The Flickr History Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

The Lincoln Theatre (NRHP #92001710) - Marion, Virginia by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

The Lincoln Theatre (NRHP #92001710) - Marion, Virginia

The Lincoln Theatre, completed in 1929, is located in Marion, Virginia, the county seat of Smyth County. A small town in the mountains of Southwest Virginia, Marion is the governmental center of the county that originally attracted lawyers, shopkeepers, hoteliers, merchants, and a few manufacturers. None of the early citizens of the village were noted for their philanthropy or their interest in the cultural environment of the town. Entertainment was limited to performances and recitals at Marion Female College, established in 1874, and the Seaver Opera House, where concerts and dramatic presentations took place, and at the Court Square Theatre in the courthouse. With the advent of the motion picture, two small, uncomfortable houses in Marion offered silent films until the Lincoln Theatre opened in 1929, just as the movies were beginning to talk, and the Great Depression was at hand.

Charles S. Wassum, prominent Marion businessman, first conceived the idea of building an elegant apartment house and a 1,200-seat motion picture theatre in his hometown. He envisioned these improvements as "a monument to the growth of Marion and to Marion's future." Wassum did build the Royal Oak Apartment House, an impressive four-story brick and stone structure on Main Street in the center of Marion. But instead of building the theatre as planned, he sold the one-fifth-acre lot behind his apartment complex to Charles C. Lincoln, Sr., who was keenly interested in having a modern theatre in Marion. Owner of a large local factory. The Virginia Table Company, Lincoln, a generous benefactor of his hometown, built the theatre as a gift to the people of Southwest Virginia. On a trip to Atlantic City, New Jersey, Mr. Lincoln saw a new theatre which greatly impressed him. Upon learning that the Novelty Scenic Studios of New York City had designed the interior of that theatre, he engaged that firm to design and decorate the theatre in Marion. Eubank and Caldwell of Roanoke, Virginia, were the architects and contractors who designed and erected the brick theatre building. Unfortunately, Charles Clark Lincoln, Sr., died 23 December 1928 during the construction of the theatre. Work on the theatre was continued by his sons, Charles C. Lincoln, Jr., and John D. Lincoln, who became the managers of the Lincoln furniture plants in Marion, Damascus, and Bristol. After the theatre opened, workmen at the Lincoln factories received weekly passes to attend the Lincoln Theatre, which had capacity crowds every weekend.

With much publicity and eclat, the Lincoln Theatre opened to the public for the first time on 1 July 1929, with an early talking picture "Close Harmony", a musical comedy from 1929 staring Charles ‘Buddy’ Rogers, Nancy Carroll and Harry Green. The 750-seat theatre could not accommodate all the patrons who had come not only to hear the talking movies but also to admire the unique decorations and accoutrements inside Marion's elegant new show place.

The Lincoln Theatre, said to be the finest between Roanoke and Knoxville, Tennessee not only offered first-run films and stage shows by noted performers, celebrities, musicians, and live vaudeville acts, but also served the area as a regional center for civic, cultural, industrial, and educational meetings in the 1930’s and 1940’s. Although there were other movie houses in Marion during those years, only the Lincoln survived and remained in continuous operation for forty-four years. After closing temporarily in 1973, it reopened in 1975 but closed permanently on 28 August 1977 with the showing of the adventure film, "When the North Wind Blows", a family adventure / drama staring Henry Brandon, Herbert Nelson, and Dan Haggerty from 1974.

Fast forward…the Lincoln, abandoned, unused, and deteriorating, remained the property of members of the Lincoln family until 11 July 1988, when it was purchased by The Lincoln Theatre Foundation, Inc. The members of this corporation plan to restore as authentically as possible this unique historic moving picture theatre and to convert it into a state-of-the-art cultural center for Marion, Smyth County, and the surrounding counties and towns. An intensive fundraising drive is now being planned to obtain funds to make this dream a reality- -a much needed reality for this section of Southwest Virginia.

