The Flickr Oldandbeautiful Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Wheatlands Plantation (NRHP #75001785) - Sevierville, Tennessee by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Wheatlands Plantation (NRHP #75001785) - Sevierville, Tennessee

Wheatlands Plantation (also known as Ler-Mac) is a two story brick structure with an ell built by John Chandler in 1825. It is located on the Old Knoxville/Sevierville Highway at the bend of Boyd's Creek where John Sevier and his militia engaged the Cherokees in battle. The highway, now a secondary road, was once one of the major routes to Knoxville from upper East Tennessee and Virginia. The home remained in the hands of John Chandler's descendants until the late 1960's. Only minor alterations have taken place; the present owners, with their respect for the structure's Federal lines, have kept the exterior appearance intact and have made only necessary renovations inside. The house originally contained a parlor, sitting room, dining room and adjoining kitchen on the ground level. Upstairs were two large bedrooms and two smaller rooms which were probably servant quarters. The dining room, kitchen, and servant quarters form a rear wing. Unlike the other rooms of the home which have 12 foot ceilings, these rooms have ceilings which vary in height from 7'6" to 9'. The large rooms were heated by fireplaces; and the ornate wood mantels are found in all rooms. The kitchen has been modernized with range and other conveniences, however, the fireplace and hearth are still utilized. The home underwent three series of renovations. During the late 19th century the home was somewhat "Victorianized" with the major alteration being the installation of "Queen Anne's" windows (i.e. varying stain glass panes which are set in a bordering sash in each window) and the addition of a one-story balustraded front porch. In the present century, plumbing fixtures were added. Around 1930 the entrance to the living room was widened to an archway from the central hall. The height of the walls inside the home are broken by chair and picture rails; various patterns of wallpaper from the Williamsburg collection have replaced the faded paper. Outbuildings include a former servant cabin which is now an apartment and the smokehouse and storage shed are still in good condition. A small black community nearby bears witness to the descendants of Chandler's servants; these people were given a tract of the Chandler land and have remained there over the years farming the land and teaching in the county.

The earliest recorded history connected with the Wheatlands site is the Battle of Boyd's Creek. This engagement with the Cherokees was the first of John Sevier's battles with the Indians. Sevier led his 200 men across the French Broad at War Ford (or Christians Ford) and attacked the Cherokees at the bend in Boyd's Creek—the same area where Wheatlands now stands. The original owner, John Chandler, came to the Boyd's Creek vicinity from the Rocky Springs Community in 1791. Chandler added various tracts of land to this original land grant and eventually accumulated about 46,601 acres. His original home burned in 1824 and the home known as Wheatlands (later known as Ler-Mac) was built of handmade brick, heartpine floors and plastered walls & ceilings; the tin roof, now covered with shingles, was imported from England. The name Wheatlands was derived from Chandler's extensive wheat fields. The farm also included a commissary, tannery, and a distillery. Chandler was a slave owner, but deplored the practice of breaking up families and selling individuals to different owners. By the outbreak of the Civil War he had, accumulated 188 slaves.

Wheatlands is an important landmark in the community being the home of a prominent early settler. And, it is a significant example of the Federal style architecture in East Tennessee during the first quarter of the nineteenth century. Typical is the adaptation of late 19th century changes to reflect the Victorian era, a common practice of those who were financially able to "keep up with the times". For these reasons, Wheatlands was added to the National Register of Historic Places on July 7, 1975. All of the information above was found on the original documents submitted for listing consideration that can be viewed here:
npgallery.nps.gov/NRHP/AssetDetail/bb652d18-9558-4156-994...

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Wreaths Across America - Nashville National Cemetery (NRHP #96001516) - Madison, Tennessee by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Wreaths Across America - Nashville National Cemetery (NRHP #96001516) - Madison, Tennessee

"Remember the fallen. Honor those who serve. Teach the next generation the value of freedom."

These are the words from Wreaths Across America's (WAA) website noted as "Our Mission". And, it is clearly observed in their commitment to the soldiers buried across the country in the many "national cemetery's" with the wreaths placed against the headstones. However, this is just one of the many ways that WAA remembers, honors, and teaches the next generation about our fallen. Please check out their website for more information about the many ways they accomplish this goal...
www.wreathsacrossamerica.org/

Additionally, the location of the photograph above is the Nashville National Cemetery in Madison, Tennessee (just north of Downtown Nashville) which is listed on the National Register of Historic Places (NRHP). More information about this "national cemetery" can be found here:
npgallery.nps.gov/AssetDetail/NRIS/96001516

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Houston County Courthouse (NRHP #10000248) - Crockett, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Houston County Courthouse (NRHP #10000248) - Crockett, Texas

The 1938 Houston County Courthouse is the last of five courthouses to be located on the public square in Crockett, Texas, the county seat. Designed by architect Blum E. Hester, the courthouse was one of several new civic buildings constructed in the town under the New Deal's Public Works Administration. The building is an excellent example of late-1930's Art Moderne public architecture and, among the Texas courthouses of the period, one of the most straightforward, yet elegant, interpretations of the style. Since its construction, this structure has continued to serve the important role as the center of civic life in Houston County as well as the principle seat of county government.

