The Flickr Muto Image Generatr

About

This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Lillian Gish by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Lillian Gish

German postcard by Ross Verlag, no. 5055/1, 1930-1931. Photo: United Artists,

American actress Lillian Gish (1893-1993) was 'The First Lady of the Silent Screen'. During the 1910s, she was one of director D.W. Griffith's greatest stars. She appeared in his features such as The Birth of a Nation (1915), Broken Blossoms (1919), and Orphans of the Storm (1921). After 13 years with Griffith, she moved to MGM, where her first picture was La Bohème (King Vidor, 1926). In the 1940s, after a long interval, she returned to the screen in a handful of films and received a Best Supporting Actress Oscar nomination for her role as Laura Belle McCanles in Duel in the Sun (King Vidor, 1946). Again, a decade later, she was marvellous in the classic Film Noir The Night of the Hunter (Charles Laughton, 1955). Her last film was The Whales of August (Lindsay Anderson, 1987) in which she shared the lead with Bette Davis.

Mary Ann Jackson by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Mary Ann Jackson

German postcard by Ross Verlag, no. 5613/1, 1930-1931. Photo: Metro-Goldwyn-Mayer.

Mary Ann Jackson (January 14, 1923 – December 17, 2003) was an American child actress who appeared in the Our Gang (aka The Little Rascals) short subjects series from 1928 to 1931. She was born and died in Los Angeles, California.

Norma Shearer by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Norma Shearer

Vintage German postcard. Ross Verlag, No. 5081/1. Metro-Goldwyn-Mayer.

American actress Norma Shearer (1902-1983) was the 'First Lady of MGM'. She often played spunky, sexually liberated ingenues, and was the first person to be nominated five times for an Academy Award for acting. Shearer won the Best Actress Oscar for The Divorcee (1930).

Josephine Dunn by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Josephine Dunn

Austrian postcard by Iris Verlag, no. 5691. Photo: Fox-Film.

Josephine Dunn (1906-1983) was an American film actress of the 1920s and 1930s, who peaked at Paramount, Warner and MGM in the late 1920s. In 1930, Josephine Dunn made a successful transition, unlike many silent stars, to sound films. She starred in sixteen films through 1932, and at the peak of her career in 1933, she played vamps and mercenary wives. That same year, she married Eugene J. Lewis, whom she divorced in 1935 to marry Carroll Case, son of the owner of the Algonquin Hotel in New York City. Dunn retired from acting in 1938 and remained with Case for the remainder of his life.

DSCN1981 by en-ri

© en-ri, all rights reserved.

Billie Dove by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Billie Dove

Vintage German postcard. Ross Verlag, No. 5586/2. Photo by First National/ Defina.

Stunningly beautiful and highly photogenic Billie Dove (1903-1997) was one of the most popular Hollywood actresses of the 1920s. She was dubbed The American Beauty, after the title of one of her films.

Harold Lloyd and Babe Ruth by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Harold Lloyd and Babe Ruth

German postcard by Ross Verlag, no. 4678/2, 1929-1930. Photo: Paramount. Harold Lloyd and Babe Ruth in Speedy (Ted Wilde, 1928).

American actor, comedian, director, producer, screenwriter, and stunt performer Harold Lloyd (1893-1971) is best known for his silent comedies. He ranks alongside Charlie Chaplin and Buster Keaton as one of the three most popular and influential comedians of the silent film. Between 1914 and 1947, Lloyd made nearly 200 comedies, often as a bespectacled 'Glass' character, a resourceful, success-seeking go-getter who was perfectly in tune with 1920s-era United States. His films frequently contained 'thrill sequences' of extended chase scenes and daredevil physical feats. A classic is Lloyd hanging from the hands of a clock high above the street in Safety Last! (1923).

Tree peony by Japanese Flower and Bird Art

© Japanese Flower and Bird Art, all rights reserved.

Tree peony

Japanese art print by Kanichi Muto (1892-1982)

Plum and Japanese bush-warbler by Japanese Flower and Bird Art

© Japanese Flower and Bird Art, all rights reserved.

