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Tucked into a cozy corner of a Tokyo guitar shop, these two Carl Thompson Scroll Basses offer more than jaw-dropping curves—they tell a story of luthiery legend. Known for crafting each instrument by hand in his Brooklyn workshop since the 1970s, Carl Thompson is revered among bass enthusiasts for his boundary-pushing scroll design, distinctive long upper horns, and luxurious tonewoods. The pair on display here—one fretted, one fretless—feature lush cocobolo tops that shimmer under shop lights, contrasting elegantly with the natural mahogany bodies and multi-laminate necks.

The Scroll Bass design is instantly recognizable: part sculpture, part sonic weapon. The dramatic scroll at the upper horn is as functional as it is aesthetic, helping to balance the instrument physically and visually. No two Carl Thompson basses are ever the same; each piece is a singular work of art with its own quirks and voice. That’s what makes spotting two in one place such a unicorn moment for collectors and players alike.

Positioned against an exposed brick wall and flanked by vintage Fenders, these basses seem almost regal in comparison, an architectural flex of organic form meeting function. The slatwall display contrasts their fluid silhouettes, while the mirror adds a burst of depth—revealing not just the instruments, but the joy of discovery from the person photographing them. Priced in the ballpark of 2.2 million yen used, they’re not casual purchases—they’re lifelong companions.

If you’re chasing a bass with history, soul, and design bravado, it doesn’t get more "insider" than this.

Welcome to low-end heaven. This tightly packed display of Bacchus bass guitars, spotted in a Tokyo music store, reads like a love letter to boutique craftsmanship at accessible price points. Made in Japan by Deviser, Bacchus is a brand celebrated for delivering hand-finished instruments with tonal punch, custom-shop looks, and smooth-as-butter playability—all without the eye-watering price tag of some boutique luthiers.

At the heart of this display are numerous Bacchus Handmade Series and Global Series basses, each flaunting its own distinct finish—from charcoal burst to natural ash and deep aqua quilt tops. The headstocks gleam under recessed lighting, while the gloss finishes play with reflections from the polished wood floors. There's a heavy lean into 5-string and 6-string territory here, a clear sign that this shop caters to serious players who need versatility, extended range, and modern tonal flexibility.

Architecturally, the display itself is an efficient labyrinth of sonic sculpture. The basses stand tightly packed but thoughtfully arranged, forming a visually rhythmic grid of tuner pegs, fingerboards, and tonal variety. The shop’s lighting design—cool ceiling spots over warm floor tones—gives the entire room a curated gallery feel.

This isn’t just a retail moment—it’s a snapshot of a culture that reveres craft. In Japan, even production-line instruments get attention to detail usually reserved for custom shops elsewhere. Whether you’re a slap-happy funk monster or a fingerstyle explorer, Bacchus offers a gateway into the boutique world that feels both grounded and elevated.

Set against velvet black drapery and glowing under a warm spotlight, this boutique fretless 6-string bass is a bold statement in modern luthiery. Its flamed maple top radiates with an amber glow, drawing the eye along the sleek contours of a body designed for both ergonomic precision and visual drama. Though the maker’s name isn’t visible, every curve and component whispers “masterbuilt.”

With Bartolini soapbar pickups and a six-knob control setup, this instrument is clearly built for tonal range and player customization. The unlined ebony fretboard offers infinite expressive potential—mwah-rich slides, fluid phrasing, and endless sustain for those who live outside the fretted box.

Architecturally, the design is minimal but deeply intentional. The sweeping lower horn and compact upper bout offer easy access to the upper register without sacrificing balance or comfort. Every edge has been sculpted to flow—this is not just a bass; it's a kinetic sculpture ready to sing.

Flanked by more traditional models in a boutique Tokyo guitar shop, this bass stands out like a piece of modern art in a gallery of classics. Whether it's a rare one-off by a master luthier or part of an ultra-limited run, it commands respect and curiosity. It’s an instrument that makes you want to ask questions—and then stop talking and start playing.

These close-up images showcase the intricate craftsmanship of a Carl Thompson Scroll Bass, a true icon in the world of boutique bass guitars. Built entirely by hand in Brooklyn, New York, Carl Thompson’s instruments are as much functional art as they are tonal powerhouses. His scroll basses—known for their distinctive violin-inspired upper horn—are exceedingly rare and highly sought after by collectors and serious players alike.

What sets this particular bass apart is its exquisite use of natural tonewoods, notably cocobolo, wenge, padauk, and possibly purpleheart, each selected for its tonal characteristics and visual contrast. The result is a layered, multi-laminate body that blends form and function with surgical precision. The carved horn and heel transitions show off seamless joinery and sculptural woodwork—there are no shortcuts here, only intention.

The pickups and control layout are minimal, allowing the organic tone of the woods to take center stage. Thompson’s basses are often customized per player, and every detail—down to the wooden pickup covers and knob choices—reflects an uncompromising aesthetic.

