Photo taken by unknown family member.
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This photo of a robin on a post on the left side and Susie picking berries in her raspberry patch is an optical illusion as the robin was close and Susie was far from the camera's eye. That is what happen in long distance shots - far away objects can look close together. More about the robin when I post its close up photo.
365 Project - Day 48
I'm finally all caught up with my 365 Project, and I vow not to fall behind again!
I was going through some old shots today, and to me, this is a finding fairies face! ^^ Yellow is the color of my heart; I hope a glimmer of that comes through.
Thank you so much flickr members, all who view.
Self Shot.
365 Project - Day 10
Still playing catch up on my 365 project but everything is going much smoother today. With any luck I can fully catch up tomorrow.
This shot was inspired by the little fairy person who lives in my heart and slips into my dreams. Yellow is my favorite color. With this shot, I got to bring those concepts together to tell a story.
Taken at sunset. Self shot.
This is not my favorite shot.
How is it that my wife takes a great shot of me but I can't take a good shot of her with the same camera?
My website on film cameras and the people who shoot with film is at whatisafilmcamera.com/ .
Oil on canvas; 98 x 92 cm.
Cuno Amiet was a Swiss painter, illustrator, graphic artist and sculptor. As the first Swiss painter to give precedence to color in composition, he was a pioneer of modern art in Switzerland. He attended the Kantonsschule Solothurn. After studies with the painter Frank Buchser, he attended the Academy of Fine Arts Munich in 1886–88, where he befriended Giovanni Giacometti. In 1888-92, they continued their studies in Paris, where Amiet studied at the Académie Julian under Adolphe-William Bouguereau, Tony Robert-Fleury and Gabriel Ferrier. Dissatisfied with academic art, Amiet joined the Pont-Aven School in 1892, where he learned from Emile Bernard, Paul Sérusier, Roderic O'Conor and Armand Séguin. In Pont-Aven, he came to prefer the use of pure color to tonal painting.