The Flickr Hyams Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Roland Young and Leila Hyams in Ruggles of Red Gap (1935) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Roland Young and Leila Hyams in Ruggles of Red Gap (1935)

British postcard in the Film Partners Series, London, no. P 169. Photo: Paramount. Roland Young and Leila Hyams in Ruggles of Red Gap (Leo McCarey, 1935).

Balding and highly distinguished Roland Young (1887-1953) was an American film and theatre actor of British origin. He was best known for the role of Cosmo Topper in the three Topper film comedies.

Roland Young was born in 1887 in London, England. He was the son of an architect. Young enjoyed his school education at Sherborne College and later at London University. He decided to become an actor. Young acquired the necessary skills at the renowned Royal Academy of Dramatic Art (RADA). In 1908, at the age of 21, Young appeared on stage in London for the first time in 'Find the Woman'. Four years later, he made his Broadway debut in 'Hindle Wakes' (1912). Until the mid-1910s, Young was still taking on engagements in England, which meant that he alternated between New York and London. Young became an American citizen in 1918 and then served briefly on the American side as a soldier in the First World War. In 1921, he married his first wife, Marjorie Kummer, to whom he remained married until 1940. Young made his debut as a film actor as Doctor Watson in Sherlock Holmes (Albert Parker, 1922), alongside John Barrymore as Holmes and Gustav von Seyffertitz as Moriarty. On Broadway, Young performed equally well in droll farces and classic drama. His standout credits included productions of 'Hedda Gabler' (1923) and 'The Last of Mrs. Cheyney' (1927). He signed a contract with Metro-Goldwyn-Mayer and made his talkie debut in the murder mystery The Unholy Night (Lionel Barrymore, 1929) with Ernest Torrence and Boris Karloff. He was loaned to Warner Bros. to appear in the drama Her Private Life (Alexander Korda, 1929), with Billie Dove and to Fox, winning critical approval for his comedic performance as Jeanette MacDonald's husband in Don't Bet on Women (William K. Howard, 1931). He was again paired with MacDonald in the romantic comedy Annabelle's Affairs (Alfred L. Werker, 1931). He appeared in Cecil B. de Mille's Western The Squaw Man (1931), and played opposite Alfred Lunt and Lynn Fontanne in The Guardsman (Sidney Franklin, 1931). His final film under his MGM contract was Lovers Courageous (Robert Z. Leonard, 1932), opposite Robert Montgomery. He had a starring role in a risqué comedy for Fox entitled Pleasure Cruise (Frank Tuttle, 1933) alongside Genevieve Tobin.

Roland Young's roles were mostly limited to British characters, in which he embodied the stereotypical image of the aristocratic Englishman. He appeared with Jeanette MacDonald, Genevieve Tobin and Maurice Chevalier in One Hour With You (Ernst Lubitsch, 1932). Alexander Korda invited him to return to Britain to make his British film debut in Wedding Rehearsal (1932). His best-known film was the screwball classic Topper (Norman Z. McLeod, 1937). Young played the bourgeois bank manager Cosmo Topper, whose orderly life is shaken up by the ghosts of his clients, Cary Grant and Constance Bennett. It was one of the most successful films of the year, and Young received an Oscar nomination for his role in the Best Supporting Actor category in 1938. He also starred in the sequels, Topper Takes a Trip (Norman Z. McLeod, 1938) and Topper Returns (Roy Del Ruth, 1941). Young is also known for his role as the villain Uriah Heep in the Charles Dickens adaptation David Copperfield (George Cukor, 1935) and for the British fantasy film The Man Who Would Change the World (Lothar Mendes, 1936) based on a short story by H.G. Wells. He often played eccentric characters, such as the inebriated Earl of Burnstead, who loses his valet Charles Laughton in a poker game, in Ruggles of Red Gap (Leo McCarey, 1935) or the rich uncle of Katharine Hepburn in The Philadelphia Story (George Cukor, 1940). He continued working steadily through the 1940s, playing small roles opposite some of Hollywood's leading actresses, such as Joan Crawford, Marlene Dietrich, Paulette Goddard and Greta Garbo in her final film, Two-Faced Woman (George Cukor, 1941). In 1945, he began his radio show and appeared in the film adaptation of Agatha Christie's classic whodunnit And Then There Were None (René Clair, 1945). By the end of the decade, his film career had declined, and his final films, including The Great Lover (Alexander Hall, 1949), in which he played a murderer opposite Bob Hope, and Fred Astaire's Let's Dance (Norman Z. MacLeod, 1950), were not successful. Roland Young found his second wife, Dorothy Patience May DuCroz, in 1948, with whom he spent the last years of his life. Roland Young had no children. In 1953, he died in New York of natural causes at the age of 65. He was honoured with two stars on the Hollywood Walk of Fame for his film and television work.

