Erlanger KY Medic 64
2012 Ford/Braun
Ambulance
#5893 Model: Chief XL
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The National Maritime Museum Cornwall—just across the water—looked temptingly close from our stateroom balcony, but getting there meant a longer-than-expected detour through town due to waterfront restrictions. No matter: the walk offered a chance to admire Falmouth’s streets, pastel houses and the impressive gathering of sailboats along the quays. A chilly breeze, yes—but rich in atmosphere.
The text is a collaboration with Chat GPT.
National Maritime Cornwall - Falmouth
This painting shows the steam packet Tagus underway—sails taut, steam funnel trailing smoke—a vessel poised between eras. Built in 1837, she was one of the first steamers operated by the newly formed P&O (Peninsular and Oriental Steam Navigation Company) on the Iberian route, linking Britain with Spain and Portugal.
To governments and merchants, the Tagus and her sister ships represented a breakthrough: scheduled, steam-powered mail service, no longer dependent on wind. But for those aboard, side-paddle steamers came with frustrations. Passengers endured intense engine vibration, deafening noise, and the seasick-inducing roll of paddle wheels in rough water. Crew worked in cramped, hot engine spaces and wrestled with temperamental machinery. Shippers and customers valued speed, but grumbled about limited cargo space and the constant need for coal bunkering, which cut into efficiency and range.
Yet these were the vessels that launched P&O’s rise to global dominance. Within a decade, paddle steamers like Tagus gave way to screw-propelled, iron-hulled ships—more stable, powerful, and efficient. But in her time, Tagus embodied a revolution: a mail packet that didn't wait for the wind, and a merchant empire increasingly run by steam, steel, and strict schedules.
Text is a collaboration with Chat GPT.
National Maritime Cornwall - Falmouth
This is the original painting by Samuel Drummond of Captain William Rogers capturing the Jeune Richard, 1 October 1807—a celebrated moment in British maritime lore. Rogers, commander of the Falmouth packet Windsor Castle, was outgunned and outnumbered by a French privateer yet led his civilian crew to a stunning and improbable victory. The ship had sailed from Falmouth, a key hub in the British packet service that kept imperial communications flowing during the Napoleonic Wars.
Drummond’s composition fuses documentary intensity with the high drama of history painting. Rogers, pistol raised and cloak flying, is lit like a tragic hero amid the smoke and fury of close-quarters combat. Around him, every gesture is choreographed for emotion: desperation, resolve, fear, defiance. It’s a scene both anchored in historical fact and shaped to embody Britain’s vision of itself—undaunted, disciplined, and destined to prevail under sail.
The text is a collaboration with Chat GPT.
National Maritime Cornwall - Falmouth
This weathered canvas mail bag, stenciled “H.M.S. Crane – Letters for ENGLAND,” once carried precious cargo: correspondence between continents. The Crane was a Royal Mail packet ship—part of the packet service, a government-run fleet that revolutionized communication in the age of sail.
The packet service began in the late 17th century as a network of fast-sailing vessels tasked with carrying official mail, news, and dispatches between Britain and its far-flung territories. Over time, it evolved into a lifeline of global communication, ferrying not just government correspondence but also private letters, newspapers, passengers, and small goods.
By the early 1800s, Falmouth had become the beating heart of this system. Its deep, sheltered harbor on Cornwall’s south coast made it a natural hub.
Dozens of brigs and schooners—like the Crane—departed regularly for Lisbon, the West Indies, North America, Brazil, and beyond, often under the threat of enemy fire, piracy, and storm.
Packet captains were not Royal Navy officers but often had to fight like them, especially during the Napoleonic Wars, when packet ships were armed and expected to defend their dispatches. The service gradually declined after the advent of steamships and the rise of larger, centralized ports like Southampton and Liverpool.
Remarkably, the packet service sometimes maintained lines of communication even between nations in conflict. Through neutral ports or diplomatic agreements, letters passed between friends, families, and merchants on opposite sides of geopolitical divides. In an age of slow ships and long silences, such mailbags carried not just ink on paper but hope, grief, and connection across war-torn seas.
This bag is a modest object, but it once carried a world’s worth of hope, commerce, and news—stitched into the very fabric of empire, and returned to its home in Falmouth decades or centuries later, a survivor of the great age of sail.
The text is a collaboration with Chat GPT.
National Maritime Cornwall - Falmouth
This dense sheet of commercial intelligence—posted in Rio de Janeiro in 1849 and carried to Falmouth in 1850 aboard the Royal Mail packet Crane—reminds us how global trade depended on wind, discipline, and information. In the age before telegraph cables spanned oceans, packet ships like the Crane were the arteries of empire and commerce, carrying letters, orders, contracts, and price lists across vast distances.
