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British autograph card. Photo: Rank.

Kenneth More (1914-1982) was one of the most successful and highest-paid British actors of his generation. He won a BAFTA Award in 1955 for his role in Doctor in the House. More was also nominated for a BAFTA for Genevieve (1954), The Deep Blue Sea (1956) and Reach for the Sky (1957). For The Deep Blue Sea, he received the Volpi Cup at the 1955 Venice Film Festival.

Kenneth Gilbert More was born in 1914 in Gerrards Cross, Buckinghamshire. He was the only son of Charles Gilbert More, a Royal Naval Air Service pilot, and Edith Winifred Watkins, the daughter of a Cardiff solicitor. He was educated at Victoria College, Jersey, having spent part of his childhood in the Channel Islands, where his father was general manager of the Jersey Eastern Railway. When More was 17, his father died, and he applied to join the Royal Air Force but failed the medical test for equilibrium. He then travelled to Canada, intending to work as a fur trapper, but was sent back to Britain because he lacked immigration documents. On his return from Canada, a business associate of his father, Vivian Van Damm, agreed to offer him work as a stagehand at the Windmill Theatre, where his job included shifting scenery and helping to get the nude players off stage during its Revudeville variety shows. After a chance moment on stage assisting a comic, he realised he wanted to act and was soon promoted to playing the straight man in the Revudeville comedy routines. He appeared in his first sketch in August 1935. He played there for a year, which led to regular work in repertory, performing in plays such as 'Burke and Hare' and 'Dracula's Daughter'. He continued his theatre work until the outbreak of the Second World War in 1939. During the war, More received a commission as a lieutenant in the Royal Navy and saw active service aboard the cruiser HMS Aurora and the aircraft carrier HMS Victorious. More made his official film and acting debut in Look Up and Laugh (Basil Dean, 1935) starring Gracie Fields. Nevertheless, in the first three film titles on his CV, he was 'only' an extra. His 'real' debut followed in 1946, with an unnamed role in the drama School for Secrets (Peter Ustinov, 1946) starring Ralph Richardson. He began to appear regularly on the big screen. For a small role in Scott of the Antarctic (Charles Frend, 1948) as Edward Evans, 1st Baron Mountevans, he was paid £500. He thought this film would launch him more than it did and held off from accepting other roles, which resulted in him "nearly starving". He took minor parts in the Film Noir Man on the Run (Lawrence Huntington, 1949), the drama Now Barabbas (Gordon Parry, 1949), and Stop Press Girl (Michael Barry, 1949) starring Sally Ann Howes.

Kenneth More achieved notable stage success in 'The Way Things Go' (1950) with Ronald Squire, from whom More later claimed he learned his stage technique. He was in demand for minor roles on screen, such as Morning Departure (Roy Ward Baker, 1950) with John Mills, and Chance of a Lifetime (Bernard Miles, 1950). More had a good part as a British agent in the mystery The Clouded Yellow (Ralph Thomas, 1950), starring Jean Simmons. He could also be seen in the thriller The Franchise Affair (Lawrence Huntington, 1951) and the sports comedy The Galloping Major (Henry Cornelius, 1951). More's first Hollywood-financed film was No Highway in the Sky (Henry Koster, 1951), where he played a co-pilot. Thomas cast him in another strong supporting part in Appointment with Venus (Ralph Thomas, 1952). More's name was placed above the title billing for the first time with a low-budget comedy, Brandy for the Parson (John Eldridge, 1952), playing a smuggler. Roland Culver recommended More to audition for a part in a new play by Terence Rattigan, 'The Deep Blue Sea' (1952). He was successful and achieved tremendous critical acclaim in the role of Freddie. During the play's run, he appeared as a worried parent in a thriller, The Yellow Balloon (J. Lee Thompson, 1953). He was in another Hollywood-financed film, Never Let Me Go (Delmer Daves, 1953), playing a colleague of Clark Gable. Kenneth More finally achieved film fame in the comedy Genevieve (Henry Cornelius, 1953). It stars John Gregson, Dinah Sheridan, Kenneth More and Kay Kendall as two couples comedically involved in a veteran automobile rally. In the New York Times, critic Bosley Crowther wrote, "British producer-director, Henry Cornelius, has made a film that may cautiously be recommended as one of the funniest farce comedies in years." Genevieve was the second-most popular film at the British box office in 1953 and turned More into a star. The following year, Doctor in the House (Ralph Thomas, 1954) with Dirk Bogarde and More was even the biggest hit of the year at the British box office and the most successful film in the history of Rank. More received a BAFTA Award as Best Newcomer. He appeared in a TV production of The Deep Blue Sea (1954), which was seen by an audience of 11 million. He signed a five-year contract with Sir Alexander Korda at £10,000 a year and played the role again in a film version, The Deep Blue Sea (Anatole Litvak, 1955) with Vivien Leigh. He gained the Best Actor at the Venice Film Festival for his performance, but the film was a critical and commercial disappointment. More appeared as a carefree, happy-go-lucky gent in such comedies as Raising a Riot (Wendy Toye, 1955), The Admirable Crichton (Lewis Gilbert, 1957), The Sheriff of Fractured Jaw (Raoul Walsh, 1958) with Jayne Mansfield and Next to No Time (Henry Cornelius, 1958) with Betsy Drake. He also played more serious roles as a leading man in Reach for the Sky (Lewis Gilbert, 1956), A Night to Remember (Roy Ward Baker, 1958), North West Frontier (J. Lee Thompson, 1959) with Lauren Bacall, The 39 Steps (Ralph Thomas, 1959) and Sink the Bismarck! (Lewis Gilbert, 1960) with Dana Wynter.

