The Flickr 50Hz Image Generatr

Video documentation of the “National Grid” sound installation by Disinformation, exhibited at the Farsight Collective, London
(11 + 12 October 2024) - HEADPHONES ESSENTIAL

The sensations produced by experiencing the “National Grid” sound installation are produced as much by physical vibration as they are by sound as such, with the effect that the experience is essentially un-recordable. Bear in mind that, therefore, even with headphones, this video offers at best a very crude approximation of the actual experience. NB: the first 30 seconds of this video are silent.

More information - www.flickr.com/disinfo/54031424445

...aus Rybník kommend in Richtung Lipno nad Vltavou. Kurz vorher wurde mit einem anderen Fotograf evaluiert wo sich eine gute Stelle für diese Fahrt befinden könnte. Kurz später einigten sich alle anwesenden auf die sehr komisch klingende Aussage: "Fahren wir halt nochmal zum Puff."

Besser kann man die Ortslage am "Lion Club" nicht bezeichnen.
Kurze Zeit später tauchte dann auch "S458.0059" mit ihrem Bdmteeo²⁹⁴ und BDsee⁴⁵⁴ auf und rumpelte die Nebenbahn lang in Richtung Wasserkraftwerk. Es sollte eigentlich die letzte Woche der "Žehlička" Lokomotiven auf dieser Strecke sein, doch wie sagt man so schön "Tod geglaubte leben länger" und so kam der von der Česke Drahy genannte Stichtag, und ging. Und noch leben die "Bügeleisen" weiter ihr Nischendasein auf der einst mit 1,5kV gespeisten Lokalbahn nahe der Österreichischen Grenze.

Various Artists — “Cire Noire” - Sähkö Recordings (2023)

1. Egg Meat - “Milton/Earth” (Massive Bereavement Mix)
2. Umfang - “Baby Blue” (Drone Edit)
3. Disinformation + Savion Glover - “Doppelgänger Variations”
4. Nuke Watch - “NWPJS Perc”
5. Georgia - “Mekael”
6. Ana Fosca - “Anima (Novus)”
7. Rafael Toral - “Mixed States Uncoded”

sahkorecordings.bandcamp.com/album/cire-noire

“Disinformation + Savion Glover knock it out of the park in terms of weirdness...” - tinyurl.com/t4fak2un

Cover artwork: “Cire Noire” by Wladd Wuta

Special thanks to Savion Glover + Tommi Grönlund

Various Artists — “Cire Noire” - Sähkö Recordings (2023)

1. Egg Meat - “Milton/Earth” (Massive Bereavement Mix)
2. Umfang - “Baby Blue” (Drone Edit)
3. Disinformation + Savion Glover - “Doppelgänger Variations”
4. Nuke Watch - “NWPJS Perc”
5. Georgia - “Mekael”
6. Ana Fosca - “Anima (Novus)”
7. Rafael Toral - “Mixed States Uncoded”

sahkorecordings.bandcamp.com/album/cire-noire

“Disinformation + Savion Glover knock it out of the park in terms of weirdness...” - tinyurl.com/t4fak2un

Special thanks to Savion Glover + Tommi Grönlund

“Disinformation and Savion Glover knock it out of the park in terms of weirdness...” - Norman Records - tinyurl.com/t4fak2un

Tap artist Savion Glover + sound artist Joe Banks

Electromagnetic Sound Art - “National Grid” by Disinformation - 1996 to 2023

www.youtube.com/watch?v=gO_AP2LlN6E

“Pulsing sub-bass audio suggests associations with the most primal anthropomorphic element in music -- the rhythms of the human heart, with foetal and infant hypnagogic sense memories, with seismic activity, the rumble of thunder (Jimi Hendrix claimed that his earliest childhood memory was of a thunderstorm) and even with war. Disinformation's National Grid is a sub-bass installation sourced either from the ambient VLF field radiated by electricity pylons and mains circuits, or directly from the output cables of mains transformers. National Grid offers live physical evidence of environmental electromagnetic pollution, a demonstration of the intrinsic musical properties of alternating current, beat-frequency effects, the architectural acoustics of its own exhibition space, a formula for the realisation and suppression of Futurist sound art, a cathartic response to the pressures of urban life, a monolithic soundtrack for the genius of electrification and for the bitter conflicts between government and organised labour for control over the nation's electrical infrastructure.” - Disinformation “Stargate” + “National Grid” LP - Ash International, Ash 3.2, copyright © 1996

