The Flickr Peteri Image Generatr

About

This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

Capetians in the Light by failing_angel

Capetians in the Light

Charles I, Charles d'Anjou, King of Sicily 1266-85
Louis and Philippe, sons of Peter I, Comte d'Alençon
Blanche de France, daughter of King Louis IX of France and Margaret of Provence
[front to rear]


Taken in the Basilica of Saint-Denis, Saint-Denis arrondissement, Paris

Basilique de Saint-Denis (Basilica of Saint-Denis)
Built on the tomb of Saint Denis, a missionary bishop who died around 250, a first church was probably built in the 5th century.
From the death of King Dagobert, in 639, until the 19th century, the abbey of Saint-Denis welcomed the burial of 43 kings, 32 queens and a dozen servants of the monarchy. It gradually became the most important collection in Europe of funerary sculptures made from the 12th to the 16th century. This role as a royal necropolis earned it the nickname "the cemetery of kings " by a 13th century chronicler. Today, the monument houses no less than 70 recumbents and tombs.
In the 12th century, the Saint-Denis basilica was established as a new architectural masterpiece under the impetus of Abbot Suger, advisor to Louis VI and Louis VII. It was gradually rebuilt in a new style, with innovative principles for the time, such as the ribbed vaults.
Following the Revolution, in 1792, the monks had to leave their buildings, whose reconstruction had just been completed. In October 1793, the royal bodies of the Bourbons were exhumed from the lead tombs, as France was at war and needed metal to make bullets. In 1794, the Commission of Arms and Powder ordered the removal of the roof made of lead sheets.
Disused, the ruined building was more or less exposed to the elements for many years. It was then transformed into a theater and a warehouse for flour and wheat!
However, under the impulse of Châteaubriant, at the beginning of the Empire, Napoleon I decided to restore the monument to dedicate it to the burial of the emperors and to remind the memory of the former kings...In 1817, Louis XVIII, the new Bourbon king, decided to have the mixed remains of the sovereigns searched for and reburied in an ossuary in the crypt, the former vault of Turenne.
In 1809, Napoleon signed the decree for the installation of the educational center of the Legion of Honor, which is still in place today, in the old monastic buildings...in 1813, Napoleon I commissioned the architect François Debret to restore the building. A colossal project was undertaken throughout the monument: stained glass windows, facades, floors, vaults and sculptures were restored. However, the work was contested from the 1830s onwards and gave rise to controversy, culminating in the question of the north spire. On June 9, 1837, lightning struck the 90 m high spire, Debret had it repaired, but the tornado of 1845 weakened it again, which precipitated the departure of the architect and his replacement by Viollet-le-Duc.
[www.saint-denis-basilique.fr]

The Veliki Preslav Ruins _3462 by hkoons

© hkoons, all rights reserved.

The Veliki Preslav Ruins  _3462

From a wikipedia: The name of Preslav is of Slavic origin; apparently it was initially founded and functioned as a Slavic settlement until its fortification at the beginning of the ninth century. The proximity to the then Bulgarian capital of Pliska led to the fast development and expansion of Preslav during the reign of the Khans Krum and Omurtag. By the time of the coronation of Khan Boris I in 852, Preslav had turned into an important strategic military centre and was the seat of the Ichirgu-boil. A number of churches were built in the city after the conversion of the Bulgarians to Christianity in 864.

The pagan revolt of the Pliska nobility led by Prince Vladimir in 892 was decisive for the future destiny of the city. In 893 Vladimir was dethroned and during the Council of Preslav Boris I appointed Simeon the Great as his successor and decided to move the capital of the state from the still somewhat pagan Pliska to Preslav. In the following 80 years the city developed rapidly, turning into a centre not only of Bulgarian politics and diplomacy, but also of Slavic culture, literature and fine arts. A chronicler mentioned that it took Simeon 28 years to establish and build up his new capital. Archeological excavations have, however, proved that the city continued to develop also during the 930s and 940s and reached the peak in its growth and magnificence in the middle of the rule of Emperor Peter I of Bulgaria.


The Round Church, also known as the Golden Church of Veliki Preslav
In view of the impressive town planning, the vital economy and the grandeur of buildings like the Round Church and the Royal Palace, Preslav was a true rival of the largest and most important city centres in the western hemisphere. Culturally, it was the centre of the Preslav Literary School which was founded in Pliska in 886 and was moved to Preslav along with the rest of the court in 893. The greatest Bulgarian writers from the Old Bulgarian period worked in Preslav, among them John Exarch, Constantine of Preslav, Chernorizets Hrabar. It was probably around the Preslav Literary School that the Cyrillic script developed in the tenth century. The city also had large ceramic workshops which produced art ceramics, glazed tiles, as well as ceramic icons and iconostases.

The city's fortune underwent a dramatic downturn at the end of the 960s, when it was occupied by Kievan Prince Sviatoslav. The ensuing war between Rus' and Byzantines left the city burnt and ravaged by the army of Byzantine Emperor John I Tzimisces. The conquerors took away the treasury, the Bulgarian Tsar's regalia and a large part of the library of Simeon. Although the city did not lose its importance in the next three hundred years, the neighbouring outskirts and the big monasteries became desolate, the economy lost its vitality and significance. It is mentioned by Anna Komnene in the Alexiad under the hellenised name Megale Peristhlaba.

Preslav regained some of its importance in Bulgarian politics during the first years of the joint rule of the founders of the Second Bulgarian Empire, Peter IV of Bulgaria and Ivan Asen I. Apparently, Ivan Asen ruled from the centre of the uprising, Tarnovgrad, whereas his brother and co-ruler Theodore Peter resided in Preslav as a symbol of the renewed statehood of Bulgaria. The strategic advantages of Tarnovgrad were, however, decisive in the long run and the significance of Preslav waned in the course of the 13th century. The Tatar raids during the 1270s drove away the last citizens of Preslav, along with the protothroned bishop of the city. Some of the surviving refugees built up a village of the same name only two kilometres north from the fortress where the contemporary town of Veliki Preslav is now situated.

Peter I - Peter The Great Statue - Памятник Петру I, Petrovsky Square - Petrovskiy Skver - Петровский сквер, Voronezh, Voronezh Oblast, Russian Federation. by millicand@rocketmail.com

© millicand@rocketmail.com, all rights reserved.

Peter I - Peter The Great Statue - Памятник Петру I, Petrovsky Square - Petrovskiy Skver - Петровский сквер, Voronezh, Voronezh Oblast, Russian Federation.

Peter I commonly known as Peter the Great, was Tsar of all Russia from 1682, and the first Emperor of all Russia from 1721 until his death in 1725. He reigned jointly with his half-brother Ivan V until 1696. From this year, Peter was an absolute monarch who remained the ultimate authority. His methods were often harsh and autocratic.

Most of Peter's reign was consumed by long wars against the Ottoman and Swedish Empires. Despite initial difficulties, the wars were ultimately successful and led to expansion to the Sea of Azov and the Baltic Sea, thus laying the groundwork for the Imperial Russian Navy. His victory in the Great Northern War ended Sweden's era as a great power and its domination of the Baltic region while elevating Russia's standing to the extent it came to be acknowledged as an empire. Peter led a cultural revolution that replaced some of the traditionalist and medieval social and political systems with ones that were modern, scientific, Westernized, and based on radical Enlightenment.

In 1700, he introduced the Gregorian calendar but the Russian Orthodox Church was particularly resistant to this change; they wanted to maintain its distinct identity and avoid appearing influenced by Catholic practices.[citation needed] In 1703, he introduced the first Russian newspaper, Sankt-Peterburgskie Vedomosti, and ordered the civil script, a reform of Russian orthography largely designed by himself. He founded the city of Saint Petersburg on the shore of the Neva as a "window to the West" in May 1703. In 1712 Peter moved the capital from Moscow to Saint Petersburg, where it remained – with only a brief interruption – until 1918. He promoted higher education and industrialization in the Russian Empire.

Peter had a great interest in plants, animals and minerals, in malformed creatures or exceptions to the law of nature for his cabinet of curiosities. He encouraged research of deformities, all along trying to debunk the superstitious fear of monsters. The Russian Academy of Sciences and the Saint Petersburg State University were founded in 1724, a year before his death.

Peter is primarily credited with the modernization of the country, transforming it into a major European power. His administrative reforms, creating a Governing Senate in 1711, the Collegium in 1717 and the Table of Ranks in 1722 had a lasting impact on Russia, and many institutions of the Russian government trace their origins to his reign.

Early life
Peter was named after the apostle. He grew up at Izmaylovo Estate and was educated from an early age by several tutors commissioned by his father, Tsar Alexis of Russia, most notably Nikita Zotov, Patrick Gordon, and Paul Menesius. On 29 January 1676, Alexis died, leaving the sovereignty to Peter's elder half-brother, the weak and sickly Feodor III of Russia. Throughout this period, the government was largely run by Artamon Matveev, an enlightened friend of Alexis, the political head of the Naryshkin family and one of Peter's greatest childhood benefactors.

This position changed when Feodor died in 1682. As Feodor did not leave any children, a dispute arose between the Miloslavsky family (Maria Miloslavskaya was the first wife of Alexis I) and Naryshkin family (Natalya Naryshkina was his second) over who should inherit the throne. He jointly ruled with his elder half-brother, Ivan V, until 1696. Ivan, was next in line but was chronically ill and of infirm mind. Consequently, the Boyar Duma (a council of Russian nobles) chose the 10-year-old Peter to become Tsar, with his mother as regent.

This arrangement was brought before the people of Moscow, as ancient tradition demanded, and was ratified. Sophia, one of Alexis' daughters from his first marriage, led a rebellion of the Streltsy (Russia's elite military corps) in April–May 1682. In the subsequent conflict, some of Peter's relatives and friends were murdered, including Artamon Matveyev, and Peter witnessed some of these acts of political violence.

The Streltsy made it possible for Sophia, the Miloslavskys (the clan of Ivan) and their allies to insist that Peter and Ivan be proclaimed joint Tsars, with Ivan being acclaimed as the senior. Sophia then acted as regent during the minority of the sovereigns and exercised all power. For seven years, she ruled as an autocrat. A large hole was cut in the back of the dual-seated throne used by Ivan and Peter. Sophia would sit behind the throne and listen as Peter conversed with nobles, while feeding him information and giving him responses to questions and problems. He lived at Preobrazhenskoye. This throne can be seen in the Kremlin Armoury in Moscow.

At the age of 16, Peter discovered an English boat on the estate, had it restored and learned to sail. He received a sextant, but did not know how to use the instrument. Therefore, he began a search for a foreign expert in the German Quarter. Peter befriended two Dutch carpenters, Frans Timmerman and Karsten Brandt, and several other foreigners in Russian service. Peter studied arithmetic, geometry, and military sciences. He was not interested in a musical education but seems to have liked fireworks and drumming.

Peter was not particularly concerned that others ruled in his name. He engaged in such pastimes as shipbuilding and sailing, as well as mock battles with his toy army. Peter's mother sought to force him to adopt a more conventional approach and arranged his marriage to Eudoxia Lopukhina in 1689. The marriage was a failure, and ten years later Peter forced his wife to become a nun and thus freed himself from the union.

By the summer of 1689, Peter, planned to take power from his half-sister Sophia, whose position had been weakened by two unsuccessful Crimean campaigns against the Crimean Khanate in an attempt to stop devastating Crimean Tatar raids into Russia's southern lands. When she learned of his designs, Sophia conspired with some leaders of the Streltsy, who continually aroused disorder and dissent. Peter, warned by others from the Streltsy, escaped in the middle of the night to the impenetrable monastery of Troitse-Sergiyeva Lavra; there he slowly gathered adherents who perceived he would win the power struggle. Sophia was eventually overthrown, with Peter I and Ivan V continuing to act as co-tsars. Peter forced Sophia to enter a convent, where she gave up her name and her position as a member of the royal family.

Still, Peter could not acquire actual control over Russian affairs. Power was instead exercised by his mother, Natalya Naryshkina. It was only when Natalya died in 1694 that Peter, then aged 22, became an independent sovereign. Formally, Ivan V was a co-ruler with Peter, though being ineffective. Peter became the sole ruler when Ivan died in 1696 without male offspring, two years later.

Peter grew to be extremely tall, especially for the time period, reportedly standing 6 ft 8 in (2.03 m). Peter had noticeable facial tics, and he may have suffered from petit mal seizures, a form of epilepsy. Meanwhile, he was a frequent guest in German quarter, where he met Anna and Willem Mons.

Ideology of Peter's reign
As a young man, Peter I adopted the Protestant model of existence in a pragmatic world of competition and personal success, which largely shaped the philosophy of his reformism. He perceived the Russian people as rude, unintelligent, stubborn in their sluggishness, a child, a lazy student. He highly appreciated the state's role in the life of society, saw it as an ideal instrument for achieving high goals, saw it as a universal institution for transforming people, with the help of violence and fear, into educated, conscious, law-abiding and useful to the whole society subjects.

