Fairey Barracuda nose section at the Fleet Air Arm Museum on 10th August 2010.
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The hyperrealistic sculptures by Australian artist Patricia Piccinini confront the viewer with prejudice and bias. In the new exhibition of the Saint John’s Hospital Museum the contemporary work ‘The Bridge’ talks to us about unconditional love and care for the ‘other’, for those who are different. We see a woman lovingly embracing a chimaera, half human, half pig. The chimaera looks old and tired, but consoled in the arms of the woman. Patricia Piccinini was inspired by several works in the museum, among other ‘The Good Samaritan’ and ‘Madonna and child’. The Good Samaritan tells a story that took place in the land of Israel and Palestine … and teaches us that we should love the other regardless of their race, religion or belief… A message that should resonate very strongly in the world of today…. We should look at the other with our heart not our mind, and that is exactly what Piccinini’s works do, they go straight to your heart!
Retable des sept sacrements, tempera sur bois, appelé aussi retable de Frère Boniface Ferrer, provenant de la chartreuse de Portea Coeli, Sarra (province de Valence).
Gherardo Starnina ou Lo Starnina ou Gherardo di Jacopo di Neri, né à Florence en 1360 et mort dans la même ville en 1413, est un peintre italien de la fin de l'ère gothique et du début de la Renaissance.
En 1380, il est parti pour l'Espagne afin de travailler pour Jean Ier de Castille ; il lui est attribuée une peinture dans la chapelle San Blas de la cathédrale de Tolède.
Boniface Ferrier, en espagnol : Bonifacio Ferrer, en valencien Bonifaci Ferrer, né en 1355, près de Valence (Couronne d'Aragon) et mort le 29 avril 1417 dans la chartreuse de Val de Christo à Altura, dans la Province de Castellón, est un moine chartreux, devenu prieur de la Grande Chartreuse et prieur général des chartreux.