Christophe
MPP MkVIII
Symmar 150/5.6
Foma 100
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I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
I shot Ashley in my studio space with my Mamiya 645 then after rewinding the film, I did a walk about in my garden for the second exposure. I was quite surprised and pleased at how closely the frames aligned between the two exposures, it's not usualy so accurate!
I developed the HP5 (shot at ISO1 1600) with Ilfosol3 and scanned with my Coolscan 9000.
Wünsdorf; Brandenburg; Germany
Ilford Delta 400 / Ilfosol-3, 1+9, 7:00 min, 20°C
Canon EOS RT / EF 2.8/24
Ilford Multigrade print from Kentmere 400 developed in Ilfosol.
Taken with the 35mm lens on my Nikonos III camera. I had a Yellow filter, and notice that when I use the filter I can get some nasty flare in the center of the pictures taken. I think the extra layer of glass is too much for this lens, but maybe a good lens hood could help.
Ilford Multigrade print from Kentmere 400 developed in Ilfosol.
We stopped on the way to FL to see my son at this beautiful State Park. This was taken just steps away from my campsite. This is taken with my Nikonos III with 80mm telephoto lens and a Yellow filter. Wonderful calm clear morning light.
Bois-de-Liesse Nature Park, Montreal
Shot with a Mamiya 645 Pro | Sekor C 80mm f/2.8 N
Shot on Ilford Delta 100
Self-developed with Ilfosol 3
Joana took me to a wonderful wooded area at a park near where she lived. We wandered about in forests seeking peace, sharing our passions for the nature waiting there.
Joana took me to a wonderful wooded area at a park near where she lived. We wandered about in forests seeking peace, sharing our passions for the nature waiting there.
Joana took me to a wonderful wooded area at a park near where she lives. We wandered about in forests seeking peace, sharing our passions for the nature waiting there.
Shot at Morgan Arboretum in Montreal
This is a 6x7 crop of a 35mm image
Shot with a Nikon FM | Nikkor S.C. Auto 50mm f/1.4
Shot on Ilford FP4+
Self-developed with Ilfosol 3
I generally like symmetry in my photos, but I really like the chaos here
Shot at Île Bizard, Quebec
Shot with a Mamiya 645 Pro | Sekor C 80mm f/2.8 N
Shot on Kentmere 100
This is from my first self-developed roll of 120mm film in 2023, using Ilfosol 3
Olympus OM 2n, Tamron Adaptall 2, 35-80mm, Kentmere 100, Ilfosol 3
Pnoom live at la Sotterenea, Montréal, 2025/01/10. Black and white film photography by François Carl Duguay. www.laligneaharde.com
Pnoom live at la Sotterenea, Montréal, 2025/01/10. Black and white film photography by François Carl Duguay. www.laligneaharde.com
Pnoom live at la Sotterenea, Montréal, 2025/01/10. Black and white film photography by François Carl Duguay. www.laligneaharde.com