The Lincoln Theatre was added to the National Register of Historic Places on December 17, 1992 for its local contributions to the arts and its unique architecture. All of the information above and more was found on the original documents submitted for listing consideration that can be viewed here:
catalog.archives.gov/id/41683652

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Blick in eine andere Zeit - Alter Flughafen Gießen by holger.doerr

© holger.doerr, all rights reserved.

Blick in eine andere Zeit - Alter Flughafen Gießen

Dieses Foto ist im Sommer 2025 entstanden. Rund um das alte Flughafengebäude war damals Baustelle, und gerade die Perspektive und die genaue Mitte zu finden, war schwieriger, als es auf den ersten Blick wirkt. Umso mehr freut es mich, dass diese Autnahme später beim „mein Gießen"-Fotowettbewerb den Sprung ins Finale geschafft hat. Für mich bleibt sie vor allem ein besonderer Blick auf ein Stück Gießener Geschichte - und beim Fotografieren kam bei mir tatsächlich ein kleines bisschen Urlaubsstimmung auf.

2026 07 07_d750_0156 by swedgatch

© swedgatch, all rights reserved.

2026 07 07_d750_0156

St. Lars Church ruins, est 1100 AD, Sigtuna, Sweden

2026 07 07_d750_0146 by swedgatch

© swedgatch, all rights reserved.

2026 07 07_d750_0146

St. Lars Church ruins, est 1100 AD, Sigtuna, Sweden

No Visitors Beyond This Point Please. Ever. by Iron Man Records

No Visitors Beyond This Point Please. Ever.

e9aaaf30-96b0-4b89-9d22-10852756d3f3 by Iron Man Records

e9aaaf30-96b0-4b89-9d22-10852756d3f3

2026 07 07_d750_0071 by swedgatch

© swedgatch, all rights reserved.

2026 07 07_d750_0071

Est 1100 AD, Norrsunda church, Rosersberg, Sweden

GAMES by Behold I Come Quickly

© Behold I Come Quickly, all rights reserved.

GAMES

GAMES by Behold I Come Quickly

© Behold I Come Quickly, all rights reserved.

GAMES

2026-08-24_20-51-40_PL_Gdansk_JHe_S24U by Juhele_CZ

Released to the public domain

2026-08-24_20-51-40_PL_Gdansk_JHe_S24U

walk in Gdańsk
author: Jan Helebrant
location: Gdańsk, Poland
www.juhele.blogspot.com
license CC0 Public Domain Dedication

2026-08-24_20-53-28_PL_Gdansk_JHe_S24U by Juhele_CZ

Released to the public domain

2026-08-24_20-53-28_PL_Gdansk_JHe_S24U

walk in Gdańsk
author: Jan Helebrant
location: Gdańsk, Poland
www.juhele.blogspot.com
license CC0 Public Domain Dedication

2026-08-24_20-51-57_PL_Gdansk_JHe_S24U by Juhele_CZ

Released to the public domain

2026-08-24_20-51-57_PL_Gdansk_JHe_S24U

walk in Gdańsk
author: Jan Helebrant
location: Gdańsk, Poland
www.juhele.blogspot.com
license CC0 Public Domain Dedication

ArchivTappenSchulbuchWir Kinder71 Erstes Lesebüchlein, München, 1930er by Hans-Michael Tappen

ArchivTappenSchulbuchWir Kinder71 Erstes Lesebüchlein, München, 1930er

Buchseite 71

Text
Unser Star.
Der Frühling ist da und der Star ist wieder dar. O, die Freude, wie er sein Haus wieder findet! Oha, wer ist denn da drin? Ein kleiner frecher Spatz schaut heraus.
Sagt der Star: Willst du gleich aus meinem Haus! Schreit der Spatz: Da wohne jetzt ich. Sagt der Star: Nein, nein, das Haus gehört mir, da habe ich den ganzen Sommer gewohnt. Schreit der Spatz nochmal: Aber jetzt bin ich da, verstanden!
Da wird der Star zornig. Schwuppdiwupp, wirft er den frechen Kerl bei der Türe hinaus. Und dann sagt er zu seiner Frau: Nun wollen wir uns das Stübchen fein einrichten.

