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Sevilla - Real Alcazar by Carlos Afonso Coutinho

© Carlos Afonso Coutinho, all rights reserved.

Sevilla - Real Alcazar

The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla),[1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid dynasty (11th century) and the Almohads (12th to early 13th centuries). After the Castilian conquest of the city in 1248, the site was progressively rebuilt and replaced by new palaces and gardens. Among the most important of these is a richly-decorated Mudéjar-style palace built by Pedro I during the 1360s.[2][3]

The palace is a preeminent example of Mudéjar style in the Iberian Peninsula and also includes sections with Gothic and Renaissance elements. The upper stories of the Alcázar are still occupied by the royal family when they visit Seville and are administered by the Patrimonio Nacional. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.[4]

Islamic era
In the year 712, Seville was conquered by the Umayyad Caliphate. In the year 913–914, after a revolt against Cordoba's government, the first caliph of Al-Andalus Abd al-Rahman III built a fortified construction in place of a Visigothic Christian basilica.[9] It was a quadrangular, roughly square enclosure about 100 meters long on each side, fortified with walls and rectangular towers, and annexed to the city walls.[10][11] In the 11th century, during the Taifa period, the Abbadid king Al-Mu'tamid expanded the complex southwards and eastwards,[10] with a new southern enclosure measuring approximately 70 by 80 meters.[11] This new palace was called Al Mubarak (Arabic: المبارك).[2] Various additions to the construction such as stables and warehouses were also carried out.[9]

Towards 1150, the Almohad Caliphs began to develop Seville as their capital in Al-Andalus. The Almohad governor extended the fortified complex to the west, nearly doubling its size. At least six new courtyard palaces were constructed in the old enclosures and nine palaces were added in the western extensions.[11] In 1163 the caliph Abu Ya'qub Yusuf made the Alcazar his main residence in the region.[9][11] He further expanded and embellished the palace complex in 1169, adding six new enclosures to the north, south, and west sides of the existing palaces. The works were carried out by architects Ahmad ibn Baso and 'Ali al-Ghumari.[11] With the exception of the walls, nearly all previous buildings were demolished, and a total of approximately twelve palaces were built.[10] Among the new structures was a very large garden courtyard, now known as the Patio del Crucero, which stood in the old Abbadid enclosure. Between 1171 and 1198 an enormous new congregational mosque was built on the north side of the Alcazar (later transformed into the current Cathedral of Seville). A shipyard was also built nearby in 1184 and a textiles market in 1196.[11]

There are few remnants of these Islamic-era constructions today. Archaeological remains of the Al Mubarak Palace are currently preserved under Patio de la Monteria. Several wall painting fragments were found that are now exhibited in the Palacio del Yeso.[9] The courtyard buildings now known as the Palacio del Yeso (or Patio del Yeso), the Palacio de la Contratación, and the Patio del Crucero all preserve remains from the Almohad period


Christian era
Seville was conquered in 1248 by Ferdinand III of Castile. The former Moorish palace-citadel was taken over by the Castilian monarchs and underwent significant reconstruction and modification, such that most of the Islamic-era structure has since disappeared.[12]

A Gothic-style palace was built on the site in 1258 for Alfonso X (Ferdinand's successor).[3] It stood on the site of the present-day Patio del Crucero, incorporating and preserving parts of the Almohad-era courtyard that was found here, including the Islamic-style garden divided into quadrants by two intersecting paths. Over these paths and around the courtyard, Gothic-style vaults and pointed arches were added, along with a hall divided into several naves. Corners towers containing spiral staircases granted access to an upper terrace.[13] Of the Gothic palace today, only the upstairs Sala de las Bóvedas and the Baños de María de Padilla, with their Gothic cross-ribbed vaults, have been preserved or partially preserved.[13]

In the mid-14th century, Alfonso XI commissioned the construction of a new throne hall known as the Hall of Justice, which commemorated his victory at the Battle of Río Salado (1340).[2] It is attached to the Patio del Yeso, an Almohad-era courtyard, and also serves as its antechamber. This new addition was made in a Mudéjar style, with stucco decoration and an overall arrangement of elements directly based on contemporary Islamic Andalusi architecture.[2]