He introduced into the concept of the autocrat's power the notion of the monarch's duties. He considered it necessary to take care of his subjects, to protect them from enemies, to work for their benefit. Above all, he put the interests of Russia. He saw his mission in turning it into a power similar to Western countries, and subordinated his own life and the lives of his subjects to the realization of this idea. Gradually penetrated the idea that the task should be solved with the help of reforms, which will be carried out at the autocrat's will, who creates good and punishes evil. He considered the morality of a statesman separately from the morality of a private person and believed that the sovereign in the name of state interests can go to murder, violence, forgery and deceit.

He went through the naval service, starting from the lowest ranks: bombardier (1695), captain (1696), colonel (1706), schout-bij-nacht (1709), vice-admiral (1714), admiral (1721). By hard daily work (according to the figurative expression of Peter the Great himself, he was simultaneously "forced to hold a sword and a quill in one right hand") and courageous behavior he demonstrated to his subjects his personal positive example, showed how to act, fully devoting himself to the fulfillment of duty and service to the fatherland.

Reign
Peter implemented sweeping reforms aimed at modernizing Russia. Heavily influenced by his advisors from Western Europe, Peter reorganized the Russian army along modern lines and dreamed of making Russia a maritime power. He faced much opposition to these policies at home but brutally suppressed rebellions against his authority, including by the Streltsy, Bashkirs, Astrakhan, and the greatest civil uprising of his reign, the Bulavin Rebellion.

Peter implemented social modernization in an absolute manner by introducing French and western dress to his court and requiring courtiers, state officials, and the military to shave their beards and adopt modern clothing styles. One means of achieving this end was the introduction of taxes for long beards and robes in September 1698.

In his process to westernize Russia, he wanted members of his family to marry other European royalty. In the past, his ancestors had been snubbed at the idea, but now, it was proving fruitful. He negotiated with Frederick William, Duke of Courland to marry his niece, Anna Ivanovna. He used the wedding in order to launch his new capital, St Petersburg, where he had already ordered building projects of westernized palaces and buildings. Peter hired Italian and German architects to design it.

As part of his reforms, Peter started an industrialization effort that was slow but eventually successful. Russian manufacturing and main exports were based on the mining and lumber industries. For example, by the end of the century Russia came to export more iron than any other country in the world.

To improve his nation's position on the seas, Peter sought more maritime outlets. His only outlet at the time was the White Sea at Arkhangelsk. The Baltic Sea was at the time controlled by Sweden in the north, while the Black Sea and the Caspian Sea were controlled by the Ottoman Empire and Safavid Empire respectively in the south.

Peter attempted to acquire control of the Black Sea, which would require expelling the Tatars from the surrounding areas. As part of an agreement with Poland that ceded Kiev to Russia, Peter was forced to wage war against the Crimean Khan and against the Khan's overlord, the Ottoman Sultan. Peter's primary objective became the capture of the Ottoman fortress of Azov, near the Don River. In the summer of 1695 Peter organized the Azov campaigns to take the fortress, but his attempts ended in failure.

Peter returned to Moscow in November 1695 and began building a large navy in Voronezh. He launched about thirty ships against the Ottomans in 1696, capturing Azov in July of that year.

Grand Embassy
Peter knew that Russia could not face the Ottoman Empire alone. In 1697, he traveled "incognito" to Western Europe on an 18-month journey with a large Russian delegation–the so-called "Grand Embassy". He used a fake name, allowing him to escape social and diplomatic events, but since he was far taller than most others, he could not fool anyone. One goal was to seek the aid of European monarchs, but Peter's hopes were dashed. France was a traditional ally of the Ottoman Sultan, and Austria was eager to maintain peace in the east while conducting its own wars in the west. Peter, furthermore, had chosen an inopportune moment: the Europeans at the time were more concerned about the War of the Spanish Succession over who would succeed the childless King Charles II of Spain than about fighting the Ottoman Sultan.

In Königsberg, the Tsar was apprenticed for two months to an artillery engineer. In July he met Sophia of Hanover at Coppenbrügge castle. She described him: "The tsar is a tall, handsome man, with an attractive face. He has a lively mind is very witty. Only, someone so well endowed by nature could be a little better mannered." Peter rented a ship in Emmerich am Rhein and sailed to Zaandam, where he arrived on 18 August 1697. He studied saw-mills, manufacturing and shipbuilding but left after a week. Through the mediation of Nicolaas Witsen, an expert on Russia, the Tsar was given the opportunity to gain practical experience in shipyard, belonging to the Dutch East India Company, for a period of four months, under the supervision of Gerrit Claesz Pool. The diligent and capable Tsar assisted in the construction of an East Indiaman ship Peter and Paul specially laid down for him. During his stay the Tsar engaged many skilled workers such as builders of locks, fortresses, shipwrights, and seamen—including Cornelis Cruys, a vice-admiral who became, under Franz Lefort, the Tsar's advisor in maritime affairs. Peter later put his knowledge of shipbuilding to use in helping build Russia's navy.

Peter felt that the ship's carpenters in Holland worked too much by eye and lacked accurate construction drawings. On 11 January 1698 (Old Style) Peter arrived at Victoria Embankment with four chamberlains, three interpreters, two clock makers, a cook, a priest, six trumpeters, 70 soldiers from the Preobrazhensky regiment, four dwarfs and a monkey. Peter stayed at 21 Norfolk Street, Strand and met with King William III and Gilbert Burnet, attended a session of the Royal Society, received a doctorate from Oxford University, trained a telescope on Venus at the Greenwich Observatory, and saw a Fleet Review by Royal Navy at Deptford. He studied the English techniques of city-building he would later use to great effect at Saint Petersburg. At the end of April 1698 he left after learning to make watches, carpenting coffins and posing for Sir Godfrey Kneller.

The Embassy next went to Leipzig, Dresden, Prague and Vienna. Peter spoke with Augustus II the Strong and Leopold I, Holy Roman Emperor.[18] Peter's visit was cut short, when he was forced to rush home by a rebellion of the Streltsy. The rebellion was easily crushed before Peter returned home; of the Tsar's troops, only one was killed. Peter nevertheless acted ruthlessly towards the mutineers. Over one thousand two hundred of the rebels were tortured and executed, and Peter ordered that their bodies be publicly exhibited as a warning to future conspirators. The Streltsy were disbanded, some of the rebels were deported to Siberia, and the individual they sought to put on the Throne — Peter's half-sister Sophia — was forced to become a nun.

Peter's visits to the West impressed upon him the notion that European customs were in several respects superior to Russian traditions. He commanded all of his courtiers and officials to wear European clothing and cut off their long beards, causing his Boyars, who were very fond of their beards, great upset. Boyars who sought to retain their beards were required to pay an annual beard tax of one hundred rubles. Peter also sought to end arranged marriages, which were the norm among the Russian nobility, because he thought such a practice was barbaric and led to domestic violence, since the partners usually resented each other.

In 1698, Peter I instituted a beard tax to modernize Russian society. In the same year Peter sent a delegation to Malta, under boyar Boris Sheremetev, to observe the training and abilities of the Knights of Malta and their fleet. Sheremetev investigated the possibility of future joint ventures with the Knights, including action against the Turks and the possibility of a future Russian naval base. On 12 September 1698, Peter officially founded the first Russian Navy base, Taganrog on the Sea of Azov.

In 1699, Peter changed the date of the celebration of the new year from 1 September to 1 January. Traditionally, the years were reckoned from the purported creation of the World, but after Peter's reforms, they were to be counted from the birth of Christ. Thus, in the year 7207 of the old Russian calendar, Peter proclaimed that the Julian Calendar was in effect and the year was 1700. On the death of Lefort in 1699, Menshikov succeeded him as Peter's prime favourite and confidant. In 1701, the Moscow School of Mathematics and Navigation was founded; for fifteen years, not only naval officers, but also surveyors, engineers, and gunners were educated there.

Great Northern War
First Winter Palace
Peter made a temporary peace with the Ottoman Empire that allowed him to keep the captured fort of Azov, and turned his attention to Russian maritime supremacy. He sought to acquire control of the Baltic Sea, which had been taken by the Swedish Empire a half-century earlier. Peter declared war on Sweden, which was at the time led by the young King Charles XII. Sweden was also opposed by Denmark–Norway, Saxony, and the Polish–Lithuanian Commonwealth. The Preobrazhensky regiment took part in all major battles of the Great Northern War.

Russia was ill-prepared to fight the Swedes, and their first attempt at seizing the Baltic coast ended in disaster at the Battle of Narva in 1700. In the conflict, the forces of Charles XII, rather than employ a slow methodical siege, attacked immediately using a blinding snowstorm to their advantage. After the battle, Charles XII decided to concentrate his forces against the Polish–Lithuanian Commonwealth, which gave Peter time to reorganize the Russian army. He invited Nicolaas Bidloo to organize a military hospital. In 1701, Peter the Great signed a decree on the opening of Moscow School of Mathematics and Navigation.

While the Poles fought the Swedes, Peter founded the city of Saint Petersburg on 29 June 1703, in Ingermanland (a province of the Swedish Empire that he had captured). It was named after his patron saint Saint Peter. He forbade the building of stone edifices outside Saint Petersburg, which he intended to become Russia's capital, so that all stonemasons could participate in the construction of the new city. Peter moved the capital to St. Petersburg in 1703. While the city was being built along the Neva he lived in a modest three-room log cabin (with a study but without a fire-place) which had to make room for the first version of the Winter palace. The first buildings which appeared were the Peter and Paul Fortress, a shipyard at the Admiralty and Alexander Nevsky Lavra.

Following several defeats, Polish King Augustus II the Strong abdicated in 1706. Swedish king Charles XII turned his attention to Russia, invading it in 1708. After crossing into Russia, Charles defeated Peter at Golovchin in July. In the Battle of Lesnaya, Charles suffered his first loss after Peter crushed a group of Swedish reinforcements marching from Riga. Deprived of this aid, Charles was forced to abandon his proposed march on Moscow.

Charles XII refused to retreat to Poland or back to Sweden and instead invaded Ukraine. Peter withdrew his army southward, employing scorched earth, destroying along the way anything that could assist the Swedes. Deprived of local supplies, the Swedish army was forced to halt its advance in the winter of 1708–1709. In the summer of 1709, they resumed their efforts to capture Russian-ruled Ukraine, culminating in the Battle of Poltava on 27 June. The battle was a decisive defeat for the Swedish forces, ending Charles' campaign in Ukraine and forcing him south to seek refuge in the Ottoman Empire. Russia had defeated what was considered to be one of the world's best militaries, and the victory overturned the view that Russia was militarily incompetent. In Poland, Augustus II was restored as King.

Peter, overestimating the support he would receive from his Balkan allies, attacked the Ottoman Empire, initiating the Russo-Turkish War of 1710. Peter's campaign in the Ottoman Empire was disastrous, and in the ensuing Treaty of the Pruth, Peter was forced to return the Black Sea ports he had seized in 1697. In return, the Sultan expelled Charles XII.

The Ottomans called him Mad Peter (Turkish: deli Petro), for his willingness to sacrifice large numbers of his troops in wartime. Peter I loved all sorts of rarities and curiosities. In 1704 Abram Petrovich Gannibal, a child with Ethiopian origin, was presented to him; in 1716 Peter took him to Paris.

In 1711, Peter established by decree a new state body known as the Governing Senate. Normally, the Boyar duma would have exercised power during his absence. Peter, however, mistrusted the boyars; he instead abolished the Duma and created a Senate of ten members. The Senate was founded as the highest state institution to supervise all judicial, financial and administrative affairs. Originally established only for the time of the monarch's absence, the Senate became a permanent body after his return. A special high official, the Ober-Procurator, served as the link between the ruler and the senate and acted, in Peter own words, as "the sovereign's eye". Without his signature no Senate decision could go into effect; the Senate became one of the most important institutions of Imperial Russia.

1712, Peter I issued a decree establishing an Engineering School in Moscow, which was supposed to recruit up to 150 students, and two-thirds of them were to consist of nobles.[31] Therefore, on 28 February 1714, he issued a decree calling for compulsory education, which dictated that all Russian 10- to 15-year-old children of the nobility, government clerks, and lesser-ranked officials must learn basic mathematics and geometry, and should be tested on the subjects at the end of their studies.

Peter's northern armies took the Swedish province of Livonia (the northern half of modern Latvia, and the southern half of modern Estonia), driving the Swedes out of Finland. In 1714 the Russian fleet won the Battle of Gangut. Most of Finland was occupied by the Russians.

