Shibuya, Tokyo, Japan
The striking geometry of a traditional red door stands in stark contrast to the modern glow of a classic Japanese vending machine.
The Red Door by Éric B.
© Éric B., all rights reserved.
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Shibuya, Tokyo, Japan
The striking geometry of a traditional red door stands in stark contrast to the modern glow of a classic Japanese vending machine.
Off the beaten track and inside an abandoned building, possibly an ex-factory or work place, elaborate graffiti splashes colour on the crumbling walls. What stories does this forgotten semi-rural space have to tell? This morning, sunlight filtered through broken windows, illuminating the dusty floor and debris. In this shot,
I particularly liked the unusual angled rectangles of natural light, a fitting balance of positive energy compared to the shadowy interior.
A fleeting moment of light breaks through heavy cloud and fog above Turufjell, revealing the quiet winter landscape of Hallingdal below. Snow-covered cabins and winding roads emerge like a hidden world beneath the sky, where atmosphere and terrain briefly align. Fun fact: Temperature inversions and low cloud layers are common in valleys like Hallingdal during winter, often trapping fog below while higher elevations enjoy clearer conditions—making moments like this both rare and rewarding to capture.
30 pieces square origami paper
no glue or tape
Designed by Francis Ow.
I found it in the BOS Convention 2013 Autumn magazine.
Ne jamais se fâcher avec ses artisans avant la réception...
30 pieces square origami paper
no glue or tape
Designed by Francis Ow.
I found it in the BOS Convention 2013 Autumn magazine.
30 pieces square origami paper
no glue or tape
Designed by Francis Ow.
I found it in the BOS Convention 2013 Autumn magazine.
30 pieces square origami paper
no glue or tape
Designed by Francis Ow.
I found it in the BOS Convention 2013 Autumn magazine.
The Ranakpur Jain Temple, located in a secluded valley of the Aravalli hills in Rajasthan, is one of the most important pilgrimage sites of Jainism and a masterpiece of Indian temple architecture. Built in the 15th century under the patronage of Rana Kumbha, the temple is dedicated to Tirthankara Adinatha, the first spiritual teacher of the Jain tradition. Its construction reflects the close relationship between Jain merchant communities and regional rulers, who supported religious and artistic expression during this period.
Religiously, Ranakpur holds deep significance as a place of meditation, spiritual discipline, and reverence for the Jain principles of non-violence, truth, and renunciation. The temple continues to attract devotees from across India who come to offer prayers and seek spiritual clarity in its serene setting.
Architecturally, the temple is celebrated for its extraordinary use of white marble and its complex Chaumukha, or four-faced, design, symbolizing the omnipresence of the Tirthankara. The structure is supported by 1,444 intricately carved pillars, each uniquely decorated with geometric patterns, floral motifs, and celestial figures. No two pillars are the same, yet the symmetry is flawless. The soaring ceilings, delicately sculpted domes, and the play of light within the marble interiors create an atmosphere of calm and awe, making Ranakpur a timeless example of devotion expressed through craftsmanship.
The Ranakpur Jain Temple, located in a secluded valley of the Aravalli hills in Rajasthan, is one of the most important pilgrimage sites of Jainism and a masterpiece of Indian temple architecture. Built in the 15th century under the patronage of Rana Kumbha, the temple is dedicated to Tirthankara Adinatha, the first spiritual teacher of the Jain tradition. Its construction reflects the close relationship between Jain merchant communities and regional rulers, who supported religious and artistic expression during this period.
Religiously, Ranakpur holds deep significance as a place of meditation, spiritual discipline, and reverence for the Jain principles of non-violence, truth, and renunciation. The temple continues to attract devotees from across India who come to offer prayers and seek spiritual clarity in its serene setting.
Architecturally, the temple is celebrated for its extraordinary use of white marble and its complex Chaumukha, or four-faced, design, symbolizing the omnipresence of the Tirthankara. The structure is supported by 1,444 intricately carved pillars, each uniquely decorated with geometric patterns, floral motifs, and celestial figures. No two pillars are the same, yet the symmetry is flawless. The soaring ceilings, delicately sculpted domes, and the play of light within the marble interiors create an atmosphere of calm and awe, making Ranakpur a timeless example of devotion expressed through craftsmanship.
The Ranakpur Jain Temple, located in a secluded valley of the Aravalli hills in Rajasthan, is one of the most important pilgrimage sites of Jainism and a masterpiece of Indian temple architecture. Built in the 15th century under the patronage of Rana Kumbha, the temple is dedicated to Tirthankara Adinatha, the first spiritual teacher of the Jain tradition. Its construction reflects the close relationship between Jain merchant communities and regional rulers, who supported religious and artistic expression during this period.
Religiously, Ranakpur holds deep significance as a place of meditation, spiritual discipline, and reverence for the Jain principles of non-violence, truth, and renunciation. The temple continues to attract devotees from across India who come to offer prayers and seek spiritual clarity in its serene setting.
Architecturally, the temple is celebrated for its extraordinary use of white marble and its complex Chaumukha, or four-faced, design, symbolizing the omnipresence of the Tirthankara. The structure is supported by 1,444 intricately carved pillars, each uniquely decorated with geometric patterns, floral motifs, and celestial figures. No two pillars are the same, yet the symmetry is flawless. The soaring ceilings, delicately sculpted domes, and the play of light within the marble interiors create an atmosphere of calm and awe, making Ranakpur a timeless example of devotion expressed through craftsmanship.
The Ranakpur Jain Temple, located in a secluded valley of the Aravalli hills in Rajasthan, is one of the most important pilgrimage sites of Jainism and a masterpiece of Indian temple architecture. Built in the 15th century under the patronage of Rana Kumbha, the temple is dedicated to Tirthankara Adinatha, the first spiritual teacher of the Jain tradition. Its construction reflects the close relationship between Jain merchant communities and regional rulers, who supported religious and artistic expression during this period.
Religiously, Ranakpur holds deep significance as a place of meditation, spiritual discipline, and reverence for the Jain principles of non-violence, truth, and renunciation. The temple continues to attract devotees from across India who come to offer prayers and seek spiritual clarity in its serene setting.
Architecturally, the temple is celebrated for its extraordinary use of white marble and its complex Chaumukha, or four-faced, design, symbolizing the omnipresence of the Tirthankara. The structure is supported by 1,444 intricately carved pillars, each uniquely decorated with geometric patterns, floral motifs, and celestial figures. No two pillars are the same, yet the symmetry is flawless. The soaring ceilings, delicately sculpted domes, and the play of light within the marble interiors create an atmosphere of calm and awe, making Ranakpur a timeless example of devotion expressed through craftsmanship.