Ein Gärtlein für Franz und Frieda.
Die Mutter hat den Kindern in der Gartenecke ein Beet gegeben. Das ist nun ihr Gärtlein. Franz hat den Spaten in der Hand und arbeitet darauf los wie der Vater. Die Frieda macht mit dem Rechen die Erde glatt wie die Mutter.
So, das hätten wir ruft der Franz und wischt sich die Stirne, und jetzt wird angebaut, sagt die Frieda. Sie kniet sich hin und sät Radieschen und Spinat. Franz sagt: Sei nur recht fleißig, ich muß was anderes tun, da wirst du gucken. Und verschwindet im Gartenhaus. Die Frieda denkt: O, du Faulpelz!
Auf einmal kommt der Franz mit einer Vogelscheuche; die hat er ganz alleine gemacht. Da lacht die Frieda laut und sagt: Da werden sich die Spatzen schön fürchten.
Wie sie die Vogelscheuche mitten in das Gärtlein stecken, da fällt der Frieda nach etwas ein. Weißt du, sagt sie, ich setze noch Stiefmütterchen ein, die machen so lustige Gesichter.

Vertraute Lebenswelt: Themen wie Tiere (Vögel, Nistplatzstreit) und Gartenarbeit sprechen die natürliche Neugier und die alltäglichen Erfahrungen von Grundschulkindern direkt an.
Identifikationsfiguren: Die Geschwister Franz und Frieda bieten direkte Identifikationsmöglichkeiten. Kinder in diesem Alter kennen die Dynamik von Arbeitsteilung, kleinen Neckereien („Du Faulpelz!“) und gemeinsamen Projekten.
Starke Visualisierung: Die lautmalerischen Ausrufe wie „Schwuppdiwupp“ und die lebendigen Dialoge (Spatz vs. Star) erzeugen beim Vorlesen oder ersten Mitlesen klare Bilder im Kopf.
Moralischer Lerneffekt: Die Geschichten vermitteln auf spielerische Weise Werte wie Fleiß, das Lösen von Konflikten (das Verteidigen des eigenen Hauses) und die Freude an eigener Kreativität (Bau einer Vogelscheuche).
Historischer Entdeckergeist: Der Text bietet einen sanften Einstieg, um über das Leben von Kindern früher zu sprechen. Begriffe wie „Gärtlein“ oder „Stiefmütterchen“ erweitern spielerisch den Wortschatz.

Fish ‘n’ Chips by donbyatt

© donbyatt, all rights reserved.

Fish ‘n’ Chips

A popular choice - but you had to wait!

Black Country Living History Museum

St Mary's Chastleton by Oxford Murray

© Oxford Murray, all rights reserved.

St Mary's Chastleton

Originaly built in the 13th century with a 17th century tower next to the NT house

Cles Castle by annalisabianchetti

© annalisabianchetti, all rights reserved.

Cles Castle

The Prophet Samuel National Park by Shalva1948

© Shalva1948, all rights reserved.

The Prophet Samuel National Park

Samuel is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Jewish Bible/Old Testament, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran. He is also treated in the fifth through seventh books of Antiquities of the Jews, written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9.
WikipediA

The Prophet Samuel National Park by Shalva1948

© Shalva1948, all rights reserved.

The Prophet Samuel National Park

Samuel is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Jewish Bible/Old Testament, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran. He is also treated in the fifth through seventh books of Antiquities of the Jews, written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9.
WikipediA

Pazmany PL-4A N44BN Kalamazoo Aviation History Museum by William Musculus

© William Musculus, all rights reserved.

Pazmany PL-4A N44BN Kalamazoo Aviation History Museum

Sorrell Dr.1 Kalamazoo Aviation History Museum by William Musculus

© William Musculus, all rights reserved.

Sorrell Dr.1 Kalamazoo Aviation History Museum