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This issue of the magazine includes three short novels: “Planet of the Small Men” by Murray Leinster about a quartet of Earthlings pursued by aliens who find refuge on an odd world that defies logic; “There Shall Be No Darkness” by James Blish about a full-fledged werewolf who arrives unheralded at a house party; and “Journey for Seven” by John D. MacDonald about an accident that makes super-beings out of the folk on a bus.
This issue features two short novels: “Alarm Reaction” by Raymond F. Jones about a damaged spaceship powered by a secret intergalactic drive threatening the survival of thousands of worlds; and “Earthlight” by Arthur C. Clarke about a scientist who must decide whether to fulfill a deadly mission with the fate of the entire Solar System hanging in the balance.
“Wrecked by space pirates on a moon of Neptune, Lieutenant Rick Bartlett battles for survival!” [Prologue]
“The Pollux, freed of its layer of camouflage, proved to be spaceworthy, as did two of the other vessels taken captive by the pirates.” [Image description]
The full story is available on the web: nyc3.digitaloceanspaces.com/sffaudio-usa/mp3s/PerilOnPhoe...
“A reclusive scientist comes across a way of speeding up the rate at which people move through time. When the discovery comes to the attention of an unscrupulous bookmaker the two develop a scheme whereby the discovery is used to create super athletes who can outperform anyone who does not have the treatment.” -- Goodreads.com
John D. MacDonald (1916-1986) was a prolific American writer, best known for his crime and thriller novels, particularly the Travis McGee series. But before he became a household name in crime fiction, he got his start writing science fiction for pulp magazines in the 1940s.
MacDonald’s journey to becoming a successful writer was unconventional. He earned an MBA from Harvard but found himself dissatisfied with corporate life. After serving in World War II, he began writing short stories, churning out hundreds of thousands of words in just a few months. His early works were published in pulp magazines, including science fiction stories, which helped him refine his craft and gain recognition.
By the 1950s, MacDonald transitioned into full-length novels, publishing “The Brass Cupcake” in 1950. His ability to blend suspense, social commentary, and sharp storytelling made him one of the most successful American novelists of his time, selling an estimated 70 million books. His science fiction novels, such as “Wine of the Dreamers” (1951) and “Ballroom of the Skies” (1952), showcased his versatility before he fully embraced crime fiction.
His legacy endures, with the Travis McGee novels still widely read today. MacDonald’s influence on crime fiction and his ability to weave compelling narratives across genres make him a fascinating figure in literary history.
[Sources: Britannica and Wikipedia]
“This month’s cover illustrates a scene where we see the great interplanetarian flyer after it has taken off from the earth. It has just risen and is gaining momentum with each fraction of a second.” [Editor’s Note]
That “great interplanetarian flyer” is not of this earth. It is an alien spaceship that came to earth to collect living specimens. Three American scientists (in the foreground) witness the alien ship as it blasts off. The scientists came to Peru to explore the Rio Infiernillo, a place so evil only two condemned murderers could be found to guide them. One of those guides went missing after chasing after a stranger that he shot at. The Americans then encounter a telepathic alien creature wearing the skin of the lost guide. The second guide becomes a living specimen and taken into the spaceship, along with the wildlife the aliens have collected. The scientists are left to witness the zeppelin-like ship take off on a shower of radium.
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"The Green Splotches" by T.S. Stribling was first published in “Adventure” magazine for January 3, 1920, making it an early example of science fiction exploring advanced propulsion. The idea of a radium-powered rocket ship is particularly intriguing because, at the time, nuclear physics was still in its infancy—radioactivity had been discovered only a couple of decades earlier.
While radium itself isn’t a practical fuel for space travel, the concept of using atomic energy for propulsion predates real-world nuclear rockets by decades. The first serious proposals for nuclear-powered spacecraft didn’t emerge until the mid-20th century, with projects like Project Orion in the 1950s. So, Stribling’s story was ahead of its time in imagining a form of nuclear propulsion!
It’s always fascinating to see how early sci-fi writers anticipated future technologies.