This single page, packed with market data in tightly penned script, likely informed decisions about shipments, prices, and speculation in ports across Europe. The journey from Brazil to Cornwall would have taken weeks, sometimes months, navigating thousands of miles through the South Atlantic—every knot earned by canvas, not coal.
The Falmouth packet service—then in its twilight—had evolved from a mail-only naval courier system to a commercial lifeline connecting Britain to South America, the Caribbean, the Mediterranean, and North America. These packets didn’t just deliver letters—they delivered advantage: the first to know could be the first to act.
This letter, once urgent, is now archival—a fragile trace of how 19th-century globalization worked, not just through force or finance, but through trust in the wind and a wooden ship’s steady return.
The text is a collaboration with Chat GPT.
National Maitime Cornwall - Falmouth
This richly toned printing block, on display at the National Maritime Museum Cornwall, shows the Cutty Sark at anchor in Falmouth—where she arrived in 1922 en route to her new role as a cadet training ship. The term “clipper” refers to a class of 19th-century merchant sailing ships built for speed, especially on long-haul trade routes. The name likely comes from the verb “to clip”—as in to move swiftly or “clip along.” Clippers were lean, narrow, and carried vast expanses of sail to shave weeks off voyages.
Launched in 1869, the Cutty Sark was built for the China tea trade, and later hauled wool from Australia. She is one of the last surviving examples of her type—and arguably the most famous—embodying both the grace and obsolescence of the age of sail. Her stop in Falmouth links her to a port once busy with packet ships, clippers, and steamers—a fitting crossroads for a ship that bridged two eras.
The text is a collaboration with Chat GPT.
It was the start of term break for most schools in the UK, and Falmouth was bustling—British families with children and dogs in tow mingling with American cruise ship passengers in their 70s and 80s, all taking in the coastal air. This colorful welcome map near the harbor orients visitors to the town’s winding lanes and nautical landmarks. Our destination, like that of many others happily exploring, was the National Maritime Museum Cornwall—a hit with both kids and adults alike.
The text is a collaboration with Chat GPT.
National Maritime Cornwall - Falmouth
The Falmouth registered Post Office packet Lady Hobart, commanded by William Dorset Fellowes, was bound for England from Halifax, Nova Scotia, when, on 26th June 1803, she was attacked by a French privateering schooner which mistook her as defenceless: Fellowes opened fire and instead took the schooner. He sent her to England under a prize crew commanded by two Royal Naval lieutenants who were on board the packet as passengers, and sent off most of his prisoners, with the exception of the French captain, in Newfoundland fishing schooners which happened to be nearby.
On 28th June, in fog, the Lady Hobart hit an iceberg at speed and rapidly sank: all those on board, among whom were female passengers and Fellowes' wife, took to the cutter and jolly boat, and survived eight days adrift before being picked up by another schooner that took them to Newfoundland.
The only casualty was the captive French captain, who, under the influence of rum, reportedly killed himself by jumping overboard.
Fellowes and his company later left Newfoundland in a ship taking salt fish to Oporto, but in mid-ocean transferred to an American vessel they encountered, which carried them into Bristol.
Having sent a report of the loss, written in Newfoundland, to the Postmaster General, Fellows subsequently expanded it into a more public account published as a book.
www.rmg.co.uk/collections/objects/rmgc-object-110525
National Maitime Cornwall - Falmouth
This signal book from the Falmouth packet Seagull, dated 1838–39, is a small marvel—equal parts navigational tool and jewel-like artwork. Its hand-painted flags are vivid, functional swatches of symbolic language: a visual code for a world in flux. That a British packet officer sailing out of Cornwall needed to recognize the flags of Colombia and Chile in the 1830s speaks volumes about the UK’s global maritime reach at the time. The Napoleonic Wars were over, South American republics were newly independent and their markets finally accessible, and British ships were everywhere—carrying mail, passengers, influence, and goods across the Atlantic and beyond.
Each flag here is painted with meticulous care, yet intended for immediate recognition. It’s practical, not just watercolor: a signal book as a navigational rosary, where every color block stands for a nation, a letter, a message. In its miniature form and worldly awareness, it reflects Britain's 19th-century identity—a nation that communicated across oceans by sail and signal.
The text is a collaboration with Chat GPT.
Greenline Coaches Mercedes-Benz Tourismo M/3 GH24 GLC parked up in Falmouth. 26/05/25
Typically I saw this one back in February:-
www.flickr.com/photos/66737297@N06/54339931564/in/photoli...