The Flickr Zincografica Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Nelson Eddy and Jeanette MacDonald in Naughty Marietta by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Nelson Eddy and Jeanette MacDonald in Naughty Marietta

Vintage Italian postcard. Metro Goldwyn Mayer. Zincografica, Firenze. Nelson Eddy and Jeanette MacDonald in Naughty Marietta (1935), released in Italy as Terra senza donne (Land without Women), and based on the operetta Naughty Marietta by Victor Herbert. The film won an Oscar in 1936.

Red-headed and blue-green eyed operatic singer Jeanette MacDonald (1903-1965) was discovered for the cinema by Ernst Lubitsch, who cast her opposite Maurice Chevalier in The Love Parade (1929). Later 'the Iron Butterfly' co-starred with Nelson Eddy in a string of successful musicals and played opposite Clark Gable in San Francisco (1936).

Warner Baxter by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Warner Baxter

Vintage Italian postcard. Zincografica, Firenze. 20th Century Fox. Warner Baxter in The Prisoner of Shark Island (John Ford, 1936).

Warner Leroy Baxter (March 29, 1889 – May 7, 1951) was an American film actor from the 1910s to the 1940s. Baxter is known for his role as the Cisco Kid in the 1928 film In Old Arizona, for which he won the Academy Award for Best Actor at the 2nd Academy Awards.[1] He frequently played womanizing, charismatic Latin bandit types in Westerns, and played the Cisco Kid or a similar character throughout the 1930s, but had a range of other roles throughout his career. Baxter began his movie career in silent films with his most notable roles being in The Great Gatsby (1926) and The Awful Truth (1925). Baxter's notable sound films are In Old Arizona (1929), 42nd Street (1933), Slave Ship (1937) with Wallace Beery, Kidnapped (1938) with Freddie Bartholomew, and the 1931 ensemble short film The Stolen Jools. In the 1940s, he was well known for his recurring role as Dr. Robert Ordway in the Crime Doctor series of 10 films. For his contributions to the motion-picture industry, Baxter has a star on the Hollywood Walk of Fame

(Source: English Wikipedia)

Jennifer Jones in Madame Bovary (1949) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Jennifer Jones in Madame Bovary (1949)

Italian promotional postcard for Madame Bovary (Vincente Minnelli, 1949) by Zincografica, Firenze. Collection: Marlene Pilaete.

On 29 August 2022, a La Collectionneuse post on Jennifer Jones will be published on our blog European Film Star Postcards.

Leonardo Cortese in Cavalleria rusticana (1939) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Leonardo Cortese in Cavalleria rusticana (1939)

Italian postcard by Zimncografica, Firenze. Sent by mail in 1939. Photo: Scalera / Pesce. Leonardo Cortese in Cavalleria rusticana (Amleto Palermi, 1939).

Leonardo Cortese (1916-1984) was a matinee idol of the Italian cinema of the 1940s. He starred in such films as Sissignora (1941) and Un garibaldino al convento (Vittorio De Sica, 1942). After the war, he started directing, first films and later on rather focusing on television.

Leonardo Cortese, also known by the pseudonym Leo Passatore was born in Rome, in 1916. He was the son of the Neapolitan businessman and journalist Luca Cortese and Beatrice Arena. After his university studies at the Faculty of Law, he became a student at the National Academy of Dramatic Art. As soon as he finished his courses, he made his debut on the screen in 1938. Soon he starred in such light entertainment films as La Vedova/The Widow (Goffredo Alessandrini, 1939) with Isa Pola, Cavalleria rusticana (Amleto Palermi, 1939), Sissignora/Yes, Madam (Ferdinando Maria Poggioli, 1941) starring Maria Denis, and Un garibaldino al convento/A Garibaldian in the Convent (Vittorio De Sica, 1942) opposite Maria Mercader and Carla Del Poggio. He also appeared in the war drama I tre aquilotti/The Three Pilots (Mario Mattoli, 1942) also starring Michela Belmonte and Alberto Sordi. Cortese made his stage debut in the 1940-1941 season when he was signed by Filippo Scelzo's company. In 1942 he was part of the company directed by Ermete Zacconi and in 1943 he had great success at the Teatro Delle Arti in Rome together with Margherita Bagni, Ermete Zacconi, and Camillo Pilotto. At the end of the war, he formed a company with Bagni and Luigi Almirante, and in 1947 he also took part in a revue directed by Adolfo Celi, 'E lui dice...' with Alberto Sordi. Since his film debut, he was among the most applauded and highly-rated young men both before and after the war. He became a favourite with the public, especially women. Pleasant and good-looking, he was one of the Italian cinema's most popular actors. Leonardo Cortese appeared in 39 films between 1938 and 1962.