Disobey, Holloway, London, 10 Oct 1996
Royal College of Art, Kensington, 5 Dec 1996
Museum of Installation, Deptford, July 1997
South London Gallery, Camberwell, 15 Aug 1998
Nuclear Warfare Command Centre, Anstruther, 25 Sept 1998
Lux Cinema, Hoxton, 9 Dec 1998
Volksbühne, Berlin, 27 June 1999
ZKM, Karlsruhe, 16 July 1999
Arctic Corsair, Hull, Oct 1999
Kettle’s Yard, Cambridge, Jan to March 2000
Sonic Boom, Hayward Gallery, 2 June 2000
The Dom, Moscow, 26 Sept 2000
Fabrica, Brighton, Nov to Dec 2001
The Royal Institution, Mayfair, 22 May 2004
Corsica Studios, Elephant & Castle, 19 Nov 2004 *
The Guardian Science Writers Xmas Party, 13 Dec 2004 *
Hull Art Lab (Humber Street, Kingston-upon-Hull) 4 Feb 2005 *
Cargo Nightclub, Hoxton, 17 Feb 2005 *
The Foundry, Hoxton, Oct 2005
Westbourne Studios, Notting Hill, 18 Sept 2006 *
The Junction, Cambridge, 27 April 2007 *
Centre for Life, Newcastle, 5 March 2008 *
Gus Fisher Gallery, Auckland, NZ, Aug 2009
When the Dust Settles, Dalston Bunker, Oct 2010
Living Rooms, Auckland, NZ, April 2011
Frequency Festival, Lincoln, Oct 2011
Usurp Gallery, Harrow, 8 Nov 2011
GV Art, Marylebone, Nov to Dec 2013
Inspace, Edinburgh, 29 Nov 2013
Le Bon Accueil, Rennes, Oct to Nov 2014
The Auricle, Christchurch, NZ, Feb 2015
The Morgue, Chelsea College of Arts, 16 March 2017
Assembly of Disturbance, Shoreditch, 7 Oct 2017
Gallery 46, Whitechapel, 15 Feb 2018
Kino Siska, Ljubljana, 21 March 2018
CMK, Koper, 22 March 2018
Caponier Tunnel, Newhaven Fort, 22 Sept 2018
Antithesis, Schemata Art, Elephant & Castle, March 2022
Ealing Extranormal Volume 22, 16 Dec 2023
Farsight Collective, St. Giles, 11 + 12 Oct 2024

* Disinformation + Strange Attractor

mit Raspberry Pi Pico

AUDIO TECHNICA
AT-6180
Stroboscope Disc

AUDIO TECHNICA Stroboscope Disc for 50Hz and 60Hz to check and adjust 33 RPM and 45 RPM turntable speeds



TONAR Reference Code: 4218 OR

www.viparts.nl/product/audio-technica-at6180-stroboscope-...

UTE 2064 com um especial para Alcântara - Terra, de onde partiria a circulação comemorativa dos 50 anos de electrificação da Linha de Sintra à passagem por Campolide - A.

Electromagnetic Sound Art - “National Grid” by Disinformation + Strange Attractor [Joe Banks + Mark Pilkington]

Recorded live at New Corsica Studios - 19 Nov 2004

www.youtube.com/watch?v=gO_AP2LlN6E

“Pulsing sub-bass audio suggests associations with the most primal anthropomorphic element in music -- the rhythms of the human heart, with foetal and infant hypnagogic sense memories, with seismic activity, the rumble of thunder (Jimi Hendrix claimed that his earliest childhood memory was of a thunderstorm) and even with war. Disinformation's National Grid is a sub-bass installation sourced either from the ambient VLF field radiated by electricity pylons and mains circuits, or directly from the output cables of mains transformers. National Grid offers live physical evidence of environmental electromagnetic pollution, a demonstration of the intrinsic musical properties of alternating current, beat-frequency effects, the architectural acoustics of its own exhibition space, a formula for the realisation and suppression of Futurist sound art, a cathartic response to the pressures of urban life, a monolithic soundtrack for the genius of electrification and for the bitter conflicts between government and organised labour for control over the nation's electrical infrastructure.” - Disinformation “Stargate” + “National Grid” LP - Ash International, Ash 3.2, copyright © 1996

