de Young Museum
San Francisco
Canon SX260 HS / IMG_4699
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detail of tapestry
'Battle of Pavia' set of seven tapestries made in Brussels and given to the Emperor Charles V
Bernard van Orley (Flemish, ca. 1488–1541), woven in the workshop of Willem and Jan Dermoyen, Brussels (Flemish, both active 1520s–1540s)
"Art and War in the Renaissance: The Battle of Pavia Tapestries" on exhibit at the de Young Museum, San Francisco. Collection of the Museo di Capodimonte (Naples, Italy)
The battle occurred February 24, 1525: five hundred years ago. The imperial forces badly routed the French. Most troops were mercenaries.
IMG_7647
detail of tapestry
'Battle of Pavia' set of seven tapestries made in Brussels and given to the Emperor Charles V
Bernard van Orley (Flemish, ca. 1488–1541), woven in the workshop of Willem and Jan Dermoyen, Brussels (Flemish, both active 1520s–1540s)
"Art and War in the Renaissance: The Battle of Pavia Tapestries" on exhibit at the de Young Museum, San Francisco. Collection of the Museo di Capodimonte (Naples, Italy)
The battle occurred February 24, 1525: five hundred years ago. The imperial forces badly routed the French. Most troops were mercenaries.
IMG_7649
detail of tapestry
'Battle of Pavia' set of seven tapestries made in Brussels and given to the Emperor Charles V
Bernard van Orley (Flemish, ca. 1488–1541), woven in the workshop of Willem and Jan Dermoyen, Brussels (Flemish, both active 1520s–1540s)
"Art and War in the Renaissance: The Battle of Pavia Tapestries" on exhibit at the de Young Museum, San Francisco. Collection of the Museo di Capodimonte (Naples, Italy)
The battle occurred February 24, 1525: five hundred years ago. The imperial forces badly routed the French. Most troops were mercenaries.
IMG_7650
detail of tapestry
'Battle of Pavia' set of seven tapestries made in Brussels and given to the Emperor Charles V
Bernard van Orley (Flemish, ca. 1488–1541), woven in the workshop of Willem and Jan Dermoyen, Brussels (Flemish, both active 1520s–1540s)
"Art and War in the Renaissance: The Battle of Pavia Tapestries" on exhibit at the de Young Museum, San Francisco. Collection of the Museo di Capodimonte (Naples, Italy)
The battle occurred February 24, 1525: five hundred years ago. The imperial forces badly routed the French. Most troops were mercenaries.
IMG_7648
The M.H. de Young Museum in San Francisco’s Golden Gate Park is an iconic blend of modern design and historical significance. Originally opened in 1895, the museum was completely reimagined and reopened in 2005 with a striking new architectural look designed by the renowned Swiss firm Herzog & de Meuron. This copper-clad structure stands out for its sleek, minimalist lines, and the way the building's surface transforms over time. As the weathered copper ages, it develops a patina that allows the museum to harmoniously blend with its natural surroundings.
At the museum’s entrance, visitors are greeted by intriguing outdoor sculptures, like the seated lion and intricately detailed urns, which provide a fascinating juxtaposition to the building’s angular, contemporary design. One of the museum’s defining features is its 144-foot Hamon Tower, which rises into the fog, offering stunning panoramic views of the park and the city beyond. The tower’s sharp, geometric lines are softened by the surrounding palm trees and lush greenery, offering an engaging contrast between nature and modernity.
Inside, the de Young houses an extensive collection of American art, textiles, and artifacts from Africa, Oceania, and the Americas, representing cultures from across the globe. This museum is not just a space for art lovers—it’s a celebration of architectural innovation. Whether you're visiting for the art exhibitions or simply to admire the building itself, the M.H. de Young Museum is a must-see for both locals and tourists, perfectly marrying San Francisco’s historical depth with a forward-looking aesthetic.
Artist: Samuel L. Margolies
Publisher: Associated American Artists Inc.
etching
Date: 1941
De Young Museum, San Francisco
"2 steelworkers at work on board strapped to girder; part of metal structure so high above surrounding buildings that they are reduced to abstract box like forms; hint of one street with vehicles and people."
20210921_153359
Through Brooklyn Bridge Cables (1938, lithograph)
by Louis Lozowick, Associated American Artists Inc.
De Young Museum, Achenbach Foundation for Graphic Arts, San Francisco
"Skyline of Manhattan as seen through the cables of the Brooklyn Bridge; three men working on a working platform in upper right corner.
View of Manhattan through grid of Brooklyn Bridge cables. Skyscrapers dominate piers and harbor tugboats. Three men on suspended platform work on cable structure. New York."
20210921_153312
Thomas Hart Benton
Planting (1940)
lithograph
De Young Museum: Achenbach Foundation for Graphic Arts, San Francisco
"A mule pulls a primitive plow; held by black barefoot farmer; black female worker follows in the furrow; scattering seeds from a basket held by her arm; in foreground some tree stumps and logs; in back a hovel, house? shed?; and trees."
20210921_153443