1895 photo of a Mudéjar room in the palace
In the 1360s, much of the complex was rebuilt by Pedro I in an ornate Mudéjar style.[2] The palace includes a monumental façade, a courtyard (the present-day Patio de las Doncellas), and a great domed hall known as the Hall of the Ambassadors (Salon de los Embajadores). A Latin inscription on the palace façade includes the year 1364 while an Arabic inscription in the Hall of Ambassadors gives the year 1366, which indicate the probable dates for the start and completion of construction, respectively.[2] The architecture of Pedro I's palace has strong similarities to the contemporary Nasrid palaces of the Alhambra in Granada, although the complicated chronology of construction and renovations at both sites makes it difficult to determine what roles they might have played in influencing each other's designs.[2] It is likely that Muhammad V, the Nasrid ruler of Granada and Pedro I's ally, sent craftsmen to Seville to help assist in the palace's construction and decoration.[14] Under the Catholic Monarchs, Isabella (d. 1504) and Fernando (d. 1516), the upper floor of the palace was extended and transformed into their main residence.[9]

The palace was the birthplace of Infanta Maria Antonietta of Spain (1729–1785), daughter of Philip V of Spain and Elisabeth Farnese, when the king was in the city to oversee the signing of the Treaty of Seville (1729) which ended the Anglo-Spanish War (1727).[10] Much of the old Gothic Palace of Alfonso X was destroyed during the 1755 Lisbon earthquake.[13]

from wikipedia

Sevilla - Real Alcazar by Carlos Afonso Coutinho

© Carlos Afonso Coutinho, all rights reserved.

Sevilla - Real Alcazar

The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla),[1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid dynasty (11th century) and the Almohads (12th to early 13th centuries). After the Castilian conquest of the city in 1248, the site was progressively rebuilt and replaced by new palaces and gardens. Among the most important of these is a richly-decorated Mudéjar-style palace built by Pedro I during the 1360s.[2][3]

The palace is a preeminent example of Mudéjar style in the Iberian Peninsula and also includes sections with Gothic and Renaissance elements. The upper stories of the Alcázar are still occupied by the royal family when they visit Seville and are administered by the Patrimonio Nacional. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.[4]

Islamic era
In the year 712, Seville was conquered by the Umayyad Caliphate. In the year 913–914, after a revolt against Cordoba's government, the first caliph of Al-Andalus Abd al-Rahman III built a fortified construction in place of a Visigothic Christian basilica.[9] It was a quadrangular, roughly square enclosure about 100 meters long on each side, fortified with walls and rectangular towers, and annexed to the city walls.[10][11] In the 11th century, during the Taifa period, the Abbadid king Al-Mu'tamid expanded the complex southwards and eastwards,[10] with a new southern enclosure measuring approximately 70 by 80 meters.[11] This new palace was called Al Mubarak (Arabic: المبارك).[2] Various additions to the construction such as stables and warehouses were also carried out.[9]

Towards 1150, the Almohad Caliphs began to develop Seville as their capital in Al-Andalus. The Almohad governor extended the fortified complex to the west, nearly doubling its size. At least six new courtyard palaces were constructed in the old enclosures and nine palaces were added in the western extensions.[11] In 1163 the caliph Abu Ya'qub Yusuf made the Alcazar his main residence in the region.[9][11] He further expanded and embellished the palace complex in 1169, adding six new enclosures to the north, south, and west sides of the existing palaces. The works were carried out by architects Ahmad ibn Baso and 'Ali al-Ghumari.[11] With the exception of the walls, nearly all previous buildings were demolished, and a total of approximately twelve palaces were built.[10] Among the new structures was a very large garden courtyard, now known as the Patio del Crucero, which stood in the old Abbadid enclosure. Between 1171 and 1198 an enormous new congregational mosque was built on the north side of the Alcazar (later transformed into the current Cathedral of Seville). A shipyard was also built nearby in 1184 and a textiles market in 1196.[11]

There are few remnants of these Islamic-era constructions today. Archaeological remains of the Al Mubarak Palace are currently preserved under Patio de la Monteria. Several wall painting fragments were found that are now exhibited in the Palacio del Yeso.[9] The courtyard buildings now known as the Palacio del Yeso (or Patio del Yeso), the Palacio de la Contratación, and the Patio del Crucero all preserve remains from the Almohad period


Christian era
Seville was conquered in 1248 by Ferdinand III of Castile. The former Moorish palace-citadel was taken over by the Castilian monarchs and underwent significant reconstruction and modification, such that most of the Islamic-era structure has since disappeared.[12]

