The Flickr Artgalleryandmuseums Image Generatr

drawing, mixed media

Pablo Picasso

Retrat de Jacqueline amb cinta, recolzada

Retrato de Jacqueline con cinta apoyada

Portrait of Jacqueline with headband leaning on her elbows

Mougins, 21 de febrer del 1962

Gúbia en quatre colors sobre linòleum (prova Sabartés, Ill estat I definitiu)

Gubia en cuatro colores sobre linóleo (prueba Sabartés, Ill estado y definitive)

Gouge in four colors on linoleum (Sabartés proof, Ill and final state)

Donació Jaume Sabartés, 1962 MPB 70.288

From the Placard: Museu Picasso Barcelona, Spain

museupicassobcn.cat/

Pablo Picasso

Retrat de Jacqueline amb cinta, recolzada

Retrato de Jacqueline con cinta apoyada

Portrait of Jacqueline with headband leaning on her elbows

Mougins, 21 de febrer del 1962

Gúbia en quatre colors sobre linòleum (prova Sabartés, Ill estat I definitiu)

Gubia en cuatro colores sobre linóleo (prueba Sabartés, Ill estado y definitive)

Gouge in four colors on linoleum (Sabartés proof, Ill and final state)

Donació Jaume Sabartés, 1962 MPB 70.288

From the Placard: Museu Picasso Barcelona, Spain

museupicassobcn.cat/

Figures in landscape (1977).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Reflections on "The artist's studio" (1989)

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Setting sun and sea (c1964).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Bread in the bag (1961).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Head (1981).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

View of the World's Fair (1964).

Cover design for the magazine "Art in America"

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

(1963)

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

We rose up slowly (1964).

"Wir stiegen langsam auf ... als gehörten wir nicht mehr zur Welt da draußen ... wie Schwimmende in einem schemenhaften Traum ... die nicht atmen müssen ... "

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

I know how you must feel, Brad ... (1963).

Lichtenstein devotes himself to the calculated clichés of comic book novels. Man's loneliness and longing are satirised by simple comic slogans. Lichtenstein searched for ridiculous, pointed and meaningful speech bubbles addressing general problems.

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Thinking of him (1963).

Lichtenstein blows up tiny comic panels up to the size of monumental paintings. Weeping women with large stylised tears belong to his signature subjects. The image is radically cropped and seemingly cut-out silhouettes are heavily rhythmised.

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Compositions I (1964).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Girl in window (1963).

This picture is a preparatory work for the mural Lichtenstein painted for the 1964 World's Fair. His work responded to the flooding of cityscape with advertising. He parodied the huge, loud, sensational billboards. The overall theme was modern urban planning.

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Drowning girl (1963).

Lichtenstein plays with sentimental emotions, the pain of love could only exist corrupted by kitsch. His comic book imagery contains numerous references to art history - in this example, the waves quote Hokusai's famous woodblock print "The Great Wave off Kanagawa".

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Pablo Picasso

Tocador d’aulos i joves

Tocador de aulos y jóvenes

Pipe-player and youths

Valauri, 1948

Gerra

Jarra

Jug

From the Placard: Museu Picasso Barcelona, Spain

museupicassobcn.cat/

Vicki! I - - I thought I heard your voice! (1964).

From love-stary comics, Lichtenstein borrowed the ever-identical pattern of attractive girls, exalted gestures and speech bubbles. The most banal clichés are presented like familiar daydreams recurring in many popular romance novels.

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Mirror #4 (48") (1972).

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/

Vicki! I - - I thought I heard your voice! (1964).

From love-stary comics, Lichtenstein borrowed the ever-identical pattern of attractive girls, exalted gestures and speech bubbles. The most banal clichés are presented like familiar daydreams recurring in many popular romance novels.

Part of a Roy Lichtenstein exhibition at the Albertina Gallery in Vienna

www.albertina.at/en/