Kenneth More made a comedy, Man In The Moon (Basil Dearden, 1960) with Shirley Anne Field, which flopped at the box office. It was his first real flop since becoming a star. He returned to the stage directing 'The Angry Deep' in Brighton in 1960. Although his career declined in the early 1960s, two of his own favourite films date from this time. The first was the drama The Greengage Summer (Lewis Gilbert, 1961) with Susannah York in her first leading role. More later wrote that Lewis Gilbert insisted he go on a diet before making the film so that he might be more believable as a romantic lead. More did so as he very badly wanted to star in the film. The second film was The Comedy Man (Alvin Rakoff, 1964), but the film was not released for two years. In between, he returned to military roles as one of many stars in The Longest Day (Ken Annakin a.o., 1962) playing Beachmaster Captain Colin Maud. He accepted the lead in the low-budget youth film, Some People (Clive Donner, 1962), because he had no other offers at the time. The film was profitable. Kenneth More enjoyed a revival on television in the much-acclaimed series The Forsyte Saga (David Giles, James Cellan Jones, 1967), an adaptation of John Galsworthy's series of The Forsyte Saga novels. The series follows the fortunes of the upper-middle-class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union. Another hit was the Father Brown series (1974) based on the stories by G. K. Chesterton. The series featured More as Father Brown, a Roman Catholic priest who solved crime mysteries. In the cinema, he appeared opposite Suzy Kendall in Fräulein Doktor (Alberto Lattuada, 1969). He was one of many names in Oh! What a Lovely War (Richard Attenborough, 1969) and Battle of Britain (Guy Hamilton, 1969). He took the role of the Ghost of Christmas Present in Scrooge (Ronald Neame, 1970) starring Albert Finney as Ebenezer Scrooge. His later film roles included The Slipper and the Rose (Bryan Forbes, 1976), Leopard in the Snow (Gerry O'Hara, 1978), and Unidentified Flying Oddball (Russ Mayberry, 1979). Kenneth More was married to his first wife, Beryl Johnstone, from 1939 to 1946. With her, he had a daughter, Susan Jane More (1941). His second marriage (1952-1967) was to Mabel Edith 'Bill' Barkby. They also had a daughter, Sarah Elizabeth More (1954). He then married his third and final wife, the then-26-year-old actress Angela Douglas, in 1968. More and Douglas separated for several years during the 1970s but reunited when he was diagnosed with Parkinson's disease. This made it increasingly difficult for him to work, although his last role was a sizeable supporting part in an American TV adaptation of A Tale of Two Cities (Jim Goddard, 1980) with Chris Sarandon. More and Douglas remained together until his death. In 1982, Kenneth More died in London from the effects of Parkinson's disease. He was 67. His oeuvre included more than 50 (television) films.

Sources: Wikipedia (Dutch and English) and IMDb.

And, please check out our blog European Film Star Postcards.

The town is known for the Aman Sveti Stefan resort, a 5-star franchise of the international group of Aman Resorts.

British postcard by Celebrity Publishers LTD, London, in the Celebrity Autograph Series, no. 334. Photo: Rank. Kenneth More in A Night to Remember (Roy Ward Baker, 1958).