Plum and Japanese bush-warbler

Japanese art print by Kanichi Muto (1892-1982)

Il fiacre no. 13 (1917) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Il fiacre no. 13 (1917)

Vintage Spanish collector's card/ minicard. Chocolate Pi, Barcelona. Helena/ Elena Makowska in Il fiacre no. 13/ Cab Number 13 (Alberto Capozzi, Gero Zambuto, Ambrosio, 1917), starring Capozzi and Makowska, and based on the novel Le Fiacre Nº 13 (1880) by Xavier de Montépin.

Ernst Rolf by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Ernst Rolf

Vintage Swedish postcard. S. Almquist, Helsingborg. Caption: My fancy is, well, here...

Ernst Ragnar Rolf, originally Johansson, born 20 January 1891 in Falun, died 25 December 1932 in Stockholm, was a Swedish singer, actor and revue king. During the interwar period, Rolf was one of the great personalities in Swedish entertainment theatre. He also acted in four films.

Ernst Ragnar Johansson was born in Falun. His father Klas Albert Johanson was a tailor and the family lived on a small farm in Elsborg, near the Falun copper mine. Rolf was a musical child and often performed at IOGT ((Independent Order of Good Templars) together with his older brother Birger, who played the piano. After attending school in Västerås, he was employed by ASEA (Allmänna Svenska Elektriska Aktiebolaget ) there. In the autumn of 1906, he started working at the mail order company Åhlén & Holm in Insjön. Here he became acquainted with the printing manager Ragnar Åkerblom, who wrote local reviews and performed as a country comedian. Ragnar Johansson and Ragnar Åkerblom later became partners in the artist duo Hammarlund & Schröder.

The following year, 1907, he left Åhlén & Holm and began touring as an actor and singer. In 1908 he was employed as an actor by Axel Engdahl in Gothenburg, and after a short time there he moved to Axel Hultman, where he changed his surname to Rolf. He was then associated with a number of different companies and toured both in Sweden and the rest of the Nordic countries as a dome singer. 1913 he performed at Berns in Stockholm, 1917-1918 he was the leading name at Fenixkabarén there. From 1921 he performed his own revues at various Stockholm theatres. At the same time as acting, he performed as a singer of peasant and military songs. Ernst Rolf had a knack for finding melodies that stuck in people's minds. Many of our most commonly sung songs come from the Ernst Rolf revues. These include Ju mer vi är tillsammans ... and Jag är ute när gumman min är inne. In 1915 he founded Ernst Rolf's music publishing company, which later became a limited company.

Among those who wrote lyrics for Ernst Rolf are the pseudonyms Fritz-Gustaf, Herr Dardanell, Berco, Nils-Georg, Gösta Stevens and Dix Dennie. Rolf made his recording debut on 12 October 1910 with three titles on the Gramophone label, which was a predecessor of His Master's Voice. He became one of the most prolific gramophone artists of his time. According to a discography published in 1991, he made a total of 851 recordings. In the latter part of his career, he was exclusively associated with the major label Odeon. On 1 January 1924, the revue Lyckolandet premiered at the Oscar Theatre. According to NE, it represented a completely new form of theatre for Sweden, mixing cabaret with American shows.

In addition to his revues, Rolf appeared in four films: first the two silent comedies Åh, i morron kväll/ Oh, tomorrow night (1919) by John W. Brunius, also with Mary Gräber and Erik Lindholm, and Styrman Karlssons flammor/ Steersman Karlsson's flirts (Gustaf Edgren, 1925), an adaptation of a popular stage comedy, in which he had the lead as an adventurer at sea. In 1930 Rolf went to Hollywood to act a small part in the Scandinavian version of the early sound compilation film Paramount on Parade (Dorothy Arzner et.al., 1930). He last acted in a supporting part as a cheerleader in the Swedish film comedy Hans livs match (Per-Axel Branner, 1932), starring Björn Berglund. Rolf's acting talent was limited, however, and the film did not allow him to use the ability to connect directly with the audience that was one of his great stage talents. Rolf was also a businessman, running his own music publishing company and two short-lived record labels: Rolf Winner Succès (1918-20) and Rolf Succés (1919-20).

