The Flickr Gravin Image Generatr

Grafmonument van gravin Louise de Celles (1830-1832), door kunstenaar Mathieu Kessel, gezien in het Museum voor Schone Kunsten, Oldmasters, in Brussel, België
Funerary monument of Countess Louise de Celles (1830-1832), by the artist Mathieu Kessel, seen at the Museum of Fine Arts, Oldmasters, in Brussels, Belgium
Grabdenkmal der Gräfin Louise de Celles (1830-1832), vom Künstler Mathieu Kessel, gesehen im Museum der Schönen Künste, Oldmasters, in Brüssel, Belgien
النصب التذكاري الجنائزي للكونتيسة لويز دي سيل (1830-1832)، للفنان ماثيو كيسيل، مشاهد في متحف الفنون الجميلة، أولدماسترز، في بروكسل، بلجيكا
伯爵夫人路易丝·德·塞尔（1830-1832）的墓葬纪念碑，由艺术家马修·凯塞尔创作，见于布鲁塞尔美术博物馆，旧大师馆，比利时
Monumento funebre della contessa Louise de Celles (1830-1832), dell'artista Mathieu Kessel, visto al Museo delle Belle Arti, Oldmasters, a Bruxelles, Belgio
Griewmonument vun der Grofin Louise de Celles (1830-1832), vum Kënschtler Mathieu Kessel, gesinn am Musée des Beaux-Arts, Oldmasters, zu Bréissel, Belsch

ODILLIA VAN NASSAU, Zuster van ENGELBERT II van Nassau, Priorin van het Klooster te Woestenberg

Munsterkerk Roermond.
Praalgraf graaf en gravin van Gelre.

Munsterkerk Roermond.
Praalgraf graaf en gravin van Gelre.

Munsterkerk Roermond.
Praalgraf graaf en gravin van Gelre.

Munsterkerk Roermond.
Praalgraf graaf en gravin van Gelre.

Wat een lieftallig, guitig meisje, waarvan je al vermoed dat ze een vrolijk karakter heeft. Ze moet hier 2 of 3 jaar oud zijn geweest en haar kostuum is à la antique met struisvogelveren die bij de standaarduitrusting horen in modieuze kinderportretten in die tijd.

De vader van Natalja is graaf Andrej Artamonovitsj Matvejev, die een vooraanstaande diplomaat van Peter de Grote van 1699 tot 1712 is hij gezant van de tsaar in Den Haag, waar Natalja haar kinderjaren doorbracht. Graaf Matvejev is één van de eerste Russische 'westerlingen' en gaf zijn dochter een Europese opvoeding.

Bron: Hermitage Amsterdam

The fairly stylised slab of count Burckhardt von Lützelstein, probably based on a standard workshop-model, depicts typical Southern German armour from the first three decades of the 15th century, even up to the 1430s:
A breastplate without a fauld; worn over a hauberk showing the long skirt; worn over a houppelande with the fashionable rolled up sleeves first seen around 1409; plate armour for the limbs with pointed poleyns on the knees.

Originally, the incised slabs of the couple were probably laid out in the choir of the church, but during the 1880s they were relocated outside of the church, in their actual position.
The third, heraldic slab, used to be placed vertically against the wall of the choir, in front of those of the couple.

Both count and countess died of the plage, Burckhardt on the 10th of December, and Gillette the 18th.

The fairly stylised slab of count Burckhardt von Lützelstein, probably based on a standard workshop-model, depicts typical Southern German armour from the first three decades of the 15th century, even up to the 1430s:
A breastplate without a fauld; worn over a hauberk showing the long skirt; worn over a houppelande with the fashionable rolled up sleeves first seen around 1409; plate armour for the limbs with pointed poleyns on the knees.

Originally, the incised slabs of the couple were probably laid out in the choir of the church, but during the 1880s they were relocated outside of the church, in their actual position.
The third, heraldic slab, used to be placed vertically against the wall of the choir, in front of those of the couple.

Both count and countess died of the plage, Burckhardt on the 10th of December, and Gillette the 18th.

The fairly stylised slab of count Burckhardt von Lützelstein, probably based on a standard workshop-model, depicts typical Southern German armour from the first three decades of the 15th century, even up to the 1430s:
A breastplate without a fauld; worn over a hauberk showing the long skirt; worn over a houppelande with the fashionable rolled up sleeves first seen around 1409; plate armour for the limbs with pointed poleyns on the knees.

Originally, the incised slabs of the couple were probably laid out in the choir of the church, but during the 1880s they were relocated outside of the church, in their actual position.
The third, heraldic slab, used to be placed vertically against the wall of the choir, in front of those of the couple.

Both count and countess died of the plage, Burckhardt on the 10th of December, and Gillette the 18th.