Disobey, Holloway, London, 10 Oct 1996
Royal College of Art, Kensington, 5 Dec 1996
Museum of Installation, Deptford, July 1997
South London Gallery, Camberwell, 15 Aug 1998
Nuclear Warfare Command Centre, Anstruther, 25 Sept 1998
Lux Cinema, Hoxton, 9 Dec 1998
Volksbühne, Berlin, 27 June 1999
ZKM, Karlsruhe, 16 July 1999
Arctic Corsair, Hull, Oct 1999
Kettle’s Yard, Cambridge, Jan to March 2000
Sonic Boom, Hayward Gallery, 2 June 2000
The Dom, Moscow, 26 Sept 2000
Fabrica, Brighton, Nov to Dec 2001
The Royal Institution, Mayfair, 22 May 2004
Corsica Studios, Elephant & Castle, 19 Nov 2004 *
The Guardian Science Writers Xmas Party, 13 Dec 2004 *
Hull Art Lab (Humber Street, Kingston-upon-Hull) 4 Feb 2005 *
Cargo Nightclub, Hoxton, 17 Feb 2005 *
The Foundry, Hoxton, Oct 2005
Westbourne Studios, Notting Hill, 18 Sept 2006 *
The Junction, Cambridge, 27 April 2007 *
Centre for Life, Newcastle, 5 March 2008 *
Gus Fisher Gallery, Auckland, NZ, Aug 2009
When the Dust Settles, Dalston Bunker, Oct 2010
Living Rooms, Auckland, NZ, April 2011
Frequency Festival, Lincoln, Oct 2011
Usurp Gallery, Harrow, 8 Nov 2011
GV Art, Marylebone, Nov to Dec 2013
Inspace, Edinburgh, 29 Nov 2013
Le Bon Accueil, Rennes, Oct to Nov 2014
The Auricle, Christchurch, NZ, Feb 2015
The Morgue, Chelsea College of Arts, 16 March 2017
Assembly of Disturbance, Shoreditch, 7 Oct 2017
Gallery 46, Whitechapel, 15 Feb 2018
Kino Siska, Ljubljana, 21 March 2018
CMK, Koper, 22 March 2018
Caponier Tunnel, Newhaven Fort, 22 Sept 2018
Antithesis, Schemata Art, Elephant & Castle, March 2022
Ealing Extranormal Volume 22, 16 Dec 2023
Farsight Collective, St. Giles, 11 + 12 Oct 2024

* Disinformation + Strange Attractor

Electromagnetic Sound Art - “National Grid” by Disinformation

Commissioned and exhibited by Fabrica Gallery, Nov 2001

Raw video by Barry Hale - video processing by Joe Banks

“National Grid” audio by Joe Banks - first published 1996

NB: poor audio compression

www.youtube.com/watch?v=gO_AP2LlN6E

“Pulsing sub-bass audio suggests associations with the most primal anthropomorphic element in music -- the rhythms of the human heart, with foetal and infant hypnagogic sense memories, with seismic activity, the rumble of thunder (Jimi Hendrix claimed that his earliest childhood memory was of a thunderstorm) and even with war. Disinformation's National Grid is a sub-bass installation sourced either from the ambient VLF field radiated by electricity pylons and mains circuits, or directly from the output cables of mains transformers. National Grid offers live physical evidence of environmental electromagnetic pollution, a demonstration of the intrinsic musical properties of alternating current, beat-frequency effects, the architectural acoustics of its own exhibition space, a formula for the realisation and suppression of Futurist sound art, a cathartic response to the pressures of urban life, a monolithic soundtrack for the genius of electrification and for the bitter conflicts between government and organised labour for control over the nation's electrical infrastructure.” - Disinformation “Stargate” + “National Grid” LP - Ash International, Ash 3.2, copyright © 1996