“How long before we’ll achieve the ultimate in screen realism? Take monster pictures for instance. Will real monsters be used in the future? Henry Slesar says, yes. With one proviso however – if the darned beasties can be taught their lines.” [Prologue]
“Edward Bond enters a twin universe of black sorcery, where his evil replica, Ganelon, fights for a kingdom of slaves, infinite power, and two alluring women – Arles and Medea. . .” [Prologue]
“The protagonist is airman Edward Bond, who discovers that he shares his body with an alternate version of himself, a despotic wizard named Ganelon. Bond travels through a portal into the fantastical alternate dimension and enters a conflict: the Coven (consisting of a sorceress, a werewolf, and an immortal) fight for Ganelon while the white witch Freydis leads a rebellion against him. Trapped between the two sides, Bond/Ganelon battle for supremacy over their shared mind and the fate of a world.”— Wikipedia
Also featured in the Summer ‘46 issue of Startling is “The Man with X-ray Eyes” by Edmond Hamilton, a Hall of Fame classic. That story may have inspired Roger Corman’s 1963 low-budget film, “X: The Man with the X-ray Eyes,” starring Ray Milland.
Here’s a link to the movie trailer:
www.youtube.com/watch?v=E-38qQBofak
“Here is history’s biggest news scoop! Those intrepid reporters Jack Lait and Lee Mortimer, whose bestselling exposes of life’s seamy side from New York to Medicine Hat have made them famous, here strip away the veil of millions of miles to bring you the lowdown on our sister planet. It is an amazing account of vice and violence, of virtues and victims, told in vivid, jet-speed style.
“Here you’ll learn why Mars is called the Red Planet, the part the Mafia plays in her undoing, the rape and rapine that has made this heavenly body the cesspool of the Universe. In other words, this is Mars – Confidential!” [Prologue]
“Where is the exact dead center around which the entire cosmos revolves? For whoever can get there first can control the universe!” [Prologue]
Leo Morey, born Leopoldo Morey y Peña in Peru in 1899, was a prominent pulp artist whose work defined the visual style of mid-20th-century science fiction magazines. After studying engineering at Louisiana State University, Morey transitioned into the arts, initially illustrating for “Science and Invention” magazine in 1929. His talent quickly earned him a position as the regular artist for “Amazing Stories,” where he created iconic covers and interior illustrations that captured the imagination of readers. Morey's work extended to other genre magazines, including “Astounding,” “Planet Stories,” and “Thrilling Wonder Stories,” solidifying his reputation as a versatile and prolific artist.
During World War II, Morey shifted his focus to comic books, contributing to titles like “Planet Comics” and “Startling Comics.” Despite this transition, he continued to produce artwork for science fiction publications into the 1960s. Known for his vivid and dynamic compositions, Morey's illustrations played a significant role in shaping the aesthetic of early science fiction and pulp literature. He passed away in 1965, leaving behind a legacy of creativity and innovation that continues to inspire artists and fans.
[Sources: Fancyclopedia.org, Wikitree.com, and Lambiek.net]
Hannes Bok (1914-1964) was perhaps the most truly original and imaginative illustrator of his time. His superb technique and his boundless magical flights put his work far beyond the purely commercial. He is one of a handful of fantasy illustrators from the pulp magazine era, along with Virgil Finlay and Edd Cartier, whose work is just as popular today as it was in the 1940s. He made his professional debut in the pages of Weird Tales in late 1939, but he began dabbling in fantasy and science fiction art as early as 1930. He did considerable pulp magazine work throughout the 1940s, and was active as a book illustrator and painter in the late 1940s and early 1950s, contributing to such publishers as Arkham House, Shasta, Fantasy Press, and Gnome Press.
"Stirring Science Stories" was a short-lived American pulp science fiction magazine that first appeared in February 1941. Edited by Donald A. Wollheim, it ran for a total of four issues in 1941 before ceasing operations later that year. A fifth issue was released in March 1942, but wartime restrictions ultimately forced its closure.
Donald Wollheim went on to edit numerous anthologies that had a significant impact on science fiction literature. The renowned "Annual World's Best SF" series, which he co-edited with Arthur W. Saha, ran from 1972 to 1990 and showcased some of the best science fiction short stories of the time.
[Source: Wikipedia]
“His hand was clamped over the blonde’s mouth.” From an inspector Allhof story “Aaron Had a Rod” by D. L. Champion.