In 1716, the Tsar visited Riga, and Danzig in January, Stettin, and obtained the assistance of the Electorate of Hanover and the Kingdom of Prussia fighting a war against Sweden at Wismar. He was forced to leave Mecklenburg. In Altona he met with Danish diplomats. He went on to Bad Pyrmont in May/June, because of an illness he stayed at this spa. He arrived in Amsterdam in December, where he bought some interesting collections: those of Frederik Ruysch, Levinus Vincent and Albertus Seba and paintings by Maria Sibylla Merian for his Kunstkamera. He visited a silk manufacture and a paper-mill, and learned to create paper and to spin silk. He visited Herman Boerhaave and Carel de Moor in Leiden and ordered two mercury thermometers from Daniel Gabriel Fahrenheit and instruments from Musschenbroek. In April 1717 he continued his travel from Flushing to Brussels in the Austrian Netherlands and Dunkirk, Calais, Paris, where he obtained many books and proposed a marriage between his daughter and King Louis XV. Saint-Simon described him as "tall, well-formed and slim…with a look both bewildered and fierce." Via Reims, and Spa Peter travelled on to Maastricht, at that time one of the most important fortresses in Europe, where he was received by Daniël van Dopff, the commander of the fortress. He went back to Amsterdam and visited the Hortus Botanicus and left the city early September.

The Tsar's navy was powerful enough that the Russians could penetrate Sweden. Still, Charles XII refused to yield, and not until his death in battle in 1718 did peace become feasible. After the battle near Åland, Sweden made peace with all powers but Russia by 1720. In 1721, the Treaty of Nystad ended the Great Northern War. Russia acquired Ingria, Estonia, Livonia, and a substantial portion of Karelia. In turn, Russia paid two million Riksdaler and surrendered most of Finland. The Tsar retained some Finnish lands close to Saint Petersburg, which he had made his capital in 1712. Between 1713 and 1728, and from 1732 to 1918, Saint Petersburg was the capital of imperial Russia.

Title
Following his victory in the Great Northern War, he adopted the title of emperor in 1721.

By the grace of God, the most excellent and great sovereign emperor Pyotr Alekseevich the ruler of all the Russias: of Moscow, of Kiev, of Vladimir, of Novgorod, Tsar of Kazan, Tsar of Astrakhan and Tsar of Siberia, sovereign of Pskov, great prince of Smolensk, of Tver, of Yugorsk, of Perm, of Vyatka, of Bulgaria and others, sovereign and great prince of the Novgorod Lower lands, of Chernigov, of Ryazan, of Rostov, of Yaroslavl, of Belozersk, of Udora, of Kondia and the sovereign of all the northern lands, and the sovereign of the Iverian lands, of the Kartlian and Georgian Kings, of the Kabardin lands, of the Circassian and Mountain princes and many other states and lands western and eastern here and there and the successor and sovereign and ruler.

Later years
In 1717, Alexander Bekovich-Cherkassky led the first Russian military expedition into Central Asia against the Khanate of Khiva. The expedition ended in complete disaster when the entire expeditionary force was slaughtered.

In 1718, Peter investigated why the formerly Swedish province of Livonia was so orderly. He discovered that the Swedes spent as much administering Livonia (300 times smaller than his empire) as he spent on the entire Russian bureaucracy. He was forced to dismantle the province's government.

To the end of 1717, the preparatory phase of administrative reform in Russia was completed. After 1718, Peter established colleges in place of the old central agencies of government, including foreign affairs, war, navy, expense, income, justice, and inspection. Later others were added, to regulate mining and industry. Each college consisted of a president, a vice-president, a number of councilors and assessors, and a procurator. Some foreigners were included in various colleges but not as president. Peter did not have enough loyal, talented or educated persons to put in full charge of the various departments. Peter preferred to rely on groups of individuals who would keep check on one another. Decisions depended on the majority vote.

Peter's last years were marked by further reform in Russia. On 22 October 1721, soon after peace was made with Sweden, he was officially proclaimed Emperor of All Russia. Some proposed that he take the title Emperor of the East, but he refused. Gavrila Golovkin, the State Chancellor, was the first to add "the Great, Father of His Country, Emperor of All the Russias" to Peter's traditional title Tsar following a speech by the archbishop of Pskov in 1721. Peter's imperial title was recognized by Augustus II of Poland, Frederick William I of Prussia, and Frederick I of Sweden, but not by the other European monarchs. In the minds of many, the word emperor connoted superiority or pre-eminence over kings. Several rulers feared that Peter would claim authority over them, just as the Holy Roman Emperor had claimed suzerainty over all Christian nations.

In 1722, Peter created a new order of precedence known as the Table of Ranks. Formerly, precedence had been determined by birth. To deprive the Boyars of their high positions, Peter directed that precedence should be determined by merit and service to the Emperor. The Table of Ranks continued to remain in effect until the Russian monarchy was overthrown in 1917.

The once powerful Persian Safavid Empire to the south was in deep decline. Taking advantage of the profitable situation, Peter launched the Russo-Persian War of 1722–1723, otherwise known as "The Persian Expedition of Peter the Great", which drastically increased Russian influence for the first time in the Caucasus and Caspian Sea region, and prevented the Ottoman Empire from making territorial gains in the region. After considerable success and the capture of many provinces and cities in the Caucasus and northern mainland Persia, the Safavids were forced to hand over territory to Russia, comprising Derbent, Shirvan, Gilan, Mazandaran, Baku, and Astrabad. Within twelve years all the territories were ceded back to Persia, now led by the charismatic military genius Nader Shah, as part of the Treaty of Resht, the Treaty of Ganja, and as the result of a Russo-Persian alliance against the Ottoman Empire, which was the common enemy of both.

Peter introduced new taxes to fund improvements in Saint Petersburg. He abolished the land tax and household tax and replaced them with a poll tax. The taxes on land and on households were payable only by individuals who owned property or maintained families. The new head taxes were payable by serfs and paupers. In 1725 the construction of Peterhof, a palace near Saint Petersburg, was completed. Peterhof (Dutch for "Peter's Court") was a grand residence, becoming known as the "Russian Versailles".

In the winter of 1723, Peter, whose overall health was never robust, began having problems with his urinary tract and bladder. In the summer of 1724, a team of doctors performed surgery releasing upwards of four pounds of blocked urine. Peter remained bedridden until late autumn. In the first week of October, restless and certain he was cured, Peter began a lengthy inspection tour of various projects. According to legend, in November, at Lakhta along the Gulf of Finland to inspect some ironworks, Peter saw a group of soldiers drowning near shore and, wading out into near-waist deep water, came to their rescue.

This icy water rescue is said to have exacerbated Peter's bladder problems and caused his death. The story, however, has been viewed with skepticism by some historians, pointing out that the German chronicler Jacob von Staehlin is the only source for the story, and it seems unlikely that no one else would have documented such an act of heroism. This, plus the interval of time between these actions and Peter's death seems to preclude any direct link.

In early January 1725, Peter was struck once again with uremia. Legend has it that before lapsing into unconsciousness Peter asked for a paper and pen and scrawled an unfinished note that read: "Leave all to ..." and then, exhausted by the effort, asked for his daughter Anna to be summoned.

Peter died between four and five in the morning 8 February 1725. An autopsy revealed his bladder to be infected with gangrene. He was fifty-two years, seven months old when he died, having reigned forty-two years. He is interred in Saints Peter and Paul Cathedral, Saint Petersburg, Russia.

After the death of Peter I, there were immediately students who came to the Military College with a request to "leave science" under the pretext of "unconsciousness and incomprehensibility."

Religion
Peter did not believe in miracles and founded The All-Joking, All-Drunken Synod of Fools and Jesters, an organization that mocked the Orthodox and Catholic Church when he was eighteen. In January 1695, Peter refused to partake in a traditional Russian Orthodox ceremony of the Epiphany Ceremony, and would often schedule events for The All-Joking, All-Drunken Synod of Fools and Jesters to directly conflict with the Church. He often used the nickname Pakhom Mikhailov (Russian: Пахом Михайлов) among the ministers of religion who made up his relatively close circle of long-term drinking companions. He drank less than the others, deliberately getting the others drunk in order to listen to their drunken conversations.

Peter was brought up in the Russian Orthodox faith, but he had low regard for the Church hierarchy, which he kept under tight governmental control. The traditional leader of the Church was the Patriarch of Moscow. In 1700, when the office fell vacant, Peter refused to name a replacement, allowing the patriarch's coadjutor (or deputy) to discharge the duties of the office. Peter could not tolerate the patriarch exercising power superior to the tsar, as indeed had happened in the case of Philaret (1619–1633) and Nikon (1652–66). In 1716 he invited Theophan Prokopovich to come to the capital. In 1718 he ordered to translate the "Introduction to European History" (a work by Samuel Pufendorf); the Ecclesiastical Regulations of 1721 are based on it. The Church reform of Peter the Great therefore abolished the patriarchate, replacing it with a Holy Synod that was under the control of a Procurator, and the tsar appointed all bishops.

In 1721, Peter followed the advice of Prokopovich in designing the Holy Synod as a council of ten clergymen. For leadership in the Church, Peter turned increasingly to Ukrainians, who were more open to reform, but were not well loved by the Russian clergy. Peter implemented a law that stipulated that no Russian man could join a monastery before the age of fifty. He felt that too many able Russian men were being wasted on clerical work when they could be joining his new and improved army.

A clerical career was not a route chosen by upper-class society. Most parish priests were sons of priests and were very poorly educated and paid. The monks in the monasteries had a slightly higher status; they were not allowed to marry. Politically, the Church was impotent.

Marriages and family
Peter the Great had two wives, with whom he had fifteen children, three of whom survived to adulthood. Peter's mother selected his first wife, Eudoxia Lopukhina, with the advice of other nobles in 1689. This was consistent with previous Romanov tradition by choosing a daughter of a minor noble. This was done to prevent fighting between the stronger noble houses and to bring fresh blood into the family. He also had a mistress from Westphalia, Anna Mons.

Upon his return from his European tour in 1698, Peter sought to end his unhappy marriage. He divorced the Tsaritsa and forced her to join a convent. She had borne him three children, although only one, Alexei Petrovich, Tsarevich of Russia, had survived past his childhood.

Menshikov introduced him to Marta Helena Skowrońska, a Polish-Lithuanian peasant, and took her as a mistress some time between 1702 and 1704. Marta converted to the Russian Orthodox Church and was given the name Catherine. Though no record exists, Catherine and Peter married secretly between 23 Oct and 1 December 1707 in St. Petersburg. Peter valued Catherine and married officially, at Saint Isaac's Cathedral in Saint Petersburg on 19 February 1712.

His eldest child and heir, Alexei, was suspected of being involved in a plot to overthrow the Emperor. Alexei was tried and confessed under torture during questioning conducted by a secular court (count Tolstoy). He was convicted and sentenced to be executed. The sentence could only be carried out with Peter's signed authorization, and Alexei died in prison, as Peter hesitated before making the decision. Alexei's death most likely resulted from injuries suffered during his torture. Alexei's mother Eudoxia was punished. She was dragged from her home, tried on false charges of adultery, publicly flogged, and confined in monasteries while being forbidden to be talked to.

In 1724, Peter had his second wife, Catherine, crowned as Empress, although he remained Russia's actual ruler.

Issue
By his two wives, he had fifteen children: three by Eudoxia and twelve by Catherine. These included four sons named Pavel and three sons named Peter, all of whom died in infancy. Only three of his children survived to adulthood. He also had three grandchildren: Tsar Peter II and Grand Duchess Natalia by Alexei and Tsar Peter III by Anna.

Mistresses and illegitimate children
Princess Maria Dmitrievna Cantemirovna of Moldavia (1700–1754), daughter of Dimitrie Cantemir
Unnamed son (1722 - 1723?) – different sources say that the baby was stillborn or died before he was one year old.
Lady Mary Hamilton, Catherine I's lady in waiting of Scottish descent.
Miscarriage (1715)
Unnamed child (1717 - 1718?)

Legacy
Peter's legacy has always been a major concern of Russian intellectuals. Riasanovsky points to a "paradoxical dichotomy" in the black and white images such as God/Antichrist, educator/ignoramus, architect of Russia's greatness/destroyer of national culture, father of his country/scourge of the common man. Voltaire's 1759 biography gave 18th-century Russians a man of the Enlightenment, while Alexander Pushkin's "The Bronze Horseman" poem of 1833 gave a powerful romantic image of a creator-god. Slavophiles in mid-19th century deplored Peter's westernization of Russia.

Western writers and political analysts recounted "The Testimony" or secret will of Peter the Great. It supposedly revealed his grand evil plot for Russia to control the world via conquest of Constantinople, Afghanistan and India. It was a forgery made in Paris at Napoleon's command when he started his invasion of Russia in 1812. Nevertheless, it is still quoted in foreign policy circles.

The Communists executed the last Romanovs, and their historians such as Mikhail Pokrovsky presented strongly negative views of the entire dynasty. Stalin however admired how Peter strengthened the state, and wartime, diplomacy, industry, higher education, and government administration. Stalin wrote in 1928, "when Peter the Great, who had to deal with more developed countries in the West, feverishly built works in factories for supplying the army and strengthening the country's defenses, this was an original attempt to leap out of the framework of backwardness." As a result, Soviet historiography emphasizes both the positive achievement and the negative factor of oppressing the common people.

After the fall of Communism in 1991, scholars and the general public in Russia and the West gave fresh attention to Peter and his role in Russian history. His reign is now seen as the decisive formative event in the Russian imperial past. Many new ideas have merged, such as whether he strengthened the autocratic state or whether the tsarist regime was not statist enough given its small bureaucracy. Modernization models have become contested ground.