Disobey, Holloway, London, 10 Oct 1996
Royal College of Art, Kensington, 5 Dec 1996
Museum of Installation, Deptford, July 1997
South London Gallery, Camberwell, 15 Aug 1998
Nuclear Warfare Command Centre, Anstruther, 25 Sept 1998
Lux Cinema, Hoxton, 9 Dec 1998
Volksbühne, Berlin, 27 June 1999
ZKM, Karlsruhe, 16 July 1999
Arctic Corsair, Hull, Oct 1999
Kettle’s Yard, Cambridge, Jan to March 2000
Sonic Boom, Hayward Gallery, 2 June 2000
The Dom, Moscow, 26 Sept 2000
Fabrica, Brighton, Nov to Dec 2001
The Royal Institution, Mayfair, 22 May 2004
Corsica Studios, Elephant & Castle, 19 Nov 2004 *
The Guardian Science Writers Xmas Party, 13 Dec 2004 *
Hull Art Lab (Humber Street, Kingston-upon-Hull) 4 Feb 2005 *
Cargo Nightclub, Hoxton, 17 Feb 2005 *
The Foundry, Hoxton, Oct 2005
Westbourne Studios, Notting Hill, 18 Sept 2006 *
The Junction, Cambridge, 27 April 2007 *
Centre for Life, Newcastle, 5 March 2008 *
Gus Fisher Gallery, Auckland, NZ, Aug 2009
When the Dust Settles, Dalston Bunker, Oct 2010
Living Rooms, Auckland, NZ, April 2011
Frequency Festival, Lincoln, Oct 2011
Usurp Gallery, Harrow, 8 Nov 2011
GV Art, Marylebone, Nov to Dec 2013
Inspace, Edinburgh, 29 Nov 2013
Le Bon Accueil, Rennes, Oct to Nov 2014
The Auricle, Christchurch, NZ, Feb 2015
The Morgue, Chelsea College of Arts, 16 March 2017
Assembly of Disturbance, Shoreditch, 7 Oct 2017
Gallery 46, Whitechapel, 15 Feb 2018
Kino Siska, Ljubljana, 21 March 2018
CMK, Koper, 22 March 2018
Caponier Tunnel, Newhaven Fort, 22 Sept 2018
Antithesis, Schemata Art, Elephant & Castle, March 2022
Ealing Extranormal Volume 22, 16 Dec 2023
Farsight Collective, St. Giles, 11 + 12 Oct 2024

* Disinformation + Strange Attractor

2612 + 20-97 502 + 85-97 503 + 19-97 503 (Minhota livery).
IR 857 Porto Campanhã - Valença do Minho.
Nine, Distrito de Braga, Portugal.

Disinformation – “Antithesis”
Virtual exhibition for Schemata Art
Hosted by New Art City + Corsica Studios
March 2022 onwards (indefinite exhibition)

Full description + user guide – rorschachaudio.files.wordpress.com/2022/03/disinformation...

3D view – newart.city/show/schemata-disinformation-antithesis

Catalogue view - newart.city/catalog/schemata-disinformation-antithesis

Curated and designed by Alice Hoffmann-Fuller, the latest exhibition in Schemata, Corsica Studios’ new experimental arts platform, takes place in a 3D digital rendering of Corsica Studios, hosted by on-line gallery platform New Art City. The “Antithesis” exhibition features brand new and archival work by the highly innovative and influential audio-kinetic art project Disinformation.