Ernst Rolf was married three times. In 1916 he married the Norwegian general's daughter Margit Strugstad and with her he had two children, Sven-Erik Rolf in 1917 and Ann-Mari in 1919 (died 2005). This marriage was dissolved in 1924. Ann-Mari Strugstad Rolf was married to Norwegian filmmaker Per Høst from 1951 to 1960. Rolf married for the second time in 1924 to costume designer Gueye Rolf, daughter of a music professor. Together they had a son, Lars Rolf, in 1923, and the marriage was dissolved in 1927. Rolf married for the third time in 1930 to the actress Tutta Rolf and they had a son, Tom Rolf (1931-2014), who became a film editor in Hollywood, e.g. co-editing Martin Scorsese's Taxi Driver and Philip's Kaufman's The Right Stuff - Rolf and his team received an Oscar for the latter.

Ernst Rolf was moody and ill health often forced him to spend long periods of inactivity. Rolf died on Christmas Day 1932, of pneumonia contracted after throwing himself into the lake. Before that, he had tried or threatened to commit suicide on several occasions. The question of whether Ernst Rolf's death should be considered a suicide became a dispute between Tutta Rolf and the insurance company Svenska Lif, which went all the way to the Supreme Court. The majority of the Supreme Court found that Rolf's death should not be considered a suicide because he did not intend to die in the way he did, while the minority felt that his deliberate risk-taking still meant that it should be considered a suicide.

Sources: Swedish Wikipedia, IMDb.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-10. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-12. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ La vie de Christophe Colomb/ Christophe Colomb/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Edouard Renault, Ramón de Baños, and José María Maristany. Caption: Soon after the conquering of Granada, Columbus meets the Catholic Royal Couple. While Ferdinand of Aragon is a practical man and doesn't care about theory nor ideals, Queen Isabella is inclined to help Columbus' visions, feeling her generosity may also offer new stars to her crown. This card shows the actors at the Alhambra in Granada.

During the First World War, the Spanish company Argos Films of José Carreras, together with the French company Films Cinématographiques, embarked on what was claimed to be the most expensive film made in Spain until then, costing a million pesetas. While the director, scriptwriter and main actors were French, the crew was mostly Spanish. The film was made in two parts, released in France as La Vie de Christophe Colomb and La Découverte de l'Amérique. In France, the second part of the film was only first released in 1919, while the first already had been shown in 1916. For the full film, see also www.europeanfilmgateway.eu/detail/La%20vida%20de%20Crist%....

Sources: Cine-Ressources, IMDb, Europeana.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-6. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Here Wague on the right and Nadette Darson in the middle.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-9. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Caption: Months after his greatest deception [his rejection by King Juan II of Portugal], Columbus' wife Felipa dies, and he flees Portugal for Spain, with his young son Diego. Here he is welcomed at the Monastery of Rabida by Father Perez (Donnelly), to whom he tells all about his dreams, fears, and misery. Father Perez, enthusiastic about his plans, introduces him with the Castilian Court.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Series of 30 minicards in two series. Empresa Cinematografica Barcelona, No. A-3. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Here Wague on the left. Caption: After many sailings, Columbus' boat is attacked by pirates and he narrowly escapes. Fishermen bring him to the port of Lisbon, where friendly merchants bring him to his brother Bartholomew, a cartographist, who houses him and gives him work.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-5. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Here, Wague on the right, Nadette Darson as Felipa in the middle.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No. A-4. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Here Wague on the right, as Columbus meeting for the first time his future wife Felipa de Perestrello (Nadette Darson) and her mother.

La vida de Cristóbal Colon (1916) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

La vida de Cristóbal Colon (1916)

Vintage Spanish collector's card. Empresa Cinematografica Barcelona, No.A- 11. Chocolate Mundial. Scene from the Franco-Spanish production La vida de Cristóbal Colon/ Vida de Cristóbal Colón y su descubrimiento de América/ The Life of Christopher Columbus (Gérard Bourgeois, Argos P.C., Films Cinematographiques 1916), starring Georges Wague (Columbus, Jean Garat (Bartholomew Columbus) and Léontine Massart (Queen Isabella). Script by Charles Jean Drossner. Cinematography by Ramón de Baños & J. M. Maristany. Plot: The jealous commander of the island, Pedro Margarit, incites hatred against the explorers by the local inhabitants, which eventually will ruin Columbus.

Vladimir Maksimov by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

Vladimir Maksimov

Vintage Russian postcard. Design possibly by K.F. Shvachunova. See also our other card www.flickr.com/photos/truusbobjantoo/54408946826/in/photo...