He initiated a wide range of economic, social, political, administrative, educational and military reforms which ended the dominance of traditionalism and religion in Russia and initiated its westernization. His efforts included secularization of education, organization of administration for effective governance, enhanced use of technology, establishing an industrial economy, modernization of the army and establishment of a strong navy.

Historian Y. Vodarsky said in 1993 that Peter, "did not lead the country on the path of accelerated economic, political and social development, did not force it to 'achieve a leap' through several stages.... On the contrary, these actions to the greatest degree put a brake on Russia's progress and created conditions for holding it back for one and a half centuries!" The autocratic powers that Stalin admired appeared as a liability to Evgeny Anisimov, who complained that Peter was, "the creator of the administrative command system and the true ancestor of Stalin."

According to Encyclopaedia Britannica, "He did not completely bridge the gulf between Russia and the Western countries, but he achieved considerable progress in development of the national economy and trade, education, science and culture, and foreign policy. Russia became a great power, without whose concurrence no important European problem could thenceforth be settled. His internal reforms achieved progress to an extent that no earlier innovator could have envisaged."

While the cultural turn in historiography has downplayed diplomatic, economic and constitutional issues, new cultural roles have been found for Peter, for example in architecture and dress. James Cracraft argues:

The Petrine revolution in Russia—subsuming in this phrase the many military, naval, governmental, educational, architectural, linguistic, and other internal reforms enacted by Peter's regime to promote Russia's rise as a major European power—was essentially a cultural revolution, one that profoundly impacted both the basic constitution of the Russian Empire and, perforce, its subsequent development.
In popular culture

Peter has been featured in many histories, novels, plays, films, monuments and paintings. They include the poems The Bronze Horseman, Poltava and the unfinished novel The Moor of Peter the Great, all by Alexander Pushkin. The former dealt with The Bronze Horseman, an equestrian statue raised in Peter's honour. Aleksey Nikolayevich Tolstoy wrote a biographical historical novel about him, named Peter I, in the 1930s.

The 1922 German silent film Peter the Great directed by Dimitri Buchowetzki and starring Emil Jannings as Peter
In 1929 A.N. Tolstoy's play was true to the party line, depicting Peter as a tyrant who "suppressed everyone and everything as if he had been possessed by demons, sowed fear, and put both his son and his country on the rack."
The 1937–1938 Soviet film Peter the Great
The 1976 film How Czar Peter the Great Married Off His Moor, starring Aleksey Petrenko as Peter, and Vladimir Vysotsky as Abram Petrovich Gannibal, shows Peter's attempt to build the Baltic Fleet.
Peter was played by Jan Niklas and Maximilian Schell in the 1986 NBC miniseries Peter the Great.
The 2007 film The Sovereign's Servant depicts the unsavoury brutal side of Peter during the campaign.
A character based on Peter plays a major role in The Age of Unreason, a series of four alternate history novels written by American science fiction and fantasy author Gregory Keyes.
Peter is one of many supporting characters in Neal Stephenson's Baroque Cycle – mainly featuring in the third novel, The System of the World.
Peter was portrayed on BBC Radio 4 by Isaac Rouse as a boy, Will Howard as a young adult and Elliot Cowan as an adult in the radio plays Peter the Great: The Gamblers and Peter the Great: The Queen of Spades, written by Mike Walker and which were the last two plays in the first series of Tsar. The plays were broadcast on 25 September and 2 October 2016.
A verse in the "Engineers' Drinking Song" references Peter the Great:
There was a man named Peter the Great who was a Russian Tzar;
When remodeling his the castle put the throne behind the bar;
He lined the walls with vodka, rum, and 40 kinds of beers;
And advanced the Russian culture by 120 years!

Peter was played by Jason Isaacs in the 2020 'antihistory' Hulu series The Great.
Peter is featured as the leader of the Russian civilization in the computer game Sid Meier's Civilization VI.
Peter was played by Ivan Kolesnikov in the 2022 Russian historical documentary film Peter I: The Last Tsar and the First Emperor.

The Silhouette of the monument to the founder of Saint-Petersburg Emperor of all Russia Peter the Great from Catherine the Great. "The Bronze Horseman" (1768) by sculptor Etienne Maurice Falconet on Senate Square in Saint-Petersburg, Russian Empire. by sacalevic

© sacalevic, all rights reserved.

The Silhouette of the monument to the founder of Saint-Petersburg Emperor of all Russia Peter the Great from Catherine the Great. "The Bronze Horseman" (1768) by sculptor Etienne Maurice Falconet on Senate Square in  Saint-Petersburg, Russian Empire.

traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

.

.

.

.


.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.


ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini



ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale



JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini



KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island



KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini



KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie



LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale



LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro



LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052



MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi



MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252



MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi



MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora



MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero



MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale



NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini



NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport



NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini



PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi



PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora



POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini



PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano



ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini



Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice



RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini



SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini



SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC



SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora



SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi



SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie



SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini



SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island



SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale



SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini



THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260



TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi



TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale



UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri



UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi



UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini



URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini



VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini



ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta



ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares



Ellen Slegers





001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com



Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat



Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/



Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com



Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/



EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk



Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it



Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org



Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org



Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com



Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar



Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk



Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com



Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org



In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.arsculture.org/

www.eyeofthunderstorm.com



Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org



Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it



Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it



Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com



Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en



My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org







Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism



Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo



Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org



Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta



Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch



Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com



Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org



Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/



The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com



The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.arsculture.org/

www.dialogueoffire.org



The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw



The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/



The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li



The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.arsculture.org/



The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com



Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org



Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.westkowloon.hk/en/mplus

www.hkadc.org.hk

www.venicebiennale.hk



Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca



Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk



We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org



Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

Fragment of the Monument to the founder of Saint-Petersburg Emperor of all Russia Peter the Great from Catherine the Great. "The Bronze Horseman" (1768) by sculptor Etienne Maurice Falconet on Senate Square in Saint-Petersburg, Russian Empire. by sacalevic

© sacalevic, all rights reserved.

Fragment of the Monument to the founder of Saint-Petersburg Emperor of all Russia Peter the Great from Catherine the Great. "The Bronze Horseman" (1768) by sculptor Etienne Maurice Falconet on Senate Square in  Saint-Petersburg, Russian Empire.

traveladventureeverywhere.blogspot.com/2024/06/saint-pete...

.

.

.

.


.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.

.


ALBANIA

Albanian Trilogy: A Series of Devious Stratagems

Armando Lulaj

Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale

ANDORRA

Inner Landscapes

Roqué, Joan Xandri

Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez

Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865

ANGOLA

On Ways of Travelling

António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira

Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810

ARGENTINA

The Uprising of Form

Juan Carlos Diste´fano

Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi

ARMENIA, Republic of

Armenity / Haiyutioun

Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK

Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni

AUSTRALIA

Fiona Hall: Wrong Way Time

Fiona Hall

Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini

AUSTRIA

Heimo Zobernig

Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini

AZERBAIJAN, Republic of

Beyond the Line

Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada

Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949

Vita Vitale

Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie

Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416

BELARUS, Republic of

War Witness Archive

Konstantin Selikhanov

Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145

BELGIUM

Personnes et les autres

Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton

Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini

COSTA RICA

"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".

Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli

Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani

CROATIA

Studies on Shivering: The Third Degree

Damir Ocko

Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina

CUBA

El artista entre la individualidad y el contexto

Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo

Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island

CYPRUS, Republic of

Two Days After Forever

Christodoulos Panayiotou

Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079

CZECH Republic and SLOVAK Republic

Apotheosis

Jirí David

Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini

ECUADOR

Gold Water: Apocalyptic Black Mirrors

Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet

Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701

ESTONIA

NSFW. From the Abyss of History

Jaanus Samma

Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199

EGYPT

CAN YOU SEE

Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud

Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini

FINLAND (Pavilion Alvar Aalto)

Hours, Years, Aeons

IC-98

Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini

FRANCE

revolutions

Céleste Boursier-Mougenot

Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini

GEORGIA

Crawling Border

Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia

Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi

GERMANY

Fabrik

Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony

Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini

GREAT BRITAIN

Sarah Lucas

Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini

GRENADA *

Present Nearness

Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi

Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919

GREECE

Why Look at Animals? AGRIMIKÁ.

Maria Papadimitriou

Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini

BRAZIL

So much that it doesn't fit here

Antonio Manuel, André Komatsu, Berna Reale

Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini

CANADA

Canadassimo

BGL

Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini

CHILE

Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld

Paz Errázuriz, Lotty Rosenfeld

Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie

CHINA, People’s Republic of

Other Future

LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station

Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini

GUATEMALA

Sweet Death

Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe

Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani

HOLY SEE

Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi

HUNGARY

Sustainable Identities

Szilárd Cseke

Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini

ICELAND

Christoph Büchel

Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed

INDONESIA, Republic of

Komodo Voyage

Heri Dono

Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale

IRAN

Iranian Highlights

Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai

The Great Game

Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim

Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio

IRAQ

Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879

IRELAND

Adventure: Capital

Sean Lynch

Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie

ISRAEL

Tsibi Geva | Archeology of the Present

Tsibi Geva

Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini



ITALY

Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale



JAPAN

The Key in the Hand

Chiharu Shiota

Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini



KENYA

Creating Identities

Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center

Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island



KOREA, Republic of

The Ways of Folding Space & Flying

MOON Kyungwon & JEON Joonho

Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini



KOSOVO, Republic of

Speculating on the blue

Flaka Haliti

Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie



LATVIA

Armpit

Katrina Neiburga, Andris Eglitis

Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale



LITHUANIA

Museum

Dainius Liškevicius

Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro



LUXEMBOURG, Grand Duchy of

Paradiso Lussemburgo

Filip Markiewicz

Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052



MACEDONIA, Former Yugoslavian Republic of

We are all in this alone

Hristina Ivanoska and Yane Calovski

Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi



MAURITIUS *

From One Citizen You Gather an Idea

Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer

Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252



MEXICO

Possesing Nature

Tania Candiani, Luis Felipe Ortega

Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi



MONGOLIA *

Other Home

Enkhbold Togmidshiirev, Unen Enkh

Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora



MONTENEGRO

,,Ti ricordi Sjecaš li se You Remember "

Aleksandar Duravcevic

Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero



MOZAMBIQUE, Republic of *

Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique

Mozambique Artists

Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale



NETHERLANDS, The

herman de vries - to be all ways to be

herman de vries

Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini



NEW ZEALAND

Secret Power

Simon Denny

Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport



NORDIC PAVILION (NORWAY)

Camille Norment

Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini



PERU

Misplaced Ruins

Gilda Mantilla and Raimond Chaves

Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi



PHILIPPINES

Tie a String Around the World

Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz

Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora



POLAND

Halka/Haiti. 18°48’05”N 72°23’01”W

C.T. Jasper, Joanna Malinowska

Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini



PORTUGAL

I Will Be Your Mirror / poems and problems

João Louro

Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano



ROMANIA

Adrian Ghenie: Darwin’s Room

Adrian Ghenie

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini



Inventing the Truth. On Fiction and Reality

Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar

Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice



RUSSIA

The Green Pavilion

Irina Nakhova

Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini



SERBIA

United Dead Nations

Ivan Grubanov

Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini



SAN MARINO

Repubblica di San Marino “ Friendship Project “ China

Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini

Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC



SEYCHELLES, Republic of *

A Clockwork Sunset

George Camille, Léon Wilma Loïs Radegonde

Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora



SINGAPORE

Sea State

Charles Lim Yi Yong

Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi



SLOVENIA, Republic of

UTTER / The violent necessity for the embodied presence of hope

JAŠA

Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie



SPAIN

Los Sujetos (The Subjects)

Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí

Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini



SYRIAN ARAB REPUBLIC

Origini della civiltà

Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha

Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island



SWEDEN

Excavation of the Image: Imprint, Shadow, Spectre, Thought

Lina Selander

Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale



SWITZERLAND

Our Product

Pamela Rosenkranz

Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini



THAILAND

Earth, Air, Fire & Water

Kamol Tassananchalee

Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260



TURKEY

Respiro

Sarkis

Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi



TUVALU

Crossing the Tide

Vincent J.F. Huang

Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale



UKRAINE

Hope!

Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin

Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri



UNITED ARAB EMIRATES

1980 – Today: Exhibitions in the United Arab Emirates

Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar

Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi



UNITED STATES OF AMERICA

Joan Jonas: They Come to Us Without a Word

Joan Jonas

Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini



URUGUAY

Global Myopia II (Pencil & Paper)

Marco Maggi

Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini



VENEZUELA, Bolivarian Republic of

Te doy mi palabra (I give you my word)

Argelia Bravo, Félix Molina (Flix)

Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini



ZIMBABWE, Republic of

Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.

Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro

Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta



ITALO-LATIN AMERICAN INSTITUTE

Voces Indígenas

Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale

ARGENTINA

Sofia Medici and Laura Kalauz

PLURINATIONAL STATE OF BOLIVIA

Sonia Falcone and José Laura Yapita

BRAZIL

Adriana Barreto

Paulo Nazareth

CHILE

Rainer Krause

COLOMBIA

León David Cobo,

María Cristina Rincón and Claudia Rodríguez

COSTA RICA

Priscilla Monge

ECUADOR

Fabiano Kueva

EL SALVADOR

Mauricio Kabistan

GUATEMALA

Sandra Monterroso

HAITI

Barbara Prézeau Stephenson

HONDURAS

Leonardo González

PANAMA

Humberto Vélez

NICARAGUA

Raúl Quintanilla

PARAGUAY

Erika Meza

Javier López

PERU

José Huamán Turpo

URUGUAY

Gustavo Tabares



Ellen Slegers





001 Inverso Mundus. AES+F

Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 31st

Organization: VITRARIA Glass + A Museum

www.vitraria.com

www.inversomundus.com



Catalonia in Venice: Singularity

Cantieri Navali, Castello, 40 (Calle Quintavalle)

May 9th - November 22nd

Organization: Institut Ramon Llull

www.llull.cat

venezia2015.llull.cat



Conversion. Recycle Group

Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)

May 6th - October 31st

Organization: Moscow Museum of Modern Art

www.mmoma.ru/



Dansaekhwa

Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)

May 7th – August 15th

Organization: The Boghossian Foundation

www.villaempain.com



Dispossession

Palazzo Donà Brusa, Campo San Polo, 2177

May 9th - November 22nd

Organization: European Capital of Culture Wroclaw 2016

wroclaw2016.pl/biennale/



EM15 presents Doug Fishbone’s Leisure Land Golf

Arsenale Docks, Castello, 40A, 40B, 41C

May 6th - July 26th

Organization: EM15

www.em15venice.co.uk



Eredità e Sperimentazione

Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia

May 9th - November 22nd

Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova

www.bioarchitettura.it



Frontiers Reimagined

Palazzo Grimani, Castello, 4858 (Ramo Grimani)

May 9th - November 22nd

Organization: Tagore Foundation International; Polo museale del Veneto

www.frontiersreimagined.org



Glasstress 2015 Gotika

Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;

May 9th — November 22nd

Organization: The State Hermitage Museum

www.hermitagemuseum.org



Graham Fagen: Scotland + Venice 2015

Palazzo Fontana, Cannaregio, 3829 (Strada Nova)

May 9th - November 22nd

Organization: Scotland + Venice

www.scotlandandvenice.com



Grisha Bruskin. An Archaeologist’s Collection

Former Chiesa di Santa Caterina, Cannaregio, 4941-4942

May 6th – November 22nd

Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia

www.unive.it/csar



Helen Sear, ... The Rest Is Smoke

Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)

May 9th - November 22nd

Organization: Cymru yn Fenis/Wales in Venice

www.walesinvenice.org.uk



Highway to Hell

Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)

May 9th - November 22nd

Organization: Hubei Museum of Art

www.hbmoa.com



Humanistic Nature and Society (Shan-Shui) – An Insight into the Future

Palazzo Faccanon, San Marco, 5016 (Mercerie)

May 7th – August 4th

Organization: Shanghai Himalayas Museum

www.himalayasmuseum.org



In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia

Dorsoduro, 417 (Zattere)

May 6th - November 15th

Organization: ArsCulture

www.arsculture.org/

www.eyeofthunderstorm.com



Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators

Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)

May 9th – June 30th; September 11st – October 31st

Organization: Italian Art Motherboard Foundation (i-AM Foundation)

www.i-amfoundation.org

www.venicebiennale-italiadocet.org



Jaume Plensa: Together

Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore

May 6th – November 22nd

Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus

www.praglia.it



Jenny Holzer "War Paintings"

Museo Correr, San Marco, 52 (Piazza San Marco)

May 6th – November 22nd

Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia

www.writtenartfoundation.com

correr.visitmuve.it



Jump into the Unknown

Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262

May 9th – June 18th

Organization: Nine Dragon Heads

9dh-venice.com



Learn from Masters

Palazzo Bembo, San Marco, 4793 (Riva del Carbon)

May 9th – November 22nd

Organization: Pan Tianshou Foundation

pantianshou.caa.edu.cn/foundation_en



My East is Your West

Palazzo Benzon, San Marco, 3927

May 6th – October 31st

Organization: The Gujral Foundation

www.gujralfoundation.org







Ornamentalism. The Purvitis Prize

Arsenale Nord, Tesa 99

May 9th – November 22nd

Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015

www.purvisabalva.lv/en/ornamentalism



Path and Adventure

Arsenale, Castello, 2126/A (Campo della Tana)

May 9th – November 22nd

Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau

www.iacm.gov.mo

www.mam.gov.mo

www.icm.gov.mo



Patricia Cronin: Shrine for Girls, Venice

Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)

May 9th – November 22nd

Organization: Brooklyn Rail Curatorial Projects

curatorialprojects.brooklynrail.org



Roberto Sebastian Matta. Sculture

Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)

May 9th – November 22nd

Organization: Fondazione Echaurren Salaris

www.fondazioneechaurrensalaris.it

www.maggioregam.com/56Biennale_Matta



Salon Suisse: S.O.S. Dada - The World Is A Mess

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st

Organization: Swiss Arts Council Pro Helvetia

www.prohelvetia.ch

www.biennials.ch



Sean Scully: Land Sea

Palazzo Falier, San Marco, 2906

May 9th – November 22nd

Organization: Fondazione Volume!

www.fondazionevolume.com



Sepphoris. Alessandro Valeri

Molino Stucky, interior atrium, Giudecca, 812

May 9th – November 22nd

Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin

www.sepphorisproject.org



Tesla Revisited

Palazzo Nani Mocenigo, Dorsoduro, 960

May 9th – October 18th

Organization: VITRARIA Glass + A Museum

www.vitraria.com/



The Bridges of Graffiti

Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)

May 9th - November 22nd

Organization: Associazione Culturale Inossidabile

www.inossidabileac.com



The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice

Palazzo Tiepolo Passi, San Polo, 2774

May 6th - November 22nd

Organization: Fundaciò Artigas; ArsCulture

www.fundacio-artigas.com/

www.arsculture.org/

www.dialogueoffire.org



The Question of Beings

Istituto Santa Maria della Pietà, Castello, 3701

May 9th - November 22nd

Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)

www.mocataipei.org.tw



The Revenge of the Common Place

Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)

May 9th – September 30th

Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)

www.vub.ac.be/



The Silver Lining. Contemporary Art from Liechtenstein and other Microstates

Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)

October 24th – November 1st

Organization: Kunstmuseum Liechtenstein

www.kunstmuseum.li

www.silverlining.li



The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno

Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)

May 7th - November 22nd

Organization: ArsCulture

www.arsculture.org/



The Union of Fire and Water

Palazzo Barbaro, San Marco, 2840

May 9th - November 22nd

Organization: YARAT Contemporary Art Organisation

www.yarat.az

www.bakuvenice2015.com



Thirty Light Years - Theatre of Chinese Art

Palazzo Rossini, San Marco, 4013 (Campo Manin)

May 9th - November 22nd

Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art

www.globalartcenter.org

www.gdmoa.org



Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice

Arsenale, Castello, 2126 (Campo della Tana)

May 9th - November 22nd

Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council

www.westkowloon.hk/en/mplus

www.hkadc.org.hk

www.venicebiennale.hk



Under the Surface, Newfoundland and Labrador at Venice

Galleria Ca' Rezzonico, Dorsoduro, 2793

May 9th - November 22nd

Organization: Terra Nova Art Foundation

tnaf.ca



Ursula von Rydingsvard

Giardino della Marinaressa, Castello (Riva dei Sette Martiri)

May 6th - November 22nd

Organization:Yorkshire Sculpture Park

www.ysp.co.uk



We Must Risk Delight: Twenty Artists from Los Angeles

Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)

May 7th - November 22nd

Organization: bardoLA

www.bardoLA.org



Wu Tien-Chang: Never Say Goodbye

Palazzo delle Prigioni, Castello, 4209 (San Marco)

May 9th - November 22nd

Organization: Taipei Fine Arts Museum of Taiwan

www.tfam.museum

The Whole Is Less Than the Sum of Its Parts by Alan G. Archer

© Alan G. Archer, all rights reserved.

The Whole Is Less Than the Sum of Its Parts

Not Peter the Great II.

Stable Diffusion

Tomb of Peter I by tom_2014

© tom_2014, all rights reserved.

Tomb of Peter I

The elaborately carved marble tomb of Peter I in Alcobaça Monastery, Portugal.

Ceiling of the Hall of Ambassadors in the Alcázar of Seville by jdf_92

© jdf_92, all rights reserved.

Ceiling of the Hall of Ambassadors in the Alcázar of Seville

At the eternal pier by hatul-a

© hatul-a, all rights reserved.

At the eternal pier

St. Petersburg, Petrovskaya embankment. Frigate "Благодать". At that distant time, the Arkhangelsk sailors called Благодать the fair wind that blew towards the house. It was in honor of the wind that the ship was named.
In fact, this is not a real sailboat, but a reconstruction of a real frigate that was launched in 1800. The prototype of the ship participated in the war with Napoleon and has a rich military history.
Currently, there are several restaurants on a sailboat with a beautiful view of the Neva.

Peter I - Peter The Great Statue, Voronezh, Russian Federation. by millicand@rocketmail.com

© millicand@rocketmail.com, all rights reserved.

Peter I - Peter The Great Statue, Voronezh, Russian Federation.

Peter I commonly known as Peter the Great, was Tsar of all Russia from 1682, and the first Emperor of all Russia from 1721 until his death in 1725. He reigned jointly with his half-brother Ivan V until 1696. From this year, Peter was an absolute monarch who remained the ultimate authority. His methods were often harsh and autocratic.

Most of Peter's reign was consumed by long wars against the Ottoman and Swedish Empires. Despite initial difficulties, the wars were ultimately successful and led to expansion to the Sea of Azov and the Baltic Sea, thus laying the groundwork for the Imperial Russian Navy. His victory in the Great Northern War ended Sweden's era as a great power and its domination of the Baltic region while elevating Russia's standing to the extent it came to be acknowledged as an empire. Peter led a cultural revolution that replaced some of the traditionalist and medieval social and political systems with ones that were modern, scientific, Westernized, and based on radical Enlightenment.

In 1700, he introduced the Gregorian calendar but the Russian Orthodox Church was particularly resistant to this change; they wanted to maintain its distinct identity and avoid appearing influenced by Catholic practices.[citation needed] In 1703, he introduced the first Russian newspaper, Sankt-Peterburgskie Vedomosti, and ordered the civil script, a reform of Russian orthography largely designed by himself. He founded the city of Saint Petersburg on the shore of the Neva as a "window to the West" in May 1703. In 1712 Peter moved the capital from Moscow to Saint Petersburg, where it remained – with only a brief interruption – until 1918. He promoted higher education and industrialization in the Russian Empire.

Peter had a great interest in plants, animals and minerals, in malformed creatures or exceptions to the law of nature for his cabinet of curiosities. He encouraged research of deformities, all along trying to debunk the superstitious fear of monsters. The Russian Academy of Sciences and the Saint Petersburg State University were founded in 1724, a year before his death.

Peter is primarily credited with the modernization of the country, transforming it into a major European power. His administrative reforms, creating a Governing Senate in 1711, the Collegium in 1717 and the Table of Ranks in 1722 had a lasting impact on Russia, and many institutions of the Russian government trace their origins to his reign.

Early life
Peter was named after the apostle. He grew up at Izmaylovo Estate and was educated from an early age by several tutors commissioned by his father, Tsar Alexis of Russia, most notably Nikita Zotov, Patrick Gordon, and Paul Menesius. On 29 January 1676, Alexis died, leaving the sovereignty to Peter's elder half-brother, the weak and sickly Feodor III of Russia. Throughout this period, the government was largely run by Artamon Matveev, an enlightened friend of Alexis, the political head of the Naryshkin family and one of Peter's greatest childhood benefactors.

This position changed when Feodor died in 1682. As Feodor did not leave any children, a dispute arose between the Miloslavsky family (Maria Miloslavskaya was the first wife of Alexis I) and Naryshkin family (Natalya Naryshkina was his second) over who should inherit the throne. He jointly ruled with his elder half-brother, Ivan V, until 1696. Ivan, was next in line but was chronically ill and of infirm mind. Consequently, the Boyar Duma (a council of Russian nobles) chose the 10-year-old Peter to become Tsar, with his mother as regent.

This arrangement was brought before the people of Moscow, as ancient tradition demanded, and was ratified. Sophia, one of Alexis' daughters from his first marriage, led a rebellion of the Streltsy (Russia's elite military corps) in April–May 1682. In the subsequent conflict, some of Peter's relatives and friends were murdered, including Artamon Matveyev, and Peter witnessed some of these acts of political violence.