This current courthouse was built at a time when Houston County was looking back on its first hundred years, having celebrated its centennial in 1936-1937. Under the administration of Crockett Mayor John Gordon Beasley, Sr., improvements included a new city hall, the David Crockett Memorial Building, and a new 50-acre city park. Unsurprisingly, Houston County commissioners were also interested in the building loans offered under the New Deal's National Recovery Act program and the Public Works Administration. And since the funding through this Act and completion of the construction in 1939, the courthouse and the public square have also been the site of numerous public events. Celebrations, such as the Fiddler's Festival, occurred yearly on the ground ending with street dances until midnight. Election results drew citizens to the square. All parade patterns circle the square. U.S. Bicentennial (1975-76) and Texas Sesquicentennial (1986-87) events were held on the courthouse steps and inside. And, the Chamber of Commerce and the Downtown Merchants Beautification Committee use the steps of the building for their public events.

All of these things have made this beautiful courthouse eligible for listing in the National Register of Historic Places (NRHP) at the local level of significance under criterion A in the area of Politics/Government and as an excellent example of the Art Moderne style as applied to a public building under Criterion C for Architecture. It was added to the register on May 10, 2010. All of the information above, and much more, was found on the original documents that were submitted for listing consideration and can be viewed here:
catalog.archives.gov/id/40972618

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Hillsboro City Library (former U.S. Post Office & NRHP #84001894) - Hillsboro, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Hillsboro City Library (former U.S. Post Office & NRHP #84001894) - Hillsboro, Texas

The City Library is architecturally one of the most sophisticated structures in Hillsboro every since its construction in 1914. Designed by architect James K. Taylor, the structure's Renaissance Revival form appears to be related to McKim, Mead, and White's Boston Public Library of 1888-92, and Florence's Foundling Hospital. Other Texas cities such as Plainview, Temple, and Huntsville possess similar post office buildings. As both post office and library, the ornate Hillsboro building has served major governmental and educational needs in the community for over 110 years.

The lot which the building occupies was the site of the city's first fire department, founded in 1883 and officially organized in 1885. Although the property was purchased by the federal government in 1910, actual work did not begin until 1912. After continuous operation through the 20th century and increasing service demands, the Post Office constructed a new building on West Franklin Street in 1967. On February 14, 1968, the City of Hillsboro gained possession of the building and selected architect William Chambe of the firm of Rucker and Chambe in Temple, Texas to draft exterior restoration plans. Renovation of the interior was begun a year later. Dedicated in 1971, the newly restored library has continued to serve local civic, cultural, and education needs every since.

On March 30, 1984, the Hillsboro City Library (and former Hillsboro U.S. Post Office) was added to the National Register of Historic Places (NRHP) for its local contributions to the areas of Architecture, Education, and Government. All of the information above was found on the original documents submitted for listing consideration and can be viewed here:
catalog.archives.gov/id/40969621

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

The Hall of State - State Fair of Texas - Fair Park (NRHP #86003488) - Dallas, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

The Hall of State - State Fair of Texas - Fair Park (NRHP #86003488) - Dallas, Texas

The Texas Centennial Exposition was not only a celebration of Texas independence, but also of Texas and Western culture. The 1936-37 Exposition was also a festival of architecture, which embraced the then-new International style of architecture. Traditionally, worlds fairs are the testing grounds for new ideas in building design; Dallas and its Exposition architects chose to reflect the style of the Exposition Des Arts Decoratifs in Paris in 1925. They were also influenced by the recently completed "Century of Progress" in Chicago (1933-34), where the International style of architecture was prominently displayed.

The significance of Fair Park also extends beyond the architectural theme of the remaining buildings. Fair Park is one of the largest intact grouping of Exposition buildings remaining in the United States. Most World's Fairs or Exposition grounds in the United States have been demolished, except for one or two exceptional buildings. However, many of the original 1936 buildings and open spaces remain today from the Texas Centennial Exposition, even though several were constructed as "temporary" structures.