The scroll bass has become synonymous with players like Les Claypool of Primus, who famously uses Carl Thompson basses for their punch, clarity, and unique playability. This bass isn’t just an instrument—it’s a legacy, made by one man, in small numbers, with a cult following behind every build.

Seen here at Miki Gakki Bass Side in Osaka, this instrument stands out even in a sea of boutique beauties. For the discerning musician or collector, owning a Carl Thompson is not just a statement—it’s a lifelong relationship with a piece of musical architecture.

These close-up images showcase the intricate craftsmanship of a Carl Thompson Scroll Bass, a true icon in the world of boutique bass guitars. Built entirely by hand in Brooklyn, New York, Carl Thompson’s instruments are as much functional art as they are tonal powerhouses. His scroll basses—known for their distinctive violin-inspired upper horn—are exceedingly rare and highly sought after by collectors and serious players alike.

What sets this particular bass apart is its exquisite use of natural tonewoods, notably cocobolo, wenge, padauk, and possibly purpleheart, each selected for its tonal characteristics and visual contrast. The result is a layered, multi-laminate body that blends form and function with surgical precision. The carved horn and heel transitions show off seamless joinery and sculptural woodwork—there are no shortcuts here, only intention.

The pickups and control layout are minimal, allowing the organic tone of the woods to take center stage. Thompson’s basses are often customized per player, and every detail—down to the wooden pickup covers and knob choices—reflects an uncompromising aesthetic.

The scroll bass has become synonymous with players like Les Claypool of Primus, who famously uses Carl Thompson basses for their punch, clarity, and unique playability. This bass isn’t just an instrument—it’s a legacy, made by one man, in small numbers, with a cult following behind every build.

Seen here at Miki Gakki Bass Side in Osaka, this instrument stands out even in a sea of boutique beauties. For the discerning musician or collector, owning a Carl Thompson is not just a statement—it’s a lifelong relationship with a piece of musical architecture.

These close-up images showcase the intricate craftsmanship of a Carl Thompson Scroll Bass, a true icon in the world of boutique bass guitars. Built entirely by hand in Brooklyn, New York, Carl Thompson’s instruments are as much functional art as they are tonal powerhouses. His scroll basses—known for their distinctive violin-inspired upper horn—are exceedingly rare and highly sought after by collectors and serious players alike.

What sets this particular bass apart is its exquisite use of natural tonewoods, notably cocobolo, wenge, padauk, and possibly purpleheart, each selected for its tonal characteristics and visual contrast. The result is a layered, multi-laminate body that blends form and function with surgical precision. The carved horn and heel transitions show off seamless joinery and sculptural woodwork—there are no shortcuts here, only intention.

The pickups and control layout are minimal, allowing the organic tone of the woods to take center stage. Thompson’s basses are often customized per player, and every detail—down to the wooden pickup covers and knob choices—reflects an uncompromising aesthetic.

The scroll bass has become synonymous with players like Les Claypool of Primus, who famously uses Carl Thompson basses for their punch, clarity, and unique playability. This bass isn’t just an instrument—it’s a legacy, made by one man, in small numbers, with a cult following behind every build.

Seen here at Miki Gakki Bass Side in Osaka, this instrument stands out even in a sea of boutique beauties. For the discerning musician or collector, owning a Carl Thompson is not just a statement—it’s a lifelong relationship with a piece of musical architecture.

I'm holding a serious unicorn — a Carl Thompson 4-string Scroll Bass with a 36-inch scale and cocobolo top, spotted at Miki Gakki Bass Side in Osaka for ¥2,420,000 (roughly ~$16,000 USD depending on exchange rate).

🔥 Why This Bass Is Rare & Special
1. Carl Thompson = Legend
Carl Thompson is a Brooklyn-based luthier who hand-builds every bass himself — often taking years to complete. He's most famous for building instruments for Les Claypool (Primus) and Stanley Clarke. Each bass is totally custom, one-of-a-kind, and built to Carl’s uncompromising standards.

2. Scroll Bass = Signature Model
The Scroll Bass is Carl’s iconic design. Instantly recognizable by its upper bout "scroll" (like a violin), it’s not just about looks — it changes the weight distribution for balance and tone. It's also a nod to traditional luthier craftsmanship.

3. 36-inch Scale = Extended Clarity
Most basses are 34” scale. A 36” scale gives greater string tension, more harmonic clarity, and punchier low end. That also makes it a bit more challenging to play — it’s a bass for serious players.

4. Cocobolo Top = Exotic & Stunning
Cocobolo is a rare tropical hardwood, highly prized for its density, figure, and tone. It’s extremely difficult to work with, which makes it an expensive upgrade. The tone is rich and warm, and the look? Just look at that top — deep reddish-brown with natural oil sheen. Breathtaking.

5. Used Carl Thompson in Japan?!
These never show up in stores, especially not in Japan. Most owners commission directly and rarely let them go. Miki Gakki scoring one — and offering it used — is like seeing a McLaren F1 in a neighborhood dealership.

