The Flickr Vintageadvertisement Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

“Prince, an Arrow Collar” ad by J.C. Leyendecker in “The Saturday Evening Post,” January 28, 1922. by lhboudreau

© lhboudreau, all rights reserved.

“Prince, an Arrow Collar” ad by J.C. Leyendecker in “The Saturday Evening Post,” January 28, 1922.

“The Arrow Collar Man” was first introduced in 1905 for Cluett, Peabody & Co., manufacturer of detachable collars for men’s button-down shirts. The ad campaign grew beyond its advertising purpose into a bona fide sensation. Leyendecker single-handedly changed advertising by switching the emphasis from text to image and making his pitch in emphatically visual terms. Cluett, Peabody & Co. became the most successful company in the U.S. at that time. By the 1920s, their sales increased to 4 million dollars a week and Arrow shirts with detachable collars were being exported to foreign ports such as Jakarta and the Belgian Congo. The Arrow Collar Man campaign ended in 1930, having been one of the most successful advertising campaigns in history. [Wikipedia]

Ad for Texaco Gasoline and Motor Oil in “The Saturday Evening Post,” December 29, 1923. by lhboudreau

© lhboudreau, all rights reserved.

Ad for Texaco Gasoline and Motor Oil in “The Saturday Evening Post,” December 29, 1923.

Texaco began as the Texas Fuel Company in 1902, founded in Beaumont, Texas. Initially, it wasn’t set up to drill wells or produce crude oil but focused on refining and distributing petroleum products. Over time, it expanded its operations, and by the 1920s, Texaco was a well-established name in gasoline and motor oil.

This 1923 ad would have been part of Texaco’s early branding efforts, likely promoting its growing reputation in fuel and lubrication. The winter imagery, with the phrase "Cold engine—no matter!", emphasizes Texaco motor oil's reliability even in freezing temperatures. The comparison to a boy with new skates evokes a sense of excitement and readiness, making the product feel dynamic rather than just functional.

Texaco's branding was strong during this period. The company consistently marketed its petroleum products as clear, clean, and golden-colored, reinforcing a perception of quality and purity. The phrase "Run with Texaco Gasoline—Save it with Texaco Motor Oil" suggests synergy between its products, urging drivers to stay loyal to the brand.

This ad also taps into a sense of adventure—the idea that a car should be as ready to go as its driver, no matter the weather. It’s subtle but effective in positioning Texaco as a trustworthy companion for winter driving.

[Sources: Wikipedia, and Texaco.com]

“FUN – with a Future!” Ad for Doepke Model Toys on the back cover of “Popular Science,” October, 1954. by lhboudreau

© lhboudreau, all rights reserved.

“FUN – with a Future!” Ad for Doepke Model Toys on the back cover of “Popular Science,” October, 1954.

Doepke Model Toys were highly detailed, realistic toy replicas of construction equipment, automobiles, and fire engines, produced by the Doepke Toy Company, founded by Charles W. Doepke and his brother Frederick in 1946. The company was known for its commitment to making non-war-related toys, following advice from their grandmother.

The Model Unit Crane and Euclid Dump Truck in the ad were part of Doepke's lineup of precision-built toys, designed to function like their full-sized counterparts. These toys were made with high-quality materials, including stamped steel and rubber tires, and featured working mechanisms such as hand-crank hoists and rigging. They captured the imagination of children and adults alike.

Unfortunately, the Chas. Wm. Doepke Mfg. Co. is no longer in business. The company ceased operations in 1959 due to rising steel costs and competition from lower-cost manufacturers. Today, Doepke toys are highly sought after by collectors and often appear in online auctions.

[Sources: Wikipedia, and Worthpoint.com]

Ad for “Canada Dry” beverages (total of 10) in “The Saturday Evening Post,” June 18, 1949. by lhboudreau

© lhboudreau, all rights reserved.

Ad for “Canada Dry” beverages (total of 10) in “The Saturday Evening Post,” June 18, 1949.