Fair Park is also significant in terms of urban design, open space design, and artwork and sculpture. The Exposition architecture expressed monumentality in design, but this was reinforced by the open spaces and landscaping that the buildings were sited around. The grounds were planned on two landscape design themes: a Beaux Arts theme that involved grand plazas and vistas that intersected or were terminated by major buildings, and a pastoral theme that used winding paths, random landscaping, and building siting to create a very informal atmosphere. The majority of these open spaces, both formal and informal, exist today in one of America's most well-planned parks. Four major open space areas (and their buildings) still remain: Esplanade of State (Grand Plaza—Esplanade of State—Texas Court of Honor); Agrarian Parkway and The Chute; Federal Concourse (Federal Concourse—Constitution Place—Stadium Plaza); and the Lagoon and Centennial Drive. These spaces combine to create a series of monumental spaces, formal vistas, landscaping, and pastoral images unparalleled in a planned park in Texas and the Southwest.

The sculptures, murals, and other artwork remaining from the Exposition are also significant. Often intended to be "temporary" artwork, they reinforced the monumentality of the buildings and the open space design in Fair Park. Many of the artists studied in Paris; their work remains in exterior spaces as sculpture and murals, and inside many of the buildings in the Park.

This structure, now known as the Hall of State, at the head of the Esplanade and seen in the photograph above, was constructed in 1936 and is regarded as an excellent example of Art Deco architecture and was the showpiece of the Centennial Exposition. It features a large curved central mass with lower rectangular wings. The Centennial Corporation Architects (George Dahl and staff, including Donald Nelson) prepared the design and construction documents for this building, only to have the board of Control (a State agency established to oversee the entire Centennial effort) select another group of architects to begin again. This group of architects was called the Centennial Architects Associated, and included H.B. Thomason, Dewitt and Washburn, Fooshee and Cheek, Walter P. Sharp, Ralph Bryan, Anton Korn, Mark Lemmon, Flint and Brass, T.J. Galbraith, Arthur Thomas, Donald Barthelme of Houston, and Adams and Adams of San Antonio. Donald Barthelme was the principal designer for the project, and Adams and Adams were the interior designers. Unfortunately, the building was only partially completed in time for the Centennial Exposition opening. It houses many pieces of art, including statues, friezes, murals, medallions, and stenciled ceilings. The building is dedicated to the State of Texas and her heroes. Above the entrance is a carved sculpture by Harry Lee Bigson. In relief, a female figure, which represents Texas, kneels behind the Texas flag. Below, the owl of wisdom holds the key to progress and prosperity. In the background are branches from the State tree, the pecan. Focusing attention on the entrance is an heroic bronze and gold-leaf statue of an Indian, which stands on a dais 20' high. This "Tejas Warrior" by Dallas sculptor Allie V. Tennant is 11' tall. The figure acts as a terminus for the bronze floors at the entrance. The inner wall of the niche is faced with ceramic tiles of deep blue and orange. Inside the size and drama of the art is overwhelming. In the Hall of Heroes, on marble pedestals, are six heroic-sized bronze statues of great figures of the Texas Revolution. These statues by Pompeo Coppini are considered to be the finest examples of his work. Above and along the walls is a frieze that records the battles of the Texas Revolution. The Hall of Heroes opens onto the Great Hall, which is 94' long, 68' wide, and 46' high. Murals span the north and south walls. They depict Texas history beginning in 1519 and ending with figures representing the arts and the development of the cotton, grain, oil, lumber, and agricultural industries. The murals, by Eugene Savage of New York, with the assistance by Reveau Bassett and James Buchanan Winn, Jr., both of Texas, were the largest murals in the world at the time they were painted. And, finally, a magnificent medallion representing the six nations that have ruled Texas is mounted on the far wall of the hall. Designed by Joseph E. Renier, the medallion, 25' in diameter, is a bas-relief in three tones of gold.

The Texas Centennial Exposition Buildings (or more commonly referred to as Fair Park or Site of Texas State Fairs) was added to the National Register of Historic Places (NRHP) on September 24, 1986 for its long standing history described above and includes The Women's Museum above. Most all of the information above was found on the original documents submitted for listing consideration and can be viewed here:
npgallery.nps.gov/NRHP/AssetDetail/c6f55c0d-ef32-44ca-950...

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Germany #63 by dleany

© dleany, all rights reserved.