“Imagine Inspector Allhof’s chagrin when he discovered that Aaron had a rod, and that it was the Inspector’s own .38. Not even the absence of coffee rationing could sweeten the java-tippling Satan of Centre Street’s curdled disposition after a Nazi saboteur temporarily outsmarted him by playing on Allhoff’s one weakness.” [Prologue]
"Dime Detective Magazine" was a prominent pulp periodical published between 1931 and 1953. It was known for its gripping detective stories and lurid crime tales. The magazine was part of Popular Publications, a major player in the pulp industry, and it featured works by notable authors like Edgar Wallace and Ray Bradbury. Over time, it evolved to include stories with elements of horror and mystery, creating a unique blend of genres.
Illustrating “Have Spacesuit – Will Travel” by Robert A. Heinlein. Part 1 of 3.
“Have Space Suit – Will Travel” was later published in hardcover by Scribner’s. It is a timeless gem that combines adventure, space exploration, and coming-of-age themes. Although initially aimed at a juvenile audience, its storytelling and thought-provoking ideas make it a compelling read for adults as well.
The story follows the journey of Clifford "Kip" Russell, a high school senior with a passion for space travel. When he wins a contest and receives a genuine space suit, he embarks on an unexpected adventure. Kip finds himself kidnapped by extraterrestrial beings and taken to the Moon, where he encounters a galactic conflict and meets the enigmatic 11-year-old girl named Peewee, a young genius, and an alien being known as the Mother Thing. Together, they must navigate the challenges of space, face interstellar threats, and unravel the mysteries of the universe.
Kip’s growth from an ordinary teenager to a resourceful space traveler is well-crafted and Heinlein’s vivid descriptions of space travel, alien worlds, and technological wonders immerse readers in a thrilling adventure. [Sources: Goodreads.com and Wikipedia]
“Marvel’s Cover-Title Contest”
“We think that this month’s cover by artist Hannes Bok should stimulate some interesting ideas for a title, and we can’t wait to see who the winners will be.” [Editor’s Note]
Hannes Bok’s art is always so wonderfully imaginative. Here, two unlikely companions explore uncharted territories together. I can almost imagine the story behind it.
Kindred Souls on Alien Shoals
On alien shoals beneath starry skies
Two kindred souls in stars arise
With cratered paths and cosmic ties
They stroll as moons and worlds reprise.
(Courtesy of Bing Copilot)
“The Northrop N-3PB Nomad was a single-engine American floatplane of the 1940s. Northrop developed the N-3PB as an export model based on the earlier Northrop A-17 design. A total of 24 were purchased by Norway, but were not delivered until after the Fall of Norway during the Second World War. Exiled Norwegian forces used them from 1941, operating from Iceland, for convoy escort, anti-submarine patrols, and training purposes from ‘Little Norway’ in Canada. Within two years of delivery, the design was obsolete for front-line service and the remaining N-3PBs were replaced by larger aircraft in 1943.” [Source: Wikipedia]
August Schomburg (1897–1973) was an artist known for his work as an illustrator, particularly in the genre and figure categories. He was born in Puerto Rico and later moved to New York with his family in the 1920s. August was one of the older brothers of renowned pulp artist, Alex Schomburg. August's career included creating illustrations for publications like “Flying Aces,” where his artwork often depicted aviation themes.
While not as widely recognized as his brother Alex, August's contributions to the field of illustration remain appreciated by art enthusiasts and collectors. He lived in several places, including Chicago, New York, and New Jersey, which were hubs for artistic and cultural activity. His works often showcased his ability to capture dynamic scenes and human expressions, and he left a mark with his distinctive style.
[Sources: Askart.com and Artnet.com]
John Pederson was a talented artist known for his contributions to science fiction and fantasy illustration during the mid-20th century. His work often captured the imagination of readers with themes of space exploration, futuristic technology, and otherworldly landscapes. The cover on this issue of F&SF is a great example of his style. It features a striking rocket ship on an icy, barren landscape, with astronauts and a ringed planet in the background—perfectly embodying the era's fascination with space and the unknown. It might even be a supply ship on an icy moon of Saturn.