A Gothic-style palace was built on the site in 1258 for Alfonso X (Ferdinand's successor).[3] It stood on the site of the present-day Patio del Crucero, incorporating and preserving parts of the Almohad-era courtyard that was found here, including the Islamic-style garden divided into quadrants by two intersecting paths. Over these paths and around the courtyard, Gothic-style vaults and pointed arches were added, along with a hall divided into several naves. Corners towers containing spiral staircases granted access to an upper terrace.[13] Of the Gothic palace today, only the upstairs Sala de las Bóvedas and the Baños de María de Padilla, with their Gothic cross-ribbed vaults, have been preserved or partially preserved.[13]

In the mid-14th century, Alfonso XI commissioned the construction of a new throne hall known as the Hall of Justice, which commemorated his victory at the Battle of Río Salado (1340).[2] It is attached to the Patio del Yeso, an Almohad-era courtyard, and also serves as its antechamber. This new addition was made in a Mudéjar style, with stucco decoration and an overall arrangement of elements directly based on contemporary Islamic Andalusi architecture.[2]


1895 photo of a Mudéjar room in the palace
In the 1360s, much of the complex was rebuilt by Pedro I in an ornate Mudéjar style.[2] The palace includes a monumental façade, a courtyard (the present-day Patio de las Doncellas), and a great domed hall known as the Hall of the Ambassadors (Salon de los Embajadores). A Latin inscription on the palace façade includes the year 1364 while an Arabic inscription in the Hall of Ambassadors gives the year 1366, which indicate the probable dates for the start and completion of construction, respectively.[2] The architecture of Pedro I's palace has strong similarities to the contemporary Nasrid palaces of the Alhambra in Granada, although the complicated chronology of construction and renovations at both sites makes it difficult to determine what roles they might have played in influencing each other's designs.[2] It is likely that Muhammad V, the Nasrid ruler of Granada and Pedro I's ally, sent craftsmen to Seville to help assist in the palace's construction and decoration.[14] Under the Catholic Monarchs, Isabella (d. 1504) and Fernando (d. 1516), the upper floor of the palace was extended and transformed into their main residence.[9]

The palace was the birthplace of Infanta Maria Antonietta of Spain (1729–1785), daughter of Philip V of Spain and Elisabeth Farnese, when the king was in the city to oversee the signing of the Treaty of Seville (1729) which ended the Anglo-Spanish War (1727).[10] Much of the old Gothic Palace of Alfonso X was destroyed during the 1755 Lisbon earthquake.[13]

from wikipedia

1 (2200) austria vienna street by ibindaschmid

© ibindaschmid, all rights reserved.

1 (2200) austria vienna street

Sevilla - Real Alcazar by Carlos Afonso Coutinho

© Carlos Afonso Coutinho, all rights reserved.

Sevilla - Real Alcazar

The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla),[1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid dynasty (11th century) and the Almohads (12th to early 13th centuries). After the Castilian conquest of the city in 1248, the site was progressively rebuilt and replaced by new palaces and gardens. Among the most important of these is a richly-decorated Mudéjar-style palace built by Pedro I during the 1360s.[2][3]

The palace is a preeminent example of Mudéjar style in the Iberian Peninsula and also includes sections with Gothic and Renaissance elements. The upper stories of the Alcázar are still occupied by the royal family when they visit Seville and are administered by the Patrimonio Nacional. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.[4]

Islamic era
In the year 712, Seville was conquered by the Umayyad Caliphate. In the year 913–914, after a revolt against Cordoba's government, the first caliph of Al-Andalus Abd al-Rahman III built a fortified construction in place of a Visigothic Christian basilica.[9] It was a quadrangular, roughly square enclosure about 100 meters long on each side, fortified with walls and rectangular towers, and annexed to the city walls.[10][11] In the 11th century, during the Taifa period, the Abbadid king Al-Mu'tamid expanded the complex southwards and eastwards,[10] with a new southern enclosure measuring approximately 70 by 80 meters.[11] This new palace was called Al Mubarak (Arabic: المبارك).[2] Various additions to the construction such as stables and warehouses were also carried out.[9]