Kenneth More (1914-1982) was one of the most successful and highest-paid British actors of his generation. He won a BAFTA Award in 1955 for his role in Doctor in the House. More was also nominated for a BAFTA for Genevieve (1954), The Deep Blue Sea (1956) and Reach for the Sky (1957). For The Deep Blue Sea, he received the Volpi Cup at the 1955 Venice Film Festival.

Kenneth Gilbert More was born in 1914 in Gerrards Cross, Buckinghamshire. He was the only son of Charles Gilbert More, a Royal Naval Air Service pilot, and Edith Winifred Watkins, the daughter of a Cardiff solicitor. He was educated at Victoria College, Jersey, having spent part of his childhood in the Channel Islands, where his father was general manager of the Jersey Eastern Railway. When More was 17, his father died, and he applied to join the Royal Air Force but failed the medical test for equilibrium. He then travelled to Canada, intending to work as a fur trapper, but was sent back to Britain because he lacked immigration documents. On his return from Canada, a business associate of his father, Vivian Van Damm, agreed to offer him work as a stagehand at the Windmill Theatre, where his job included shifting scenery and helping to get the nude players off stage during its Revudeville variety shows. After a chance moment on stage helping a comic, he realised that he wanted to act and was soon promoted to playing the straight man in the Revudeville comedy routines. He appeared in his first sketch in August 1935. He played there for a year, which led to regular work in repertory, performing in plays such as 'Burke and Hare' and 'Dracula's Daughter'. He continued his theatre work until the outbreak of the Second World War in 1939. During the war, More received a commission as a lieutenant in the Royal Navy and saw active service aboard the cruiser HMS Aurora and the aircraft carrier HMS Victorious. More made his official film and acting debut in Look Up and Laugh (Basil Dean, 1935) starring Gracie Fields. Nevertheless, in the first three film titles on his CV, he was 'only' an extra. His 'real' debut followed in 1946, with an unnamed role in the drama School for Secrets (Peter Ustinov, 1946) starring Ralph Richardson. He began to appear regularly on the big screen. For a small role in Scott of the Antarctic (Charles Frend, 1948) as Edward Evans, 1st Baron Mountevans, he was paid £500. He thought this film would launch him more than it did and held off from accepting other roles, which resulted in him "nearly starving". He took minor parts in the Film Noir Man on the Run (Lawrence Huntington, 1949), the drama Now Barabbas (Gordon Parry, 1949), and Stop Press Girl (Michael Barry, 1949) starring Sally Ann Howes.

Kenneth More achieved notable stage success in 'The Way Things Go' (1950) with Ronald Squire, from whom More later claimed he learned his stage technique. He was in demand for minor roles on screen, such as Morning Departure (Roy Ward Baker, 1950) with John Mills, and Chance of a Lifetime (Bernard Miles, 1950). More had a good part as a British agent in the mystery The Clouded Yellow (Ralph Thomas, 1950), starring Jean Simmons. He could also be seen in the thriller The Franchise Affair (Lawrence Huntington, 1951) and the sports comedy The Galloping Major (Henry Cornelius, 1951). More's first Hollywood-financed film was No Highway in the Sky (Henry Koster, 1951), where he played a co-pilot. Thomas cast him in another strong supporting part in Appointment with Venus (Ralph Thomas, 1952). More's name was placed above the title billing for the first time with a low-budget comedy, Brandy for the Parson (John Eldridge, 1952), playing a smuggler. Roland Culver recommended More to audition for a part in a new play by Terence Rattigan, 'The Deep Blue Sea' (1952). He was successful and achieved tremendous critical acclaim in the role of Freddie. During the play's run, he appeared as a worried parent in a thriller, The Yellow Balloon (J. Lee Thompson, 1953). He was in another Hollywood-financed film, Never Let Me Go (Delmer Daves, 1953), playing a colleague of Clark Gable. Kenneth More finally achieved film fame in the comedy Genevieve (Henry Cornelius, 1953). It stars John Gregson, Dinah Sheridan, Kenneth More and Kay Kendall as two couples comedically involved in a veteran automobile rally. In the New York Times, critic Bosley Crowther wrote, "British producer-director, Henry Cornelius, has made a film that may cautiously be recommended as one of the funniest farce comedies in years." Genevieve was the second-most popular film at the British box office in 1953 and turned More into a star. The following year, Doctor in the House (Ralph Thomas, 1954) with Dirk Bogarde and More was even the biggest hit of the year at the British box office and the most successful film in the history of Rank. More received a BAFTA Award as Best Newcomer. He appeared in a TV production of The Deep Blue Sea (1954), which was seen by an audience of 11 million. He signed a five-year contract with Sir Alexander Korda at £10,000 a year and played the role again in a film version, The Deep Blue Sea (Anatole Litvak, 1955) with Vivien Leigh. He gained the Best Actor at the Venice Film Festival for his performance, but the film was a critical and commercial disappointment. More appeared as a carefree, happy-go-lucky gent in such comedies as Raising a Riot (Wendy Toye, 1955), The Admirable Crichton (Lewis Gilbert, 1957), The Sheriff of Fractured Jaw (Raoul Walsh, 1958) with Jayne Mansfield and Next to No Time (Henry Cornelius, 1958) with Betsy Drake. He also played more serious roles as a leading man in Reach for the Sky (Lewis Gilbert, 1956), A Night to Remember (Roy Ward Baker, 1958), North West Frontier (J. Lee Thompson, 1959) with Lauren Bacall, The 39 Steps (Ralph Thomas, 1959) and Sink the Bismarck! (Lewis Gilbert, 1960) with Dana Wynter.

