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Head of the Colossus of Constantine by Chapps.SL

Head of the Colossus of Constantine

The Colossus of Constantine (in Italian, Statua Colossale di Constantino I), was a many times life-size acrolithic sculpture, dating from the early 4th century CE, which depicted the Roman emperor Constantine the Great. It was commissioned by Constantine himself and it was placed in the west apse of the Basilica of Maxentius on the Via Sacra at the entry to the Roman forum. Several pieces of the marble portions of this acrolith survive and have been placed in the courtyard of the Palazzo dei Conservatori, part of the Musei Capitolini (Capitoline Museums), on the Capitoline Hill in Rome.

As an acrolithic statue, only the gigantic head, arms, and legs of the colossus were carved from marble, with the remainder of the body made of a brick core and wooden framework, probably covered in gilded bronze. The figure was sitting on a throne, and would have been about 12 meters (40 feet) tall.

This head is about 2.5 meters tall and is carved in the Constantinian style, with enormous abstract eyes, in a more realistic face. The eyes were perhaps meant to indicate transcendence, gazing towards a Christian eternity.

Constantine's colossus is basically a variation of the enthroned Jupiter Optimus Maximus, a style of sculpture the ancient Romans would have been familiar and comfortable with. The emperor Augustus had himself depicted in exactly the same way.

Dating the statue is difficult, with a date of 312-315 CE likely, given political considerations. There was a reworking of the features, including a new right hand - both hands survive - perhaps holding a Christian symbol, whereas previously it held a scepter. The statue was pillaged in Late Antiquity, probably for its gilded bronze sheathing. It was rediscovered in 1486, and Michelangelo himself had the pieces placed in the courtyard of the Palazzo dei Conservatori.

A reconstruction of the colossus was created in 2024, although they didn't paint the marble portions of the statue, which would have been done in antiquity (I took photos of this reconstruction and will subsequently post them).

A Miracle of Saint Silvester, c1450-3 by failing_angel

A Miracle of Saint Silvester, c1450-3

Egg tempera on oil on panel

Part of a predella - an altarpiece base - this panel reveals Pesellino's ever-greater sophistication as a painter of complex narrative. According to Christian legend, Emperor Constantine's mother Helena summoned philosophers to persuade her son to convert from Christianity to Judaism. One of them, Zambri, claimed any creature who heard him utter the true name of God would instantly perish. He whispered into the ear of a bull, which dropped dead. Saint Silvester recognised the Devil's work and when Zambri could not revive the beast, he did so himself. Al onlookers, including Helena, converted to Christianity.*

From the exhibition


Pesellino: A Renaissance Master Revealed
(December 2023 – March 2024)

Discover an overlooked Renaissance great in the first ever exhibition dedicated to Francesco di Stefano, known as Pesellino (1422–1457).
Pesellino’s talents were hugely sought-after during his lifetime. He gained commissions from Florence’s ruling Medici family, and collaborated with the leading artists of his time, including Fra Filippo Lippi.
Working in Florence in the early 15th century, Pesellino had a short but successful career. He was a skilled draughtsman, visual storyteller and a painter of animals, often producing works on a small scale with wonderfully intricate detail. His work inspired the next generation of painters after his early death at the age of 35.
This exhibition uncovers Pesellino’s story and shines a light on the depth and breadth of his achievements.
See up close his masterpieces, including the Pistoia 'Trinity' altarpiece (1455–60) and newly restored 'Stories of David' (about 1445–55) 'cassoni' (marriage chest) panels, and immerse yourself in his world of vibrant storytelling and exquisite detail..
[*National Gallery]

Taken in National Gallery

A Miracle of Saint Silvester, c1450-3 by failing_angel

A Miracle of Saint Silvester, c1450-3

Egg tempera on oil on panel

Part of a predella - an altarpiece base - this panel reveals Pesellino's ever-greater sophistication as a painter of complex narrative. According to Christian legend, Emperor Constantine's mother Helena summoned philosophers to persuade her son to convert from Christianity to Judaism. One of them, Zambri, claimed any creature who heard him utter the true name of God would instantly perish. He whispered into the ear of a bull, which dropped dead. Saint Silvester recognised the Devil's work and when Zambri could not revive the beast, he did so himself. Al onlookers, including Helena, converted to Christianity.*

From the exhibition


Pesellino: A Renaissance Master Revealed
(December 2023 – March 2024)

Discover an overlooked Renaissance great in the first ever exhibition dedicated to Francesco di Stefano, known as Pesellino (1422–1457).
Pesellino’s talents were hugely sought-after during his lifetime. He gained commissions from Florence’s ruling Medici family, and collaborated with the leading artists of his time, including Fra Filippo Lippi.
Working in Florence in the early 15th century, Pesellino had a short but successful career. He was a skilled draughtsman, visual storyteller and a painter of animals, often producing works on a small scale with wonderfully intricate detail. His work inspired the next generation of painters after his early death at the age of 35.
This exhibition uncovers Pesellino’s story and shines a light on the depth and breadth of his achievements.
See up close his masterpieces, including the Pistoia 'Trinity' altarpiece (1455–60) and newly restored 'Stories of David' (about 1445–55) 'cassoni' (marriage chest) panels, and immerse yourself in his world of vibrant storytelling and exquisite detail..
[*National Gallery]

Taken in National Gallery

A Miracle of Saint Silvester, c1450-3 by failing_angel

A Miracle of Saint Silvester, c1450-3

Egg tempera on oil on panel

Part of a predella - an altarpiece base - this panel reveals Pesellino's ever-greater sophistication as a painter of complex narrative. According to Christian legend, Emperor Constantine's mother Helena summoned philosophers to persuade her son to convert from Christianity to Judaism. One of them, Zambri, claimed any creature who heard him utter the true name of God would instantly perish. He whispered into the ear of a bull, which dropped dead. Saint Silvester recognised the Devil's work and when Zambri could not revive the beast, he did so himself. Al onlookers, including Helena, converted to Christianity.*