TL;DR
Brand: Carl Thompson

Model: 4-String Scroll Bass

Scale: 36-inch

Top: Cocobolo (exotic tonewood)

Condition: Used (in excellent shape from the pics)

Price: ¥2,420,000 (~$16K USD)

Where: Miki Gakki Bass Side, Osaka

I'm holding a serious unicorn — a Carl Thompson 4-string Scroll Bass with a 36-inch scale and cocobolo top, spotted at Miki Gakki Bass Side in Osaka for ¥2,420,000 (roughly ~$16,000 USD depending on exchange rate).

🔥 Why This Bass Is Rare & Special
1. Carl Thompson = Legend
Carl Thompson is a Brooklyn-based luthier who hand-builds every bass himself — often taking years to complete. He's most famous for building instruments for Les Claypool (Primus) and Stanley Clarke. Each bass is totally custom, one-of-a-kind, and built to Carl’s uncompromising standards.

2. Scroll Bass = Signature Model
The Scroll Bass is Carl’s iconic design. Instantly recognizable by its upper bout "scroll" (like a violin), it’s not just about looks — it changes the weight distribution for balance and tone. It's also a nod to traditional luthier craftsmanship.

3. 36-inch Scale = Extended Clarity
Most basses are 34” scale. A 36” scale gives greater string tension, more harmonic clarity, and punchier low end. That also makes it a bit more challenging to play — it’s a bass for serious players.

4. Cocobolo Top = Exotic & Stunning
Cocobolo is a rare tropical hardwood, highly prized for its density, figure, and tone. It’s extremely difficult to work with, which makes it an expensive upgrade. The tone is rich and warm, and the look? Just look at that top — deep reddish-brown with natural oil sheen. Breathtaking.

5. Used Carl Thompson in Japan?!
These never show up in stores, especially not in Japan. Most owners commission directly and rarely let them go. Miki Gakki scoring one — and offering it used — is like seeing a McLaren F1 in a neighborhood dealership.

TL;DR
Brand: Carl Thompson

Model: 4-String Scroll Bass

Scale: 36-inch

Top: Cocobolo (exotic tonewood)

Condition: Used (in excellent shape from the pics)

Price: ¥2,420,000 (~$16K USD)

Where: Miki Gakki Bass Side, Osaka

I'm holding a serious unicorn — a Carl Thompson 4-string Scroll Bass with a 36-inch scale and cocobolo top, spotted at Miki Gakki Bass Side in Osaka for ¥2,420,000 (roughly ~$16,000 USD depending on exchange rate).

🔥 Why This Bass Is Rare & Special
1. Carl Thompson = Legend
Carl Thompson is a Brooklyn-based luthier who hand-builds every bass himself — often taking years to complete. He's most famous for building instruments for Les Claypool (Primus) and Stanley Clarke. Each bass is totally custom, one-of-a-kind, and built to Carl’s uncompromising standards.

2. Scroll Bass = Signature Model
The Scroll Bass is Carl’s iconic design. Instantly recognizable by its upper bout "scroll" (like a violin), it’s not just about looks — it changes the weight distribution for balance and tone. It's also a nod to traditional luthier craftsmanship.

3. 36-inch Scale = Extended Clarity
Most basses are 34” scale. A 36” scale gives greater string tension, more harmonic clarity, and punchier low end. That also makes it a bit more challenging to play — it’s a bass for serious players.

4. Cocobolo Top = Exotic & Stunning
Cocobolo is a rare tropical hardwood, highly prized for its density, figure, and tone. It’s extremely difficult to work with, which makes it an expensive upgrade. The tone is rich and warm, and the look? Just look at that top — deep reddish-brown with natural oil sheen. Breathtaking.

5. Used Carl Thompson in Japan?!
These never show up in stores, especially not in Japan. Most owners commission directly and rarely let them go. Miki Gakki scoring one — and offering it used — is like seeing a McLaren F1 in a neighborhood dealership.

TL;DR
Brand: Carl Thompson

Model: 4-String Scroll Bass

Scale: 36-inch

Top: Cocobolo (exotic tonewood)

Condition: Used (in excellent shape from the pics)

Price: ¥2,420,000 (~$16K USD)

Where: Miki Gakki Bass Side, Osaka

A "Natural-Finish" Card Made by Graycraft Card Co., Danville, Va.

Overwater Progress 4-String.
Walnut Top
Swamp Ash Body
Maple Fingerboard

Overwater Progress 4-String
Flamed Koa Top
African Mahogany Body
Ebony Fingerboard

Overwater Progress Custom 5-String
Olivewood Top
Swamp Ash Body
Ebony Fingerboard

Overwater Scott Devine Signature (SDS)
Figured Walnut Top
Swamp Ash Body
Rosewood Fingerboard

Overwater Progress 4-String.
Figured Walnut topwood.
Swamp Ash Body
Ebony Fingerboard.