Vladimir Maksimov (1880-1937) was one of the first Russian film stars in the Russian Empire. Often playing the elegantly dressed, romantic lover, Maksimov became one of the most popular Russian actors of the 1910s. In 1915 and 1917 he also directed some films. Maksimov was also known for the Soviet silent films Skorb beskonechnaya / Infinite Sorrow (Aleksandr Panteleyev, 1922), Katsi katsistvis mgelia / Man Is Enemy (Ivane Perestiani, 1923) and Dekabristy / The Decembrists (Aleksandr Ivanovsky, 1927).

Vladimir Vasilievich Maksimov (Russian: Владимир Васильевич Максимов) was born in Moscow in the Russian Empire in 1880. His mother was a singing teacher. Maksimov started his stage career in 1904 at the Moscow Art Theatre under the direction of Konstantin Stanislavsky and V. Nemirovich-Danchenko. Among his roles was Konstantin in 'The Seagull' by Anton Chekhov. From 1906 to 1918, he performed at the famous Maly Theatre. In 1910, he made his film debut opposite Ivan Mozzhukin for the Khanzhonkov production company in V polnoch na kladbishche / At Midnight in the Graveyard (Vasily Goncharov, 1910). In this short silent Horror film, two men are betting about who is to visit a Paris cemetery at midnight. The visit turns out to be fatal. Next, he played for Khanzhonkov in Oborona Sevastopolya / Defence of Sebastopol (Vasili Goncharov, Aleksandr Khanzhonkov, 1911), the first film ever shot by two cameras. Set in 1854-1855, in Sebastopol and Yalta during the Crimean War, admirals Kornilov (Ivan Mozzhukin) and Nakhimov (Andrej Gromov) organise the defense during the siege of Sebastopol. Both admirals are killed during the battle, and the city of Sebastopol is taken by the alliance of British, French, Sardinian, and Turkish troops. The legendary feat of Sailor Koshka (N. Semyonov) was staged at the original location. Veterans of the Crimean War of 1854-1855 took part in the film production. With 100 minutes, it was Russia's first full-length feature film. Oborona Sevastopolya / Defence of Sebastopol was premiered in 1911 at the Livadia in Yalta, a palace for Tsar Nicholas II, who was the main sponsor of this production.

Till the end of World War I, Vladimir Maksimov starred in many silent films, including the drama Anfisa (Yakov Protazanov, 1912), the German film Das Haus ohne Tür / The House without a Door (Stellan Rye, 1914) with Theodor Loos, and Peterburgskiye trushchobi / Petersburg Slums (Petr Cardynin a.k.a. Pyotr Chardynin, Vladimir Gardin, Yakov Protazanov, 1915). Often playing the elegantly dressed, romantic lover, Maksimov became one of the most popular Russian actors of his era. In 1915 and 1917 he also directed some films. Maksimov was one of the stars in the cast of the silent drama Molchi, grust... molchi / Молчи, грусть...молчи / Be silent, Sorrow ... Be Silent (Petr Cardynin a.k.a. Pyotr Chardynin, 1918) as Volyntsev, an artist, opposite Vera Kholodnaya, Ossip Runitsch and Vitold Polonsky. This film consisted of two parts, but only the first part (44 minutes in length) survives.

After the Russian revolution, Vladimir Maksimov appeared in Soviet films like Skorb beskonechnaya / Infinite Sorrow (Aleksandr Panteleyev, 1922), Katsi katsistvis mgelia / Man Is Enemy (Ivane Perestiani, 1923) as Kraev, Slesar i kantsler / Locksmith and Chancellor (Vladimir Gardin, 1923) as the lawyer Frank Frey. His last part was as as Emperor Alexander I ( in Dekabristy / The Decembrists (Aleksandr Ivanovsky, 1927). From 1919 to 1924, he was also one of the organisers of the Bolshoi Drama Theatre. Since 1924, he taught at the Leningrad Institute of Performing Arts. In 1925, the Soviet Union honoured him as 'Artist of the State'. Vladimir Maksimov died in 1937 in Moscow, Soviet Union. He was 56.

Sources: Wikipedia (French, English and Russian ) and IMDb.

And, please check out our blog European Film Star Postcards.