The Streltsy made it possible for Sophia, the Miloslavskys (the clan of Ivan) and their allies to insist that Peter and Ivan be proclaimed joint Tsars, with Ivan being acclaimed as the senior. Sophia then acted as regent during the minority of the sovereigns and exercised all power. For seven years, she ruled as an autocrat. A large hole was cut in the back of the dual-seated throne used by Ivan and Peter. Sophia would sit behind the throne and listen as Peter conversed with nobles, while feeding him information and giving him responses to questions and problems. He lived at Preobrazhenskoye. This throne can be seen in the Kremlin Armoury in Moscow.

At the age of 16, Peter discovered an English boat on the estate, had it restored and learned to sail. He received a sextant, but did not know how to use the instrument. Therefore, he began a search for a foreign expert in the German Quarter. Peter befriended two Dutch carpenters, Frans Timmerman and Karsten Brandt, and several other foreigners in Russian service. Peter studied arithmetic, geometry, and military sciences. He was not interested in a musical education but seems to have liked fireworks and drumming.

Peter was not particularly concerned that others ruled in his name. He engaged in such pastimes as shipbuilding and sailing, as well as mock battles with his toy army. Peter's mother sought to force him to adopt a more conventional approach and arranged his marriage to Eudoxia Lopukhina in 1689. The marriage was a failure, and ten years later Peter forced his wife to become a nun and thus freed himself from the union.

By the summer of 1689, Peter, planned to take power from his half-sister Sophia, whose position had been weakened by two unsuccessful Crimean campaigns against the Crimean Khanate in an attempt to stop devastating Crimean Tatar raids into Russia's southern lands. When she learned of his designs, Sophia conspired with some leaders of the Streltsy, who continually aroused disorder and dissent. Peter, warned by others from the Streltsy, escaped in the middle of the night to the impenetrable monastery of Troitse-Sergiyeva Lavra; there he slowly gathered adherents who perceived he would win the power struggle. Sophia was eventually overthrown, with Peter I and Ivan V continuing to act as co-tsars. Peter forced Sophia to enter a convent, where she gave up her name and her position as a member of the royal family.

Still, Peter could not acquire actual control over Russian affairs. Power was instead exercised by his mother, Natalya Naryshkina. It was only when Natalya died in 1694 that Peter, then aged 22, became an independent sovereign. Formally, Ivan V was a co-ruler with Peter, though being ineffective. Peter became the sole ruler when Ivan died in 1696 without male offspring, two years later.

Peter grew to be extremely tall, especially for the time period, reportedly standing 6 ft 8 in (2.03 m). Peter had noticeable facial tics, and he may have suffered from petit mal seizures, a form of epilepsy. Meanwhile, he was a frequent guest in German quarter, where he met Anna and Willem Mons.

Ideology of Peter's reign
As a young man, Peter I adopted the Protestant model of existence in a pragmatic world of competition and personal success, which largely shaped the philosophy of his reformism. He perceived the Russian people as rude, unintelligent, stubborn in their sluggishness, a child, a lazy student. He highly appreciated the state's role in the life of society, saw it as an ideal instrument for achieving high goals, saw it as a universal institution for transforming people, with the help of violence and fear, into educated, conscious, law-abiding and useful to the whole society subjects.

He introduced into the concept of the autocrat's power the notion of the monarch's duties. He considered it necessary to take care of his subjects, to protect them from enemies, to work for their benefit. Above all, he put the interests of Russia. He saw his mission in turning it into a power similar to Western countries, and subordinated his own life and the lives of his subjects to the realization of this idea. Gradually penetrated the idea that the task should be solved with the help of reforms, which will be carried out at the autocrat's will, who creates good and punishes evil. He considered the morality of a statesman separately from the morality of a private person and believed that the sovereign in the name of state interests can go to murder, violence, forgery and deceit.

He went through the naval service, starting from the lowest ranks: bombardier (1695), captain (1696), colonel (1706), schout-bij-nacht (1709), vice-admiral (1714), admiral (1721). By hard daily work (according to the figurative expression of Peter the Great himself, he was simultaneously "forced to hold a sword and a quill in one right hand") and courageous behavior he demonstrated to his subjects his personal positive example, showed how to act, fully devoting himself to the fulfillment of duty and service to the fatherland.

Reign
Peter implemented sweeping reforms aimed at modernizing Russia. Heavily influenced by his advisors from Western Europe, Peter reorganized the Russian army along modern lines and dreamed of making Russia a maritime power. He faced much opposition to these policies at home but brutally suppressed rebellions against his authority, including by the Streltsy, Bashkirs, Astrakhan, and the greatest civil uprising of his reign, the Bulavin Rebellion.

Peter implemented social modernization in an absolute manner by introducing French and western dress to his court and requiring courtiers, state officials, and the military to shave their beards and adopt modern clothing styles. One means of achieving this end was the introduction of taxes for long beards and robes in September 1698.

In his process to westernize Russia, he wanted members of his family to marry other European royalty. In the past, his ancestors had been snubbed at the idea, but now, it was proving fruitful. He negotiated with Frederick William, Duke of Courland to marry his niece, Anna Ivanovna. He used the wedding in order to launch his new capital, St Petersburg, where he had already ordered building projects of westernized palaces and buildings. Peter hired Italian and German architects to design it.

As part of his reforms, Peter started an industrialization effort that was slow but eventually successful. Russian manufacturing and main exports were based on the mining and lumber industries. For example, by the end of the century Russia came to export more iron than any other country in the world.

To improve his nation's position on the seas, Peter sought more maritime outlets. His only outlet at the time was the White Sea at Arkhangelsk. The Baltic Sea was at the time controlled by Sweden in the north, while the Black Sea and the Caspian Sea were controlled by the Ottoman Empire and Safavid Empire respectively in the south.

Peter attempted to acquire control of the Black Sea, which would require expelling the Tatars from the surrounding areas. As part of an agreement with Poland that ceded Kiev to Russia, Peter was forced to wage war against the Crimean Khan and against the Khan's overlord, the Ottoman Sultan. Peter's primary objective became the capture of the Ottoman fortress of Azov, near the Don River. In the summer of 1695 Peter organized the Azov campaigns to take the fortress, but his attempts ended in failure.

Peter returned to Moscow in November 1695 and began building a large navy in Voronezh. He launched about thirty ships against the Ottomans in 1696, capturing Azov in July of that year.

Grand Embassy
Peter knew that Russia could not face the Ottoman Empire alone. In 1697, he traveled "incognito" to Western Europe on an 18-month journey with a large Russian delegation–the so-called "Grand Embassy". He used a fake name, allowing him to escape social and diplomatic events, but since he was far taller than most others, he could not fool anyone. One goal was to seek the aid of European monarchs, but Peter's hopes were dashed. France was a traditional ally of the Ottoman Sultan, and Austria was eager to maintain peace in the east while conducting its own wars in the west. Peter, furthermore, had chosen an inopportune moment: the Europeans at the time were more concerned about the War of the Spanish Succession over who would succeed the childless King Charles II of Spain than about fighting the Ottoman Sultan.

In Königsberg, the Tsar was apprenticed for two months to an artillery engineer. In July he met Sophia of Hanover at Coppenbrügge castle. She described him: "The tsar is a tall, handsome man, with an attractive face. He has a lively mind is very witty. Only, someone so well endowed by nature could be a little better mannered." Peter rented a ship in Emmerich am Rhein and sailed to Zaandam, where he arrived on 18 August 1697. He studied saw-mills, manufacturing and shipbuilding but left after a week. Through the mediation of Nicolaas Witsen, an expert on Russia, the Tsar was given the opportunity to gain practical experience in shipyard, belonging to the Dutch East India Company, for a period of four months, under the supervision of Gerrit Claesz Pool. The diligent and capable Tsar assisted in the construction of an East Indiaman ship Peter and Paul specially laid down for him. During his stay the Tsar engaged many skilled workers such as builders of locks, fortresses, shipwrights, and seamen—including Cornelis Cruys, a vice-admiral who became, under Franz Lefort, the Tsar's advisor in maritime affairs. Peter later put his knowledge of shipbuilding to use in helping build Russia's navy.

Peter felt that the ship's carpenters in Holland worked too much by eye and lacked accurate construction drawings. On 11 January 1698 (Old Style) Peter arrived at Victoria Embankment with four chamberlains, three interpreters, two clock makers, a cook, a priest, six trumpeters, 70 soldiers from the Preobrazhensky regiment, four dwarfs and a monkey. Peter stayed at 21 Norfolk Street, Strand and met with King William III and Gilbert Burnet, attended a session of the Royal Society, received a doctorate from Oxford University, trained a telescope on Venus at the Greenwich Observatory, and saw a Fleet Review by Royal Navy at Deptford. He studied the English techniques of city-building he would later use to great effect at Saint Petersburg. At the end of April 1698 he left after learning to make watches, carpenting coffins and posing for Sir Godfrey Kneller.

The Embassy next went to Leipzig, Dresden, Prague and Vienna. Peter spoke with Augustus II the Strong and Leopold I, Holy Roman Emperor.[18] Peter's visit was cut short, when he was forced to rush home by a rebellion of the Streltsy. The rebellion was easily crushed before Peter returned home; of the Tsar's troops, only one was killed. Peter nevertheless acted ruthlessly towards the mutineers. Over one thousand two hundred of the rebels were tortured and executed, and Peter ordered that their bodies be publicly exhibited as a warning to future conspirators. The Streltsy were disbanded, some of the rebels were deported to Siberia, and the individual they sought to put on the Throne — Peter's half-sister Sophia — was forced to become a nun.

Peter's visits to the West impressed upon him the notion that European customs were in several respects superior to Russian traditions. He commanded all of his courtiers and officials to wear European clothing and cut off their long beards, causing his Boyars, who were very fond of their beards, great upset. Boyars who sought to retain their beards were required to pay an annual beard tax of one hundred rubles. Peter also sought to end arranged marriages, which were the norm among the Russian nobility, because he thought such a practice was barbaric and led to domestic violence, since the partners usually resented each other.

In 1698, Peter I instituted a beard tax to modernize Russian society. In the same year Peter sent a delegation to Malta, under boyar Boris Sheremetev, to observe the training and abilities of the Knights of Malta and their fleet. Sheremetev investigated the possibility of future joint ventures with the Knights, including action against the Turks and the possibility of a future Russian naval base. On 12 September 1698, Peter officially founded the first Russian Navy base, Taganrog on the Sea of Azov.

In 1699, Peter changed the date of the celebration of the new year from 1 September to 1 January. Traditionally, the years were reckoned from the purported creation of the World, but after Peter's reforms, they were to be counted from the birth of Christ. Thus, in the year 7207 of the old Russian calendar, Peter proclaimed that the Julian Calendar was in effect and the year was 1700. On the death of Lefort in 1699, Menshikov succeeded him as Peter's prime favourite and confidant. In 1701, the Moscow School of Mathematics and Navigation was founded; for fifteen years, not only naval officers, but also surveyors, engineers, and gunners were educated there.

Great Northern War
First Winter Palace
Peter made a temporary peace with the Ottoman Empire that allowed him to keep the captured fort of Azov, and turned his attention to Russian maritime supremacy. He sought to acquire control of the Baltic Sea, which had been taken by the Swedish Empire a half-century earlier. Peter declared war on Sweden, which was at the time led by the young King Charles XII. Sweden was also opposed by Denmark–Norway, Saxony, and the Polish–Lithuanian Commonwealth. The Preobrazhensky regiment took part in all major battles of the Great Northern War.

Russia was ill-prepared to fight the Swedes, and their first attempt at seizing the Baltic coast ended in disaster at the Battle of Narva in 1700. In the conflict, the forces of Charles XII, rather than employ a slow methodical siege, attacked immediately using a blinding snowstorm to their advantage. After the battle, Charles XII decided to concentrate his forces against the Polish–Lithuanian Commonwealth, which gave Peter time to reorganize the Russian army. He invited Nicolaas Bidloo to organize a military hospital. In 1701, Peter the Great signed a decree on the opening of Moscow School of Mathematics and Navigation.

While the Poles fought the Swedes, Peter founded the city of Saint Petersburg on 29 June 1703, in Ingermanland (a province of the Swedish Empire that he had captured). It was named after his patron saint Saint Peter. He forbade the building of stone edifices outside Saint Petersburg, which he intended to become Russia's capital, so that all stonemasons could participate in the construction of the new city. Peter moved the capital to St. Petersburg in 1703. While the city was being built along the Neva he lived in a modest three-room log cabin (with a study but without a fire-place) which had to make room for the first version of the Winter palace. The first buildings which appeared were the Peter and Paul Fortress, a shipyard at the Admiralty and Alexander Nevsky Lavra.

Following several defeats, Polish King Augustus II the Strong abdicated in 1706. Swedish king Charles XII turned his attention to Russia, invading it in 1708. After crossing into Russia, Charles defeated Peter at Golovchin in July. In the Battle of Lesnaya, Charles suffered his first loss after Peter crushed a group of Swedish reinforcements marching from Riga. Deprived of this aid, Charles was forced to abandon his proposed march on Moscow.

