The Flickr Greekhorsemen Image Generatr

About

This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze by Faces of Ancient Europe

© Faces of Ancient Europe, all rights reserved.

Colors of Ancient Europe – Cavalry from the Parthenon Frieze

Horsemen from the west frieze of the Parthenon, c. 438-432 B.C.E., 100cm tall, Acropolis, Athens

This block was placed near the corner of the west frieze of the Parthenon, where it turned onto the north. The horsemen have been moving at some speed, but are now reining back so as not to appear to ride off the edge of the frieze. The horseman in front twists around to look back at his companion, and raises a hand (now missing) to his head. This gesture, repeated elsewhere in the frieze, is perhaps a signal. Although mounted riders can be seen here, much of the west frieze features horsemen getting ready for the cavalcade proper, shown on the long north and south sides of the temple.

The Parthenon frieze is the high-relief pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between c. 443 and 438 BC, most likely under the direction of Pheidias. Of the 524 feet (160 m) of the original frieze, 420 feet (130 m) survives—some 80 percent. The rest is known only from the drawings attributed to French artist Jacques Carrey in 1674, thirteen years before the Venetian bombardment that ruined the temple.

At present, the majority of the frieze is at the British Museum in London (forming the major part of the Elgin Marbles); the largest proportion of the rest is in Athens, and the remainder of fragments shared between six other institutions. Casts of the frieze may be found in the Beazley archive at the Ashmolean Museum at Oxford, at the Spurlock Museum in Urbana, in the Skulpturhalle at Basel and elsewhere.