Germany #63

Vandergriff Building (NRHP #10000500) - Arlington, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Vandergriff Building (NRHP #10000500) - Arlington, Texas

The Vandergriff Building is the oldest standing commercial structure in the original town site of Arlington, Texas. The building, a two-part commercial block type, was designed in 1928 by Fort Worth-based architect Harve Withers for J.C. Thannisch, a local automobile dealer. While Thannisch was an early pioneer in automobile sales in Arlington, the industry greatly expanded in the city due to the involvement of W.T. "Hooker" Vandergriff, who purchased this building in 1938 for his own Chevrolet dealership; Vandergriff and his son Tom, the city's mayor at the time, brought a General Motors assembly plant to town in 1952. After its purchase and for the next 28 years, the Vandergriff family's Chevrolet business continued to operate in this building until 1966, when it relocated a few miles to the east. Today the Vandergriff family owns three automobile dealerships in the area, and the General Motors plant remains in operation; this building stands as the earliest physical remnant of the American automobile industry's impact on the city of Arlington.

The Vandergriff Building was therefore nominated to the National Register of Historic Places (NRHP) under Criterion A in the area of Commerce/Trade at the local level of significance as a property strongly associated with the growth of the automotive industry and greater commercial development of Arlington. After this nomination, this historical building was added to the list on July 26, 2010. All of the information (and much, much more) was found on the original documents submitted for listing consideration that can be viewed here:
catalog.archives.gov/id/40973494

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

West Mountain View - Hot Springs National Park - Hot Springs, Arkansas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

West Mountain View - Hot Springs National Park - Hot Springs, Arkansas

The area now known as "Hot Springs National Park" first became United States territory in 1803 as part of the Louisiana Purchase. The Dunbar-Hunter Expedition came here in 1804, sent by President Thomas Jefferson to explore the southern reaches of the recent purchase. Soon a bustling town grew up around the hot springs to provide services for health seekers. The resultant bathing industry led to Hot Springs becoming known as the "American Spa." But, even before becoming a U.S. territory, Hot Springs National Park had a long and colorful history, beginning long before its designation as Hot Springs Reservation in 1832. American Indians came here for thousands of years to quarry novaculite for their tools and weapons. Finally, on April 20, 1832, President Andrew Jackson signed legislation to set aside "...four sections of land including said (hot) springs, reserved for the future disposal of the United States (which) shall not be entered, located, or appropriated, for any other purpose whatsoever." This makes Hot Springs National Park the oldest national park among current National Park units, predating Yellowstone National Park by forty years.

West Mountain Drive has entrances on Prospect Avenue and Whittington Avenue. It is a two way road that leads to the Summit Loop where you will find three overlooks. This is the first overlook which affords a good view of the former Army/Navy Hospital (seen in this photo in the center) which was the first general hospital in the nation that provided treatment to both Army and Navy patients and is included in the Army and Navy General Hospital Historic District (NRHP #05001590) that is included on the National Register of Historic Places. Also seen from this overlook is the Hot Springs Mountain Tower (on the middle left) that is 216 feet above Hot Springs Mountain and 1,256 feet above Sea level. The second overlook has a historic trail shelter and picnic tables and the summit has a view south to the Trap Mountains and Lake Hamilton. This shelter was built in 1924 making it one of the oldest mountain shelters still in use today at Hot Springs National Park. Addtionaly, at the third overlook, there is access to sunset trail at the summit.

www.nps.gov/hosp/planyourvisit/scenic-overlooks.htm

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Germany #59 by dleany

© dleany, all rights reserved.

Germany #59

Old Barn and Spring Flowers by Rusty4344

© Rusty4344, all rights reserved.

Old Barn and Spring Flowers

Western North Carolina

New Salem Baptist Church (NRHP #03000696) - Sevierville, Tennessee by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

New Salem Baptist Church (NRHP #03000696) - Sevierville, Tennessee

The New Salem Baptist Church is located in Sevierville and Sevier County it Tennessee. This 1886 brick church stands as a fine example of vernacular Gothic detailing as interpreted by Isaac Dockery, a Black craftsman from the county. The historic church is located in a floodplain along Middle Creek. The well-maintained and little-altered place of worship has served the Black community and other congregations for nearly 125 years.

The New Salem Baptist Church, built in 1886, was originally named the New Salem Union Church. It was built for the use of Black worshippers of all denominations. Before the construction of the church building, services were held in a log house overlooking Middle Creek and also at a school near Pleasant View Cemetery. The Trustees of the church obtained land for the church from Squire Bob Henderson. Oral history states that Henderson and Isaac Dockery, the builder of the church, were good friends and neighbors. When Dockery asked the Squire for land for the future church, he cordially agreed and gave permission to use the adjoining land for the brick kiln as well. It remained New Salem Union Church for eleven years and was renamed New Salem Baptist Church on October 11,1897.

