The Flickr Manualfocuslens Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Felsenmeer by mkk707

© mkk707, all rights reserved.

Felsenmeer

A Felsenmeer, or block field, is the result of weathering of an originally monolithic, large mass of igneous rock called a stock that formed at great depth where it solidified, then underwent uplift and was gradually exposed by erosion of the layers above. It underwent a slow process of chemical weathering by water entering fissures and cracks generated by cycles of freezing and thawing.

This process is known as spheroidal weathering. The German term is "Wollsackverwitterung", because the resulting large rocks are well rounded and adapt to one another's shape like big sacks filled with wool. It's the perfect place for some light scrambling.

The Felsenmeer near Lautertal in the Odenwald hills south of Darmstadt, Hesse covers an entire hill flank. The boulders are made of amphibole-biotite-diorite, a grey, dark rock rich in mafic minerals (amphibole, pyroxene) and biotite, the dark variant of mica, with less than 50% plagioclase. Plagioclase is feldspar that contains sodium or calcium, with little or no potassium. The high content of mafic minerals makes it appear dark. Mafic means rich in iron and magnesium, poor in quartz.

Shot with
Olympus Pen-FT half format film camera, made around 1966
G Zuiko Auto-S 1:1,4 f=40mm
Kodakt Ektar 100 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de

Chat by the beach by Svend RS

© Svend RS, all rights reserved.

Chat by the beach

All rights reserved - Copyright © SR S
All images are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed, written permission of the photographer.

Felsenmeer by mkk707

© mkk707, all rights reserved.

Felsenmeer

A Felsenmeer, or block field, is the result of weathering of an originally monolithic, large mass of igneous rock called a stock that formed at great depth where it solidified, then underwent uplift and was gradually exposed by erosion of the layers above. It underwent a slow process of chemical weathering by water entering fissures and cracks generated by cycles of freezing and thawing.

This process is known as spheroidal weathering. The German term is "Wollsackverwitterung", because the resulting large rocks are well rounded and adapt to one another's shape like big sacks filled with wool. It's the perfect place for some light scrambling.

The Felsenmeer near Lautertal in the Odenwald hills south of Darmstadt, Hesse covers an entire hill flank. The boulders are made of amphibole-biotite-diorite, a grey, dark rock rich in mafic minerals (amphibole, pyroxene) and biotite, the dark variant of mica, with less than 50% plagioclase. Plagioclase is feldspar that contains sodium or calcium, with little or no potassium. The high content of mafic minerals makes it appear dark. Mafic means rich in iron and magnesium, poor in quartz.

Shot with
Olympus Pen-FT half format film camera, made around 1966
G Zuiko Auto-S 1:1,4 f=40mm
Kodakt Ektar 100 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de

more bluebells and bokeh with Steve's homemade lens by Redheadwondering

© Redheadwondering, all rights reserved.

more bluebells and bokeh with Steve's homemade lens

Spring comes to Wiltshire. My first bluebells of the year in Grovely Wood.

Sony α7 II
Steve's homemade lens!

bluebells and bokeh again by Redheadwondering

© Redheadwondering, all rights reserved.

bluebells and bokeh again

Spring comes to Wiltshire. My first bluebells of the year in Grovely Wood.

Sony α7 II
Steve's homemade lens!

bluebells and bokeh by Redheadwondering

© Redheadwondering, all rights reserved.

bluebells and bokeh

Spring comes to Wiltshire. My first bluebells of the year in Grovely Wood.

Sony α7 II
Steve's homemade lens!

spurge and bokeh with Steve's homemade lens by Redheadwondering

© Redheadwondering, all rights reserved.

spurge and bokeh with Steve's homemade lens

Spring comes to Wiltshire. My first bluebells of the year in Grovely Wood.

Sony α7 II
Steve's homemade lens!

DSC04989 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

DSC04989

by Voigtländer APO-LANTHAR 35mm F2 Aspherical
52.5mm ( 35mm equivalent focal length )

DSC04991 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

DSC04991

by Voigtländer APO-LANTHAR 35mm F2 Aspherical
52.5mm ( 35mm equivalent focal length )

In the bike superstore by mkk707

© mkk707, all rights reserved.

In the bike superstore

Shot with
Olympus Pen-FT half format film camera, made around 1966
G Zuiko Auto-S 1:1,4 f=40mm
Kodakt Ektar 100 professional grade colour negative film
Developed and scanned by www.meinfilmlab.de

redscaled satellite by mkk707

© mkk707, all rights reserved.

redscaled satellite

This is a 1:1 scale model of a satellite of the METOP series, owned and operated by the European Meteorology Satellite service Eumetsat in Darmstadt, Hesse, Germany.

The three satellites of the METOP series are on sun-sychronous orbits at 800 km altitude. They provide much higher resolution data from over the entire globe that complement the images and data gathered by Eumetsat's geostationary satellites placed 36000 km above the equator.

The brick red parts of the satellite in this images are in reality gold coloured.

Harman Red 125 Redscale Film is Harman Phoenix 200 spooled backwards, so the light hits the red-sensitive layer before it gets to the blue and green sensitive parts of the emulsion, leading to a strong colour shift towards red wavelengths.

I learned (the hard way) to shoot Phoenix 200 at ISO 100. Shooting it at the box value leads to distinct underexposure. While shooting at ISO 100 is somewhat better, the highlights then start blowing out while the dark parts still are too dark. Phoenix has a rather limited exposure latitude.

Conversely, in the Red 125 configuration, ISO 100 still appears to lead to rather underexposed shots, as I learnt from the first roll. It looks as if shooting at ISO 50 would not do any harm. The reds will always be (over-)emphasised, but the dark areas will show more detail. A knowledgeable Flickr friend told me that it's near-impossible to overexpose redscaled film, so I should be OK.

Camera: Canon A-1
Lens: Canon FD 50mm 1:1.4 S.S.C.
Harman Red 125 redscale film shot at ISO 100
Developed and scanned by fotogena Darmstadt

P1000818 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000818

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000816 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000816

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000805 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000805

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000806 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000806

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000810 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000810

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000813 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000813

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000822 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000822

by Voigtländer NOKTON 50mm F1.5 Aspherical VM

P1000827 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000827

by VALDAI HELIOS-44-2 58mm F2.0

P1000824 by Keishi Etoh rough-and-ready photoglaph

© Keishi Etoh rough-and-ready photoglaph, all rights reserved.

P1000824

by VALDAI HELIOS-44-2 58mm F2.0