Towards 1150, the Almohad Caliphs began to develop Seville as their capital in Al-Andalus. The Almohad governor extended the fortified complex to the west, nearly doubling its size. At least six new courtyard palaces were constructed in the old enclosures and nine palaces were added in the western extensions.[11] In 1163 the caliph Abu Ya'qub Yusuf made the Alcazar his main residence in the region.[9][11] He further expanded and embellished the palace complex in 1169, adding six new enclosures to the north, south, and west sides of the existing palaces. The works were carried out by architects Ahmad ibn Baso and 'Ali al-Ghumari.[11] With the exception of the walls, nearly all previous buildings were demolished, and a total of approximately twelve palaces were built.[10] Among the new structures was a very large garden courtyard, now known as the Patio del Crucero, which stood in the old Abbadid enclosure. Between 1171 and 1198 an enormous new congregational mosque was built on the north side of the Alcazar (later transformed into the current Cathedral of Seville). A shipyard was also built nearby in 1184 and a textiles market in 1196.[11]

There are few remnants of these Islamic-era constructions today. Archaeological remains of the Al Mubarak Palace are currently preserved under Patio de la Monteria. Several wall painting fragments were found that are now exhibited in the Palacio del Yeso.[9] The courtyard buildings now known as the Palacio del Yeso (or Patio del Yeso), the Palacio de la Contratación, and the Patio del Crucero all preserve remains from the Almohad period


Christian era
Seville was conquered in 1248 by Ferdinand III of Castile. The former Moorish palace-citadel was taken over by the Castilian monarchs and underwent significant reconstruction and modification, such that most of the Islamic-era structure has since disappeared.[12]

A Gothic-style palace was built on the site in 1258 for Alfonso X (Ferdinand's successor).[3] It stood on the site of the present-day Patio del Crucero, incorporating and preserving parts of the Almohad-era courtyard that was found here, including the Islamic-style garden divided into quadrants by two intersecting paths. Over these paths and around the courtyard, Gothic-style vaults and pointed arches were added, along with a hall divided into several naves. Corners towers containing spiral staircases granted access to an upper terrace.[13] Of the Gothic palace today, only the upstairs Sala de las Bóvedas and the Baños de María de Padilla, with their Gothic cross-ribbed vaults, have been preserved or partially preserved.[13]

In the mid-14th century, Alfonso XI commissioned the construction of a new throne hall known as the Hall of Justice, which commemorated his victory at the Battle of Río Salado (1340).[2] It is attached to the Patio del Yeso, an Almohad-era courtyard, and also serves as its antechamber. This new addition was made in a Mudéjar style, with stucco decoration and an overall arrangement of elements directly based on contemporary Islamic Andalusi architecture.[2]


1895 photo of a Mudéjar room in the palace
In the 1360s, much of the complex was rebuilt by Pedro I in an ornate Mudéjar style.[2] The palace includes a monumental façade, a courtyard (the present-day Patio de las Doncellas), and a great domed hall known as the Hall of the Ambassadors (Salon de los Embajadores). A Latin inscription on the palace façade includes the year 1364 while an Arabic inscription in the Hall of Ambassadors gives the year 1366, which indicate the probable dates for the start and completion of construction, respectively.[2] The architecture of Pedro I's palace has strong similarities to the contemporary Nasrid palaces of the Alhambra in Granada, although the complicated chronology of construction and renovations at both sites makes it difficult to determine what roles they might have played in influencing each other's designs.[2] It is likely that Muhammad V, the Nasrid ruler of Granada and Pedro I's ally, sent craftsmen to Seville to help assist in the palace's construction and decoration.[14] Under the Catholic Monarchs, Isabella (d. 1504) and Fernando (d. 1516), the upper floor of the palace was extended and transformed into their main residence.[9]

The palace was the birthplace of Infanta Maria Antonietta of Spain (1729–1785), daughter of Philip V of Spain and Elisabeth Farnese, when the king was in the city to oversee the signing of the Treaty of Seville (1729) which ended the Anglo-Spanish War (1727).[10] Much of the old Gothic Palace of Alfonso X was destroyed during the 1755 Lisbon earthquake.[13]

from wikipedia

Sevilla - Real Alcazar by Carlos Afonso Coutinho

© Carlos Afonso Coutinho, all rights reserved.