The Disinformation project’s exhibition for Schemata is in part inspired by the close proximity of Corsica Studios to the Brutalist architect Rodney Gordon’s iconic memorial to the electrical scientist Michael Faraday, installed, close to Corsica Studios, at the Elephant & Castle in 1961. The Disinformation sound artwork “National Grid” was first released on LP and performed live in 1996, and first exhibited as an art gallery sound installation in 1997. “National Grid” uses electromagnetic noise from live mains electricity to create a monolithic and immersive sound installation, which is conceived as a musical tribute to “the (creative) genius of electrification” [1]. The Michael Faraday memorial itself contains an electrical substation, which feeds high-voltage power to the London Underground; and it is consistent with the assertion that “art is not necessarily science, but science is always art” [2] that the original design for the Michael Faraday memorial envisaged this important work of public art as being a glass container (not, as it stands at present, a highly reflective steel box). On this basis, and in terms that are equally antithetical to the conventional wisdom of mainstream contemporary art, it can be argued that the true purpose of the architect’s original design was to enable members of the public to view what can be seen as the “real” work of art - meaning to view the electrical infrastructure.

[1] Hull Time Based Arts TOOT Festival Programme, Mute Magazine (special supplement) Oct 1999
[2] Joe Banks “The Rumble” (catalogue) Royal Society of Sculptors, March 2001

“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991

See also - www.flickr.com/disinfo/31910925141/

Disinformation – “Antithesis”
Virtual exhibition for Schemata Art
Hosted by New Art City + Corsica Studios
March 2022 onwards (indefinite exhibition)

Full description + user guide - rorschachaudio.files.wordpress.com/2022/03/disinformation...

3D view – newart.city/show/schemata-disinformation-antithesis

Catalogue view - newart.city/catalog/schemata-disinformation-antithesis

Curated and designed by Alice Hoffmann-Fuller, the latest exhibition in Schemata, Corsica Studios’ new experimental arts platform, takes place in a 3D digital rendering of Corsica Studios, hosted by on-line gallery platform New Art City. The “Antithesis” exhibition features brand new and archival work by the highly innovative and influential audio-kinetic art project Disinformation.

The Disinformation project’s exhibition for Schemata is in part inspired by the close proximity of Corsica Studios to the Brutalist architect Rodney Gordon’s iconic memorial to the electrical scientist Michael Faraday, installed, close to Corsica Studios, at the Elephant & Castle in 1961. The Disinformation sound artwork “National Grid” was first released on LP and performed live in 1996, and first exhibited as an art gallery sound installation in 1997. “National Grid” uses electromagnetic noise from live mains electricity to create a monolithic and immersive sound installation, which is conceived as a musical tribute to “the (creative) genius of electrification” [1]. The Michael Faraday memorial itself contains an electrical substation, which feeds high-voltage power to the London Underground; and it is consistent with the assertion that “art is not necessarily science, but science is always art” [2] that the original design for the Michael Faraday memorial envisaged this important work of public art as being a glass container (not, as it stands at present, a highly reflective steel box). On this basis, and in terms that are equally antithetical to the conventional wisdom of mainstream contemporary art, it can be argued that the true purpose of the architect’s original design was to enable members of the public to view what can be seen as the “real” work of art - meaning to view the electrical infrastructure.

[1] Hull Time Based Arts TOOT Festival Programme, Mute Magazine (special supplement) Oct 1999
[2] Joe Banks “The Rumble” (catalogue) Royal Society of Sculptors, March 2001

“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991

See also - www.flickr.com/disinfo/31910925141/

Electromagnetic sound art in virtual exhibition space...

Disinformation – “Antithesis”
Virtual exhibition for Schemata Art
Hosted by New Art City + Corsica Studios
March 2022 onwards (indefinite exhibition)

Full description + user guide – rorschachaudio.files.wordpress.com/2022/03/disinformation...

3D view – newart.city/show/schemata-disinformation-antithesis

Catalogue view - newart.city/catalog/schemata-disinformation-antithesis

Curated and designed by Alice Hoffmann-Fuller, the latest exhibition in Schemata, Corsica Studios’ new experimental arts platform, takes place in a 3D digital rendering of Corsica Studios, hosted by on-line gallery platform New Art City. The “Antithesis” exhibition features brand new and archival work by the highly innovative and influential audio-kinetic art project Disinformation.

