimirovna Troukhanova / Наталія Володимирівна Труханова (1885, Kyiv — 1956 , Моscow)) was a Franco-Russian dancer and silent film actress. She is also known as Natalia Trukhanova and Natacha Trouhanowa-Ignatieff
Roman, Augustan period, late 1st c. BCE
From Arezzo (ancient Arretium; see on Pleiades)
In the collection of the Bowdoin Museum of Art, Brunswick, Maine, United States
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1915.34
Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...
artmuseum.bowdoin.edu/objects-1/info/1307
IN CONCENTRAZIONE PRIMA DELLO SPETTACOLO.
CANON EOS 6D Mark II con ob. CANON EF 50 mm f./1,4 USM
Scultura di Andrea Roggi.
Nasce il 2 luglio 1962 a Castiglion Fiorentino in Toscana.
Numerose sono le sue opere pubbliche in Italia, dislocate prevalentemente in Toscana e in Umbria.
Italia: Toscana, Borro (Loro Ciuffenna) (AR)
QUANDO IL RELAX E' UN PIACERE
CANON EOS 6DMark II con ob. CANON EF 50 mm f./1,4 USM
Milan
Martello Editore - 1957
Sony a7IV | Tamron 28-75 mm F/2.8 Di III RXD
www.saal-digital.net/share/OEaNyWL/
Sony a7IV | Tamron 28-75 mm F/2.8 Di III RXD
www.saal-digital.net/share/OEaNyWL/
Greek Classical period, ca. 440-435 BCE
Made at Athens
Attributed to the Boston Phiale Painter (by Beazley)
Found in a tomb at Gela (see on Pleiades), Sicily
In the collection of the Bowdoin Museum of Art
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1913.11
Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...
www.beazley.ox.ac.uk/record/090CF246-B57D-46D3-80B9-0B58F...
Classical period, ca. 440-430 BCE
Made at Athens
Attributed to the Cassel Painter (by Beazley)
Found at Sorrento (ancient Surrentum; see on Pleiades), Hotel Vittoria necropolis
In the collection of, and photographed on display in, the Museo Correale di Terranova, Sorrento, Campania, Italy
Onorato Fiorentino donation
Inv. 109 DF
www.beazley.ox.ac.uk/record/BE9302C4-560A-44C9-A70C-D9E87...
Classical period, ca. 440-430 BCE
Made at Athens
Attributed to the Cassel Painter (by Beazley)
Found at Sorrento (ancient Surrentum; see on Pleiades), Hotel Vittoria necropolis
In the collection of, and photographed on display in, the Museo Correale di Terranova, Sorrento, Campania, Italy
Onorato Fiorentino donation
Inv. 109 DF
www.beazley.ox.ac.uk/record/BE9302C4-560A-44C9-A70C-D9E87...
Classical period, ca. 440-430 BCE
Made at Athens
Attributed to the Cassel Painter (by Beazley)
Found at Sorrento (ancient Surrentum; see on Pleiades), Hotel Vittoria necropolis
In the collection of, and photographed on display in, the Museo Correale di Terranova, Sorrento, Campania, Italy
Onorato Fiorentino donation
Inv. 109 DF
www.beazley.ox.ac.uk/record/BE9302C4-560A-44C9-A70C-D9E87...
Vintage Italian postcard. Ballerini & Fratini, Firenze, No. 352.
Jia Ruskaja, pseudonym of Evgenija Fëdorovna Borisenko (Russian: Евгения Фёдоровна Борисенко?; Kerč', 6 January 1902 - Rome, 19 April 1970), was a Russian dancer and choreographer naturalised Italian, founder in 1940 of the Royal School of Dance (now the National Dance Academy) in Rome.
Ruskaja fled Russia just after the October Revolution, in the company of her father, an officer in the Russian Imperial Army. After studying dance in the Crimea, she went on to medical school in Geneva. She married Evans Daniel Pole in 1920, by whom she had a son. She arrived in Italy in 1921, where she was united in marriage with Aldo Borelli, editor of the Corriere della Sera, and obtained Italian citizenship in 1935. The pseudonym 'Jia Ruskaja' (Я Руская), meaning 'I am Russian', was first used by Anton Giulio Bragaglia. Ruskaja began her artistic work in Italy with a recital of 'mimic actions and dances'. Later, at the Teatro dell'Esposizione in Milan, she performed Sumitra by Carlo Clausetti.
Afterward, she appeared as both the Biblical Judith and a seductive modern vamp in Baldassarre Negroni's film Giuditta e Oloferne/ Judith and Holofernes (1929), opposite Bartolomeo Pagano (Maciste). It would be her only fiction film experience. Yet, 'la Ruskaja' was also filmed various times in non-fiction: first in the section 'Scuola di danze classiche e di ginnastica ritmica di Yia Ruskaja (sic) al Teatro dal Verme', in the documentary Stramilano presentato da Za Bum, directed by Corrado d'Errico in 1929. The documentary Fanciulle e danze. Dimostrazione dei metodi didattici della Scuola di danze classiche di Yia Ruskaja in Milano, Coreografie di Jia Ruskaja, directed by Angelo Jannarelli and Guido Albertelli, s.d. [1940-41], records the following choreographies by Ruskaja: 'Ottocento romantico', 'Momento musicale', 'Salomé', 'Prima lettera d'amore', and 'Mattinata boscherecci'. In the postwar era, the Istituto Luce made the news documentary La scuola d'arte di Jia Ruskaja (La Settimana INCOM, n. 261, 10 March 1949), while in the 1950s another short documentary was made, called Jia Ruskaja. La danza come modo di essere, directed and choreographed by Ruskaja herself.
After her performing in Giuditta e Oloferne, Ruskaja did not stop dancing and opened several schools of dance in Milan in the 1930s. Eventually she could count on an open-air theatre with over 2000 seats. She also devoted herself to choreography, creating the Dance of Sacrifice, from Iphigenia in Aulis to music by Ildebrando Pizzetti (1935), and The Rape of Persephone, to music by Ennio Porrino (1937). One of her schools won the silver 'laurel' at the 1936 Berlin Olympics. In 1940 she founded the Regia Scuola di Danza, reserved for women - initially annexed to the Accademia d'arte drammatica and becoming autonomous in 1948 under the name Accademia Nazionale di Danza - which she directed until her death in 1970.
Sources: Italian and English Wikipedia, IMDb.