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Shot with Petri Color 35, using a C.C. Petri 40mm f/2.8 lens
Kodak UltraMax 400 Film
Shot at ISO 400, developed normally
Developed and scanned by The Darkroom
These shots reflect raw post-scan output (without further adjustment).
Shot with Petri Color 35, using a C.C. Petri 40mm f/2.8 lens
Kodak UltraMax 400 Film
Shot at ISO 1600, developed normally
Developed and scanned by The Darkroom
These shots reflect raw post-scan output (without further adjustment).
Shot with Petri Color 35, using a C.C. Petri 40mm f/2.8 lens
Kodak UltraMax 400 Film
Shot at ISO 800, developed normally
Developed and scanned by The Darkroom
These shots reflect raw post-scan output (without further adjustment).
Shot with Petri Color 35, using a C.C. Petri 40mm f/2.8 lens
Kodak UltraMax 400 Film
Shot at ISO 1600, developed normally
Developed and scanned by The Darkroom
These shots have been adjusted in post; see the raw versions elsewhere in this series.
Shot with Petri Color 35, using a C.C. Petri 40mm f/2.8 lens
Kodak UltraMax 400 Film
Shot at ISO 800, developed normally
Developed and scanned by The Darkroom
These shots have been adjusted in post; see the raw versions elsewhere in this series.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 50 and developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see elsewhere in this feed for the raw versions.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 800 and developed normally
Developed and scanned by The Darkroom
These images reflect the raw post-scan results.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 800 and developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see elsewhere in this feed for the raw versions.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 400 and developed normally
Developed and scanned by The Darkroom
These images reflect the raw post-scan results.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 200 and developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see elsewhere in this feed for the raw versions.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 200 and developed normally
Developed and scanned by The Darkroom
These images reflect the raw post-scan results.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 400 and developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see elsewhere in this feed for the raw versions.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 100 and developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see elsewhere in this feed for the raw versions.
Shot with a Canon Canonet QL17 G3
Canon 40mm f/1.7 lens
Kodak Ektar 100 film
Shot at ISO 100 and developed normally
Developed and scanned by The Darkroom
These images reflect the raw post-scan results.
Shot with Rollei 35S, using a Sonnar 40mm f/2.8 lens
Kodak Ektar 100 Film
Shot at ISO 800, developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see the "raw" versions elsewhere in the series for comparison.
Shot with Rollei 35S, using a Sonnar 40mm f/2.8 lens
Kodak Ektar 100 Film
Shot at ISO 800, developed normally
Developed and scanned by The Darkroom
These images are the "raw" post-scan results, without further adjustment.
Shot with Rollei 35S, using a Sonnar 40mm f/2.8 lens
Kodak Ektar 100 Film
Shot at ISO 1600, developed normally
Developed and scanned by The Darkroom
These images are the "raw" post-scan results, without further adjustment.
Shot with Minox 35 GT-E
Minox Color-Minotar 35mm f/2.8 lens
Kodak Ektar 100 film
Shot at ISO 100, developed +2 stops
Developed and scanned by The Darkroom
These are the "raw" post-scan images, with no further adjustments.
Shot with Rollei 35S, using a Sonnar 40mm f/2.8 lens
Kodak Ektar 100 Film
Shot at ISO 400, developed normally
Developed and scanned by The Darkroom
These images have been adjusted in post; see the "raw" versions elsewhere in the series for comparison.
Shot with Minox 35 GT-E
Minox Color-Minotar 35mm f/2.8 lens
Kodak Ektar 100 film
Shot at ISO 800, developed +2 stops
Developed and scanned by The Darkroom
These images have been adjusted; see the "raw" images elsewhere in the series for comparison.