Sevilla - Real Alcazar

The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla),[1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid dynasty (11th century) and the Almohads (12th to early 13th centuries). After the Castilian conquest of the city in 1248, the site was progressively rebuilt and replaced by new palaces and gardens. Among the most important of these is a richly-decorated Mudéjar-style palace built by Pedro I during the 1360s.[2][3]

The palace is a preeminent example of Mudéjar style in the Iberian Peninsula and also includes sections with Gothic and Renaissance elements. The upper stories of the Alcázar are still occupied by the royal family when they visit Seville and are administered by the Patrimonio Nacional. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.[4]

Islamic era
In the year 712, Seville was conquered by the Umayyad Caliphate. In the year 913–914, after a revolt against Cordoba's government, the first caliph of Al-Andalus Abd al-Rahman III built a fortified construction in place of a Visigothic Christian basilica.[9] It was a quadrangular, roughly square enclosure about 100 meters long on each side, fortified with walls and rectangular towers, and annexed to the city walls.[10][11] In the 11th century, during the Taifa period, the Abbadid king Al-Mu'tamid expanded the complex southwards and eastwards,[10] with a new southern enclosure measuring approximately 70 by 80 meters.[11] This new palace was called Al Mubarak (Arabic: المبارك).[2] Various additions to the construction such as stables and warehouses were also carried out.[9]

Towards 1150, the Almohad Caliphs began to develop Seville as their capital in Al-Andalus. The Almohad governor extended the fortified complex to the west, nearly doubling its size. At least six new courtyard palaces were constructed in the old enclosures and nine palaces were added in the western extensions.[11] In 1163 the caliph Abu Ya'qub Yusuf made the Alcazar his main residence in the region.[9][11] He further expanded and embellished the palace complex in 1169, adding six new enclosures to the north, south, and west sides of the existing palaces. The works were carried out by architects Ahmad ibn Baso and 'Ali al-Ghumari.[11] With the exception of the walls, nearly all previous buildings were demolished, and a total of approximately twelve palaces were built.[10] Among the new structures was a very large garden courtyard, now known as the Patio del Crucero, which stood in the old Abbadid enclosure. Between 1171 and 1198 an enormous new congregational mosque was built on the north side of the Alcazar (later transformed into the current Cathedral of Seville). A shipyard was also built nearby in 1184 and a textiles market in 1196.[11]

There are few remnants of these Islamic-era constructions today. Archaeological remains of the Al Mubarak Palace are currently preserved under Patio de la Monteria. Several wall painting fragments were found that are now exhibited in the Palacio del Yeso.[9] The courtyard buildings now known as the Palacio del Yeso (or Patio del Yeso), the Palacio de la Contratación, and the Patio del Crucero all preserve remains from the Almohad period


Christian era
Seville was conquered in 1248 by Ferdinand III of Castile. The former Moorish palace-citadel was taken over by the Castilian monarchs and underwent significant reconstruction and modification, such that most of the Islamic-era structure has since disappeared.[12]

A Gothic-style palace was built on the site in 1258 for Alfonso X (Ferdinand's successor).[3] It stood on the site of the present-day Patio del Crucero, incorporating and preserving parts of the Almohad-era courtyard that was found here, including the Islamic-style garden divided into quadrants by two intersecting paths. Over these paths and around the courtyard, Gothic-style vaults and pointed arches were added, along with a hall divided into several naves. Corners towers containing spiral staircases granted access to an upper terrace.[13] Of the Gothic palace today, only the upstairs Sala de las Bóvedas and the Baños de María de Padilla, with their Gothic cross-ribbed vaults, have been preserved or partially preserved.[13]

In the mid-14th century, Alfonso XI commissioned the construction of a new throne hall known as the Hall of Justice, which commemorated his victory at the Battle of Río Salado (1340).[2] It is attached to the Patio del Yeso, an Almohad-era courtyard, and also serves as its antechamber. This new addition was made in a Mudéjar style, with stucco decoration and an overall arrangement of elements directly based on contemporary Islamic Andalusi architecture.[2]


1895 photo of a Mudéjar room in the palace
In the 1360s, much of the complex was rebuilt by Pedro I in an ornate Mudéjar style.[2] The palace includes a monumental façade, a courtyard (the present-day Patio de las Doncellas), and a great domed hall known as the Hall of the Ambassadors (Salon de los Embajadores). A Latin inscription on the palace façade includes the year 1364 while an Arabic inscription in the Hall of Ambassadors gives the year 1366, which indicate the probable dates for the start and completion of construction, respectively.[2] The architecture of Pedro I's palace has strong similarities to the contemporary Nasrid palaces of the Alhambra in Granada, although the complicated chronology of construction and renovations at both sites makes it difficult to determine what roles they might have played in influencing each other's designs.[2] It is likely that Muhammad V, the Nasrid ruler of Granada and Pedro I's ally, sent craftsmen to Seville to help assist in the palace's construction and decoration.[14] Under the Catholic Monarchs, Isabella (d. 1504) and Fernando (d. 1516), the upper floor of the palace was extended and transformed into their main residence.[9]

