The Flickr Ozean Image Generatr

Order: Myliobatiformes
Family: Dasyatidae
Genus: Taeniura
Species: T. lymma


Thailand - Andaman Sea

Nikon D500 - AF-S Micro-NIKKOR 60 mm 1:2,8 G ED

geräuschlose Masken stille Grimassen an OzeanSchiffen / noiseless masks silent grimaces on ocean ships / бесшумные маски молчаливые гримасы на океанских кораблях / 无声面具在远洋船上无声的鬼脸 / समुद्री जहाज़ों पर नीरव मुखौटे खामोश मुँह बनाना / أقنعة صامتة، تكشيرات صامتة على سفن المحيطات

Tulamben - Bali - Indonesia

You live more peacefully, if you do not say everything you know, not everything believes what you hear and just smiles about the rest.

Dieses Bild von Tim Reckmann kann frei unter der angegebenen Creative Commons Lizenz genutzt werden. Viele Tausend weitere Fotos findest Du auch auf www.ccnull.de. Darüber hinausgehende Lizenzen (z.B. Nutzung ohne Kennzeichnung oder Social Media Nutzung) werden exklusiv auf www.a59.de angeboten. Der Einbindung der Bilder via Framing, Embedding oder Deep-Link wird ausdrücklich widersprochen.

Thanks that you decided to look at this MOC!

We would love, if you could check out our Rebrickable account:
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This MOC shows a villa on the Mediterranean that is inhabited by a philosopher who also loves the night and it's stars. The villa fits perfectly in the Carebean or at the Mediterranean! It pops up a bit, because the vegetation grows over the black podium.

☠️ Highlights of the Build:
1. A big building: The bug building has two floors with inventory and a small tower.
2. Realistic Palm! The Palms make it feel like a tropical Island with their curved tribes.
3. Story time! The fact that there aren't any minifigures in this MOC leaves space for an exciting story to happen with your own imaginations and your own minifigs.

Baseplate: 16x16
width: 24.1 cm
length: 15.2 cm
height: 22.4 cm
weight: 525.5 gramm

Thanks that you decided to look at this MOC!

We would love, if you could check out our Rebrickable account:
rebrickable.com/users/TundO/mocs/
Thanks!

This MOC shows a villa on the Mediterranean that is inhabited by a philosopher who also loves the night and it's stars. The villa fits perfectly in the Carebean or at the Mediterranean! It pops up a bit, because the vegetation grows over the black podium.

☠️ Highlights of the Build:
1. A big building: The bug building has two floors with inventory and a small tower.
2. Realistic Palm! The Palms make it feel like a tropical Island with their curved tribes.
3. Story time! The fact that there aren't any minifigures in this MOC leaves space for an exciting story to happen with your own imaginations and your own minifigs.

Baseplate: 16x16
width: 24.1 cm
length: 15.2 cm
height: 22.4 cm
weight: 525.5 gramm

Thanks that you decided to look at this MOC!

We would love, if you could check out our Rebrickable account:
rebrickable.com/users/TundO/mocs/
Thanks!

This MOC shows a villa on the Mediterranean that is inhabited by a philosopher who also loves the night and it's stars. The villa fits perfectly in the Carebean or at the Mediterranean! It pops up a bit, because the vegetation grows over the black podium.

☠️ Highlights of the Build:
1. A big building: The bug building has two floors with inventory and a small tower.
2. Realistic Palm! The Palms make it feel like a tropical Island with their curved tribes.
3. Story time! The fact that there aren't any minifigures in this MOC leaves space for an exciting story to happen with your own imaginations and your own minifigs.

Baseplate: 16x16
width: 24.1 cm
length: 15.2 cm
height: 22.4 cm
weight: 525.5 gramm

Mimizan-Plage, Landes, France

Mimizan-Plage, Landes, France

Mimizan-Plage, Landes, France

The Plage de Kerhillio (in English: "Kerhillio Beach") in the municipal area of Erdeven, with the little flag of a kitesurfing school on the left, Brittany, France

Some background information:

Located by the Atlantic Ocean in the French department of Morbihan, about 30 kilometres (18.6 miles) to the west of the city of Vannes, Erdeven is a seaside resort that sees its population increase from 3,000 to 5,000 inhabitants during the summer season. Its coastline extends from the left bank of the Ria d'Étel in the west to the Plage de Kerhillio in the east. The small coastal river "Ruisseau de l'Étang" forms the municipal boundary with Plouharnel. This coastline is entirely composed of dunes, interspersed with marshy areas and ponds.

