The Flickr 墓葬 Image Generatr

Grafmonument van gravin Louise de Celles (1830-1832), door kunstenaar Mathieu Kessel, gezien in het Museum voor Schone Kunsten, Oldmasters, in Brussel, België
Funerary monument of Countess Louise de Celles (1830-1832), by the artist Mathieu Kessel, seen at the Museum of Fine Arts, Oldmasters, in Brussels, Belgium
Grabdenkmal der Gräfin Louise de Celles (1830-1832), vom Künstler Mathieu Kessel, gesehen im Museum der Schönen Künste, Oldmasters, in Brüssel, Belgien
النصب التذكاري الجنائزي للكونتيسة لويز دي سيل (1830-1832)، للفنان ماثيو كيسيل، مشاهد في متحف الفنون الجميلة، أولدماسترز، في بروكسل، بلجيكا
伯爵夫人路易丝·德·塞尔（1830-1832）的墓葬纪念碑，由艺术家马修·凯塞尔创作，见于布鲁塞尔美术博物馆，旧大师馆，比利时
Monumento funebre della contessa Louise de Celles (1830-1832), dell'artista Mathieu Kessel, visto al Museo delle Belle Arti, Oldmasters, a Bruxelles, Belgio
Griewmonument vun der Grofin Louise de Celles (1830-1832), vum Kënschtler Mathieu Kessel, gesinn am Musée des Beaux-Arts, Oldmasters, zu Bréissel, Belsch

62.285 early 6th century A.D. Limestone 53 x 212.3 cm (20 7/8 x 83 9/16 in.)

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

62.285 early 6th century A.D. Limestone 53 x 212.3 cm (20 7/8 x 83 9/16 in.)

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

12.589 A.D. 550–577 Marble 64 x 115.8 x 10 cm (25 3/16 x 45 9/16 x 3 15/16 in.)

[Personal Comments: The panel depictions is not Han characters nor its lifestyle, the tomb owner must have been a Sogdians（粟特人）. Sogdians was an ancient Iranian civilization , they played crucial roles in the exchange of goods and ideas between China and other parts of Asia. Many Sogdians decided to settle in China, an early form of immigration. This panel is a function of Chinese burial practice of stone mortuary couches with images of a Sogodians lifestyle. This shows that the tomb owner still wants to preserve his Sogodians identity even in the afterlife. Furthermore, this shows that the Northern Qi Dynasty has an open policy to foreigners and their cultures. (Compared to modern day, foreign cultures are now often labeled as invasive or needed to be assimilated)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

62.285 early 6th century A.D. Limestone 53 x 212.3 cm (20 7/8 x 83 9/16 in.)

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]

37.340 early 6th century A.D. Limestone with carved and inscribed details 138 x 200 x 97 cm (54 5/16 x 78 3/4 x 38 3/16 in.)

[Personal Comments: This little stone house is mincing real life wooden structure. The coffin is placed in the stone house and the house is buried in a brick chamber underground. Such stone houses have been very popular since the Northern Dynasty until Tang Dynasty, likely receiving influences from Northern Asian practice. Side panels of the stone house are carved with stories of filial piety, suggesting the tomb owner is someone who values confucian belief. The back panel is carved with three servants and three masters. Although the exact purpose or meaning is still being debated, the carved image is a rare example of Northern Wei Art. The carving must have been a replica of a painting on silk (No example of Northern Wei silk painting survive to this day, therefore any mural or stone replica is a great source for study)]