Kenneth More made a comedy, Man In The Moon (Basil Dearden, 1960) with Shirley Anne Field, which flopped at the box office. It was his first real flop since becoming a star. He returned to the stage directing 'The Angry Deep' in Brighton in 1960. Although his career declined in the early 1960s, two of his own favourite films date from this time. The first was the drama The Greengage Summer (Lewis Gilbert, 1961) with Susannah York in her first leading role. More later wrote that Lewis Gilbert insisted he go on a diet before making the film so that he might be more believable as a romantic lead. More did so as he very badly wanted to star in the film. The second film was The Comedy Man (Alvin Rakoff, 1964), but the film was not released for two years. In between, he returned to military roles as one of many stars in The Longest Day (Ken Annakin a.o., 1962) playing Beachmaster Captain Colin Maud. He accepted the lead in the low-budget youth film, Some People (Clive Donner, 1962), because he had no other offers at the time. The film was profitable. Kenneth More enjoyed a revival on television in the much-acclaimed series The Forsyte Saga (David Giles, James Cellan Jones, 1967), an adaptation of John Galsworthy's series of The Forsyte Saga novels. The series follows the fortunes of the upper-middle-class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was shown in the United States on public television and broadcast all over the world, and became the first BBC television series to be sold to the Soviet Union. Another hit was the Father Brown series (1974) based on the stories by G. K. Chesterton. The series featured More as Father Brown, a Roman Catholic priest who solved crime mysteries. In the cinema, he appeared opposite Suzy Kendall in Fräulein Doktor (Alberto Lattuada, 1969). He was one of many names in Oh! What a Lovely War (Richard Attenborough, 1969) and Battle of Britain (Guy Hamilton, 1969). He took the role of the Ghost of Christmas Present in Scrooge (Ronald Neame, 1970) starring Albert Finney as Ebenezer Scrooge. His later film roles included The Slipper and the Rose (Bryan Forbes, 1976), Leopard in the Snow (Gerry O'Hara, 1978), and Unidentified Flying Oddball (Russ Mayberry, 1979). Kenneth More was married to his first wife, Beryl Johnstone, from 1939 to 1946. With her, he had a daughter, Susan Jane More (1941). His second marriage (1952-1967) was to Mabel Edith 'Bill' Barkby. They also had a daughter, Sarah Elizabeth More (1954). He then married his third and final wife, the then-26-year-old actress Angela Douglas, in 1968. More and Douglas separated for several years during the 1970s but reunited when he was diagnosed with Parkinson's disease. This made it increasingly difficult for him to work, although his last role was a sizeable supporting part in an American TV adaptation of A Tale of Two Cities (Jim Goddard, 1980) with Chris Sarandon. More and Douglas remained together until his death. In 1982, Kenneth More died in London from the effects of Parkinson's disease. He was 67. His oeuvre included more than 50 (television) films.

Sources: Wikipedia (Dutch and English) and IMDb.

And, please check out our blog European Film Star Postcards.

Apr 11 2025
1 More Word, 1 More Sentence, 1 More Paragraph, 1 More Page, 1 More Chapter; 1 More...

British postcard in the Picturegoer Series, London, no. D 352. Photo: J. Arthur Rank Organisation.

