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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

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Gertrude Thanhauser 1948 by puzzlemaster

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Gertrude Thanhauser 1948

This is Gertrude Thanhauser's 1948 Brazilian transit visa for travel to Argentina.

From Wikipedia, the free encyclopedia

Gertrude Homan Thanhouser (April 23, 1882 – May 29, 1951), wife of co-founder Edwin Thanhouser, worked at the Thanhouser Company film studio as actress, scenario writer, film editor, and studio executive. Her efforts made the studio one of the key independent US film studios in the nickelodeon and transitional era, praised for its erudite adaptations of Shakespeare and other "classical" stage dramas to the screen.
Gertrude Homan was born in 1882 (one family account gives the date as 1880) in Beauvoir, Mississippi, one of 10 children in her family. When she was very young, the family moved to Brooklyn, New York, and she became involved in acting as a child, performing her first stage role at the age of six. As a child actress, her theatrical parts included title roles in Little Lord Fauntleroy and Editha's Burglar. In the 1890s she was part of a stock company in Milwaukee that was managed by Edwin Thanhouser, whom she married in 1900.
In the spring of 1909, Gertrude moved with her husband to New Rochelle, New York where they established Thanhouser Company as an independent motion picture studio; it was the first to be organized by leaders with strong theatrical training. Gertrude's acting career of fourteen years gave her the stagecraft to be a powerful and creative force in this new venture. She received co-scenario writing credit with brother-in-law, Lloyd Lonergan, for the screen adaptation of Shakespeare's The Winter's Tale. Behind the scenes, Gertrude was heavily involved in scenario development, creation of mise en scène and film editing. In 1912, the Thanhousers sold their shares in the company to Charles J. Hite of Mutual Film Corporation for $250,000 and retired from the industry.[3]
In August 1914, Hite was killed in an automobile accident. In February 1915, the Mutual board of directors in an extraordinary move lured Edwin and Gertrude out of retirement. Gertrude immediately resumed her role as supervisor of the scenario department and was credited for writing the scenario for their first "new" release, Their One Love. She remained active in company affairs including attending a meeting with President Woodrow Wilson in 1916. In the summer of 1916 the death of Thanhouser leading actress Florence LaBadie and the rise of feature films with stars such as Mary Pickford contributed to the decline in popularity of the studio's films. In 1918, the founders retired permanently from the film industry leaving the Thanhouser Film Corporation with a positive bank balance, unlike many others of the era.

Leah Baird by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leah Baird

British postcard. Supplement to Cinema Chat. Artco. For more on Leah Baird, see wfpp.cdrs.columbia.edu/pioneer/ccp-leah-baird/

Clara Kimball Young by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Clara Kimball Young

British postcard. Cinema Chat. Gaumont. For more on Clara Kimball Young, see wfpp.cdrs.columbia.edu/pioneer/ccp-clara-kimball-young/

Clara Kimball Young by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Clara Kimball Young

British (Scottish) postcard. Photo: Hardie, Aberdeen / Walturdaw.
For more on Clara Kimball Young, see wfpp.cdrs.columbia.edu/pioneer/ccp-clara-kimball-young/.

Cleo Madison by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Cleo Madison

British postcard. Trans-Atlantic Film Company, 1915. Cleo Madison in The Trey o'Hearts, a 1914 American action film serial directed by Wilfred Lucas and Henry MacRae, based on the novel of the same name by Louis Joseph Vance, scripted by Bess Meredyth and Vance, and currently considered to be a lost film. See also wfpp.cdrs.columbia.edu/pioneer/ccp-cleo-madison/

Grace Cunard by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Grace Cunard

British postcard. Transatlantic-Film Co., Ltd., was the British distributor for Europe for Universal's films in the 1910s.

Grace Cunard (1893–1967) was one of Universal's most important serial queens in the 1910s. Typical for the pioneer years, Cunard also wrote some 100 film scripts, directed 11 films and produced two others. See wfpp.cdrs.columbia.edu/pioneer/ccp-grace-cunard/

Bessie Barriscale by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Bessie Barriscale

American postcard. Photo: Evans.

Bessie Barriscale (* 30 September 1884 in Hoboken, New Jersey as Elizabeth Barry Scale; † 30 June 1965 in Kentfield, California) was an American actress.

Bessie Barriscale was born to Irish immigrants; the actresses Edith and Mabel Taliaferro were her cousins. Since the 1900s, Barriscale had been a regular on theatre stages, and she made her first film in 1913. She became widely known to film audiences in 1914 with her leading role in the western Rose of the Rancho, directed by Cecil B. DeMille, which was a big box-office hit at the time. She had previously played the role of Rose in a play. In the following years she cemented her status as a Hollywood star with leading roles in several melodramas directed by Thomas Harper Ince. Mostly, Barriscale played the role of the equally lovely and long-suffering girl who has to fight her way through bad circumstances. She was marketed, among other things, as the "girl with the biggest eyes" in Hollywood. However, many of her most important films are now lost.

In 1918 Barriscale signed a contract for 16 films with B.B. [=Bessie Barriscale] Features, which earned her at least one million US dollars and made her one of the highest paid actresses of the time. In the early 1920s her career slowly passed its zenith and she subsequently made fewer films, instead she was now seen more often again in the theatre and on vaudeville stages. With the beginning of the talkies Barriscale only played character roles, mostly as a mother or servant in supporting roles. Barriscale's most significant performance of the talkies was probably her portrayal of Mary Pickford's unfriendly daughter in Frank Borzage's epic western Secrets (1933). Her last film role was as a maid in The Man Who Reclaimed His Head in 1934 alongside Claude Rains and Joan Bennett.

Bessie Barriscale was married to fellow actor Howard C. Hickman for many years until his death in 1949. The couple also worked together on many films. Barriscale and Hickman were buried in Mount Tamalpais Cemetery in San Rafael. In 1960, five years before her death, Barriscale received a star on the Hollywood Walk of Fame for her film work.

Source: German Wikipedia. For more on Bessie Barriscale, see Women Film Pioneers Project.

Florence Lawrence by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Florence Lawrence

English postcard, no. 34. Photo: Lubin.

Canadian-born actress Florence Lawrence (1886-1938). She began her career in the motion picture industry with a role in an Edison Company short, Daniel Boone/Pioneer Days in America (1907). Next, she worked for the Vitagraph Company. At the American Mutoscope and Biograph Company, Lawrence appeared in most of the sixty short films that D.W. Griffith directed in 1908. She became famous, known as “the Biograph girl.” In 1910, producer Carl Laemmle of the Independent Motion Picture Company (IMP) hired her Lawrence was the object of a notorious publicity stunt. Her “death” in a streetcar accident was widely announced, followed by her resurrection in the first publicity tour in film history. Lawrence and her husband Harry Solter worked at IMP for eleven months and made approximately fifty films. Lawrence and Solter then joined Lubin in early 1911, but they left Lubin within a year, and, with Solter, started one of the first US film companies to be headed by a woman: the Victor Company.

Source: Kelly Brown (Women Film Pioneers Project).

Clara Kimball Young, at Garson Studios, Edendale by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Clara Kimball Young, at Garson Studios, Edendale

American postcard. For more on Clara Kimball Young, see wfpp.cdrs.columbia.edu/pioneer/ccp-clara-kimball-young/

William Friese Greene by moley75

© moley75, all rights reserved.

William Friese Greene

Carl Mayer by moley75

© moley75, all rights reserved.

Carl Mayer

William Friese Greene by moley75

© moley75, all rights reserved.

William Friese Greene

William Friese Greene by moley75

© moley75, all rights reserved.

William Friese Greene