Sources: Gary Brumburgh (IMDb), Wikipedia (English and German) and IMDb.

And, please check out our blog European Film Star Postcards.

Jervis Headland by fantommst

© fantommst, all rights reserved.

Jervis Headland

Another view from Hyams Beach.

Blue and White by fantommst

© fantommst, all rights reserved.

Blue and White

No dolphins or seals but lots of white sand at Jervis Bay.

Jervis View by fantommst

© fantommst, all rights reserved.

Jervis View

Stopped off at Jervis Bay

Leila Hyams and Johnny Weissmuller by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams and Johnny Weissmuller

Spanish postcard by Dümmatzen, no. 118. Photo: Metro Goldwyn Mayer.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

German-American competition swimmer and actor Johnny Weissmuller (1904-1984) is best known for playing Tarzan in films of the 1930s and 1940s and for having one of the best competitive swimming records of the 20th century. Weissmuller was one of the world's fastest swimmers in the 1920s, winning five Olympic gold medals for swimming and one bronze medal for water polo. He won fifty-two US National Championships, set sixty-seven world records and was purportedly undefeated in official competition for the entirety of his competitive career. After his swimming career, he became the sixth actor to portray Edgar Rice Burroughs's ape man, Tarzan, a role he played in twelve films. The first was Tarzan the Apeman (W. S. Van Dyke, 1932) with Maureen O'Sullivan. Dozens of other actors have also played Tarzan, but Weissmuller is by far the best-known. His character's distinctive Tarzan yell is still often used in films.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

German postcard by Dümmatzen, no. 15. Photo: Metro-Goldwyn-Mayer.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

German postcard by Ross Verlag, no. 4755/1, 1929-1930. Photo: Metro-Goldwyn-Mayer.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

British postcard in the Second Cinema Stars series by Sarony Cigarettes, no. 70. Photo: Warner Bros.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

Dutch postcard by JosPe, Arnhem, no. 368. Photo: Metro-Goldwyn.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

Dutch postcard, no. 14. Photo: Metro-Goldwyn-Mayer.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leila Hyams

French postcard by Europe, no. 670. Photo: Metro-Goldwyn-Mayer.

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Johnny Mack Brown and Leila Hyams by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Johnny Mack Brown and Leila Hyams

German postcard by Ross Verlag, no. 5102/1, 1930-1931. Photo: Metro-Goldwyn-Mayer. Johnny Mack Brown and Leila Hyams starred together in such films as Hurricane (Ralph Ince, 1929) and Saturday's Millions (Edward Sedgwick, 1933).

Charming American model, vaudeville and film actress Leila Hyams (1905-1977) was one of Hollywood's top leading ladies of the early talkie pre-code years. She had spark, personality, charisma, and a touch of down-to-earthness and naturalness that won over movie fans; they could relate to her. She is best known for her roles in the classic horror features Freaks (1932) and Island of Lost Souls (1932). Her career lasted little more than a decade.

Leila Hyams was born in 1905 in New York City, USA. Her parents were the vaudeville comedy performers John Hyams and Leila McIntyre. Both her parents had careers in films and can be seen together in The Housekeeper's Daughter (1939). As soon as she could walk, Leila appeared onstage with her parents, and as a teenager, she worked as a model and became well-known after appearing in a successful series of newspaper advertisements. She was the first person to model for Listerine mouthwash. This success led her to Hollywood, and she made her first film appearance in Sandra (Arthur H. Sawyer, 1924) with Barbara La Marr. Her blonde hair, delicate features and innocent sex appeal led to a variety of supporting roles, where she was required to do very little but smile and look pretty. She proved herself capable of handling these parts, and she came to be taken seriously as an actress. By 1928 she was appearing in starring roles and achieved success in MGM's first talking film, Alias Jimmy Valentine (Jack Conway, 1928) opposite William Haines and Lionel Barrymore. It was followed by Spite Marriage (Edward Sedgwick, 1929) starring Buster Keaton. She was once described as 'The Golden Girl' by an artist because of her perfect pink skin and blonde hair colouring and, according to a 1928 Photoplay Magazine article, she carried a small satin case suspended from her garter that contained an extra pair of stockings, in case the ones she was wearing were damaged. Leila appeared opposite Conrad Nagel in the popular murder mystery The Thirteenth Chair (Tod Browning, 1929), a role that offered her the chance to display her dramatic abilities as a murder suspect.