“Made to order at soda fountains everywhere.”

Canada Dry is best known for its Ginger Ale, which remains a staple product. However, many of the beverages listed in this 1949 ad are no longer available under the Canada Dry brand. Today, Canada Dry still produces Sparkling Water and Tonic Water. Other beverages like Spur Cola, Trop-O Orange Soda, Hi-Grape, Vel-vo Cream Soda, and Root Beer have disappeared from the brand’s lineup. Canada Dry has shifted its focus primarily to ginger ale and mixers, rather than a broad range of sodas.

This colorful old ad is a snapshot of Canada Dry’s history. It’s interesting how the brand has evolved over the decades. Standing still was not an option. [Source: Wikipedia]

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Canada Dry ginger ale originated in Toronto, Canada, in 1904, and was originally created by John McLaughlin. While the company is now owned by the US-based Dr Pepper Snapple Group (now Keurig Dr Pepper), the brand name and the drink's heritage are undeniably Canadian. Even though it's now produced in many countries, Canada Dry maintains a strong connection to its Canadian roots.

Ad from American Airlines in “The Saturday Evening Post,” June 18, 1949, featuring terrific artwork by an uncredited artist. by lhboudreau

© lhboudreau, all rights reserved.

Ad from American Airlines in “The Saturday Evening Post,” June 18, 1949, featuring terrific artwork by an uncredited artist.

“Will you love One-Third of Your Vacation by arriving late and leaving early?”

The illustration captures the essence of an idyllic outdoor escape. It features a tranquil river, framed by lush greenery and distant mountains. In the foreground, two men are preparing a vibrant red canoe on a rocky riverbank, while in the background, other travelers are fishing and paddling leisurely through the waters. The partly cloudy sky enhances the peaceful yet adventurous mood.

The image aligns beautifully with the ad’s message—encouraging travelers to make the most of their vacation time by choosing air travel over long, exhausting journeys. The accompanying text urges readers to avoid wasting valuable vacation days and instead opt for the convenience of flying with American Airlines. It’s a slice of history that reflects the optimism and excitement of post-war travel, when air travel was transforming the way people experienced leisure and exploration.

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The era roughly spanning the late 19th century to the mid-20th century saw an explosion of high-quality artwork in magazines, newspapers, and advertisements. This was the golden age for advertising illustrations, and several factors contributed to the boom:

•Advancements in Printing Technology – The development of color printing allowed advertisers to create vibrant, eye-catching illustrations that could be mass-produced.

•Rise of Consumer Culture – Post-war America saw a surge in consumerism, and companies invested heavily in advertising to capture the growing market.

•Illustrators as Celebrities – Many illustrators of the time, like J.C. Leyendecker and Norman Rockwell, became household names, though some remained uncredited.

•Limited Competition from Photography – While photography was advancing, full-color photography wasn’t yet dominant, making hand-drawn illustrations the preferred medium for storytelling and branding.

This American Airlines ad is a great example of this era’s artistry. Even though some artists remained anonymous, their work shaped the visual culture of the time.

[Sources: “The Golden Age of American Illustration” at Canvas.nma.art, and RetroGraphik.com]

[Note: Do you see the head of a beast about to attack the men on shore? It's to the right, its mouth is open and its tongue is out. :-)]

1950 Magazine Ad for the "Keystone Home Movie Outfit." by lhboudreau

© lhboudreau, all rights reserved.

1950 Magazine Ad for the "Keystone Home Movie Outfit."

The movie equipment shown here, together with a telephone, TV, radio, computer, and gadgets that would have taken up an entire warehouse 70 years ago, is now crammed into a smartphone. Amazingly, that was achieved in one lifetime!

The ad is a fascinating relic of the past—an entire home movie setup bundled together for just $129.50 (or a payment plan that sounds almost quaint now). It’s staggering to think that each of those devices—camera, projector, screen—once took up space and required separate purchases, while today, their functionality fits into the palm of our hands, inside a smartphone.