From the time of its construction, the New Salem Baptist Church has been the focal point of the Black community serving not only the community's religious needs but its social and educational needs as well. Juanita Burden Lundy, a Sevierville native and descendant of the church founders, states, "Any type of entertainment, education, worship or funeral service was located and centered around the Church." Until 1922, for example, Black children were educated either in their homes or at the New Salem Baptist Church where classes were taught for 26 years. In 1922, education stopped at the church and began at Pleasant View School, which was constructed with Rosenwald school funds. However, this church building is significant not only for its connection to Sevierville's Black community, but also for its builder, Isaac Dockery. Dockery (1832-1910) was a master brick mason who began his career in Sevier County during the 1860's. He first tried his hand at framing and chimney work on homes around the county. As the years passed and Dockery obtained more experience, he progressed to larger projects including the Murphy College Building (1891), Sevierville Masonic Lodge (1893, NRHP 2/7/80), and the Sevier County Courthouse (1896, NRHP 3/24/71). Although these and other buildings throughout the county were fashioned by his hands, the New Salem Baptist Church (1886) is regarded as his most significant work, representing the beginning of his career as well as his talent and legacy.

For all of its significance, the New Salem Baptist Church was itself added to the National Register of Historic Places on July 24, 2003. All of the information above (and much more) was found on the original documents submitted for listing consideration and can be viewed here:
npgallery.nps.gov/NRHP/AssetDetail/49a8ae33-4c2d-47fc-bf4...

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Sanborn Seminary Kingston New Hampshire by Icanpaint1

© Icanpaint1, all rights reserved.

Sanborn Seminary Kingston New Hampshire

Original built in 1883 it served as a seminary until 1966 when it was sold to the town, refurbished, and used as some classrooms for the old Sanborn High School until 2006.

Sanborn Seminary Kingston New Hampshire by Icanpaint1

© Icanpaint1, all rights reserved.

Sanborn Seminary Kingston New Hampshire

The Seminary building built in 1883 is designed in the Victorian Gothic style and was run as seminary until 1966. The building is on the National Register of Historic Places

Leon County Jail circa 1918 (NRHP #77001458) - Centerville, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Leon County Jail circa 1918 (NRHP #77001458) - Centerville, Texas

The Leon County Courthouse & Jail have both architectural and historical significance. The courthouse & old jail are simple yet dignified expressions with Classical lines; the 1918 jail (seen in the photo above) displays Medieval military architectural elements. All are located on the Centerville public square which has been the center of governmental activities since the founding of the town.

Late in 1885, the courthouse at that time burned and a resolution was introduced to build a new courthouse on the same plan as the old. Several years later the county judge and four county commissioners determined to build a new jail. Facilities for the detention of criminals up to this time had never been satisfactory. The orders which had authorized a new jail in 1873 culminated in the purchase of a store building from V.H. McAnnally for $2,500. This served as a temporary jail which was entirely also unsatisfactory.

Finally in 1893, a contract for the construction of a new jail was awarded to contractors Robb and Wilson for $3,850 and shortly there after the old temporary jail was sold at public auction. Early in 1894 it was completed and a new fence was set up around the building. In 1906, new cells furnished by the Southern Structural Steel Company were installed, and various repairs were made. Since this jail still proved inadequate, a second jail was built near the courthouse and the earlier jail. In 1918, the Southern Structural Steel Company of San Antonio was contracted to build a new jail, according to plans they furnished. The building was completed and accepted that year. The style of the 1918 jail symbolized strength. Incorporated into the design are corner towers and crenellations — representations of Medieval military architectural features.

Although the building is no longer used for detention, it is still sound and serves county functions such as the office of the county surveyor and others. And, for its political & governmental history and its architecture, the jail (along with the county courthouse) were added to the National Register of Historic Places on December 12, 1977. All of the information above was found on the original documents that can be viewed here:
catalog.archives.gov/id/40972831

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

1971 Oldsmobile Cutlass 442 - July 4th Car Cruz In - Putnam County Fairgrounds by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

1971 Oldsmobile Cutlass 442 - July 4th Car Cruz In - Putnam County Fairgrounds

"Cars are like rolling sculptures, and it’s the old ones that are the most beautiful."
-- Unknown

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Kenner-Johnson Farm (NRHP #99000367) - Seymore, Tennessee by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Kenner-Johnson Farm (NRHP #99000367) - Seymore, Tennessee