Kenneth More (1914-1982) was one of the most successful and highest-paid British actors of his generation. He won a BAFTA Award in 1955 for his role in Doctor in the House. More was also nominated for a BAFTA for Genevieve (1954), The Deep Blue Sea (1956) and Reach for the Sky (1957). For The Deep Blue Sea, he received the Volpi Cup at the 1955 Venice Film Festival.

Kenneth Gilbert More was born in 1914 in Gerrards Crossin, Buckinghamshire. He was the only son of Charles Gilbert More, a Royal Naval Air Service pilot, and Edith Winifred Watkins, the daughter of a Cardiff solicitor. He was educated at Victoria College, Jersey, having spent part of his childhood in the Channel Islands, where his father was general manager of the Jersey Eastern Railway. When More was 17 his father died, and he applied to join the Royal Air Force but failed the medical test for equilibrium. He then travelled to Canada, intending to work as a fur trapper, but was sent back to Britain because he lacked immigration documents. On his return from Canada, a business associate of his father, Vivian Van Damm, agreed to offer him work as a stagehand at the Windmill Theatre, where his job included shifting scenery and helping to get the nude players off stage during its Revudeville variety shows. After a chance moment on stage helping a comic, he realised that he wanted to act and was soon promoted to playing the straight man in the Revudeville comedy routines. He appeared in his first sketch in August 1935. He played there for a year, which led to regular work in repertory, performing in plays such as 'Burke and Hare' and 'Dracula's Daughter'. He continued his theatre work until the outbreak of the Second World War in 1939. During the war, More received a commission as a lieutenant in the Royal Navy and saw active service aboard the cruiser HMS Aurora and the aircraft carrier HMS Victorious. More made his official film and acting debut in Look Up and Laugh (Basil Dean, 1935) starring Gracie Fields. Nevertheless, in the first three film titles on his CV, he was 'only' an extra His 'real' debut followed in 1946, with an unnamed role in the drama School for Secrets (Peter Ustinov, 1946) starring Ralph Richardson. He began to appear regularly on the big screen. For a small role in Scott of the Antarctic (Charles Frend, 1948) as Edward Evans, 1st Baron Mountevans, he was paid £500. He thought this film would launch him more than it did and held off from accepting other roles, which resulted in him "nearly starving". He took minor parts in the Film Noir Man on the Run (Lawrence Huntington, 1949), the drama Now Barabbas (Gordon Parry, 1949), and Stop Press Girl (Michael Barry, 1949) starring Sally Ann Howes.

Kenneth More achieved notable stage success in 'The Way Things Go' (1950) with Ronald Squire, from whom More later claimed he learned his stage technique. He was in demand for minor roles on screen such as Morning Departure (Roy Ward Baker, 1950) with John Mills, and Chance of a Lifetime (Bernard Miles, 1950). More had a good part as a British agent in the mystery The Clouded Yellow (Ralph Thomas, 1950), starring Jean Simmons. He could also be seen in the thriller The Franchise Affair (Lawrence Huntington, 1951) and the sports comedy The Galloping Major (Henry Cornelius, 1951). More's first Hollywood-financed film was No Highway in the Sky (Henry Koster, 1951) where he played a co-pilot. Thomas cast him in another strong support part in Appointment with Venus (Ralph Thomas, 1952). More's name was placed above the title billing for the first time with a low-budget comedy, Brandy for the Parson (John Eldridge, 1952), playing a smuggler. Roland Culver recommended More to audition for a part in a new play by Terence Rattigan, 'The Deep Blue Sea' (1952). He was successful and achieved tremendous critical acclaim in the role of Freddie. During the play's run, he appeared as a worried parent in a thriller, The Yellow Balloon (J. Lee Thompson, 1953). He was in another Hollywood-financed film, Never Let Me Go (Delmer Daves, 1953), playing a colleague of Clark Gable. Kenneth More finally achieved film fame in the comedy Genevieve (Henry Cornelius, 1953). It stars John Gregson, Dinah Sheridan, Kenneth More and Kay Kendall as two couples comedically involved in a veteran automobile rally. In the New York Times, critic Bosley Crowther wrote "British producer-director, Henry Cornelius, has made a film that may cautiously be recommended as one of the funniest farce comedies in years." Genevieve was the second-most popular film at the British box office in 1953 and turned More into a star. The following year, Doctor in the House (Ralph Thomas, 1954) with Dirk Bogarde and More was even the biggest hit of the year at the British box office and the most successful film in the history of Rank. More received a BAFTA Award as Best Newcomer. He appeared in a TV production of The Deep Blue Sea (1954), which was seen by an audience of 11 million. He signed a five-year contract with Sir Alexander Korda at £10,000 a year and played the role again in a film version, The Deep Blue Sea (Anatole Litvak, 1955) with Vivien Leigh. He gained the Best Actor at the Venice Film Festival for his performance, but the film was a critical and commercial disappointment. More appeared as a carefree, happy-go-lucky gent in such comedies as Raising a Riot (Wendy Toye, 1955), The Admirable Crichton (Lewis Gilbert, 1957), The Sheriff of Fractured Jaw (Raoul Walsh, 1958) with Jayne Mansfield and Next to No Time (Henry Cornelius, 1958) with Betsy Drake. He also played more serious roles as a leading man in Reach for the Sky (Lewis Gilbert, 1956), A Night to Remember (Roy Ward Baker, 1958), North West Frontier (J. Lee Thompson, 1959) with Lauren Bacall, The 39 Steps (Ralph Thomas, 1959) and Sink the Bismarck! (Lewis Gilbert, 1960) with Dana Wynter.

