A dot-to- dot drawing of a windmill laid out on a stack of colorful papers. Accompanying the design are a blue pencil and ruler, suggesting a setup ready to go to work.
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John William Casilear
American, New York 1811–1893 Saratoga Springs, New York
7 1/4 x 9 in. (18.4 x 22.9 cm)
medium: Graphite on wove paper
Metropolitan Museum of Art, New York, NY 1998.381.14 recto 1998
Morris K. Jesup Fund, 1998
www.metmuseum.org/art/collection/search/16433
John William Casilear
American, New York 1811–1893 Saratoga Springs, New York
7 1/4 x 9 in. (18.4 x 22.9 cm)
medium: Graphite on wove paper
Metropolitan Museum of Art, New York, NY 1998.381.8 recto 1998
Morris K. Jesup Fund, 1998
www.metmuseum.org/art/collection/search/16427
Asher Brown Durand
American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey
4 9/16 x 6 3/4 in. (11.6 x 17.1 cm)
medium: Drawings in graphite on off-white wove paper, bound in a green cardboard cover
Metropolitan Museum of Art, New York, NY 33.176 1933
Gift of Mrs. Frederic F. Durand, 1933
www.metmuseum.org/art/collection/search/13535
Albert Bierstadt
American, Solingen 1830–1902 New York
4 3/4 x 7 3/4 in. (12.1 x 19.7 cm)
medium: Graphite on wove paper
Metropolitan Museum of Art, New York, NY 1995.379.4aa recto 1995
Bequest of Marguerite H. Rohlfs, 1995
www.metmuseum.org/art/collection/search/15790
Albert Bierstadt
American, Solingen 1830–1902 New York
Cover: 4 3/4 x 7 3/4 x 7/16 in. (12.1 x 19.7 x 1.1 cm)
Sheets: 4 5/8 x 7 1/2 in. (11.7 x 19.1 cm)
medium: Drawings in graphite on off-white wove paper with gilt edges, bound in a leather cover
Metropolitan Museum of Art, New York, NY 1995.379.3 1995
Bequest of Marguerite H. Rohlfs, 1995
www.metmuseum.org/art/collection/search/12976
Andrew Fisher Bunner
1841–1897
12 3/16 x 9 3/16 in. (31 x 23.3 cm)
medium: Black ink and graphite traces on off-white wove paper
Metropolitan Museum of Art, New York, NY 99.38.3 1899
Gift of Mrs. Andrew Fisher Bunner, 1899
www.metmuseum.org/art/collection/search/10267
A detailed and intricate representation of a futuristic spherical structure created by Duncan Rawlinson using AI and contemporary photography techniques.
Duncan.co/futuristic-spheres
One of the best, and most lavish, books produced by the London Transport Board was this; the beautifully illustrated book for the opening of the Victoria line of London Underground that was issued in March 1969 to commemorate the formal Royal opening that took place on 7 March 1969 when the line had been completed to its then terminus at Victoria. The line had opened in stages from Walthamstow to Highbury & Islington on 1 September 1968 and thence to Warren Street on 1 December 1968. The line had its origins in post-war planning for London's railways and, after many delays, construction began in earnest in September 1962. The extension to Brixton came into use in 1971.
The line required significant engineering both in terms of new work and alterations and adaptations of existing works such as at Finsbury Park and Highbury and Islington. A new fleet of trains, the 1967-tube stock, was constructed in Birmingham by Metro-Cammell and a new depot built on the surface at Northumberland Park, Tottenham. In terms of operation a world-class 'automatic' signalling and operating system was developed by London Transport and this idea for automation extended to ticketing and gateline. In terms of architecture there was little to see above ground and the station platforms were deliberately designed to be a relatively neutral background with passengers and advertising providing the 'colour'; this muted look was enlivened by inset tiled panels in seat recesses, each commissioned from a noted artist and based on a play on the station name.
All these facts, and more, appear in the book that was designed by William Fenton ARCA and printed by W. S. Cowell in Ipswich. You do not often see this book - at 30/- (Thirty Shillings or One Pound and 10 shillings) I suspect not many were sold.
The endpapers show technical drawings of the new 1967-tube stock as built by Metro-Cammell in Birmingham.
One of the best, and most lavish, books produced by the London Transport Board was this; the beautifully illustrated book for the opening of the Victoria line of London Underground that was issued in March 1969 to commemorate the formal Royal opening that took place on 7 March 1969 when the line had been completed to its then terminus at Victoria. The line had opened in stages from Walthamstow to Highbury & Islington on 1 September 1968 and thence to Warren Street on 1 December 1968. The line had its origins in post-war planning for London's railways and, after many delays, construction began in earnest in September 1962. The extension to Brixton came into use in 1971.
The line required significant engineering both in terms of new work and alterations and adaptations of existing works such as at Finsbury Park and Highbury and Islington. A new fleet of trains, the 1967-tube stock, was constructed in Birmingham by Metro-Cammell and a new depot built on the surface at Northumberland Park, Tottenham. In terms of operation a world-class 'automatic' signalling and operating system was developed by London Transport and this idea for automation extended to ticketing and gateline. In terms of architecture there was little to see above ground and the station platforms were deliberately designed to be a relatively neutal background with passengers and advertising providing the 'colour'; this muted look was enlivened by inset tiled panels in seat recesses, each commissioned from a noted artist and based on a play on the station name.
All these facts, and more, appear in the book that was designed by William Fenton ARCA and printed by W. S. Cowell in Ipswich. You do not often see this book - at 30/- (Thirty Shillings or One Pound and 10 shillings) I suspect not many were sold.
The endpapers show technical drawings of the new 1967-tube stock.
I will line drawing, vector line art instruction manual drawing
Welcome to Sourov's Line Art Illustrations!
Hi, I'm Sourov, a passionate and experienced illustrator with a love for creating captivating line art designs. With a background in User Manuals, Line Art, Line arts logo , LIne art web icon, or Product Line Drawing, I bring both skill and creativity to each project I undertake. I'm excited to turn your ideas into stunning line art illustrations!
www.fiverr.com/s/WgBY37
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Product illustration+Photo illustration+Technical drawings+Animal Pet+Storyboard+Line art+vector design+vector portrait+illustration+illustrator
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