The palace was the birthplace of Infanta Maria Antonietta of Spain (1729–1785), daughter of Philip V of Spain and Elisabeth Farnese, when the king was in the city to oversee the signing of the Treaty of Seville (1729) which ended the Anglo-Spanish War (1727).[10] Much of the old Gothic Palace of Alfonso X was destroyed during the 1755 Lisbon earthquake.[13]

from wikipedia

Bristol 9 March 2025 (4)b by paul_appleyard

Bristol 9 March 2025 (4)b

Jarrow : Palmer's Works & Shipyard by www.old-photographs.co.uk

© www.old-photographs.co.uk, all rights reserved.

Jarrow : Palmer's Works & Shipyard

Information on Palmer's Works and Shipyard at Jarrow can be found at : www.old-photographs.co.uk/durham/jarrow-palmers-works.htm

W378 RKX by Nivek.Old.Gold

© Nivek.Old.Gold, all rights reserved.

W378 RKX

2000 Peugeot 206 LX 5-door.

1360cc.
Supplied by Palmers of St Albans (Peugeot).
Last taxed in June 2024 and last MoT test expired in August 2024.
Recorded as stolen by the Metropolitan Police in June 2024.

The Royal Oak, Charmouth by wdw1998

© wdw1998, all rights reserved.

The Royal Oak, Charmouth

When down in Dorset it is always worth looking out for the Palmers pubs.
Another very pleasant one is The Royal Oak at the top of the main street in Charmouth

The Anchor Inn, Seatown by wdw1998

© wdw1998, all rights reserved.

The Anchor Inn, Seatown

Worth making the detour down to Seatown beach to pop in to the superbly located Anchor Inn for a nice pint of Palmers

DCS_2883_Watermarked by richellis1978

© richellis1978, all rights reserved.

DCS_2883_Watermarked

Lyme Bay dray. by Sidmouth Ian

© Sidmouth Ian, all rights reserved.

Lyme Bay dray.

Palmers brewery dray unloading in Lyme Regis.

Palmiers, Six-fours-les-plages, 25 décembre 2024 by DarkLightStorm

© DarkLightStorm, all rights reserved.

Palmiers, Six-fours-les-plages, 25 décembre 2024

Six-fours-les-plages, 16 décembre 2024 by DarkLightStorm

© DarkLightStorm, all rights reserved.

Six-fours-les-plages, 16 décembre 2024

Palmer's by Thomas Hawk

Available under a Creative Commons by-nc license

Palmer's

DCS_0947_Watermarked by richellis1978

© richellis1978, all rights reserved.

DCS_0947_Watermarked

The real Missabe by CN Southwell

© CN Southwell, all rights reserved.

The real Missabe

Thanks to Liam Hoffmann I (we really. Blazejewski, Rushenberg & I) were following this North Shore Scenic freight move that looked much more like a Missabe local.

Palmers, Minnesota

NL24EKG by 47604

© 47604, all rights reserved.

NL24EKG

stanley travel m1

P8029308 by simonrwilkinson

© simonrwilkinson, all rights reserved.

P8029308

Parish Church of St Laurence, Ludlow, Shropshire. The Palmers' Window C15th. The top four main panels recount the legend. Two Palmers set sail for the Holy Land wearing the blue robes of the Guild and pilgrim hats. King Edward the Confessor meets a beggar (St John the Evangelist in disguise.) and gives him his ring. The pilgrims meet St John who gives them the ring , asking them to return it to the King and to tell him that, within six months, they would meet in heaven. Lastly the pilgrims restore the ring to the King, who, as foretold, died within 6 months, in 1066. The lower four panels show the Palmers in a religious procession, receiving the Guild's charter from the King, being welcomed home and sharing a feast to the sound of the harp. The white greyhound in the last panel refers to Richard Neville ‘Warwick the Kingmaker’, who joined forces with Richard Plantagenet, the father of Edward IV and Richard III, in Ludlow in 1455 on the eve of the first War of the Roses.

PALMERS - 1953 by OldAdMan

© OldAdMan, all rights reserved.

PALMERS - 1953

Clothing Palmers Stockings
a poster by Gerhard Brause. 1953