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Parian marble
Roman Imperial period, ca. 138-150 CE
"From Rome"? (see on Pleiades)

In the collection of the Bowdoin Museum of Art, Brunswick, Maine, United States
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1906.1

Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...

artmuseum.bowdoin.edu/objects-1/info/1040
bcma.bowdoin.edu/antiquity/objects/1906-1/

Parian marble
Roman Imperial period, ca. 138-150 CE
"From Rome"? (see on Pleiades)

In the collection of the Bowdoin Museum of Art, Brunswick, Maine, United States
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1906.1

Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...

artmuseum.bowdoin.edu/objects-1/info/1040
bcma.bowdoin.edu/antiquity/objects/1906-1/

Parian marble
Roman Imperial period, ca. 138-150 CE
"From Rome"? (see on Pleiades)

In the collection of the Bowdoin Museum of Art, Brunswick, Maine, United States
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1906.1

Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...

artmuseum.bowdoin.edu/objects-1/info/1040
bcma.bowdoin.edu/antiquity/objects/1906-1/

Parian marble
Roman Imperial period, ca. 138-150 CE
"From Rome"? (see on Pleiades)

In the collection of the Bowdoin Museum of Art, Brunswick, Maine, United States
Gift of Edward Perry Warren, Esq., Honorary Degree 1926
Inv. 1906.1

Photographed on display in the exhibit "Etruscan Gifts. Artifacts from Early Italy at Bowdoin" (February 1, 2024 - February 9, 2025)
www.bowdoin.edu/art-museum/exhibitions/2024/etruscan-gift...

artmuseum.bowdoin.edu/objects-1/info/1040
bcma.bowdoin.edu/antiquity/objects/1906-1/

Fine-grained white-grey marble
Roman imperial period, ca. 150-200 CE
Attributed to the Aphrodisias school

In the collection of, and photographed on display at the Museo di Scienze Archeologiche e d'Arte, Università di Padova, Italy
From the collection of Marco Mantova Benavides (1489-1582)
Inv. MB 92
phaidra.cab.unipd.it/o:72029

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE
No archaeological provenience; Farnese Collection

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection
Inv. 6299

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

White marble
Roman Imperial period, 1st half 2nd c. CE, with Renaissance (arms) and later, post-1805, additions (head)
Sometimes identified as a copy of or inspired by the so-called Vulneratus deficiens of Kresilas mentioned by Pliny, which would have been a Greek Severe Style sculpture of ca. 460 BCE
No archaeological provenience; Farnese Collection, previously Margherita d'Austria

Photographed on display at, and in the collection of, the Museo Archeologico Nazionale di Napoli (MANN), Naples, Italy
Farnese Collection

Stazione Termini-type portrait
White marble
Roman Imperial period, reign of Hadrian, 117-121 CE
Archaeological provenience unknown. From the collection of Ugolino III Trinci, formed in the late 14th-early 15th century, probably chosen by the humanist Francesco da Fiano
Formerly displayed on the facade of the "Logia Nova" as one of the Seven Ages of Man, representing Giovinezza (youth)

In the collection of, and photographed on display in, the Museo della città di Palazzo Trinci, Foligno, Umbria, Italy

Roman Imperial period, 1st half 2nd c. CE (perhaps reign of Trajan, 98-117 CE?)
The will of Aulus Quinctilius Priscus is inscribed within an aedicula carved out of the limestone bedrock on the southeast slope (loc. La Fata) of the hill on which stands Ferentino (ancient Ferentinum; see on Pleiades). A. Quinctilius Priscus was a magistrate in the municipium of Ferentinum, and in his will left certain benefits to the inhabitants of the town. Among other things, each year on the anniversary of his birth, bread and honeyed wine were to be distributed, with a further 10 sesterces given to children, without distinction whether nobles, plebeians, or freedmen.
The monument looks out over the ancient Via Latina (since the medieval period known as the Via Casilina) as it heads southeast.

For the text of the Latin inscription (CIL 10.5853), see the Epigraphic Database Roma:
www.edr-edr.it/edr_programmi/res_complex_comune.php?do=bo...