Unfortunately, detailed biographical information about Pederson is scarce, as he wasn't as widely documented as some of his contemporaries. However, his artwork remains a testament to his creativity and the spirit of science fiction during that time.
Features Walt Coburn’s complete western novel:
“Guns could never win back for Smoke O’Hay the brave wagon-train girl his wild Irish heart had lost . . . But, even as a hunted fugitive, he might blot the murder brand from his name – in the blood of three who were spreading terror across the rangeland.” [Prologue]
Walt Coburn (1889–1971) was a prolific American author renowned for his Western fiction. Born in White Sulphur Springs, Montana, he grew up on the Circle C Ranch, founded by his father. His early experiences as a cowboy deeply influenced his writing, lending authenticity to his stories.
Coburn served in the Army aviation corps during World War I before transitioning to a career in writing. He began publishing in pulp magazines in the 1920s, earning the nickname "The Cowboy Author." Over his career, he wrote more than 1,000 stories and 40 books, becoming a leading figure in Western pulp fiction. His works often appeared in magazines like “Western Story Magazine” and “Dime Western Magazine.”
Later in life, Coburn moved to Arizona, where he continued writing until the decline of pulp magazines in the 1950s. His autobiography, “Western Word Wrangler,” was published posthumously in 1974. Coburn's legacy endures as a key contributor to the Western genre.
[Sources: Wikipedia, and Archives.Library.Arizona.edu]
Gunman threatens a terrified blonde with a German Luger.
“Dan Freeman was apparently dead and buried – but he came back from the grave, alive and armed with a gun, ready to slay the woman who betrayed him!” [Prologue]
“Popular Detective” is one of the basic detective pulps, both for its longevity (133 issues in 19 years) and for a consistent high quality of material from most of the top detective authors of the period. The November 1950 issue includes tales by Ray Cummings, Wilbur S. Peacock, Frances Beck, Arthur J. Burks and others.
Coblentz’s subterranean adventure novel tells the story of mining engineers Frank Comstock and Philip Clay who, after being presumed dead in a mine collapse, find themselves trapped in a vast, hidden underground world filled with strange creatures, advanced civilizations, and mysterious lights, where they must navigate perilous situations and grapple with the concept of a whole society living beneath the Earth's surface, far beyond the knowledge of the surface world.
The novel opens with Frank Comstock recounting the catastrophic mine collapse that led him and Philip Clay to fall into the hidden underground realm. As they explore, they encounter strange sounds, glowing lights, and evidence of an advanced civilization that has developed its own technology and culture. Frank is captured by a group of pale-faced underground people, who are initially suspicious of his presence but eventually decide to study him and his "primitive" world.
Professor Tan Torm, a leader of the underground society, assigns his daughter Loa to teach Frank their language, leading to a romantic subplot. Frank struggles to adapt to the customs and physical standards of the underground society, which values a different type of beauty than the surface world.
"In Caverns Below" was first published as a serialized novel in the March, April, and May 1935 issues of "Wonder Stories." It was later reprinted several times in book form, as well as in the Fall 1950 issue of “Fantastic Story Quarterly.” Later editions were also published under the title “Hidden World.” The novel is now available online at Project Gutenberg under its original title.
“One man against the limitless wastes of time, he fought the strange, inhuman civilizations of Earth’s unguessable future, searching hopelessly among the never-ending tomorrows – for the road to one unforgettable yesterday!” [Prologue]
In 1973, physicist Martin Saunders, his girlfriend Eve, and his colleague McPherson construct a time machine. Saunders and his friend Sam Hull decide to give the time machine a test run and set it to the year 2073. When they arrive at their destination, Saunders finds his house in ruins and the nearby village completely gone. The men attempt to return to 1973, only to find that the time machine does not have the energy required to move backwards in time. In desperation, they begin to go forward in time in the hope of finding technology that can help them travel back home.
Saunders and Hull then begin a series of stops in the years 2500, 3000, 25,296, 50,000, 4,000,000, etc., eventually reaching the end of the universe, facing tough challenges along the way and never finding technology advanced enough to travel backwards in time. Time travel is one-way only. But, after traveling billions of years, Saunders comes to realize that the universe is cyclical. He may find his way home after all.