The Keener-Johnson Farm on Boyd's Creek Road in Sevier County, Tennessee, is a listed Tennessee Bicentennial Farm and the oldest historic family farm yet identified in Sevier County. The farm landscape represents a rural historic district that demonstrates agricultural change and continuity for well over 150 years. The farm gains additional significance for the contribution its history makes to the understanding of the roles of farm women in the maintenance and perpetuation of historic family farms in Tennessee. The farm's history begins in 1785 when John McCroskey received a North Carolina land grant of 3,000 acres, most of which was centered along Boyd's Creek in present-day Sevier County. John McCroskey shared the grant with William & Samuel McGauhey, also of North Carolina. In 1806, John Sharp, Jr. received a land grant from the State of Tennessee for part of the original McCroskey grant. Conflicting titles such as this one were not uncommon; in the great majority of cases, the Tennessee title was recognized as legitimate. Certainly part of the controversy ended when Robert Scott McCroskey, the son of John McCroskey, married Mary McChesney Sharp, the daughter of John Sharp, Jr. Robert and Mary Sharp McCroskey began to farm at the present location of the property by circa 1830. Their child, Mary Narcissa McCroskey, inherited 168 acres of the farm and after her marriage to Adam Harvey Keener. They built the present historic dwelling seen in the photograph above, the Keener House, in 1853. The dwelling, although remodeled throughout the next century, remains largely intact and at its original location. As the farm's oldest surviving building, it is a landmark for travelers along the highway as well as for the subsequent history of the farm.

Adam Harvey Keener was a miller by trade and during the 1850's he constructed and operated a gristmill and sawmill along Boyd's Creek, east of the dwelling. Similar to other farmers in the county, the Keener's raised small grains, livestock for their own consumption, and corn. After Adam Harvey Keener's death in 1891, his wife Mary M. Keener assumed ownership of the property and managed the farm for the next 11-12 years, dependent on the help of her adult children. After Mary M. Keener's death in 1902, the farm passed to her son Joseph A. Keener and his wife Hannah Clark Keener. It was probably Joseph and Hannah Keener who made the first substantial additions to the family's historic dwelling by adding a Victorian-styled porch. Joseph A. Keener continued farming and operating the sawmill, but he also became a local postmaster and opened a small post office in the front of the house, by the Boyd's Creek Road. Income from the post office was an important source of cash for the family. (The post office was demolished circa 1960.) Joseph A. Keener died in 1914 and farm management passed to his wife Hannah Clark Keener who would also continue to manage the post office. She lived on the farm for the next thirty years and became an active participant in the property's conversion into a modem progressive farm.

This modernization began in earnest after Hannah Clark Keener gave the farm to her daughter, Georgia Neva Bell Keener, in 1919. Georgia Keener married a returning World War I vet, Charles Wright Johnson, in 1919 and they settled on the farm, living in the historic Keener House with her mother. But, the Johnson's assumed the everyday management and operation of the property. Like other women across Tennessee interested in and active in Home Demonstration during the 1920's and 1930's, Georgia Keener Johnson became an active breeder and seller of chickens. Her first chicken coop in 1920, the design of which was standardized plans drawn by the University of Tennessee Extension Service, was small but turned enough profit that by 1930 the family had constructed a much larger rectangular-shaped chicken house. Four years later, when the family decided to build a garage along the road facing the house, they installed electricity and a hatchery in the basement so more chicks could be produced for market. Tenants played an important role in helping Georgia Kenner maintain her flocks and in 1935 the family demolished the old log tenant house that stood behind the dwelling and replaced it with a concrete block tenant house, with electricity. The family also branched out into fruit production and set up a fruit stand along the new state highway (now Tennessee 338) in front of the house. The fruit stand is no longer extant but the orchard, located behind the chicken coops, is still exists. The Johnson's sold apples, pears, cherries, watermelon, cantaloupes, and grapes, all grown on the farm. Another important product of the farm in the mid-20th century produced by Georgia Keener Johnson was flowers. She grew a variety of flowers that she sold at the roadside stand as well as at markets in Sevierville.

The transformation of the domestic complex of the farm from 1920 to 1935 was paralleled by changes in the farm's work complex, located to the northwest of the dwelling. The Johnson's built two large bams and a corn crib, along with a water tank and water system for their livestock. During these years, the Johnson's raised small grains, corn, tobacco, strawberries, peanuts, and a wide range of livestock, including dairy cows, beef cattle, sheep, hogs, and mules. They also raised a truck garden, some of which was sold at the fruit stand but also sold weekly at the historic Market Square in Knoxville. From 1940 to 1950, however, the family began to focus its production strategy on hay and beef cattle. As participants in the local chapter of the Soil Conservation Service, the Johnson's terraced their fields, fenced others with wire fence or permanent tree lines, and built ponds. The field patterns found today on the farm reflect both the family's reliance on new government land conservation programs but also its shift toward more agricultural specialization, in their case livestock production.