The quality of Leila Hyams's parts continued to improve, which included a role as Robert Montgomery's sister in the prison drama The Big House (George W. Hill, 1930), with Chester Morris and Wallace Beery, for which she again received positive reviews. She is best remembered for two early 1930s horror movies. In Tod Browning's controversial Freaks (1932), she played the wise-cracking, kind-hearted circus performer Venus and gave a compassionate performance. Next, she was the heroine in Island of Lost Souls (Erle C. Kenton, 1932) with Charles Laughton and Bela Lugosi. She also appeared in the sexy and funny Jean Harlow film Red-Headed Woman (Jack Conway, 1932), and the musical comedy The Big Broadcast (Frank Tuttle, 1932) with Bing Crosby in his first starring role, George Burns, and Gracie Allen. Another memorable performance was as the good-natured saloon girl who teaches Roland Young to play the drums in Ruggles of Red Gap (Leo McCarey, 1935). Her last film was Yellow Dust (Wallace Fox, 1936) with Richard Dix. After ten years and 50 films, Leila decided to concentrate on her personal life and retired from acting in 1936. Alicia T at IMDb: "A versatile, excellent actress she was, able to conform to any role and maintain that special heartfelt sincerity she always displayed in her role. Her image on screen was beautiful but not conceited, not high and mighty, tough but sweet and she had sex appeal but always came across as a lady who managed to keep her innocence. Those were the qualities that carried her to fame and set her apart from the other leading ladies of early Hollywood." After her retirement, Hyams remained a part of the Hollywood community. Reportedly, she was very shrewd about protecting her assets, putting a picture of herself on all her checks so they would be impossible to cash if they were stolen. Hyams returned once to the screen as a Red Cross worker in the short First Aid (Will Jason, 1943). She was married to agent Phil Berg for 50 years, from 1927 until her death. Leila Hyams passed away from natural causes in 1977, in Bel-Air, CA. She was 72.

Sources: Alicia T (IMDb), M.G. Nylander (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

2010: Leonov finds Discovery-Photoroom by Flork1138

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2010: Leonov finds Discovery-Photoroom

2010: Leonov sends a probe to Europa-Photoroom (1) by Flork1138

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2010: Leonov sends a probe to Europa-Photoroom (1)

Hyams Beach by jarno.weber

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Hyams Beach

Hyams Beach by jarno.weber

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Hyams Beach

Cosmonaut Alexei Leonov painted 3D printed ship scaled to USS Discovery 2001 Space Odyssey 2010 Year we make Contact 1984 by Flork1138

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Cosmonaut Alexei Leonov painted 3D printed ship scaled to USS Discovery 2001 Space Odyssey 2010 Year we make Contact 1984

Cosmonaut Alexei Leonov painted 3D printed ship scaled to USS Discovery 2001 Space Odyssey 2010 Year we make Contact 1984 by Flork1138

© Flork1138, all rights reserved.

Cosmonaut Alexei Leonov painted 3D printed ship scaled to USS Discovery 2001 Space Odyssey 2010 Year we make Contact 1984

Work in Progress: 3D printed Cosmonaut Alexei Leonov spacecraft scaled to USS Discovery 2010 movie 1984 2001 Space Odyssey by Flork1138

© Flork1138, all rights reserved.

Work in Progress: 3D printed Cosmonaut Alexei Leonov spacecraft scaled to USS Discovery 2010 movie 1984 2001 Space Odyssey

Needs a paint job plus LEONOV Cyrillic logo with star. Coming soon!

Hyams Beach, Jervis Bay by Mikey Down Under

© Mikey Down Under, all rights reserved.

Hyams Beach, Jervis Bay