The Flickr Womanartist Image Generatr

Louise Bourgeois (1911-2010) - Couples (2001). In the collection of Marika and CG Wachtmeister, shown at the temporary exhibition "Heartbrain" at Liljevalchs Art Gallery, Stockholm, March-September 2024.

Barbro Bäckström (1939-1990) - Knän [The knees] (1988-1989). In the collection of Marika and CG Wachtmeister, shown at the temporary exhibition "Heartbrain" at Liljevalchs Art Gallery, Stockholm, March-September 2024.

Margareta Renberg (1945-2005) - Skyndar förbi [Hurrying by] (1998). In the collection of the Norrköping Museum of Art, Sweden.

Birgit Ståhl-Nyberg (1928-1982) - Akvariet [The aquarium] (1975). In the collection of the Norrköping Museum of Art, Sweden.

Marie Laurencin (1883-1956) - Femmes au chien [Women with dog] (1924-1925). In the Walter-Guillaume Collection at the Musée de l'Orangerie, Paris.

Fernanda Fragateiro (b. 1962) - Detail of Artista Ausente [Absent Artist] (2025). Mural. Based on a study by Eduardo Nery for a tile panel on Avenida Infante Santo, Lisboa (2000), with unfinished sculptures by Marília Torres found in her studio in 2024. In the collection of BAC – Banco de Arte Contemporânea Maria da Graça Carmona e Costa. Shown at the temporary exhibition "Boa viagem, muitas maravilhas" presenting a selection of items from the BAC collection, at Atelier-Museu Júlio Pomar, Lisbon, March-June 2025.

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).

Large (59" x 59") ‘crazy quilt’, c.1860, with floral panels hand painted by Clarissa Munger Badger on silk. The quilt appears to be entirely hand-stitched and hand-painted. The embroidered border is composed of threads of differing thicknesses and different traditional stitches and were also done by hand. The quilt is composed mostly of silks with a thin cotton batting. There appear to be four layers, including the uppermost botanical squares, which are either stitched, painted, or appliqued. These squares are secured to an underlayer of vanilla-colored satin. The third layer appears to be a cotton batting; and the fourth is a backing in maroon/cranberry silk. Learn more about Clarissa at www.madisonhistory.org/key-people/clarissa-munger-badger/
Described by Doe Boyle. Donated by William D. Briggs of Guilford, CT on 4/30/2025. He is a distant relative of Clarissa and these items have been held privately by the family.
ACC# 2025.007.003 See more of this quilt at flic.kr/s/aHBqjCgyYE.
(Photo credit Bob Gundersen www.flickr.com/photos/bobphoto51/albums).