The coastline of Erdeven is part of the Gâvres-Quiberon dune massif, stretching from the Fort de Penthièvre to the Petite mer de Gâvres. It is the longest dune massif in Brittany, interrupted only by the Ria d'Étel, a gulf that is fed by different streams. This dune massif is believed to have formed around 2,500 years ago and is home to over 800 plant species. However, the natural area is threatened by over-tourism, illegal dumping, and the spread of invasive species, but significant protective measures have been taken recently, just like the creation of pedestrian and cycle paths, as well as the installation of wooden fences.

In Erdeven and Étel, the coastline has receded by 0.60 to 0.90 meters per year between 1952 and 2009. Past sand extractions, especially during the 20th century, have significantly contributed to the erosion of the coastline and created depressions that have become ponds or marshes in the dunes. Restoration work was initiated from 2008 by the department of Morbihan and the Gâvres-Quiberon Dune Grand Site, primarily aimed at reducing the willow groves that occupied more than four hectares and uprooting other invasive plants like sea thrift, blood-red geranium and baccharis.

In the 11th century, the settlement of Erdeven in the the cartulary of the Abbey of Sainte-Croix de Quimperlé. In medieval times, several lordships were recorded in the village area, the main ones being Keraveon, belonging to Pierre de Talhouët, and Kercadio, belonging to Alain de Kercadiou. However, the colonisation of the area began much earlier. The Celts have left many traces of their megalithic culture, like several dolmens and menhirs.

The stone rows located in the municipality of Erdeven form the western extension of the vast Carnac complex. The most importand and extensive ones are the alignments of Kerzérho, but the dolmens of Mané-Croch, Mané-Bras and Crucuno are noteworthy too. Beneath the sand of Kerhillio Beach also Roman remains have been found, which seems to suggest that the sand accumulation began before the Roman period and has continued since.

Situated in the village is also the Château de Kéravéon. The site was already occupied in the 9th century, but the first castle there is attributed to Pierre de Talhouët in the mid-14th century, whom I’ve already mentioned before. It was owned by the Talhouët family between until the 18th century, before it passed to the Cambout de Coislin family in 1761. In 1795, during the defense operations against the Quiberon landing, the castle was used by General Hoche as his headquarters. However, the republican troops set it on fire before leaving at the end of the hostilities. In 1798, it was purchased by countess Adélaïde de Coislin de Botdéru, who restored it.

Notably, during the first half of the 19th century, the five-storey tower was renovated by the state services and was used as a landmark for coastal navigation then. Upon the death of the countess in 1847, the estate was purchased by the Viscount of Soussay. In 1981, the municipality acquired the gatehouse, which was transformed into a guesthouse, and by the end of the 20th century, the estate became a luxury hotel under the direction of the Géraud-Diamedo family and the Odalys Vacances group.

Der blaue Kontinent – Inseln im Pazifik
Neue Dauerausstellung ab 29. März 2025 im Überseemuseum Bremen

IIIa: Der Ozean – Haie, Seeschildkröten, Wale und Fischfang

Land und Meer sind heilig

Herrenlose Netze sogenannte Ghost Nets bedrohen zahlreiche Meerestiere. Das Fatale: Im Meer sind sie nahezu unsichtbar. Haie, Delfine oder Schildkröten verfangen sich darin und enden qualvoll.

Aboriginals und Torres-Strait-Islanders verarbeiten die angeschwemmten Ghost Nets zu beeindruckenden, oft lebensgroßen Skulpturen. Die Kunstwerke sollen die Aufmerksamkeit eines internationalen Publikums auf die trügerisch stille Gefahr lenken. Für die Menschen, die diese Skulpturen hergestellt haben, haben sie eine noch viel tiefere Bedeutung. Sie stehen für Identität, Kultur und die Verbindung zwischen Land und Meer.

Auf dem Foto:
Video: Kunst aus Geisternetzen als Umweltaktivismus
Australian Museum, 2013