Charles XII refused to retreat to Poland or back to Sweden and instead invaded Ukraine. Peter withdrew his army southward, employing scorched earth, destroying along the way anything that could assist the Swedes. Deprived of local supplies, the Swedish army was forced to halt its advance in the winter of 1708–1709. In the summer of 1709, they resumed their efforts to capture Russian-ruled Ukraine, culminating in the Battle of Poltava on 27 June. The battle was a decisive defeat for the Swedish forces, ending Charles' campaign in Ukraine and forcing him south to seek refuge in the Ottoman Empire. Russia had defeated what was considered to be one of the world's best militaries, and the victory overturned the view that Russia was militarily incompetent. In Poland, Augustus II was restored as King.

Peter, overestimating the support he would receive from his Balkan allies, attacked the Ottoman Empire, initiating the Russo-Turkish War of 1710. Peter's campaign in the Ottoman Empire was disastrous, and in the ensuing Treaty of the Pruth, Peter was forced to return the Black Sea ports he had seized in 1697. In return, the Sultan expelled Charles XII.

The Ottomans called him Mad Peter (Turkish: deli Petro), for his willingness to sacrifice large numbers of his troops in wartime. Peter I loved all sorts of rarities and curiosities. In 1704 Abram Petrovich Gannibal, a child with Ethiopian origin, was presented to him; in 1716 Peter took him to Paris.

In 1711, Peter established by decree a new state body known as the Governing Senate. Normally, the Boyar duma would have exercised power during his absence. Peter, however, mistrusted the boyars; he instead abolished the Duma and created a Senate of ten members. The Senate was founded as the highest state institution to supervise all judicial, financial and administrative affairs. Originally established only for the time of the monarch's absence, the Senate became a permanent body after his return. A special high official, the Ober-Procurator, served as the link between the ruler and the senate and acted, in Peter own words, as "the sovereign's eye". Without his signature no Senate decision could go into effect; the Senate became one of the most important institutions of Imperial Russia.

1712, Peter I issued a decree establishing an Engineering School in Moscow, which was supposed to recruit up to 150 students, and two-thirds of them were to consist of nobles.[31] Therefore, on 28 February 1714, he issued a decree calling for compulsory education, which dictated that all Russian 10- to 15-year-old children of the nobility, government clerks, and lesser-ranked officials must learn basic mathematics and geometry, and should be tested on the subjects at the end of their studies.

Peter's northern armies took the Swedish province of Livonia (the northern half of modern Latvia, and the southern half of modern Estonia), driving the Swedes out of Finland. In 1714 the Russian fleet won the Battle of Gangut. Most of Finland was occupied by the Russians.

In 1716, the Tsar visited Riga, and Danzig in January, Stettin, and obtained the assistance of the Electorate of Hanover and the Kingdom of Prussia fighting a war against Sweden at Wismar. He was forced to leave Mecklenburg. In Altona he met with Danish diplomats. He went on to Bad Pyrmont in May/June, because of an illness he stayed at this spa. He arrived in Amsterdam in December, where he bought some interesting collections: those of Frederik Ruysch, Levinus Vincent and Albertus Seba and paintings by Maria Sibylla Merian for his Kunstkamera. He visited a silk manufacture and a paper-mill, and learned to create paper and to spin silk. He visited Herman Boerhaave and Carel de Moor in Leiden and ordered two mercury thermometers from Daniel Gabriel Fahrenheit and instruments from Musschenbroek. In April 1717 he continued his travel from Flushing to Brussels in the Austrian Netherlands and Dunkirk, Calais, Paris, where he obtained many books and proposed a marriage between his daughter and King Louis XV. Saint-Simon described him as "tall, well-formed and slim…with a look both bewildered and fierce." Via Reims, and Spa Peter travelled on to Maastricht, at that time one of the most important fortresses in Europe, where he was received by Daniël van Dopff, the commander of the fortress. He went back to Amsterdam and visited the Hortus Botanicus and left the city early September.

The Tsar's navy was powerful enough that the Russians could penetrate Sweden. Still, Charles XII refused to yield, and not until his death in battle in 1718 did peace become feasible. After the battle near Åland, Sweden made peace with all powers but Russia by 1720. In 1721, the Treaty of Nystad ended the Great Northern War. Russia acquired Ingria, Estonia, Livonia, and a substantial portion of Karelia. In turn, Russia paid two million Riksdaler and surrendered most of Finland. The Tsar retained some Finnish lands close to Saint Petersburg, which he had made his capital in 1712. Between 1713 and 1728, and from 1732 to 1918, Saint Petersburg was the capital of imperial Russia.

Title
Following his victory in the Great Northern War, he adopted the title of emperor in 1721.

By the grace of God, the most excellent and great sovereign emperor Pyotr Alekseevich the ruler of all the Russias: of Moscow, of Kiev, of Vladimir, of Novgorod, Tsar of Kazan, Tsar of Astrakhan and Tsar of Siberia, sovereign of Pskov, great prince of Smolensk, of Tver, of Yugorsk, of Perm, of Vyatka, of Bulgaria and others, sovereign and great prince of the Novgorod Lower lands, of Chernigov, of Ryazan, of Rostov, of Yaroslavl, of Belozersk, of Udora, of Kondia and the sovereign of all the northern lands, and the sovereign of the Iverian lands, of the Kartlian and Georgian Kings, of the Kabardin lands, of the Circassian and Mountain princes and many other states and lands western and eastern here and there and the successor and sovereign and ruler.

Later years
In 1717, Alexander Bekovich-Cherkassky led the first Russian military expedition into Central Asia against the Khanate of Khiva. The expedition ended in complete disaster when the entire expeditionary force was slaughtered.

In 1718, Peter investigated why the formerly Swedish province of Livonia was so orderly. He discovered that the Swedes spent as much administering Livonia (300 times smaller than his empire) as he spent on the entire Russian bureaucracy. He was forced to dismantle the province's government.

To the end of 1717, the preparatory phase of administrative reform in Russia was completed. After 1718, Peter established colleges in place of the old central agencies of government, including foreign affairs, war, navy, expense, income, justice, and inspection. Later others were added, to regulate mining and industry. Each college consisted of a president, a vice-president, a number of councilors and assessors, and a procurator. Some foreigners were included in various colleges but not as president. Peter did not have enough loyal, talented or educated persons to put in full charge of the various departments. Peter preferred to rely on groups of individuals who would keep check on one another. Decisions depended on the majority vote.

Peter's last years were marked by further reform in Russia. On 22 October 1721, soon after peace was made with Sweden, he was officially proclaimed Emperor of All Russia. Some proposed that he take the title Emperor of the East, but he refused. Gavrila Golovkin, the State Chancellor, was the first to add "the Great, Father of His Country, Emperor of All the Russias" to Peter's traditional title Tsar following a speech by the archbishop of Pskov in 1721. Peter's imperial title was recognized by Augustus II of Poland, Frederick William I of Prussia, and Frederick I of Sweden, but not by the other European monarchs. In the minds of many, the word emperor connoted superiority or pre-eminence over kings. Several rulers feared that Peter would claim authority over them, just as the Holy Roman Emperor had claimed suzerainty over all Christian nations.

In 1722, Peter created a new order of precedence known as the Table of Ranks. Formerly, precedence had been determined by birth. To deprive the Boyars of their high positions, Peter directed that precedence should be determined by merit and service to the Emperor. The Table of Ranks continued to remain in effect until the Russian monarchy was overthrown in 1917.

The once powerful Persian Safavid Empire to the south was in deep decline. Taking advantage of the profitable situation, Peter launched the Russo-Persian War of 1722–1723, otherwise known as "The Persian Expedition of Peter the Great", which drastically increased Russian influence for the first time in the Caucasus and Caspian Sea region, and prevented the Ottoman Empire from making territorial gains in the region. After considerable success and the capture of many provinces and cities in the Caucasus and northern mainland Persia, the Safavids were forced to hand over territory to Russia, comprising Derbent, Shirvan, Gilan, Mazandaran, Baku, and Astrabad. Within twelve years all the territories were ceded back to Persia, now led by the charismatic military genius Nader Shah, as part of the Treaty of Resht, the Treaty of Ganja, and as the result of a Russo-Persian alliance against the Ottoman Empire, which was the common enemy of both.

Peter introduced new taxes to fund improvements in Saint Petersburg. He abolished the land tax and household tax and replaced them with a poll tax. The taxes on land and on households were payable only by individuals who owned property or maintained families. The new head taxes were payable by serfs and paupers. In 1725 the construction of Peterhof, a palace near Saint Petersburg, was completed. Peterhof (Dutch for "Peter's Court") was a grand residence, becoming known as the "Russian Versailles".

In the winter of 1723, Peter, whose overall health was never robust, began having problems with his urinary tract and bladder. In the summer of 1724, a team of doctors performed surgery releasing upwards of four pounds of blocked urine. Peter remained bedridden until late autumn. In the first week of October, restless and certain he was cured, Peter began a lengthy inspection tour of various projects. According to legend, in November, at Lakhta along the Gulf of Finland to inspect some ironworks, Peter saw a group of soldiers drowning near shore and, wading out into near-waist deep water, came to their rescue.

This icy water rescue is said to have exacerbated Peter's bladder problems and caused his death. The story, however, has been viewed with skepticism by some historians, pointing out that the German chronicler Jacob von Staehlin is the only source for the story, and it seems unlikely that no one else would have documented such an act of heroism. This, plus the interval of time between these actions and Peter's death seems to preclude any direct link.

In early January 1725, Peter was struck once again with uremia. Legend has it that before lapsing into unconsciousness Peter asked for a paper and pen and scrawled an unfinished note that read: "Leave all to ..." and then, exhausted by the effort, asked for his daughter Anna to be summoned.

Peter died between four and five in the morning 8 February 1725. An autopsy revealed his bladder to be infected with gangrene. He was fifty-two years, seven months old when he died, having reigned forty-two years. He is interred in Saints Peter and Paul Cathedral, Saint Petersburg, Russia.

After the death of Peter I, there were immediately students who came to the Military College with a request to "leave science" under the pretext of "unconsciousness and incomprehensibility."

Religion
Peter did not believe in miracles and founded The All-Joking, All-Drunken Synod of Fools and Jesters, an organization that mocked the Orthodox and Catholic Church when he was eighteen. In January 1695, Peter refused to partake in a traditional Russian Orthodox ceremony of the Epiphany Ceremony, and would often schedule events for The All-Joking, All-Drunken Synod of Fools and Jesters to directly conflict with the Church. He often used the nickname Pakhom Mikhailov (Russian: Пахом Михайлов) among the ministers of religion who made up his relatively close circle of long-term drinking companions. He drank less than the others, deliberately getting the others drunk in order to listen to their drunken conversations.

Peter was brought up in the Russian Orthodox faith, but he had low regard for the Church hierarchy, which he kept under tight governmental control. The traditional leader of the Church was the Patriarch of Moscow. In 1700, when the office fell vacant, Peter refused to name a replacement, allowing the patriarch's coadjutor (or deputy) to discharge the duties of the office. Peter could not tolerate the patriarch exercising power superior to the tsar, as indeed had happened in the case of Philaret (1619–1633) and Nikon (1652–66). In 1716 he invited Theophan Prokopovich to come to the capital. In 1718 he ordered to translate the "Introduction to European History" (a work by Samuel Pufendorf); the Ecclesiastical Regulations of 1721 are based on it. The Church reform of Peter the Great therefore abolished the patriarchate, replacing it with a Holy Synod that was under the control of a Procurator, and the tsar appointed all bishops.

In 1721, Peter followed the advice of Prokopovich in designing the Holy Synod as a council of ten clergymen. For leadership in the Church, Peter turned increasingly to Ukrainians, who were more open to reform, but were not well loved by the Russian clergy. Peter implemented a law that stipulated that no Russian man could join a monastery before the age of fifty. He felt that too many able Russian men were being wasted on clerical work when they could be joining his new and improved army.

A clerical career was not a route chosen by upper-class society. Most parish priests were sons of priests and were very poorly educated and paid. The monks in the monasteries had a slightly higher status; they were not allowed to marry. Politically, the Church was impotent.

Marriages and family
Peter the Great had two wives, with whom he had fifteen children, three of whom survived to adulthood. Peter's mother selected his first wife, Eudoxia Lopukhina, with the advice of other nobles in 1689. This was consistent with previous Romanov tradition by choosing a daughter of a minor noble. This was done to prevent fighting between the stronger noble houses and to bring fresh blood into the family. He also had a mistress from Westphalia, Anna Mons.

Upon his return from his European tour in 1698, Peter sought to end his unhappy marriage. He divorced the Tsaritsa and forced her to join a convent. She had borne him three children, although only one, Alexei Petrovich, Tsarevich of Russia, had survived past his childhood.

Menshikov introduced him to Marta Helena Skowrońska, a Polish-Lithuanian peasant, and took her as a mistress some time between 1702 and 1704. Marta converted to the Russian Orthodox Church and was given the name Catherine. Though no record exists, Catherine and Peter married secretly between 23 Oct and 1 December 1707 in St. Petersburg. Peter valued Catherine and married officially, at Saint Isaac's Cathedral in Saint Petersburg on 19 February 1712.