The Disinformation project’s exhibition for Schemata is in part inspired by the close proximity of Corsica Studios to the Brutalist architect Rodney Gordon’s iconic memorial to the electrical scientist Michael Faraday, installed, close to Corsica Studios, at the Elephant & Castle in 1961. The Disinformation sound artwork “National Grid” was first released on LP and performed live in 1996, and first exhibited as an art gallery sound installation in 1997. “National Grid” uses electromagnetic noise from live mains electricity to create a monolithic and immersive sound installation, which is conceived as a musical tribute to “the (creative) genius of electrification” [1]. The Michael Faraday memorial itself contains an electrical substation, which feeds high-voltage power to the London Underground; and it is consistent with the assertion that “art is not necessarily science, but science is always art” [2] that the original design for the Michael Faraday memorial envisaged this important work of public art as being a glass container (not, as it stands at present, a highly reflective steel box). On this basis, and in terms that are equally antithetical to the conventional wisdom of mainstream contemporary art, it can be argued that the true purpose of the architect’s original design was to enable members of the public to view what can be seen as the “real” work of art - meaning to view the electrical infrastructure.

[1] Hull Time Based Arts TOOT Festival Programme, Mute Magazine (special supplement) Oct 1999
[2] Joe Banks “The Rumble” (catalogue) Royal Society of Sculptors, March 2001

“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991

See also - www.flickr.com/disinfo/31910925141/

Electromagnetic sound art in virtual exhibition space...

Disinformation – “Antithesis”
Virtual exhibition for Schemata Art
Hosted by New Art City + Corsica Studios
March 2022 onwards (indefinite exhibition)

Full description + user guide – rorschachaudio.files.wordpress.com/2022/03/disinformation...

3D view – newart.city/show/schemata-disinformation-antithesis

Catalogue view - newart.city/catalog/schemata-disinformation-antithesis

Curated and designed by Alice Hoffmann-Fuller, the latest exhibition in Schemata, Corsica Studios’ new experimental arts platform, takes place in a 3D digital rendering of Corsica Studios, hosted by on-line gallery platform New Art City. The “Antithesis” exhibition features brand new and archival work by the highly innovative and influential audio-kinetic art project Disinformation.

The Disinformation project’s exhibition for Schemata is in part inspired by the close proximity of Corsica Studios to the Brutalist architect Rodney Gordon’s iconic memorial to the electrical scientist Michael Faraday, installed, close to Corsica Studios, at the Elephant & Castle in 1961. The Disinformation sound artwork “National Grid” was first released on LP and performed live in 1996, and first exhibited as an art gallery sound installation in 1997. “National Grid” uses electromagnetic noise from live mains electricity to create a monolithic and immersive sound installation, which is conceived as a musical tribute to “the (creative) genius of electrification” [1]. The Michael Faraday memorial itself contains an electrical substation, which feeds high-voltage power to the London Underground; and it is consistent with the assertion that “art is not necessarily science, but science is always art” [2] that the original design for the Michael Faraday memorial envisaged this important work of public art as being a glass container (not, as it stands at present, a highly reflective steel box). On this basis, and in terms that are equally antithetical to the conventional wisdom of mainstream contemporary art, it can be argued that the true purpose of the architect’s original design was to enable members of the public to view what can be seen as the “real” work of art - meaning to view the electrical infrastructure.

[1] Hull Time Based Arts TOOT Festival Programme, Mute Magazine (special supplement) Oct 1999
[2] Joe Banks “The Rumble” (catalogue) Royal Society of Sculptors, March 2001

“Virtually all the physical phenomena we experience, such as light, chemical reactions, the properties of materials, and the transmission of signals along nerve fibres, are electrical in nature. In fact, the only non-electrical force we experience every day is the force of gravity.” – Harris Benson “University Physics” Wiley 1991

See also - www.flickr.com/disinfo/31910925141/

CD (České dráhy) dual system loco 362 165-3 with a pull-push S9 regional service from Breclav to Prerov leaves Hodonín station. (Czech Republic)

If you like the photo press "F"

Click on the photo to enlarge for a better view.

© Andreas Berdan - no unauthorized copying permitted

BR 171 004-5 bei der Einfahrt in den Bahnhof Rübeland

BR 171 009-4 steht mit einer Regionalbahn im Bahnhof Blankenburg

BR 171 009-4 beim umsetzen im Bahnhof Michaelstein