In 1967, Charles W. Johnson, Jr. and his sisters Mary Johnson Bolton, Barbara Johnson Cox, Christine Johnson Posey, and Louise Johnson Posey inherited the farm from their mother Georgia Johnson. Charles W. Johnson, Jr. and his family resided on and most recently worked the farm. Their agricultural commodities were beef cattle, hay, and corn. But the farm is now surrounded by recent development and threatened by demands for new houses, new schools, and new roads in Sevier County. As a result, the number of family farms in Sevier County continues to dwindle. The commendable efforts by the Johnson's to continue farming and to maintain their link with the county's agricultural past brought about an effort to document the farm's history. Compared to other known Tennessee Century Farms in Sevier County, the Keener-Johnson Farm has several areas of special significance in agricultural history. First, it is the oldest identified historic family farm in the county. Second, its many surviving buildings from 1920 to 1940 document the transformation of rural life and farm production brought on by the progressive agricultural movement and how that movement impacted the roles of both women and men. And, for these reasons and its significant history, the Kenner-Johnson Farm was added to the National Register of Historic Places (NRHP) on March 18, 1999. All of the information above was found on the original documents submitted for listing consideration and can be viewed here:
npgallery.nps.gov/NRHP/AssetDetail/fdc8cb4e-7103-40df-b06...

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Buffalo Valley School (NRHP #06000548) - Buffalo Valley, Tennessee by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Buffalo Valley School (NRHP #06000548) - Buffalo Valley, Tennessee

Located off of Buffalo Valley School Road in the unincorporated Putnam County community of Buffalo Valley is the 1929 Buffalo Valley School. Built by local volunteers and carpenters, the building is situated on five acres near Indian Creek. The school was nominated to the National Register of Historic Places under National Register Criteria A & C for its significance in Architecture, Education, and Social History. The building has been a center of community life in Buffalo Valley since its construction in 1929. Used as a school and community center until the school closed in 1966, the building still functions as a community center and library. Throughout its history the building has hosted a variety of activities including fairs, plays, movies, and musical performances. Over the years, the building was an important source of pride for the citizens of the community. In addition to education, the building functioned as a gathering place for the community. In the 1930s, movies were shown and prior to electricity they were powered by a dynamo run from a Model T Ford with cables fed in through the windows. The operators were Spurrel and Goldie Heflin from Lancaster, Tennessee. Throughout the 1940s, thanks to the efforts of a progressive principal, stars of the Grand Ole Opry regularly played the Buffalo Valley School stage. The procession of country stars stopping over for local performances en route to larger venues included Johnny Cash, Flatt and Scruggs, Uncle Dave Macon, the Carter Family, Chet Atkins and others.

All information above was taken from the original documents submitted to the NRHP for consideration and can be viewed at the link below. The school was later added to the register on July 5, 2006.
npgallery.nps.gov/NRHP/AssetDetail/ffa8f707-90f0-4f2f-925...

The historical marker above erected by the Tennessee Historical Commission reads:
Built as the Great Depression began, Buffalo Valley School opened in 1929 and served continuously until 1966. It withstood flood and neglect as the once-thriving agricultural community gave way to urban consolidation. An important example of rural American school architecture, it is listed in the National Register of Historic Places and still serves as an anchor of community life.

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the link below:
www.flickriver.com/photos/photojourney57/

Gothic Victorian Style House by Icanpaint1

© Icanpaint1, all rights reserved.

Gothic Victorian Style House

Natchez/Vidalia Bridge - Mississippi River - Between Vidalia, Louisiana & Natchez, Mississippi by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

Natchez/Vidalia Bridge - Mississippi River - Between Vidalia, Louisiana & Natchez, Mississippi

The Natchez/Vidalia Bridge are two twin cantilever bridges carrying U.S. Route 84 and 425 across the Mississippi River between Vidalia, Louisiana and Natchez, Mississippi. And, it is the tallest bridge in Mississippi.

The original bridge (seen on the left in the photograph above), designed by Ash, Howard, Needles, and Tammen of New York, New York and built by the Bethlehem Steel Company of Bethlehem, Pennsylvania and Dravo Contracting Company of Pittsburgh, Pennsylvania, was completed in September 1940. It has only two 8-foot lanes and lacks shoulders. It was originally bidirectional, but now carries all westbound traffic. The newer, eastbound bridge (on the right side of the photograph above) completed in 1988 has 11-foot lanes with inside and outside shoulders. The original 1940 bridge, today paired with a modern cantilever truss, is a very early example of a truss bridge with no v-lacing or lattice on its members. An unusual detail is that the cantilever arms hold the suspended span from the top chord, rather than extending a hanger down to the bottom chord. It is interesting to note that this unusual design detail is replicated in the companion 1988 bridge that was built next to the original, historic bridge.

historicbridges.org/bridges/browser/?bridgebrowser=missis...