Towards the beginning of the 1950s, he began to withdraw from cinema to devote himself to television, both as an actor and as a director. Educated and skilled, he also directed eight films between 1952 and 1967. His documentary Chi è di scena? won first prize at the 1952 Venice Film Festival. Among his features are Art. 519 Codice Penale/Article 519, Penal Code (Leonardo Cortese, 1952) with Henri Vidal, and Violenza sul Lago/Violence at the Lake (Leonardo Cortese, 1954) starring Lia Amanda and Erno Crisa. His last film direction was the documentary Russia sotto inchiesta/Russia under investigation (1962) in collaboration with Romolo Marcellini and Tamara Lisizian. As a television actor he appeared in the original Vacanze ai quartieri alti (Daniele D'Anza, 1956), the TV Mini-Series Capitan Fracassa/Captain Fracasse (Anton Giulio Majano, Anton Giulio Majano, 1958) and L'isola del tesoro/Treasure Island (1959). More significant was his career as a television director. Cortese began to direct in the early 1960s. In 1965, he shot a documentary for RAI that took him around Europe, visiting and describing various locations in Belgium, Germany, and the Netherlands. In 1965-1966, he also directed the Mini-Series La figlia del capitano/The Captain's daughter (1965) with Umberto Orsini, and Luisa Sanfelice (1965), both of which were broadcast in seven episodes and were a great success among audiences and critics. He returned to direct Oltre il buio/Beyond the Darkness (1967) and obtained excellent acclaim with the series Sheridan, squadra omicidi/Sheridan, Murder Squad (1967). But his greatest successes were three crime series written by Mario Casacci and Alberto Ciambricco: La donna di quadri/The woman of paintings (1968), La donna di cuori/The woman of hearts (1969), and La donna di picche/The woman of spades (1972), all starring Ubaldo Lay. He also directed Un certo Harry Brent/A Man Called Harry Brent (1970) based on a play by Francis Durbridge and starring Alberto Lupo. Under the pseudonym of Leo Passatore, he wrote as a theatre critic in specialised magazines, such as the weekly Idea. He was also the author of a novel entitled 'Papà magnifico' (1950). In October 1977 he became the widower of Margherita Ligios, whom he had married in 1941, at the height of his film fame. In the same year he directed Traffico d'armi nel golfo, a miniseries for TV, with Renato De Carmine and Lorenza Guerrieri. Leonardo Cortese passed away in Rome in 1984. He was 68.

Sources: Wikipedia (Italian and English), and IMDb.

And, please check out our blog European Film Star Postcards.

Vivien Leigh and Clark Gable in Gone with the wind (1939) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Vivien Leigh and Clark Gable in Gone with the wind (1939)

Italian postcard by Zincografica, Firenze. Photo: Vivien Leigh and Clark Gable in Gone with the Wind (Victor Fleming, 1939).

Extraordinarily beautiful British actress Vivien Leigh (1913-1967) won two Academy Awards for playing ‘Southern belles’: Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in A Streetcar Named Desire (1951). On stage she starred – often with her husband, Laurence Olivier - in parts that ranged from the heroines of Noël Coward and George Bernard Shaw comedies to Shakespearean characters like Ophelia, Juliet, and Lady Macbeth.

For more postcards, a bio and clips check out our blog European Film Star Postcards.

Leslie Caron by Truus, Bob & Jan too!

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Leslie Caron

Italian postcard by Zincografica, Firenze. Photo: Metro-Goldwyn-Mayer. Publicity still for Lili (Charles Walters, 1953).

French film actress and dancer Leslie Caron (1931) was one of the most famous Hollywood stars in the 1950s. She is best known for the waif-like gamines in musical films like An American in Paris (1951), Lili (1953), and Gigi (1958) . Since the 1960s she’s also working in the European cinema.

For more postcards, a bio and clips check out our blog European Film Star Postcards Already over 3 million views! Or follow us at Tumblr or Pinterest.

Rossano Brazzi by Truus, Bob & Jan too!

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Rossano Brazzi

Italian postcard by Zincografica, Firenze. Sent by mail in 1942. Photo: Scalera Film / Era Film, Roma. Publicity still for Noi Vivi/We the Living (Goffredo Alessandrini, 1942).

Handsome Italian actor and director Rossano Brazzi (1916-1994) personified the Latin Lover and romantic aristocrat in such Hollywood classics as Three Coins in a Fountain (1954), Summertime (1955) and South Pacific (1958), but he also starred in many European productions. In his 55 years career, he did over 100 films, mainly in Italy and France, but also in Germany, Spain, Great Britain, Brazil, Argentina, and the US. In Italy, he was also a hugely popular stage and TV actor, and an accomplished stage director.

For more postcards, a bio and clips check out our blog European Film Star Postcards or follow us at Tumblr or Pinterest.