This level of technological consolidation is the result of generations of brilliant scientific and engineering advancements. The miniaturization of electronics, the development of high-speed computing, and innovations in wireless communication all happened within the span of a few decades. And yet, many people today treat these marvels as if they were inevitable, rather than recognizing the sheer ingenuity and effort that made them possible.

Science and engineering have been the backbone of progress—transforming how we work, communicate, and entertain ourselves. But their contributions often get overshadowed by consumer culture, where people focus on convenience rather than the miracle of invention. Maybe a museum dedicated to “Things Your Grandparents Needed a Whole Room for” could remind people of the significance of these advancements?

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ChatGPT had a humorous response to the museum idea:

Imagine the exhibits—bulky reel-to-reel tape recorders, rotary phones with tangled cords, early computers that took up entire desks. And right next to them, sleek modern equivalents: a smartphone that does it all, a tiny Bluetooth speaker replacing a massive hi-fi system.

We could even have an interactive section where visitors try old devices—like dialing a rotary phone or setting up a film projector—to appreciate how far we’ve come.

Now, if we can just find a cool name for it… “The Shrinking Tech Museum”? “The Museum of Miniaturization”? Got any ideas? 😄

Ad for Chesterfields on the back cover of “Mechanix Illustrated,” December, 1938. by lhboudreau

© lhboudreau, all rights reserved.

Ad for Chesterfields on the back cover of “Mechanix Illustrated,” December, 1938.

Liggett and Myers is cashing in on the legendary character Robin Hood, but even more so on the successful movie about the legend that premiered in 1938 – “The Adventures of Robin Hood” starring Errol Flynn.

But why a female Robin Hood? Cigarette ads heavily targeted women in the 1930s. Tobacco companies saw a new market to exploit by associating smoking with concepts of female empowerment, modernity, and sophistication.

Ad for A. C. Gilbert’s “Sensational New All-Electric Erector” set in the December 1938 issue of “Mechanix Illustrated.” by lhboudreau

© lhboudreau, all rights reserved.

Ad for A. C. Gilbert’s “Sensational New All-Electric Erector” set in the December 1938 issue of “Mechanix Illustrated.”

“HELLO BOYS . . .”

The strong boy-centric marketing was very much the norm for Erector Set advertisements. A. C. Gilbert’s marketing consistently targeted boys, often using phrases like “Hello Boys!” in bold type. The ads were structured as personal messages from Gilbert himself, reinforcing the idea that these toys were meant for young male engineers.

This gendered approach wasn't unique to Erector Sets—it reflected broader societal norms of the time. Toys were heavily segregated by gender, with boys encouraged to engage in engineering and construction play, while girls were often directed toward domestic-themed toys. Interestingly, while Gilbert's ads rarely acknowledged girls as potential users, there were a few exceptions—some early ads depicted girls admiring their brothers' creations, though they were rarely shown actively building.

There has been a shortage of women in the STEM professions – science, technology, engineering, and math. Its roots are hard to pin down, but the gap starts early and may go back to the toys kids are presented with. There have been significant efforts to narrow the STEM gap through educational initiatives, policy changes, and greater visibility of women in STEM careers serving as role models. Inclusive advertising has evolved gradually over the decades. How different might the situation have been if marketing were more inclusive from the start?

[Sources: acghs.org, Smithsonian Magazine, and ProfessionalPrograms.MIT.edu]

Ad for AC Spark Plugs in “The Saturday Evening Post,” July 10, 1954, featuring the Cadillac “La Espada” concept car. by lhboudreau

© lhboudreau, all rights reserved.

Ad for AC Spark Plugs in “The Saturday Evening Post,” July 10, 1954, featuring the Cadillac “La Espada” concept car.

La Espada was introduced in 1954 at the GM Motorama, a traveling auto show that showcased futuristic designs. This two-seat fiberglass sports convertible was powered by Cadillac’s 230-hp V-8 engine. Mechanically, the car was similar to the El Camino concept coupe but featured a specially engineered convertible top and innovative design elements like ribbed aluminum fender sides and dual headlights controlled by an Autronic Eye.

