The Flickr Georgebancroft Image Generatr

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This page simply reformats the Flickr public Atom feed for purposes of finding inspiration through random exploration. These images are not being copied or stored in any way by this website, nor are any links to them or any metadata about them. All images are © their owners unless otherwise specified.

This site is a busybee project and is supported by the generosity of viewers like you.

“Washington Irving and His Literary Friends at Sunnyside” (1864) by Christian Schussele (1824-1879). Smithsonian American Art Museum, Washington, D.C. by lhboudreau

© lhboudreau, all rights reserved.

“Washington Irving and His Literary Friends at Sunnyside” (1864) by Christian Schussele (1824-1879). Smithsonian American Art Museum, Washington, D.C.

“This imaginary scene shows fifteen celebrated literary figures gathered at the home of Washington Irving, author of such popular tales as “Rip Van Winkle” (1819) and “The Legend of Sleepy Hollow” (1820). Ads in the “New York Times” in December 1863 announced the painting’s exhibition at a Manhattan art gallery, where visitors could purchase a fifty-four-page booklet describing the work. ‘It is, in the truest and completest sense, a National picture,’ the anonymous author declared, and its production ‘will be universally regarded as a National event.’

“The painting resulted from a collaborative effort. The photographer Mathew Brady captured the likeness of each writer (including Nathaniel Hawthorne, Henry Wadsworth Longfellow, Ralph Waldo Emerson, and Irving himself), and the artist F. O. C. Darley designed the group composition. Working from those materials, Christian Schussele painted this canvas while Thomas Oldham Barlow engraved a widely reproduced print.” [From the accompanying text]

Standing (Left to Right): Henry T. Tuckerman (1813-1871), Oliver Wendell Holmes (1809-1894), Nathaniel Hawthorne (1804-1864), Henry Wadsworth Longfellow (1807-1882), Nathaniel Parker Willis (1806-1867), James K. Paulding (1778-1860), William Cullen Bryant (1794-1878), and John Pendleton Kennedy (1795-1870).

Seated (Left to Right): William Gilmore Simms (1806-1870), Fitz-Greene Halleck (1790-1867), William Hickling Prescott (1796-1859), Washington Irving (1783-1859), Ralph Waldo Emerson (1803-1882), James Fenimore Cooper (1789-1851), and George Bancroft (1800-1891).

Jessie Ann Graham's scrpabook of Wep clippings by WEPidgeon

© WEPidgeon, all rights reserved.

Jessie Ann Graham's scrpabook of Wep clippings

Clippings collected by Jess Graham c.1931 and pasted in a scrapbook made from a receipts book at her place of work. Jess had met Wep in 1929. They were enagaged c.Jul 1932 and married Aug 1933

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

Spanish postcard. Series Estrellas del cine, No. 53. Editorial Grafica, Barcelona. Late 1920s/ early 1930s. Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

Wilson, 1927 by ellekelly8

© ellekelly8, all rights reserved.

Wilson, 1927

Edward Wilson
Advertisement for Paramount Pictures
Saturday Evening Post, Feb. 3, 1927

Blood Money with George Bancroft, 1933. by Halloween HJB

Blood Money with George Bancroft, 1933.

-

Bancroft Tower by heytampa

© heytampa, all rights reserved.

Bancroft Tower

Photo taken by Mum.

The Bugle Sounds, 1942 by LenhillAdvancedLite

© LenhillAdvancedLite, all rights reserved.

The Bugle Sounds, 1942

Directed by S. Sylvan Simon

Local Icon by Chancy Rendezvous

© Chancy Rendezvous, all rights reserved.

Local Icon

My biennial shooting of Bancroft Tower, which was built in honor of 'local boy done good' George Bancroft.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

French postcard by Cinémagazine-Edition, Paris, no. 630. Photo: Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

A Sign of Satisfaction by Salem State Archives

Available under a Creative Commons by license

A Sign of Satisfaction

Manuel's Original Orchestra
Beverly, Massachusetts

Photograph attributed to Leland O. Tilford

Otis A. Manuel founded Manuel’s Black and White Orchestra in Beverly in 1916. Otis played trumpet with jazz greats like Duke Ellington and Count Basie and was well known around the North Shore for his orchestra.

Banjo - Johnny Slavin
Bass - Cindy Manuel
Drums - Walter Pichard
Trumpet - Otis Manuel
Trombone - David Manuel
Saxophone - Pop Andrews (old)
Saxophone - George Bancroft (new)
Violin - Maxie Baker
Piano - George Richie

c. 1917

Citation: The Salem News Historic Photograph Collection,
Salem State University Archives and Special Collections, Salem, Massachusetts

Album - picture by Steenvoorde Leen - 39.6 ml views

© Steenvoorde Leen - 39.6 ml views, all rights reserved.

