The Flickr Fashionplate Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

“Farewell, Poor Love” by Georges Lepape in the “Gazette du Bon Ton,” 1921, No. 7. Plate 50. by lhboudreau

© lhboudreau, all rights reserved.

“Farewell, Poor Love” by Georges Lepape in the “Gazette du Bon Ton,” 1921, No. 7. Plate 50.

The illustration, which consists of hand-stenciling and gouache on paper, features an afternoon dress in "Palmes Agnella", which is a Rodier fabric combined with black satin.

The "Gazette du Bon Ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux.

A Jeune Fille à Marier by raaen99

© raaen99, all rights reserved.

A Jeune Fille à Marier

The handbag as we know it today, did not really come into vogue until the 1920s, when women began to have a need to carry such items as lipstick, rouge and powder with them, and independent working women began carrying their own money. Prior to this time, the handbag's predecessor, a reticule, a small drawstring bag was carried as a purse by a woman in the Eighteenth Nineteenth and Early Twentieth Centuries. The example I have photographed here is from the mid 1920s with a brass frame and chain to hang it around the wrist. Lined with white satin, its exterior is entirely hand beaded with tiny glass beads. A bag like this would have shown off a young lady’s abilities in the domestic arts, such as embroidery – a desirous skill in in a jeune fille à marier (a marriageable young woman) of the 1920s, and probably took several years to complete. Although it has lost a small selection of its beads, this handbag is in remarkably good condition for its age.

I have photographed this example of a beaded ladies handbag against a backdrop of a centrefold from a November 1925 edition of “Le Petit Écho de la Mode”, a French ladies magazine full of fashions, written essays, advertisements for beauty products and needlework ideas. Doubtless the maker of this handbag would have taken the pattern from a magazine similar to this. “Le Petit Écho de la Mode” was launched as a weekly magazine in 1880, with a free model pattern introduced in 1883, by which time it was selling 210,000 copies across France per week. By 1900, when “Le Petit Écho de la Mode” first introduced a colour front page, it had a circulation of over 300,000 per week. Surviving the Second World War, the zenith of the magazine came in 1950, when it had a record circulation of one and half million. After being taken over by their competitor “Femmes d’Aujourd’hui” in 1977, “Le Petit Écho de la Mode” finally ceased publication 104 years after it was first released, in 1984.

The theme for "Looking Close on Friday" on the 3rd of May is "bags". I love to collect vintage accessories, and that includes ladies handbags, and I have a good many examples. When the theme was announced, I was originally going to submit a photograph of an Edwardian reticule made of silk and hand embroidered with flowers on a black velvet background, but then between when the theme was announced and when I took this photo, I acquired two 1920s copies of “Le Petit Écho de la Mode” which I bought for their elegant fashion graphics, so I have opted for this 1920s version instead. I do hope that you like my choice for the theme, and that it makes you smile.

MARFURT, Leo. Belga cigarettes [pre-text] by Halloween HJB

MARFURT, Leo. Belga cigarettes [pre-text]

MARTIN, Charles. Habit nouveau par Kriegck, 1913. by Halloween HJB

MARTIN, Charles. Habit nouveau par Kriegck, 1913.

MARTIN, Charles. La Dame et le Perroquet, 1913. by Halloween HJB

MARTIN, Charles. La Dame et le Perroquet, 1913.

MARTIN, Charles. Les Lucioles, 1913. by Halloween HJB

MARTIN, Charles. Les Lucioles, 1913.

Grandmamma’s Sewing Box by raaen99

© raaen99, all rights reserved.

Grandmamma’s Sewing Box

It was recently my birthday, and a very dear friend who enjoys photography as much as I do, and knows that I collect beautiful and vintage pieces, gave me a wonderful selection of antique ribbons, buttons, buckles, lace and other fine notions. She gave me these in three beautiful tins, including this octagonal tin covered in Edwardian beauties. The tine may be old and battered, but I think those imperfections add to the tin’s beauty. It tells a story of being well used and well loved.