His eldest child and heir, Alexei, was suspected of being involved in a plot to overthrow the Emperor. Alexei was tried and confessed under torture during questioning conducted by a secular court (count Tolstoy). He was convicted and sentenced to be executed. The sentence could only be carried out with Peter's signed authorization, and Alexei died in prison, as Peter hesitated before making the decision. Alexei's death most likely resulted from injuries suffered during his torture. Alexei's mother Eudoxia was punished. She was dragged from her home, tried on false charges of adultery, publicly flogged, and confined in monasteries while being forbidden to be talked to.

In 1724, Peter had his second wife, Catherine, crowned as Empress, although he remained Russia's actual ruler.

Issue
By his two wives, he had fifteen children: three by Eudoxia and twelve by Catherine. These included four sons named Pavel and three sons named Peter, all of whom died in infancy. Only three of his children survived to adulthood. He also had three grandchildren: Tsar Peter II and Grand Duchess Natalia by Alexei and Tsar Peter III by Anna.

Mistresses and illegitimate children
Princess Maria Dmitrievna Cantemirovna of Moldavia (1700–1754), daughter of Dimitrie Cantemir
Unnamed son (1722 - 1723?) – different sources say that the baby was stillborn or died before he was one year old.
Lady Mary Hamilton, Catherine I's lady in waiting of Scottish descent.
Miscarriage (1715)
Unnamed child (1717 - 1718?)

Legacy
Peter's legacy has always been a major concern of Russian intellectuals. Riasanovsky points to a "paradoxical dichotomy" in the black and white images such as God/Antichrist, educator/ignoramus, architect of Russia's greatness/destroyer of national culture, father of his country/scourge of the common man. Voltaire's 1759 biography gave 18th-century Russians a man of the Enlightenment, while Alexander Pushkin's "The Bronze Horseman" poem of 1833 gave a powerful romantic image of a creator-god. Slavophiles in mid-19th century deplored Peter's westernization of Russia.

Western writers and political analysts recounted "The Testimony" or secret will of Peter the Great. It supposedly revealed his grand evil plot for Russia to control the world via conquest of Constantinople, Afghanistan and India. It was a forgery made in Paris at Napoleon's command when he started his invasion of Russia in 1812. Nevertheless, it is still quoted in foreign policy circles.

The Communists executed the last Romanovs, and their historians such as Mikhail Pokrovsky presented strongly negative views of the entire dynasty. Stalin however admired how Peter strengthened the state, and wartime, diplomacy, industry, higher education, and government administration. Stalin wrote in 1928, "when Peter the Great, who had to deal with more developed countries in the West, feverishly built works in factories for supplying the army and strengthening the country's defenses, this was an original attempt to leap out of the framework of backwardness." As a result, Soviet historiography emphasizes both the positive achievement and the negative factor of oppressing the common people.

After the fall of Communism in 1991, scholars and the general public in Russia and the West gave fresh attention to Peter and his role in Russian history. His reign is now seen as the decisive formative event in the Russian imperial past. Many new ideas have merged, such as whether he strengthened the autocratic state or whether the tsarist regime was not statist enough given its small bureaucracy. Modernization models have become contested ground.

He initiated a wide range of economic, social, political, administrative, educational and military reforms which ended the dominance of traditionalism and religion in Russia and initiated its westernization. His efforts included secularization of education, organization of administration for effective governance, enhanced use of technology, establishing an industrial economy, modernization of the army and establishment of a strong navy.

Historian Y. Vodarsky said in 1993 that Peter, "did not lead the country on the path of accelerated economic, political and social development, did not force it to 'achieve a leap' through several stages.... On the contrary, these actions to the greatest degree put a brake on Russia's progress and created conditions for holding it back for one and a half centuries!" The autocratic powers that Stalin admired appeared as a liability to Evgeny Anisimov, who complained that Peter was, "the creator of the administrative command system and the true ancestor of Stalin."

According to Encyclopaedia Britannica, "He did not completely bridge the gulf between Russia and the Western countries, but he achieved considerable progress in development of the national economy and trade, education, science and culture, and foreign policy. Russia became a great power, without whose concurrence no important European problem could thenceforth be settled. His internal reforms achieved progress to an extent that no earlier innovator could have envisaged."

While the cultural turn in historiography has downplayed diplomatic, economic and constitutional issues, new cultural roles have been found for Peter, for example in architecture and dress. James Cracraft argues:

The Petrine revolution in Russia—subsuming in this phrase the many military, naval, governmental, educational, architectural, linguistic, and other internal reforms enacted by Peter's regime to promote Russia's rise as a major European power—was essentially a cultural revolution, one that profoundly impacted both the basic constitution of the Russian Empire and, perforce, its subsequent development.
In popular culture

Peter has been featured in many histories, novels, plays, films, monuments and paintings. They include the poems The Bronze Horseman, Poltava and the unfinished novel The Moor of Peter the Great, all by Alexander Pushkin. The former dealt with The Bronze Horseman, an equestrian statue raised in Peter's honour. Aleksey Nikolayevich Tolstoy wrote a biographical historical novel about him, named Peter I, in the 1930s.

The 1922 German silent film Peter the Great directed by Dimitri Buchowetzki and starring Emil Jannings as Peter
In 1929 A.N. Tolstoy's play was true to the party line, depicting Peter as a tyrant who "suppressed everyone and everything as if he had been possessed by demons, sowed fear, and put both his son and his country on the rack."
The 1937–1938 Soviet film Peter the Great
The 1976 film How Czar Peter the Great Married Off His Moor, starring Aleksey Petrenko as Peter, and Vladimir Vysotsky as Abram Petrovich Gannibal, shows Peter's attempt to build the Baltic Fleet.
Peter was played by Jan Niklas and Maximilian Schell in the 1986 NBC miniseries Peter the Great.
The 2007 film The Sovereign's Servant depicts the unsavoury brutal side of Peter during the campaign.
A character based on Peter plays a major role in The Age of Unreason, a series of four alternate history novels written by American science fiction and fantasy author Gregory Keyes.
Peter is one of many supporting characters in Neal Stephenson's Baroque Cycle – mainly featuring in the third novel, The System of the World.
Peter was portrayed on BBC Radio 4 by Isaac Rouse as a boy, Will Howard as a young adult and Elliot Cowan as an adult in the radio plays Peter the Great: The Gamblers and Peter the Great: The Queen of Spades, written by Mike Walker and which were the last two plays in the first series of Tsar. The plays were broadcast on 25 September and 2 October 2016.
A verse in the "Engineers' Drinking Song" references Peter the Great:
There was a man named Peter the Great who was a Russian Tzar;
When remodeling his the castle put the throne behind the bar;
He lined the walls with vodka, rum, and 40 kinds of beers;
And advanced the Russian culture by 120 years!

Peter was played by Jason Isaacs in the 2020 'antihistory' Hulu series The Great.
Peter is featured as the leader of the Russian civilization in the computer game Sid Meier's Civilization VI.
Peter was played by Ivan Kolesnikov in the 2022 Russian historical documentary film Peter I: The Last Tsar and the First Emperor.

CUCHY ARNAU, José. Pedro I, Rey de Serbia, La Guerra ilustrada Nº 7, 1914. by Halloween HJB

CUCHY ARNAU, José. Pedro I, Rey de Serbia, La Guerra ilustrada Nº 7, 1914.

BÜCHERKISTE 20220602_105115 by nb-hjwmpa

© nb-hjwmpa, all rights reserved.

BÜCHERKISTE 20220602_105115

AUSZUG AUS DEM ROMAN " PETER I " von ALEXEI TOLSTOI

DIE Festung NARVA wurde 1704 von russischen Truppen erobert.

HEUTE ist NARVA eine geteilte STADT. Halb estnisch, halb russisch. Grenzstadt im BALTIKUM

de.wikipedia.org/wiki/Narva_(Stadt)

Anfang Juni 1704 begann die eigentliche Belagerung Narvas nachdem zusätzliche russische Verstärkung und Feldmarschall Georg Benedikt von Ogilvy die russischen Truppen vor Narva erreicht hatten. Ogilvy wurde mit der Leitung der russischen Truppen vor Ort betraut. Die Russen begannen mit der Errichtung von Laufgräben und weiteren Schanzarbeiten. Die Blockade als auch die Belagerung blieb bis zur Erstürmung Narvas von Ausfällen der Schweden und für beide Seiten verlustreichen Scharmützeln geprägt.

Zar Peter I. wandte sich am 13. Juli nach Dorpat um die dortige Belagerung unter Boris Scheremetew zu besichtigen. Die dortigen Belagerungstruppen (ca. 23.000 Mann) wurden nach Eroberung der Stadt Ende Juli ebenfalls nach Narva geführt, sodass dort schließlich 45.000 Mann mit 150 Geschützen versammelt standen. Ab dem 30. Juli wurden insgesamt 4.600 Granaten auf die Stadt abgefeuert, bei dem mehrere Breschen in die äußeren Befestigungsanlagen dieser Stadt gelegt werden konnten und der Kommandant dann zur Übergabe aufgefordert. Horn verweigerte dies jedoch. Daraufhin erfolgte am 9. August der russische Generalangriff. Nach nur einer Stunde hatten Teile des Preobraschensker Garderegimentes die Wälle der Stadt überwunden. Es folgte nun das mehr als zweistündige, sogenannte Massaker von Narva in der Stadt, dem Tausende Zivilisten (darunter auch die Frau des schwedischen Kommandeurs) und der größte Teil der schwedischen Besatzung (nur etwa 1.800 schwedische Soldaten gerieten in Gefangenschaft) zum Opfer fielen. Zar Peter musste persönlich eingreifen, um diese Zustände zu beenden (siehe das Gemälde des Malers Nikolai Sauerweid).[1]

Bücherkiste 20220222_072112 by nb-hjwmpa

© nb-hjwmpa, all rights reserved.

Bücherkiste 20220222_072112

PETER I. von Alexej Tolstoi

Auf GRUND der aktuellen Ereignisse in Moskau habe ich mir mal wieder ein russisches Geschichtsbuch zum lesen rausgesucht.

See more:

2021-11-14-_1_XL by gerdapostelmans

2021-11-14-_1_XL

Moscow - Monument Peter I. by peterkaroblis

© peterkaroblis, all rights reserved.

Moscow - Monument Peter I.

The Bronze Horseman (statue of Peter the Great) and the biggest stone ever moved by man, St Petersburg by iancowe

© iancowe, all rights reserved.

The Bronze Horseman (statue of Peter the Great) and the biggest stone ever moved by man, St Petersburg

The equestrian statue of the founder of St Petersburg was commissioned by Catherine the Great and unveiled in August 1782.

The statue sits on top of the Thunder Stone, the largest monolith ever moved by man. The enormous granite boulder was found at Lakhta, about 4 miles inland from the Gulf of Finland in 1768. A huge metal sledge was constructed to move the stone over land, it was then transported by sea in a specially designed barge.

During the 900 day long Siege of Leningrad in WWII the statue was covered with sandbags and survived the german artillery being directed towards the city unscathed.

Denkmal für Peter I. (Moskau) by Magdeburg

© Magdeburg, all rights reserved.

Denkmal für Peter I. (Moskau)

Das Denkmal für Peter I. in Moskau ist eine 1997 errichtete Statue, die den russischen Zaren Peter I. den Großen auf einem Schiff zeigt. Mit fast einhundert Metern Höhe zählt sie zu den höchsten Statuen der Welt.

The Peter the Great Statue is a 98-metre-high (322 ft) monument to Peter the Great, located at the western confluence of the Moskva River and the Vodootvodny Canal in central Moscow, Russia. It was erected in 1997 and is the eighth-tallest statue in the world.

Denkmal für Peter I. (Moskau) by Magdeburg

© Magdeburg, all rights reserved.

Denkmal für Peter I. (Moskau)

Das Denkmal für Peter I. in Moskau ist eine 1997 errichtete Statue, die den russischen Zaren Peter I. den Großen auf einem Schiff zeigt. Mit fast einhundert Metern Höhe zählt sie zu den höchsten Statuen der Welt.

The Peter the Great Statue is a 98-metre-high (322 ft) monument to Peter the Great, located at the western confluence of the Moskva River and the Vodootvodny Canal in central Moscow, Russia. It was erected in 1997 and is the eighth-tallest statue in the world.

Bronze Horseman by andrey.senov

© andrey.senov, all rights reserved.

Bronze Horseman

Tsar Peter the Great's tomb, St Petersburg, Russia by alexdavidbaldi

Tsar Peter the Great's tomb, St Petersburg, Russia

(SCANNED PHOTO) Tsar Peter the Great (1762-1725), the founder of the city of St Petersburg in Russia, lies buried in a large sarcophagus in the Cathedral of St Peter and Paul in the city he founded, together with all the Russian Tsars who succeeded him. Despite the fact that Russian rulers were larger than life when alive, in death they all lie buried in similar, simple tombs made of white marble, decorated with a simple cross on top. The letters on the gate around the tomb spell the name 'Peter I' in the old Slavonic alphabet used by the Russian Orthodox church.