The Flickr Paintedbackdrop Image Generatr

The title says it all.

Man and woman with a letter. Cabinet card from Lafayette studio, Dublin; Gallagher family collection, Montana Gael Irish Images.

This cabinet card photograph features a fashionable young lady captured in full length, with a painted backdrop and fake rock in the foreground. The backside/verso is blank and The lady is unnamed

The individual in the image is not identified. There is nothing on the back.

This cabinet card photograph features a fashionable young lady captured in full length, with a painted backdrop visible in the background.
The young lady is unnamed.
The backside/verso is blank.

Sailor Lad with Arch Backdrop, Rope. CDV by John Phillips, Belfast, 1880s. Montana Gael Irish Images.

The kind you see in an old Western move (well, minus the highrises)

Toronto, Ontario

Vintage found photobooth portrait of an unidentified young lady.
On back is written "April 14, 1944."

I can't tell if those are ribbons or bows in her hair or 2 roses?

© All Rights Reserved
====================
This is a scanned image from a batch of wire photos, publicity photos, film negatives, vintage snapshots, cabinet cards, CDVs and real photo postcards purchased at auction. You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.

I did some small, cosmetic clean-up retouches in photoshop.

Any comments or observations are much appreciated!

8 yr old S.M. with 9 yr old Jake at Fall Breakfast in the Park.

This is an image I took back in 2016l using a new (to me) lighting method that is outlined below.

I learned the lighting from a book by Linda Robbins called The Hummingbird Guide. Her method is to use a minimum 0f 5 to 6 strobes, a supplied background (which my wife painted), and photograph the birds in the shade so that you don't have to overpower the sunlight. When you use multiple strobes on a subject in the shade you can use lower power settings for each flash which results in shorter flash durations which means it freezes the wing blur. I used 6 Yongnuo strobes because I wanted to use identical manual power output for each flash . One strobe was pointed at the background, one was underneath the feeder, and the other 4 strobes surrounded the feeder. The strobes were all at under 1/16th power, in manual mode, and were triggered by a Yongnuo RF-603N., and you can see the EXIF info on the side. This method is the only way that I've been able to photograph one of these birds with little, or no, wing blur.

Down below in the first comment, you can see a picture of the setup that I used.

I've taken quite a few pictures of hummers over the years and put them an album creatively called Hummingbirds.
www.flickr.com/photos/9422878@N08/sets/72157627149575339/

This is an image I took back in 2016l using a new (to me) lighting method that is outlined below.

I learned the lighting from a book by Linda Robbins called The Hummingbird Guide. Her method is to use a minimum 0f 5 to 6 strobes, a supplied background (which my wife painted), and photograph the birds in the shade so that you don't have to overpower the sunlight. When you use multiple strobes on a subject in the shade you can use lower power settings for each flash which results in shorter flash durations which means it freezes the wing blur. I used 6 Yongnuo strobes because I wanted to use identical manual power output for each flash . One strobe was pointed at the background, one was underneath the feeder, and the other 4 strobes surrounded the feeder. The strobes were all at under 1/16th power, in manual mode, and were triggered by a Yongnuo RF-603N., and you can see the EXIF info on the side. This method is the only way that I've been able to photograph one of these birds with little, or no, wing blur.

Down below in the first comment, you can see a picture of the setup that I used.

I've taken quite a few pictures of hummers over the years and put them an album creatively called Hummingbirds.
www.flickr.com/photos/9422878@N08/sets/72157627149575339/

Harness your strength and look ahead to a brighter future.

See the entire photo essay on The Photographic Journal

Photographer: Jason Travis
Artist: Erin Miller Wray
Painting Assistant: Christina Bagladi
Wardrobe Stylist: Katie Clifford
Makeup Artist: Phoebe Seligman
Models: Eden Hoogveld, Keon Saghari
Location: The Forge in Los Angeles, CA
Platform: The Photographic Journal

I have used Image by Silke Lemcke from Pixabay Used as a background and as a very faint foreground to mask the sharpness of the scabiosa photo.

albumen print on cardboard, carte de visite;
Joan Springer (itinerant, Wallachia, possibly Turnu Severin), ca. 1865;
acquired from a dealer in Ploiești, 2016;
Theodor E. Ulieriu-Rostás collection. Accession number: cdv.2016.28

Largely undocumented itinerant photographer. Probably active in Wallachia in the mid-1860s, one CDV of his connected to the town of Turnu Severin on the Danube. Possibly the same person as the J. Springer active in Silesia (Freiwaldau, Gräfenberg & Karlsbrunn) in the later 1860s and early 1870s.

photographer unknown

photo has an orange 2 cent "Bank Check" Civil War tax stamp on back

photo by F. D. Moon, Greenville, Penna.

photo by J. Gurney and Son, 707 Broadway, N.Y.

photo by D. C. Bettison, Photographer, Main Street, below Second, Over Telegraph Office, Louisville, Ky.

photo by C. Eppert, Photographer, Terre Haute, Ind.

photo by W. H. Morse, Artist, Sheffield, Ill.