La Espada was also showcased at the 1954 Chicago Auto Show. Interestingly, actor Ronald Reagan, who later became the 40th President of the United States, served as the Grand Marshal during the event and was photographed behind the wheel of La Espada. The car's futuristic design and features, like quad headlights and jet fins, hinted at Cadillac's future styling cues.

Despite its striking design and advanced features, La Espada was never mass-produced. Concept cars like this were often created to test new ideas and gauge public interest rather than for commercial production.

[Sources: ClassicCars.fandom.com, and ChicagoAutoShow.com]

Victorian Trade Card from Spicers & Peckham, Stove Founders, Providence, R.I. (1890s). Manufacturer of ranges and stoves. by lhboudreau

© lhboudreau, all rights reserved.

Victorian Trade Card from Spicers & Peckham, Stove Founders, Providence, R.I. (1890s). Manufacturer of ranges and stoves.

This trade card was printed by the J. Ottmann Lithography Company located in the Puck Building in New York City. The Puck Building housed the largest lithographic printing press operation under one roof in the world. It was home to Puck magazine between 1871 and 1918. Puck was the first political satire magazine in the United States, and the first weekly to use color lithography.

Two-page ad for Nash in “The Saturday Evening Post,” April 25, 1953. by lhboudreau

© lhboudreau, all rights reserved.

Two-page ad for Nash in “The Saturday Evening Post,” April 25, 1953.

“There’s None So New as Nash”

“More people today are buying Nash cars than at any time in history. The percentage of car-buyers now preferring Nash is the highest in our fifty-one years.

“Pictured here are the reasons why . . . cars that are setting a bright new trend in automotive design . . . the cars with Pinin Farina styling that have brought the ‘continental look’ to America – to stay!

“Here, too, are startling new engineering improvements – in performance, in economy, in visibility, in driving ease, in comfort. Many body styles are so advanced they are – in reality – new kinds of motor cars.

“Each picture says in a thousand new ways – ‘There’s None so New as Nash.’ Drive a new 1953 Nash Airflyte. You’ll get a brand-new idea of how a fine car can be!” [From the ad copy]

Nash Motors, known for its innovative and stylish cars, didn't exactly go out of business in 1954, but rather underwent a significant transformation. Nash Motors merged with Hudson Motors to form the American Motors Corporation (AMC). This merger was driven by the need to compete with the "Big Three" automakers—General Motors, Ford, and Chrysler—who dominated the market with their production and distribution advantages.

Nash continued to produce cars under the AMC umbrella until 1957, after which the Nash name was retired. The company left a legacy of innovation, including early adoption of seat belts, unibody construction, and compact cars.

[Sources: Wikipedia, WisconsinHistory.org, and Motor-Car.net]

Two-page ad for Pan American Airlines in “The Saturday Evening Post,” October 20, 1956. Art by Norman Rockwell. by lhboudreau

© lhboudreau, all rights reserved.

Two-page ad for Pan American Airlines in “The Saturday Evening Post,” October 20, 1956.  Art by Norman Rockwell.

“The thing to do with life is Live it!”

The Hawaiian outrigger canoe in the ad is called waʻa (pronounced vah-ah). These traditional canoes are an integral part of Hawaiian culture and history, featuring a single or double hull with lateral support floats called outriggers. They were historically used for fishing, transportation, and even inter-island voyages. The wa’a was even featured in the second season of the “White Lotus” series, set in Hawaii.

There are several places in Hawaii where you can experience traditional outrigger canoe rides; for example, “Outrigger Canoe Rides Waikiki,” “Kona Boys Wa’a Canoe Rides,” and “Waikiki Beach Boys Outrigger Canoe Surfing.” Experienced canoers will teach you what you need to know and lead your crew.

Ad for Quaker State Motor Oil in “The Saturday Evening Post,” October 20, 1956. by lhboudreau

© lhboudreau, all rights reserved.