Album - picture

George Bancroft

George Bancroft by Steenvoorde Leen - 39.6 ml views

© Steenvoorde Leen - 39.6 ml views, all rights reserved.

George Bancroft

1933 Album - picture

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

French postcard by Cinémagazine-Edition, Paris, no. 769. Sent by mail in 1931.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

French postcard by Cinémagazine-Edition, Paris, no. 598. Photo: Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

British postcard in the Picturegoer Series, London, no. 432.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

German postcard by Ross Verlag, no. 4345/1, 1929-1930. Photo: Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

George Bancroft in The World and the Flesh (1932) by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft in The World and the Flesh (1932)

Dutch postcard by Photodruk Smeets & Schippers, Amsterdam. Photo: Croese Bosman / Universal. George Bancroft in The World and the Flesh (John Cromwell, 1932).

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

British postcard in the Picturegoer Series, London, no. 432a. Photo: Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

George Bancroft by Truus, Bob & Jan too!

© Truus, Bob & Jan too!, all rights reserved.

George Bancroft

Belgian postcard. Photo: Paramount.

Burly, beefy and tall George Bancroft (1882-1956) was an American film and stage actor who played many ill-tempered tough guys. He received an Oscar nomination for his part as Thunderbolt Jim Lang in Josef von Sternberg's gangster film Thunderbolt (1929). Bancroft is also well remembered as Marshal Curly Wilcox in John Ford's Western Stagecoach (1939).

George Bancroft was born in 1882 in Philadelphia, Pennsylvania. He attended high school at Tomes Institute in Port Deposit, Maryland. After working on merchant marine vessels at age 14, Bancroft was an apprentice on the USS Constellation and later served on the USS Essex and the West Indies. Additionally, during the Battle of Manila Bay (1898), he was a gunner on the USS Baltimore. During his days in the Navy, he staged plays aboard ship. In 1900, he swam underneath the hull of the battleship USS Oregon to check the extent of the damage after it struck a rock off the coast of China. For this, he won an impressive appointment to the United States Naval Academy at Annapolis. He graduated as a commissioned officer, and served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theatre manager. In 1901, Bancroft began acting in earnest, as he toured in plays and had juvenile leads in musical comedies. In vaudeville, he did blackface routines and impersonated celebrities. By 1923, he was good enough for Broadway and spent about a year there doing two plays, the musical comedies Cinders (1923) and The Rise of Rosie O'Reilly (1923). Two years earlier, he had already made his first appearance in the silent film The Journey's End (1921). Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the silent Western The Pony Express (James Cruze, 1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. He played an important supporting role in a cast including Wallace Beery and Charles Farrell in the period naval widescreen epic Old Ironsides (James Cruze, 1926). His roles as tough guy took on more flesh in his association with director Josef von Sternberg and his well-honed gangster films. The first of these was Underworld (Josef von Sternberg, 1927) with Clive Brook and Evelyn Brent. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. He next appeared in von Sternberg's The Docks of New York (Josef von Sternberg, 1928) with Betty Compson and Olga Baclanova, and their work culminated with Thunderbolt (Josef von Sternberg, 1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

George Bancroft played the title role in The Wolf of Wall Street (Rowland V. Lee, 1929), released just prior to the Wall Street Crash. It was Bancroft's first talkie. He appeared in Paramount's all-star revue Paramount on Parade (Elsie Hanis, a.o., 1930) and the crime film Blood Money (Rowland Brown, 1933) with Frances Dee and Judith Anderson. His various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. William McPeak at IMDb: "At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, 'One bullet can't kill Bancroft!'" He stayed busy through the 1930s as older and stouter featured characters. Bancroft was getting competition from younger character actors. In the early 1930s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (Frank Capra, 1936), starring Gary Cooper and Jean Arthur, a doctor in A Doctor's Diary (Charles Vidor, 1937), a contracter in Angels with Dirty Faces (Michael Curtiz, 1938) with James Cagney and Humphrey Bogart, and a warden in Each Dawn I Die (William Keighley, 1939) with Cagney and George Raft. Most memorably is his Marshal Curly Wilcox in the classic Western Stagecoach (John Ford, 1939), opposite John Wayne. Here he is particularly engaging as a tough lawman with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director, Cecil B. DeMille, in one of his epics. He played a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (Cecil B. DeMille, 1940) with a stellar cast including Gary Cooper, Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing. George Bancroft passed away in 1956 in Santa Monica, California. He was married twice, first to Edna Brothers, and after their divorce to silent film actress Octavia Broske. They had a daughter Georgette.

Sources: William McPeak (IMDb), Wikipedia and IMDb.

The Blair House plaque - 1651 Pennsylvania Avenue NW, Washington DC by Monceau

The Blair House plaque - 1651 Pennsylvania Avenue NW, Washington DC