Aphrodite was the Olympian goddess of love, beauty, pleasure and procreation. She was depicted as a beautiful woman often accompanied by the winged godling Eros (Love). Her attributes included a dove, apple, scallop shell and mirror. In classical sculpture and fresco she was usually depicted nude.
Some of the more famous myths featuring the goddess include:
Her birth from the sea foam.
Her adulterous affair with the god Ares.
Her love for Adonis, a handsome Cypriot youth who was tragically killed by a boar.
Her love for Ankhises (Anchises), a shepherd-prince.
The judgement of Paris in which the goddess was awarded the prize of the golden apple in return for promising Paris Helene in marriage.
The Trojan War in which she supported her favourites Paris and Aeneas and was wounded in the fighting.
The race of Hippomenes for Atalanta, which was won with the help of the goddess and her golden apples.
The death of Hippolytos, who was destroyed by the goddess for scorning her worship.
The statue of Pygmalion which was brought to life by Aphrodite in answer to his prayers.
The persecution of Psykhe (Psyche), the maiden loved by the goddess' son Eros.
ENCYCLOPEDIA
APHRODI'TE (Aphroditê), one of the great Olympian divinities, was, according to the popular and poetical notions of the Greeks, the goddess of love and beauty. Some traditions stated that she had sprung from the foam (aphros) of the sea, which had gathered around the mutilated parts of Uranus, that had been thrown into the sea by Kronos after he had unmanned his father. (Hesiod. Theog. 190; compare Anadyomene.) With the exception of the Homeric hymn on Aphrodite there is no trace of this legend in Homer, and according to him Aphrodite is the daughter of Zeus and Dione. (Il. v. 370, &c., xx. 105.) Later traditions call her a daughter of Kronos and Euonyme, or of Uranus and Hemera. (Cic. De Nat. Deor. iii. 23; Natal. Com. iv. 13.)
According to Hesiod and the Homeric hymn on Aphrodite, the goddess after rising from the foam first approached the island of Cythera, and thence went to Cyprus, and as she was walking on the sea-coast flowers sprang up under her feet, and Eros and Himeros accompanied her to the assembly of the other great gods, all of whom were struck with admiration and love when she appeared, and her surpassing beauty made every one desire to have her for his wife.
According to the cosmogonic views of the nature of Aphrodite, she was the personification of the generative powers of nature, and the mother of all living beings. A trace of this notion seems to be contained in the tradition that in the contest of Typhon with the gods, Aphrodite metamorphosed herself into a fish, which animal was considered to possess the greatest generative powers. (Ov. Met. v. 318, &c.; comp. Hygin. Poet. Astr. 30.) But according to the popular belief of the Greeks and their poetical descriptions, she was the goddess of love, who excited this passion in the hearts of gods and men, and by this power ruled over all the living creation. (Hom. Hymn. in Ven. ; Lucret. 15, &c.)
