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Più in là,
lontano nel tempo,
c’è la guerra
con le orribili immagini
dentro gli specchi:
un bimbo, solitario, piange,
senza coscienza
Più in là,
lontano nello spazio,
la terra brucia
illuminando il cielo,
con riflessi nell’acqua:
un ragazzo,impaurito, corre,
seguito dalla sua ombra.
Più in là,
lontano nella memoria,
c’è il ricordo
di eventi, nascosti
da vuota insensibilità:
una mamma,smarrita, prega
sulla tomba del figlio soldato.
Più in là,
lontano dai media,
c’è la fame
di gente che nasce
senza la storia di un futuro:
la società, allibita, è inerte,
priva di soluzione vitale.
Più in là,
lontano nella fantasia,
c’è la speranza
di una vita migliore
sugli specchi dell’eternità:
una folla, vincente,canta
la metamorfosi compiuta.
0277 Der Schiffsrumpf des Daysailers Lütje 35 wird "getempert"; durch das Zuführen von Heissluft ist es möglich, die Verteilung mechanischer Spannungen im Material aus zu kontrollieren; evtl. Lösungsmittel werden gänzlich ausgegast. ©www.fotograf-hamburg.de.
Fotos vom Bau des Daysailers "Lütje 35" auf der Yachtwerft Lütje in Hamburg / Kaltehofe; Länge 10,80m, Breite 2,75m.
0278 Der Schiffsrumpf des Daysailers Lütje 35 wird "getempert"; durch das Zuführen von Heissluft / tempern ist es möglich, die Verteilung mechanischer Spannungen im Material aus zu kontrollieren; evtl. Lösungsmittel werden gänzlich ausgegast. ©www.fotograf-hamburg.de.
Fotos vom Bau des Daysailers "Lütje 35" auf der Yachtwerft Lütje in Hamburg / Kaltehofe; Länge 10,80m, Breite 2,75m.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharging.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharging.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharching.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharging.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
Ready for discharging.
From an old diary of mine. It consists completely of drawings (ink on paper).
All those sketches have been made spontaneously without much thinking. As it turned out they tended to arrange themselves in cycles. There is a series of "stations"; one is called "gestures", and there are "alluvial", "cathedral", "sound", current", "formation", "traces" and some others. One of the most extended cycles is named "anode / cathode". The title refers to the fact that the image is about tensions.
The contrasts could not be bigger. Upstairs Jewish Israeli settlers trying to secure Israeli interests and downstairs Palestinian Arabs interpreting the commitment of the Israelis as offence and fear loss of their land/homes. On top are video-cameras installed for security. Another symbol of the difficult and complicated situation, causing a lot of tension.