From the exhibition


Pesellino: A Renaissance Master Revealed
(December 2023 – March 2024)

Discover an overlooked Renaissance great in the first ever exhibition dedicated to Francesco di Stefano, known as Pesellino (1422–1457).
Pesellino’s talents were hugely sought-after during his lifetime. He gained commissions from Florence’s ruling Medici family, and collaborated with the leading artists of his time, including Fra Filippo Lippi.
Working in Florence in the early 15th century, Pesellino had a short but successful career. He was a skilled draughtsman, visual storyteller and a painter of animals, often producing works on a small scale with wonderfully intricate detail. His work inspired the next generation of painters after his early death at the age of 35.
This exhibition uncovers Pesellino’s story and shines a light on the depth and breadth of his achievements.
See up close his masterpieces, including the Pistoia 'Trinity' altarpiece (1455–60) and newly restored 'Stories of David' (about 1445–55) 'cassoni' (marriage chest) panels, and immerse yourself in his world of vibrant storytelling and exquisite detail..
[*National Gallery]

Taken in National Gallery

A Miracle of Saint Silvester, c1450-3 by failing_angel

A Miracle of Saint Silvester, c1450-3

Egg tempera on oil on panel

Part of a predella - an altarpiece base - this panel reveals Pesellino's ever-greater sophistication as a painter of complex narrative. According to Christian legend, Emperor Constantine's mother Helena summoned philosophers to persuade her son to convert from Christianity to Judaism. One of them, Zambri, claimed any creature who heard him utter the true name of God would instantly perish. He whispered into the ear of a bull, which dropped dead. Saint Silvester recognised the Devil's work and when Zambri could not revive the beast, he did so himself. Al onlookers, including Helena, converted to Christianity.*

From the exhibition


Pesellino: A Renaissance Master Revealed
(December 2023 – March 2024)

Discover an overlooked Renaissance great in the first ever exhibition dedicated to Francesco di Stefano, known as Pesellino (1422–1457).
Pesellino’s talents were hugely sought-after during his lifetime. He gained commissions from Florence’s ruling Medici family, and collaborated with the leading artists of his time, including Fra Filippo Lippi.
Working in Florence in the early 15th century, Pesellino had a short but successful career. He was a skilled draughtsman, visual storyteller and a painter of animals, often producing works on a small scale with wonderfully intricate detail. His work inspired the next generation of painters after his early death at the age of 35.
This exhibition uncovers Pesellino’s story and shines a light on the depth and breadth of his achievements.
See up close his masterpieces, including the Pistoia 'Trinity' altarpiece (1455–60) and newly restored 'Stories of David' (about 1445–55) 'cassoni' (marriage chest) panels, and immerse yourself in his world of vibrant storytelling and exquisite detail..
[*National Gallery]

Taken in National Gallery

😅Constantine Waves "Hello," From the Musei Capitolini by jemarkah

© jemarkah, all rights reserved.

😅Constantine Waves "Hello," From the Musei Capitolini

The head and left hand fragments of the Bronze colossus of Constantine. Photographed May 22, 2019, at the Musei Capitolini.

Fragments of the Colossus of Constantine by jemarkah

© jemarkah, all rights reserved.

Fragments of the Colossus of Constantine

Study of the head, knee, and right hand fragments of the Colossus of Constantine. Photographed at the Palazzo dei Conservatori, Musei Capitolini, Rome, May 22, 2019.

Constantine and Justinian mosaic by squeezemonkey

© squeezemonkey, all rights reserved.

Constantine and Justinian mosaic

114 Nov by Grumpy MK

© Grumpy MK, all rights reserved.

114 Nov

Emperor Constantine

Carrión de los Condes -Santa María del Camino by Martin M. Miles

© Martin M. Miles, all rights reserved.

Carrión de los Condes -Santa María del Camino




The Church of Santa María del Camino is the oldest church in the town. It is also known as Santa María de las Victorias, going back to a legend of the Reconquista. The floor plan is of a basilica and corresponds to the original Romanesque style, with French influences due to the pilgrimage to Santiago.

Since the church was threatened with collapse and buttresses were added, this sculpture is no longer complete. It is a well-known motif that can be found along the Way of St. James.
A man on horseback rides over a man on the ground. This may represent Emperor Constantine or "Santiago Matamoros", the Moor-slayer.

Arc de Constantin, Rome by Voyages Lambert

© Voyages Lambert, all rights reserved.

Arc de Constantin, Rome

Top of the Arch of Constantine

St Peter's Cathedral Cloisters, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

St Peter's Cathedral Cloisters, Trier, Germany

St Peter's Cathedral, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

St Peter's Cathedral, Trier, Germany

Electoral Palace with the Roman Red Tower, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

Electoral Palace with the Roman Red Tower, Trier, Germany

Electoral Palace, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

Electoral Palace, Trier, Germany

Baroque Gardens , Electoral Palace, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

Baroque Gardens , Electoral Palace, Trier, Germany

Electoral Palace 18th Century Rococo detail, Trier, Germany by Steve Weaver

© Steve Weaver, all rights reserved.

Electoral Palace 18th Century Rococo detail, Trier, Germany

York, England, 2017 by Jake Lester Photography

© Jake Lester Photography, all rights reserved.

York, England, 2017

Capitoline Museum 2019 - 4643.jpg by DavidRBadger

Capitoline Museum 2019 - 4643.jpg

Capitoline Museum 2019 - 4644.jpg by DavidRBadger

Capitoline Museum 2019 - 4644.jpg