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

The Old Red Courthouse (aka Dallas County Courthouse or Texas 5th Circuit Court) - NRHP #76002019 - Downtown Dallas, Texas by J.L. Ramsaur Photography

© J.L. Ramsaur Photography, all rights reserved.

The Old Red Courthouse (aka Dallas County Courthouse or Texas 5th Circuit Court) - NRHP #76002019 - Downtown Dallas, Texas

The historic Dallas County Courthouse remains as one of the largest Romanesque Revival buildings to be erected in the state of Texas, and also one of the most handsome. Good proportions and interesting massing with cylindrical forms juxtaposed against rectangular forms all contribute to the strength of the architectural statement. The use of arched openings of various proportions is successfully unified on the two narrow facades by two-story arcades comprising dominant central features on each elevation. Noteworthy details further contributing to the visual impact of the design include archivolts (an ornamental moulding or band following the curve on the underside of an arch) in strong relief, slender engaged columns flanking the openings of the upper stories, and decorative tympanums (semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch) in the two-story range of arches. While the use of stone from state quarries provides local association, the stylistic details are consistent with Romanesque buildings found in other sections of the United States.

The street block on which the 1891-92 courthouse is located has been the site of the nucleus of county government in Dallas County since the founding of Dallas. The first settler of Dallas County was John Neely Bryant, who established himself near the present courthouse square in 1841. The area was incorporated as Dallas County by an act of the Texas Legislature on March 30, 1846. For a time Bryant's log cabin housed the county court under the jurisdiction of Judge John H. Reapan. The first permanent courthouse, and second overall, was a log cabin described as being sixteen feet by sixteen feet with a puncheon floor (a type of flooring made from heavy, roughly dressed timber slabs, often used in rustic or traditional settings) and split log seats. It was located on the northeast corner of the current square.

The third courthouse was a two-story building of brick, fifty feet by fifty feet. Its construction was authorized in October of 1855 and plans were prepared by John J. Good, J.M. Patterson, and W.W. Peak. It occupied a central position in the courthouse square and was received by the press as "most handsome". This structure was almost destroyed in 1860 by a fire which ravaged nearly the entire city. The structure was rebuilt and served the county until 1871, at which time it was sold at "public auction".

The cornerstone for a fourth courthouse was laid in October, 1871. The building, to be constructed of "hard granite" from a quarry six miles east of the city, was two stories in height, and 66 feet by 110 feet with a cost $75,000. In 1880, a fire partially destroyed the building. The walls were, however, left intact and remodeling was accomplished with the addition of a Mansard roof and central tower at a cost of $80,000. The building burned once again on February 15, 1890.

Architect M.A. Orlopp of Little Rock, Arkansas was employed to prepare drawings for the construction of a fifth new courthouse. The project was let to contractor R.L. James on July 23, 1890, for an estimated cost of $276,967.50. The cornerstone block of blue-grey granite, was laid on November 16, 1890. Construction was subsequently halted by a labor dispute in which unskilled laborers struck for a wage of $1.25 an hour for a ten-hour work day. On July 20, 1891, James was relieved of his duties by the commissioners' court which ordered his name chiseled off of the cornerstone. The Fort Worth Daily Gazette, for that date, reported that "the labor element is delighted, as James paid no attention to their demands, and hired union and non-union labor as best suited him." A further source of controversy was a high board fence surrounding the construction site. Having been denounced repeatedly by the Federation of Labor and Farmer's Alliance, it was removed after James' dismissal. Architect Orlopp was retained as architect and job superintendent at a salary of $2,000 after a $10,000 performance bond was posted. The building was occupied in the winter of 1892. Its finished cost was $59,140.00 more than the original estimate. Although a new structure has been built, the Romanesque Revival temple continues to serve the functions of county government to this day. Also known as the Old Red Courthouse, it became the Old Red Museum, a local history museum, in 2007. But in 2021, it was announced that the Old Red Museum would be moving out and the building was being returned into a hall of justice as the Texas Fifth Circuit Court of Appeals took over use of the grand structure and continues this use to present day.

On December 12, 1976, the Old Red Courthouse was added to the National Register of Historic Places (NRHP) for its architecture and the continued use of the same site for county government since 1846. All of the information above was found on the original documents submitted for listing consideration and can be viewed here:
catalog.archives.gov/id/40971649

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/