Ad for Quaker State Motor Oil in “The Saturday Evening Post,” October 20, 1956.

“And Quaker State is years ahead, too!”

“This is no ordinary motor oil. It is rich, remarkable Quaker State Super Blend . . . a super-refined, all-weather oil of such quality that it surpasses even the rigorous requirements of tomorrow’s motors. . .” [From the ad copy]

In keeping with the reference to “tomorrow’s motors,” the ad features five futuristic concept cars: 1956 Packard Predictor (top left); 1956 Pontiac Club De Mer (top right); 1956 Oldsmobile Golden Rocket (center left); 1954 Ford Atmos (center right); and 1955 Chrysler Falcon (bottom left).

Of the five, the Packard Predictor is probably the least familiar, so here are some highlights:

The Predictor debuted at the 1956 Chicago Auto Show. Designed by Richard Teague and built by Carrozzeria Ghia in Italy, it was a true "dream car" of its time. It featured scalloped fenders, a long flat hood, and distinctive tail fins. The wraparound windshield and hidden quad headlights added to its modern look. It had four individual seats with reversible cushions (fabric on one side, leather on the other) and a center console running the length of the cabin.

The car included an electronic push-button Ultramatic transmission, electric servos for the roof panels and windows, and a retractable roof. Powered by a 300-horsepower, 374-cubic-inch Packard V-8 engine, it also featured torsion-level suspension for a smooth ride. Despite its groundbreaking design, the Predictor couldn't save the Packard brand, which ceased production in 1957. However, its influence can still be seen in the designs of other automakers, and one of these visionary cars has been preserved for future generations. It is on display at the Studebaker National Museum in South Bend, Indiana.

1911 Magazine Ad for White Rock Bottled Water by lhboudreau

© lhboudreau, all rights reserved.

1911 Magazine Ad for White Rock Bottled Water

White Rock Bottled Water dates to 1871, when pharmacist H.M. Colver founded the White Rock Company in Waukesha, Wisconsin. The water was sourced from a spring that the Potawatomi Indians believed had medicinal properties. White Rock originally started for health seekers and tourists, eventually in 1876 they started bottling the water. Over the years, White Rock became known for its iconic logo featuring Psyche, a nymph from Greek mythology, which debuted in 1894. The brand has had some notable moments in history:

•It was used to christen Gloria Vanderbilt in 1924.

•Charles Lindbergh carried a bottle of White Rock Sparkling Water on his historic 1927 Spirit of St. Louis flight.

•White Rock even featured Santa Claus in its advertisements as early as 1915, predating Coca-Cola's famous Santa campaigns.

As for today, White Rock is still around. The company now produces a variety of beverages, including mixers, seltzers, and craft sodas. It's amazing to see a brand with such a rich history still thriving.

[Source: WhiteRockBeverages.com]

“The Thrill o’ White Water.” Ad for Old Town Canoes on the back cover of “The Popular Magazine,” April 20, 1922. by lhboudreau

© lhboudreau, all rights reserved.

“The Thrill o’ White Water.” Ad for Old Town Canoes on the back cover of “The Popular Magazine,” April 20, 1922.

Old Town Canoe Company is a historic maker of canoes that had its beginnings in 1898, and became the largest and best-known American canoe manufacturer. It entered the canoe market as a builder of canvas-covered wooden canoes. The company’s plant was located along the Penobscot River in Old Town, Maine.

To maintain competitiveness in the latter half of the 20th century, the company adopted more modern materials, such as aluminum after World War II, and fiberglass and plastic in the 1960s. The company began making kayaks in 1995 and, by 2000, it made more kayaks than canoes. Old Town was acquired by Johnson Outdoors in 2004.

[Source: Wikipedia]

“Alice’s Adventures in Philcoland.” Magazine ad for the Philco Refrigerator (ca. 1951) by lhboudreau

© lhboudreau, all rights reserved.