Kenneth More made a comedy, Man In The Moon (Basil Dearden, 1960) with Shirley Anne Field, which flopped at the box office. It was his first real flop since becoming a star. He returned to the stage directing 'The Angry Deep' in Brighton in 1960. Although his career declined in the early 1960s, two of his own favourite films date from this time. The first was the drama The Greengage Summer (Lewis Gilbert, 1961) with Susannah York in her first leading role. More later wrote that Lewis Gilbert insisted he go on a diet before making the film so that he might be more believable as a romantic lead. More did so as he very badly wanted to star in the film. The second film was The Comedy Man (Alvin Rakoff, 1964), but the film was not released for two years. In between, he returned to military roles as one of many stars in The Longest Day (Ken Annakin, a.o., 1962) playing Beachmaster Captain Colin Maud. He accepted the lead in the low-budget youth film, Some People (Clive Donner, 1962), because he had no other offers at the time. The film was profitable. Kenneth More enjoyed a revival on television in the much-acclaimed series The Forsyte Saga (David Giles, James Cellan Jones, 1967), an adaptation of John Galsworthy's series of The Forsyte Saga novels. The series follows the fortunes of the upper-middle-class Forsyte family, and stars Eric Porter as Soames, Kenneth More as Young Jolyon and Nyree Dawn Porter as Irene. It was shown in the United States on public television and broadcast all over the world and became the first BBC television series to be sold to the Soviet Union. Another hit was the Father Brown series (1974) based on the stories by G. K. Chesterton. The series featured More as Father Brown, a Roman Catholic priest who solved crime mysteries. In the cinema, he appeared opposite Suzy Kendall in Fräulein Doktor (Alberto Lattuada, 1969). He was one of many names in Oh! What a Lovely War (Richard Attenborough, 1969) and Battle of Britain (Guy Hamilton, 1969). He took the role of the Ghost of Christmas Present in Scrooge (Ronald Neame, 1970) starring Albert Finney as Ebenezer Scrooge. His later film roles included The Slipper and the Rose (Bryan Forbes, 1976), Leopard in the Snow (Gerry O'Hara, 1978), and Unidentified Flying Oddball (Russ Mayberry, 1979). Kenneth More was married to his first wife Beryl Johnstone from 1939 to 1946. With her, he had a daughter Susan Jane More (1941). His second marriage (1952-1967) was to Mabel Edith 'Bill' Barkby. They also had a daughter, Sarah Elizabeth More (1954). He then married his third and final wife, the then-26-year-old actress Angela Douglas, in 1968. More and Douglas separated for several years during the 1970s but reunited when he was diagnosed with Parkinson's disease. This made it increasingly difficult for him to work, although his last role was a sizeable supporting part in an American TV adaptation of A Tale of Two Cities (Jim Goddard, 1980) with Chris Sarandon. More and Douglas remained together until his death. In 1982, Kenneth More died in London from the effects of Parkinson's disease. He was 67. His oeuvre included more than 50 (television) films.

Sources: Wikipedia (Dutch and English) and IMDb.

And, please check out our blog European Film Star Postcards.

Hans Bosman, De Trommelaar, 2005

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More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.

More Kodak Gold.
For some subjects this film is suited extremely good! See those fields and the soil.