How apt it is then that a few weeks after I was given this wonderful tin full of ribbons, buttons, buckles, lace and fine notions, Maria announced the theme for “Looking Close… on Friday!” for October 20th, as “old boxes”, which is derived from my suggestion of “old, antique or vintage”. This theme also includes old tins. I knew immediately which tin I wanted to photograph.

Thank you for making my suggestion into a wonderfully fun theme this week, Maria. I hope you all like my image for the theme this week, and that it makes you smile.

The Dude by wwimble

© wwimble, all rights reserved.

The Dude

fashionslats by Cleavage All-Stars

Available under a Creative Commons by-nc license

fashionslats

Never one for a cautious approach, she'll soon be landing on your runway.

Fashion Plate, Hand-colored engraving by theleakybrain

© theleakybrain, all rights reserved.

Fashion Plate, Hand-colored engraving

Minneapolis Institute of Art

Fashion Plate, Hand-colored engraving by theleakybrain

© theleakybrain, all rights reserved.

Fashion Plate, Hand-colored engraving

Minneapolis Institute of Art

Fashion Plate, Hand-colored engraving by theleakybrain

© theleakybrain, all rights reserved.

Fashion Plate, Hand-colored engraving

Minneapolis Institute of Art

GARCÍA BENITO, Eduardo. La Dame au Lévrier", Gazette du Bon Ton, 1921. by Halloween HJB

GARCÍA BENITO, Eduardo. La Dame au Lévrier", Gazette du Bon Ton, 1921.

GARCÍA BENITO, Eduardo. "L'Heure du Thé" by Halloween HJB

GARCÍA BENITO, Eduardo. "L'Heure du Thé"

BARBIER, George. Eros, Robe et manteau, pour le soir, de Worth, 1924. by Halloween HJB

BARBIER, George. Eros, Robe et manteau, pour le soir, de Worth, 1924.

LEPAPE, George. "Illustration of a Woman in a Red Dress", Vogue magazine, January 1, 1923. by Halloween HJB

LEPAPE, George. "Illustration of a Woman in a Red Dress", Vogue magazine, January 1, 1923.

SIMÓN, Mario. La partie de cache-cache, Robe en ruban, 1921. by Halloween HJB

SIMÓN, Mario. La partie de cache-cache, Robe en ruban, 1921.

“Tamara Toumanova in Prismatic Chiffon” in Vogue Magazine, January 1, 1942. Photo by John Rawlings. Fashion by Germain Monteil. by lhboudreau

© lhboudreau, all rights reserved.

“Tamara Toumanova in Prismatic Chiffon” in Vogue Magazine, January 1, 1942.  Photo by John Rawlings.  Fashion by Germain Monteil.

A child of exiles in Paris after the Russian Revolution of 1917, Tamara Toumanova (1919-1996) made her debut at the age of 10 at the children’s ballet of the Paris Opera. She became known internationally as one of the Baby Ballerinas of the Ballet Russe de Monte Carlo after being discovered by her fellow émigré, ballet master and choreographer George Balanchine. He featured her in his productions of Ballet Theatre, New York, making her the star of the performances. She became a naturalized citizen of the United States in 1943. [Source: Wikipedia]

Russian Ballerina Irina Baronova in Vogue Magazine, July 1940. Photograph by Horst. by lhboudreau

© lhboudreau, all rights reserved.

Russian Ballerina Irina Baronova in Vogue Magazine, July 1940. Photograph by Horst.

"The crucial point in Baronova's career came in 1932, just a few months short of her thirteenth birthday. She, along with two other girls, Tamara Toumanova (aged 12), and Tatiana Riabouchinska (aged 14), were hired by George Balanchine to become ballerinas in the newly formed Ballets Russes de Monte-Carlo. Their extreme youth and technical perfection won them fame around the world. During their first season in London with the Ballets Russes, English critic Arnold Haskell coined the term "Baby Ballerinas" for Toumanova, Riabouchinska and Baronova." -- Wikipedia

DAMMY, H. Robert. Elle s’appelle Manon; Cape du soir de Doucet, 1914. by Halloween HJB

DAMMY, H. Robert. Elle s’appelle Manon; Cape du soir de Doucet, 1914.