“Alice’s Adventures in Philcoland.” Magazine ad for the Philco Refrigerator (ca. 1951)

The finely-rendered character illustrations in the ad are not from Disney’s “Alice in Wonderland,” released in 1951. The illustrations are not in the style of John Tenniel whose work appeared in Lewis Carroll’s original novel, nor are they from the Classics Illustrated version of “Alice.”

The Philco ad is a fascinating piece of vintage advertising. The level of detail in the illustrations suggests that a skilled, yet uncredited artist was behind them. It's possible that Philco's ad agency commissioned a freelance illustrator or used an artist who was well-known at the time but perhaps not widely recognized today. Vintage advertising often featured unique artwork created specifically for the campaign.

Ad for the “TelZall 9-in-1 Sun Watch” in “Super Science Stories,” November, 1950. by lhboudreau

© lhboudreau, all rights reserved.

Ad for the “TelZall 9-in-1 Sun Watch” in “Super Science Stories,” November, 1950.

“For Boys – Girls – Hunters – Campers – Everybody! The Most Amazing Sun Watch in the World! The Timepiece of Adventure. Just look at what it does: (1) Tells Time, (2) Weather Forecasting, (3) Glow-in-the-dark Compass, (4) Durable Plastic Strap, (5) 6-Power Magnifying, (6) World’s Smallest Ball Point Pen, (7) Signaling Mirror, (8) Find the North Star and Constellations, (9) Morse Code. Amazing value, $1.98.

“You’ll be the envy of all your friends when you wear this sensational 9-way wonder – the amazing patented new TELZALL SUN WATCH. It’s the only watch of its kind in the world. This tickless time piece tells the sun time . . . nothing to go out of order. . .” [From the ad copy]

[Note: While it might seem like an overhyped sundial with a few extra gadgets, it undoubtedly captured the imagination of many back in 1950! By the way, $1.98 in 1950 has the same "buying power" as $25.93 in 2025. I think I might have settled for a real watch.]

Vintage Kellogg’s Corn Flakes Promotion by James Larrison

Available under a Creative Commons by license

Vintage Kellogg’s Corn Flakes Promotion

A framed advertisement showcasing a vintage Kellogg’s Corn Flakes promotion featuring collectible cloth dolls of the Three Bears and Goldilocks. A nostalgic look at early cereal marketing.

Ad for the Maytag Multi-Motor Washer in “The Saturday Evening Post,” April 21, 1917. by lhboudreau

© lhboudreau, all rights reserved.

Ad for the Maytag Multi-Motor Washer in “The Saturday Evening Post,” April 21, 1917.

The first motor-driven clothes washer was the "Thor" washing machine, manufactured in 1907 by the Hurley Electric Laundry Equipment Company. It was designed by Alva J. Fisher, making it an electric-powered machine; essentially marking the first commercially available electric washing machine.

The first gas-powered, motor-driven clothes washer was made by the Maytag Company in 1914. This washer, called the "Multi-Motor" (shown in the ad) was designed to help rural homemakers who didn't have access to electricity. It was a significant innovation at the time, providing a much-needed solution for washing clothes without manual labor.

Maytag has a rich history that dates to 1893 when it was founded by Frederick Louis Maytag and three partners. Initially, the company produced farm machinery, but it soon shifted its focus to home appliances.

[Sources: Wikipedia, GasEngineMagazine.com, and CompanyHistories.com]

[Note: The electrification of rural communities in the United States was essentially complete by the late 1950s. This was the result of the Rural Electrification Act (REA) of 1936 and the efforts of private industry.]

[Note 2: In this century, the digital divide remains a significant issue, with many rural areas lacking adequate internet access. It's possible that further legislative action, similar to the REA for electrification, could be necessary to ensure universal high-speed internet access in rural America.]

Ad for Armstrong Floors in “The Saturday Evening Post,” November 23, 1957. by lhboudreau

© lhboudreau, all rights reserved.

Ad for Armstrong Floors in “The Saturday Evening Post,” November 23, 1957.

Nice Basement!